Categories
Across The Wire Vol. 6

2 Poems

By Damon Hubbs

Brink


Gossiping with Alyson and Alys.
Fika, visiting cake.
Nobody is Swedish although Nadia is the type of blonde
you’d kill a prime minister for.
I read the papers and gamble on papal elections.
To think of all the beauty and bloodshed,
fuck it. I’m lying to myself and others.
Artifice in loud terms.

Nadia gives me a jagged hump
and I’m on the oozy brink
when she starts talking about Irish writers
and some esthetician
in Palm Springs
nicknamed Jack the Ripper.
It’s strange how people cling together.
Darling, don’t shoot until the subject hits you.

I’m barely awake when you call me Finnegan
stately, plump (picnic, lightning).
I mock the myths I help create
make faces in the surveillance camera.
Where we’re headed, where we are
halfway down the coast I lost the comic timing,
pick up the phone like a cold kiss—
yes, Nadia, the fire escape is burning

and I’m watching the deaf republic
under a wild pack of stars.
I’m thinking about the poet
who dropped an electric toothbrush into her cunt
and fried my cock.
Love after love after love
I’m pissing like the Colosseum in full view
listening to the pretty tyranny of the wind.

Patagonia Picnic Table Effect

Somewhere between night and the morning after
queer shades of future dusk
Berluti knot, orange wine, lips like an extra maraschino

we talk about art and Genet and the birdshit on the bench.
“You should write a poem about birds,”
she says, not knowing I’d sworn off bird poetry

preferring to write poems about petite mort and 21st century malaise
clubby androgynous youth, gobs of spit, vape girls, egirls
empty theaters and red latrines, Aslan’s pin-ups, lui magazine

desire that isn’t explained, desire with a mouth like a dirty rest stop,
Vogue Italia, dressing for the rapture, what it means to be exiled,
what it means to be stripped of happiness, what it means to be stripped

like a saint, murder holes, arrow loops, Divine’s funeral, my complete
fear of list poems, biographies, throat cancer, my complete fear of Kathy
Acker, Trazodone, nightstands, spotlights, Piss Flowers, the exquisiteness

of tiramisu, the slippage between desire and disgust, the foil to her
flamboyance, Stabat Mater, my complete fear of Connecticut, the
insurance man, the cricket-impresario, tennis elbow, preferring to

write poems about coupling, decoupling, parallelism, lines of influence
and what it means to find a rare species, and another, and another —
Yellow Grosbeak, Thick-billed Kingbird, a nesting pair of Rose-throated
Becards.

Damon Hubbs is a poet from New England. He’s the author of three chapbooks and a full-length collection, Venus at the Arms Fair (Alien Buddha Press, 2024). Recent publications include Apocalypse Confidential, The Crank, A Thin Slice of Anxiety, Spectra, the engine(idling, Horror Sleaze Trash, & others. His poems have been nominated for the Pushcart and Best of the Net. 

Categories
Saturday Cartoons

“HAIRCUT”

By Jesse Hilson

On Saturday morning, before lunch at the food court at the local mall, before hitting the Shoe Dept and catching the 1:40 showing of Avatar 4, is a perfect time to stop off at QuikCuts and get a trim. The hairdressers all have certificates from beauty school and love to chat with customers. They make you feel right at home.

Jesse Hilson is a writer and artist living in the Catskills in New York State. His work has appeared in Hobart, X-R-A-Y, Apocalypse Confidential, Scaffold, Farewell Transmission, Excuse Me Mag, Expat, Misery Tourism, and other venues. He has written two novels, Blood Trip and The Tattletales; one story collection, The Calendar Factory; and a poetry collection, Handcuffing the Venus De Milo. He can be reached on Instagram at @platelet60 and he runs a Substack newsletter called Chlorophyll & Hemoglobin.

Categories
Across The Wire Vol. 6

the cure

By dizzy turek

Are you, he coughs, are you, he coughs, are you coming, he coughs & then he coughs again, excuse me–are you coming, he coughs 3 times, oy ya yoy, he coughs a little, excuse me, clears throat, are you, clears throat again, what is up with me, he coughs, 

am I gonna see you for Christmas this year?

dizzy turek writes in Chicago but is originally from Ohio. find all writing on: instagram: dizzzzzzzzzzzzzzzzzzzzzzzzzzyy & twitter: @dddddizzzzyzzz . he also does theater.

Categories
Saturday Cartoons

Comic Strip #3

By Craig Rodgers

Craig Rodgers is the author of ten books, a handful of lies, and all manner of foolishness.

Categories
Across The Wire Vol. 5

You only Smile when I’m Down 

By Tim Frank

My revenge will be to live well.
I’ll sink my teeth into slabs
Of steak,
Let the garlic butter ooze
From my lips
As Weiss beer bursts
Upon my eager tongue.
I’ll dream of ice-cold water
Pooling around my feet
And watch the evening game
While chaining cigarettes—
Blowing rings of smoke
At the waning moon,
Creating new plateaus
Of beauty
From my idle thoughts.
And yet, what good does living well
Really do?
We cruise
Through worlds aligned
But are judged by different gods—
Indifferent gods,
Not worthy of our prayers.
You’re a phantom figure
Beyond my vengeful reach.
So do your worst, my simple friend—
Set fire to your block
Make your children cry

Tim Frank’s work has been published in Bending Genres, X-R-A-Y Literary Magazine, Maudlin House, The Forge Literary Magazine, The Metaworker and elsewhere. He has been nominated for Best Small Fictions. His debut chapbook is, An Advert Can Be Beautiful in the Right Shade of Death (C22 Press ’24) and his second chapbook of poetry is, Delusions To Live By (Alien Buddha Press, ’25)

Twitter: @TimFrankquill

Categories
Saturday Cartoons

Notes to A Friend; Silently Listening #2

By William Schaff

William Schaff has been a working artist for over two decades. Known primarily for his mastery at album artwork, (Okkervil River, Godspeed You! Black Emperor, Mighty Mighty Bosstones, Songs: Ohia, etc.) Schaff is also the founder of Warren Rhode Island’s “Fort Foreclosure”. The building, lovingly named without the least bit of irony, serves as Schaff’s home and studio as well as  home and meeting place for  other artists (most notably former resident musicians MorganEve Swain, and the Late David Lamb, both of Brown Bird).  William also performed for a decade with the What Cheer? Brigade, as one of 20 musicians in a brass band that travelled the U.S. and Europe. An experience that shaped so much of his life. In 2015, recognizing the importance of art in this world, he expanded his community to the West Coast, where he started “The Outpost”, in Oakland, California. There —   financial earnings be damned! — William filled his days creating works of art for private commissions, bands, exhibitions  and his own examinations of human interaction. He has since returned to Rhode Island and can be found, daily, doing the same at the Fort. He has a Patreon page if you’d like gifts in the mail and to help keep the lights on.

Categories
Across The Wire Vol. 5

You’re Okay Champ

By Michael Pershan

Michael Pershan is a math teacher and writer living in New York City. His writing has appeared or is forthcoming in BULL, hex, Outlook Springs, and The American Bystander. 

Categories
Saturday Cartoons

Comic Strip #5

By Craig Rodgers

Craig Rodgers is the author of ten books, a handful of lies, and all manner of foolishness.

Categories
Across The Wire Vol. 5

The world is disappearing into words & I am afraid.

Dimensions/Medium:
Approximately 18×24 cm
Colored Pencil

Sofija Popovska just doesn’t know anymore.
IG: _aughtmilk

Categories
Saturday Cartoons

Spirit of the Cheese

By William Schaff

William Schaff has been a working artist for over two decades.  Known primarily for his mastery at album artwork, (Okkervil River, Godspeed You! Black Emperor, Mighty Mighty Bosstones, Songs: Ohia, etc.) Schaff is also the founder of Warren Rhode Island’s “Fort Foreclosure”. The building, lovingly named without the least bit of irony, serves as Schaff’s home and studio as well as  home and meeting place for  other artists (most notably former resident musicians MorganEve Swain, and the Late David Lamb, both of Brown Bird).  William also performed for a decade with the What Cheer? Brigade, as one of 20 musicians in a brass band that travelled the U.S. and Europe. An experience that shaped so much of his life. In 2015, recognizing the importance of art in this world, he expanded his community to the West Coast, where he started “The Outpost”, in Oakland, California. There —   financial earnings be damned! — William filled his days creating works of art for private commissions, bands, exhibitions  and his own examinations of human interaction. He has since returned to Rhode Island and can be found, daily, doing the same at the Fort. He has a Patreon page if you’d like gifts in the mail and to help keep the lights on.

Categories
Across The Wire Vol. 5

Japanese Steak Knives, The Breville, A Distressed Velvet Ottoman

By Frank Carellini

they undressed methodologically.  unprovocative.  like they were about to examine each other for lumps.  folding his clothes neatly into rectangles.  those worn brown chinos.  the chambray button down shirt with underarms that smelled with years of his bitter sweat.  sweat that at one time, attracted her.  she used to liken it to “my salty Mediterranean man that smells like the rind of a lime.” where that man went, neither of them knew.  the fauvist views of succulent fruits clinging to branches above a sparkling sea are a lifetime removed.  she, folding her jumper into a square that ballooned at the edges.  never had a penchant for perfection.  their bodies were cold and clammy as they came into mutual embrace.  they tried to make love. tried pressing the atoms of their bodies into some form of miracle.  paused at each others lips, not moving, but waiting for some sort of momentum to build.  nothing. barely air passed between them.  they tried in the kitchen.  in the bathroom.  on the couch.  looking around at the set of japanese steak knives, the Breville, a distressed velvet ottoman.  as if to put the blame on them for lack of ambiance.  

checking into The Schofield.  Corner suite (always wondered what it looked like).  Lots of mirrored surfaces.  their bodies moved like lava in a lavalamp from one distorting surface to another.  two beds.  weird, he forgot to request one king.  lots of vague objects.  a miniature Calder mimic.  she put pressure on one pendant.  let it ricochet.  watched it ease back into balance.  then into stillness.  the lack of its optionality into a chaotic form was upsetting.  couldn’t be broken.  he went into the mini-fridge.  two bottles of tonic.  little bottle of bombay.  grabbed glasses from the desk.  they had a nice weight.  a weight that felt official.  called for ice.  and a lime.  two thank yous and a $10 tip later, he mixed them a drink.  thumb stung from the lime juice.  she was sitting on the edge of her bed.  patting her skirt.  she wore that perfume.  he sat at the desk chair.  swiveled around to cheers her. 

“i used to wear a beret.” 

“and smoke cigarettes.” 

“i once knew Yves Klein.  he asked me to be one of his brushes.”

this went on.  the days in montmartre.  maybe it was true.  he was no Yves Klein.  he could see it.  her body draped in that ultramarine.  being spread across a canvas.  the gushing figures materializing on canvas. 

this aroused, then irked him.  didn’t dr. muchlenbach teach her not to bring french painters to romantic getaways. 

he downed his drink.  she hadn’t touched hers.  the ice had melted and it looked diluted.  he went and sat on the bed opposite hers.  turned the tv on.  Joe Rogan’s Fear Factor, Couples Editions.  the programming at this place was meant to keep things spicy.  she sighed and got up off the bed, placing the drink down on the desk.  walked by him without any acknowledgement.  he heard the bath turn on.  ran for a while.  this episode, contestants had to stand on top of a moving vehicle and grab flags as they sped by a set of markers.  she, in a bathing suit (why were they always in bathing suits) and he, a muscle shirt, cutoff jean shorts.  after they win first place, they’d go back to their trailer and have mind-blowing sex.  maybe the exercise the entire kama sutra.  this irked, then aroused him.  annoyed at the thought of an erection through jean shorts.  felt like an insult.  the faucets turned off with that creak that the old guard turnstile knobs made.  he could hear her swishing around.  sitting up.  falling into the water.  now she was rolling onto her stomach and back.  now she was— 

the second task was a water one.  one of the team would be submerged underwater.  the other would have to crawl through a tunnel of roaches to find a key.  the key opened the tank and let the water out.  jean shorts muscled through the tunnel.  even ate a roach for style points.  bathing suit floated glamorously in the tank.  did a twirl to the right, then to the left, then winked at joe.  then to the camera.  

drive home was eventless.  across the bridge.  down the parkway.  Nicholas greeted them at the door.  Said something about the dogs behaving well.  they sat on the couch.  he turned on the tv.  maria appeared from the linen closet with a “miss, the blue does not come out of your underwear.”  she blushed.  

“I used to wear berets.”  she uttered. “and smoke cigarettes.”  she was speaking to a void.  he went to the refrigerator.  took two bottles of tonic.  he put ice into his.  lime into hers. 

Frank Carellini was born in Connecticut in 1993.

Categories
Saturday Cartoons

Comic Strip #7

By Craig Rodgers

Craig Rodgers is the author of ten books, a handful of lies, and all manner of foolishness.

Categories
Across The Wire Vol. 5

The Facts

By Kyle Kouri

Yves is dating Alfonse who’s in love with Paulo who’s fucking Stefan who’s focused on his career but married to Sydney who knows he’s gay but feels safe because they’re best friends, which makes Cristof jealous because he’s pining for both of them; and Cristof’s brother Rosco is dating Nifath, mysterious Nifath, and they’ve been in an open relationship since July when Nifath got distant and Rosco suggested they experiment; but Nifath’s been fucking Conroy since May of last year and Conroy hasn’t been tested for decades (no self-reflection); he’s been drinking with Jason who can’t get his dick hard but has been thinking it’s because he has feelings for Seana, the trans girl, who dated Sarah all throughout undergrad; and Sarah, stubborn Sarah, feels cheated because Seana’s not Sean anymore, in fact she’s never been, just appeared that way, and Sarah’s straight and sure of it, but did have a few experiences with Massie, the Bohemian, who swears relationships are soul-suckers, monogamy equals weakness; though in high school Massie dated Scottie, who is a cheater with a big ol’ penis, and has never once been loyal, but is charming, and still supported by his mother, who’s having an affair with Aldo, her personal trainer who does this frequently; and Aldo’s brother Santo is in prison and having a hard time while doing hard time because his girlfriend Mary is pregnant and works at the ShopRite which Peter has managed for sixteen years; and Peter, peculiar Peter, has had physical contact with another human only once during his entire adult life, instead he looks at little kids on the dark web; and sometimes, around lunchtime, he’ll make a detour carrying his canned tuna and pass by the elementary school’s playground where Fanny, Ms. Fanny Appleton, is the teacher and always gazes warily around the perimeter, because she’s worried about just this kind of thing; she purses her lips, eyes vigilant, and waves at Peter but doesn’t suspect him, because at the ShopRite he’s always been a nice man, a little sweaty, true, but even makes Ms. Appleton’s nephew laugh; this kid’s name is Stephen, and when Fanny’s babysitting, they stop by the store for ice cream sandwiches, but she has never noticed Peter touch him inappropriately, which, on one occasion, Peter has; anyway Ms. Appleton is single, has not had a boyfriend since college, where she was manipulated by Michael into doing things that didn’t feel right; and then one night Michael snuck into her dorm room, wasted, and raped her; now Fanny trusts no one and lives a quiet life but has a crush on Lucien Carr (no relation to the murderer), who teaches English and seems in Fanny’s opinion sweet but sad too, and everyday she swears she’s going to ask him out for coffee, but just hasn’t committed yet; and Lucien doesn’t realize she’s even interested, because the truth is he has a drug problem, and every day after his class he goes home alone, draws the blinds, snorts cocaine and drinks alcohol until he’s completely deranged, then sleeps for two hours, wakes up the next day, and repeats the same thing; sometimes he picks up his phone to call Courtney, then changes his mind, because Courtney was his wife and his best friend but then got sober, they both went through the Program, and she changed, he couldn’t beat it, so she left him, and now he’s back on a bender; and Courtney, somber Courtney, sweet, sad Courtney goes to meetings every evening and spends her days working at T-Mobile, just trying to get by; on occasion she flirts with Teshawn, her co-worker, he makes her laugh, they take break at Chipotle; Teshawn’s twenty-one and goes to the community college with Rasheeda, who he’s in love with, and she likes him, but he’s so nice, she finds that off-putting; plus she likes to go out on the weekends, in the city, where she meets Sky Pepper; and Sky Pepper, so Sky Pepper, is a model and comes from money and once her and Rasheeda went home with Sven Odenfield, the photographer, and they had a threesome, which was fun but a little intense for Rasheeda, though Sky doesn’t remember it; Sven remembers it, in fact he catalogued each moment of the evening in his Moleskine, because that’s his thing, along with photography, he’s in love with pleasure, has fucked half the city, and meticulously records each conquest; but Sven, complex Odenfield, still Facebook stalks Nadia, his step-sister, who lives in Berlin and will not return his phone calls, plus things were never the same after what happened that one night, when they shared a hotel room next to their parents and both got drunk off the liquor in the mini-bar; and their parents are swingers, they go to the private parties that Thor hosts; and Thor is from the midwest but got outta there the day he turned eighteen, and lives glamorously, hosting orgies, with celebrities, but has a soft spot for his sister Irene, who moved to New York, but couldn’t make it and so moved back home and married Alan, her high school sweetheart, who’s perfectly content in Wisconsin, he’s an engineer, would never leave there, couldn’t imagine life outside of Waukesha; and now Irene’s pregnant, she’s only twenty-five, and Alan is overjoyed (also in debt) and Irene is happy, she has always wanted to be a mother, but she wanted a career too, that’s why she moved to New York, but now it seems that ship has sailed; so once a week Irene FaceTimes her best friend Meredith, who moved to LA, and isn’t sure exactly if she’s the only one but is pretty sure she’s now dating Smash Lowe, yes, that one, the movie star, and is having so much fun and, “No, no, Irene, I do not have a coke problem, I don’t do it during the week, okay? Anyway I’m young! And Oh Irene, oh my god, you’re so freakin’ preggers!!!” and Meredith is having a great time, really living life, posts often on Instagram, but she’s secretly jealous, because throughout childhood she was in love with Alan too; her, Irene and him were inseparable, sometimes they all slept in the same bed, and Meredith once even, just once, after they’d been drinking, tried to kiss Alan but he was honest, he was loyal, he said, “Gee, Mer…I….I’m with Irene!” and was truly baffled, simple Alan, he was embarrassed, felt his honor compromised, but Meredith sobered up, she said, “Of course, no, you’re right, I’m sorry, can we just forg”—and Alan interrupted her, stood up very straight and said, “Enough,” then went into another room of the party and spoke to Johnny who developed his alcoholism at a young age and now is dead after taking too many Lorazepam on a March night, after a long bout of drinking, a few years ago; and at Johnny’s funeral his mother Aubrey cried, and his father Alec held her, stoic, but his mouth twitched and he thought that later that night, he’d sit by the fire with Skaal, his brother, who just flew in from Norway; and Skaal used to be easygoing, believed in the essential good of things, was always smiling, didn’t watch indie movies, liked buddy comedies, but that was before the Norway massacre, which killed 77 people, one of which was Anita’s little brother (that’s Skaal’s girlfriend); I shall not say her brother’s name, respect for the family, understand, but after the murder Anita became focused, she became political; Skaal, in contrast, became quieter, more sensitive, had less conviction, the world made less sense to him, and so when Alec called about his son’s death, Skaal’s nephew, Skaal blinked twice, held the phone and felt utter numbness; that trance persisted the entire flight to Chicago and still at the airport; and walking through the long terminal, dazed, startled by ascending airplanes, Skaal accidently bumped right into Olivia; and Olivia, who was about to board her own flight, took this as a sign; she turned around, left the airport, and caught a taxi back into the city, and ran to Henry, he was just stepping out of his apartment, she embraced him, and Henry was shocked, he thought he would never see her again, and he held her, but was anxious, frankly part of him had been excited for his new life, and thus was not expecting this return; and one night a month later, Henry got a little drunk and struck up a conversation with a woman at the bar near his office, she was wearing a black slip, her name was Terry; and Terry knew his type, she did this often, she got him wasted and then she fucked him, then kicked him out of her apartment and smoked cigarettes, thinking men are idiots, they are malleable, they are so easy; and Terry was the hostess at a very upscale restaurant on the Northside; and one night the famous musician and notorious womanizer Augie Rainwell came to the restaurant and ignored Terry, he did not seem interested, she was astonished; the fact was, however, that for Augie it was nothing personal, he was secretly dealing with an eruption of genital herpes, and that was affecting his confidence, he looked around the restaurant warily, helplessly, thinking everybody knew his deformity, everybody was doubting his masculinity, his sexual viability; he had no idea who had given him herpes, there were about seven women and two men that it could have been; and what was worse, the worst part of it, was that Augie was married to Jaclyn, and he had slept with her twice, without protection, since fucking strangers, without protection, and so now it was possible, perhaps likely (who knows how it really works), that Jaclyn also had genital herpes and would, once and for all, know that Augie was cheating on her; and Jaclyn, fed-up Jaclyn, would finally move out and go stay with her mother; and her mother, Avi, in the living room, would say, “I knew that boy was no good for you,” and Jaclyn would say, “Oh mother, please!” and turn away, look at their wall of photographs, where her grandmother Maya is featured prominently; and Maya was a Holocaust survivor whose husband Ira didn’t make it, but whose best friend David made it; and after the Holocaust, David wrote a book about the horror, but it was never published, and so he became a businessman, was quite successful, he married and lived a long life, ending up in a lovely home where he had a nice relationship with the nurse Genevieve, who is a redhead; and Genevieve loves to fuck, but has this feeling, this deep-rooted conviction, that abstinence is the only true path to happiness, but if that is the case she prefers unhappiness, and so has many lovers, and many secrets; and each one of these lovers say the same thing: “Genevieve was, by far, the best I ever had, but honestly, to this day, I know nothing about her;” and one of these lovers was Elliot, and Elliot has had a strange life; not only did both his parents die on 9/11 (one of those freak things, they were just visiting), he also happened to be in one square mile of two mass shootings in real life (one Isis-related, the other a white kid, with a micro-penis and a manifesto); but Elliot is committed to mathematics, he refuses to become superstitious, and right now is in grad school, getting his PHD; and Elliot, ponderous Elliot, the orphan prodigy, has never been in a relationship that lasted more than six months, they’re not practical, plus he cherishes his alone time, takes long walks, and thinks about probability, possibility, the infinite number of things that could happen to you, the infinite ways in which they could happen too, and the ways that lives intersect and influence each other, or maybe never cross paths at all, he thinks about all of this; and one day Elliot passed a family on one of his long walks; it was a mother, father, and their young boy; and that little boy was me, many years ago, my family lived around the corner, in that neighborhood, this was our park, it was small, now I see that, but back then it was the world to me; I held my mother’s hand and looked up at my dad’s body, obscured by sunlight, a vague shape, this awesome bulkiness, I tried to grab his leg, but he was too far ahead, didn’t even notice I wanted him; not at all; my father was focused on a sculpture, in the garden; this sculpture was a rabbit with big and ugly, rotting buck teeth, it wore a top hat and a sports coat, it held a watch in one paw and between two fingers on its other hand it balanced a scale, but unevenly; this rabbit smirked, taunting, mischievous, he knew everything, she was not impressed with it; they were sexless, gushing with sex though; I stared at my father and squeezed my mother, tighter, tighter, but then some smell, a floral fragrance, with the slightest rot in it, made me look away; I saw a man with long hair, very thin, very feminine, his shirt was see-through, rib showing, he was almost glowing; getting closer to us; he was not my parents, this excited me, my eyes opened, I tore from the woman who gave birth to me and ran, past the man who fucked her, I ran, and almost tumbled, but stayed on my feet, I ran forward and reached for 


Kyle Kouri is an award winning actor, writer, filmmaker, and producer. He received his MFA in Fiction from Columbia University, where he served as the online arts editor for the Columbia Journal. He is the co-founder of Slashtag Cinema, a film production company. Slashtag’s first film, the multi-award winning KEEP COMING BACK, which Kouri directed, co-wrote, and stars in, premiered at Screamfest in October 2024. His writing has appeared in Cleaver Magazine, the Columbia Journal, Ghostwatch Zine, The Los Angeles Press, and Maudlin House. His first book, THE PROBLEM DRINKER, is forthcoming from CLASH Books in 2026. He lives in and around LA with his four rescue dogs and his girlfriend, the writer CJ Leede.

Categories
Across The Wire Vol. 5

ALL THE FELLAS WANNA COME, SHOW OFF WITH THEIR KITTIES

By Alex Rost

We weren’t getting along too well just then, so we went bowling.

       We walked in at the far end of the alley.

      “I love how it smells in here,” I said.

       You wrinkled your nose. “It smells like dirty socks and stale beer.”

“I know, right?”

It was a long way to where we had to pay and rent shoes – past rows of alleys, past bunches of people milling about, talking or not talking or whatever.

“No one is bowling,” I said.

“Yeah, what’s up with that?”

“Why isn’t anyone bowling?” I asked the employee after we covered the ten fucking miles to the register.

“League play,” he said.  “Hasn’t started yet.”

“Oh,” I said.  “That makes sense.”

Now I could feel it – anticipation.  That was what really smelled.

The employee must have said something, because he was staring right at me.

“What?”

“It’s gonna be like twenty minutes.  We only have the last ten lanes for open bowling tonight.”

“Only ten lanes?”

“Leagues,” he said, and pointed off behind me.

“Okay.”

“Or thirty.”

“Or thirty what?”

“Or thirty minutes.  Twenty to thirty minutes.”

I turned to you.  You shrugged and nodded at the same time.

“Okay,” I said to the employee.  “Let’s do it.”

“How many games do you want to play?”

“Three.  At least three, I think.”

I turned to you again.  You shrugged and nodded at the same time.

“Three games,” I said to the employee, with confidence.

He typed something into the computer on top of the register.

I noticed an index-sized laminated card propped on the counter.  It said, ‘Buy three games, get a $5 arcade play card.’  It said, ‘STATE OF THE ART ARCADE!!!!!’ with all those exclamation points.

“Hold up.” I flipped the card around and showed it to the employee.  “What’s this all about?”

“You get a free play card with a purchase of three games,” he said.

“Both of us?”

“Yes, both of you.”

“Were you going to say anything? Like if I didn’t notice this, would you have given us the arcade cards?”

The employee raised his eyebrows.

“Is it really state of the art?”

He pursed his lips, glanced at the line behind us.

“I mean, is it worth it?”

“Are you going to buy three games?”

“Well, yeah.”

“Then I’d say it’s worth it.”

“Okay,” I said.  “Done deal.”

I turned to you, grinning, and said, “State of the art, baby.”

You shrugged and nodded at the same time.

“What size shoe?” the employee asked us.

You told him your size and I said, “Sometimes a twelve, but sometimes a thirteen.”

He slapped a size twelve and a half onto the counter.

“Whoa, man.  Twelve and a half?  Thank you.”

We paid and headed to the bar.  I held my shoes up, showing you the 12 ½ printed on the heel.

“I can’t believe they had a twelve and a half,” I said.

“I think it’s pretty standard.”

You didn’t understand.

“I feel like I should tip him.”  I looked back at the employee.  He was helping someone else now, looking sleepy and annoyed.

“He was kind of a dick.”

There was one bartender, busy filling a tall tube with a spout at the end full of beer.

“Check it out,” I said. “A hundred twenty ounces.  That’s like a full twelve pack.”

“That’s ten beers,” you said.

“Sure is.  Should we get one?”

“No way, that’s fucking gross.”

“Really? Why?”

“How do you think they clean those?  Rinse them out with a hose?  No way they’re sanitized.”

Maybe they had a sort of chimney sweep tool they jammed in the tube to scrub it, but I doubted it.

“You’re right,” I said.

“Plus, it’ll get all warm and flat before we drink it all.”

“You’re right,” I said again.  “Fuck.”

We ordered beers – boring ass regular size beers – and took them to the arcade.

It’d been a while since I’d been in an arcade, and this one being billed as state of the art had me all excited.

“What the fuck?” I said when I saw it.  I said it louder than I meant to.

“That guy said fuck,” said a little kid, walking past.

“I heard him,” said his little kid buddy.

The arcade had a bunch of claw machines in the middle, like an island, and your standard ticket winning games like basketball toss and whac-a-mole along the walls.  The featured attractions were two ten-foot screens – one showing a giant version of Pacman, the other Asteroid.

We stood under the ten-foot Asteroid screen.

“State of the art?” I said.  “You can’t take a forty-year-old game, put it on a big ass screen, and call it state of the art.”

“So you don’t want to play it?”

“God no.”

We picked the basketball toss.  You were a hotshot ball player in high school, supposedly.  You were also super competitive.

A couple kids came over holding basketballs from the game.

“You can pull them out from underneath,” one said.  “You don’t have to pay.”

“Yeah,” you said, “but then it doesn’t keep score, right?”

The kid stared off, passed his basketball from hand to hand.

“Which machine did you take that ball from?” you asked him.

He pointed at the one you stood in front of.

You held out your hand, made a beckoning motion for the ball.  The kid handed it over.  He looked defeated. I knew that look. It said, ‘I tried to help someone and got fucked over.’

“Good idea though, man,” I said.  I brought up my fist for a bump.  There was a second where he just looked at my fist. Like he wasn’t sure if he wanted to touch it.  Another second passed – enough time to wonder if the little shit was really gonna me hanging.

But he didn’t, thank God.  He balled up his fist and gave me a hesitant little bump.

Fuck yeah, brother.

At first I threw up bricks, one after another.  I could see you from the corner of my eye, in the zone, knocking down baskets.

Then I made one.

Swish.

And another.

Swish.

I caught a rhythm, didn’t look down to pick up fresh balls, just locked in on the front of the rim and let my hands work their automatic magic.

Swish.  Swish.  Swish.

“Three, two, one,” the kid behind us announced.

The buzzer buzzed.

I looked at my score, at yours.  I won, by one basket.  You looked pissed.

“Again,” you said.

We inserted our prepaid arcade cards and the balls released.

Swish, my net went.  Swish.  Swish.  Swish.

“Three, two, one,” the kid announced.

The buzzer buzzed.

I won, again.  By one point, again.  You looked pissed, again.

“One more,” you said.

I pointed at the card slot.  “It says two fifty a game.  We’re out of money.

“I’m getting more.”

Most of the balls were still free of the game’s lock, and I motioned to the kid, told him the balls were all his.

“Thanks,” he said, and started to toss them at the basket.

The balls went – Swish.  Swish.  Swish.

“Kid’s good,” I said and followed you to the kiosk, but right when you were about to slide your credit card, they announced our name.

Our lane was open.

It was time for the main event – bowling.

But I don’t want to talk about bowling.

What I want to talk about is the people dressed as animals in the next lane.  Furries, they’re called.

We were assigned to the first of the regular walk-in lanes, and both teams in the league game next to us were fully geared up furries – dogs, a bear, a cute little wolf in a tutu, and all sorts of animals in the greater cat family.  

Most of them seemed peaceful, but there was a faction wearing leather jackets and heavy chains and studded collars.  One of the rough bunch was dressed as a fox with a spiky mohawk, completely immersed in his sly routine.  I watched him sneak behind the bear furry, do the old tap-one-shoulder-but-stand-on-the-other-side.  The bear’s head blocked his peripheral vision and he kept falling for it.

“I can’t keep my eyes off them,” I said while lacing up my sweet size twelve and a half shoes.

“They want you to watch,” you said.

The fox was onto other mischief, like stealing people’s beer and running a few steps away and pretending to drink them.  All sly like.

“This guy is great,” I said.

And we bowled.

Everything was going pretty well, but a tiger from the furry crew kept crossing over onto our side.  It wasn’t intentional or anything, but there were a few times where we were winding up to roll the ball and the tiger’s ass backed damn near into us and we’d have to give each other lame, embarrassed-to-be-dominated looks.

“Next time he does it, I’m gonna grab his tail,” you said.

“No.  No way.  You never grab an animal’s tail.”

“Watch me.”

I didn’t doubt you.  I never doubted you.

Sure enough, the next time the tiger’s ass came pushing its way into our lane, you reached out and gave his tail a proper tug.

The tiger turned and said, “Hey! Did you just pull my tail?  That’s not cool.”

“Then quit wagging it all over our lane,” you said.

“You never pull an animal’s tail,” said the tiger.

The cute little wolf furry came up beside the tiger and bent over in front of you, lifted her tutu and exposed her tail, swayed back and forth seductively to make it wag.

You giggled and gave the tail a tug.

The wolf put her hand over her mouth all bashful and skipped away giggling.  You came and sat next to me, a grin across your face.  

We watched a bulldog furry follow around the cute wolf and act theatrically jealous until the wolf finally relented and bent over and lifted her tutu. The bulldog gave her tail a tug.

The wolf straightened and hugged the bulldog, her head against his chest.  She was tiny and looked safe in his arms.  They stood together like that, slightly swaying to the melody of clattering pins.

“I like bowling,” you said, and interlaced your fingers in mine.

I lifted your hand and kissed the back of it.

“Me too.”

We were getting along really well just then.

Alex Rost runs a commercial printing press outside of Buffalo, NY

Categories
Saturday Cartoons

Notes to A Friend; Silently Listening #5

By William Schaff

William Schaff has been a working artist for over two decades.  Known primarily for his mastery at album artwork, (Okkervil River, Godspeed You! Black Emperor, Mighty Mighty Bosstones, Songs: Ohia, etc.) Schaff is also the founder of Warren Rhode Island’s “Fort Foreclosure”. The building, lovingly named without the least bit of irony, serves as Schaff’s home and studio as well as home and meeting place for other artists (most notably former resident musicians MorganEve Swain, and the Late David Lamb, both of Brown Bird).  William also performed for a decade with the What Cheer? Brigade, as one of 20 musicians in a brass band that travelled the U.S. and Europe. An experience that shaped so much of his life. In 2015, recognizing the importance of art in this world, he expanded his community to the West Coast, where he started “The Outpost”, in Oakland, California. There — financial earnings be damned! — William filled his days creating works of art for private commissions, bands, exhibitions and his own examinations of human interaction. He has since returned to Rhode Island and can be found, daily, doing the same at the Fort. He has a Patreon page if you’d like gifts in the mail and to help keep the lights on.

Categories
Across The Wire Vol. 5

Handsome Mallard

Adam Soldofsky is the author of the poetry collection Memory Foam, recipient of an American Book Award and Telepaphone, a novella. His latest collection, Three Short Novellas, will be available this Summer.

Categories
Saturday Cartoons

Comic Strip #1

By Craig Rodgers

Craig Rodgers is the author of ten books, a handful of lies, and all manner of foolishness.

Categories
Saturday Cartoons

A Short Remembrance of Some Mail Art

By William Schaff

William Schaff has been a working artist for over two decades.  Known primarily for his mastery at album artwork, (Okkervil River, Godspeed You! Black Emperor, Mighty Mighty Bosstones, Songs: Ohia, etc.) Schaff is also the founder of Warren Rhode Island’s “Fort Foreclosure”. The building, lovingly named without the least bit of irony, serves as Schaff’s home and studio as well as  home and meeting place for  other artists (most notably former resident musicians MorganEve Swain, and the Late David Lamb, both of Brown Bird).  William also performed for a decade with the What Cheer? Brigade, as one of 20 musicians in a brass band that travelled the U.S. and Europe. An experience that shaped so much of his life. In 2015, recognizing the importance of art in this world, he expanded his community to the West Coast, where he started “The Outpost”, in Oakland, California. There —   financial earnings be damned! — William filled his days creating works of art for private commissions, bands, exhibitions  and his own examinations of human interaction. He has since returned to Rhode Island and can be found, daily, doing the same at the Fort. He has a Patreon page if you’d like gifts in the mail and to help keep the lights on.

Categories
Across The Wire Vol. 5

His Castles

By Craig Rodgers

Each day he builds a castle. So many he’s lost count. The oldest of them is sand piled and shaped, no craftsmanship, no detail. The ones he first made when he washed ashore are only the idea of castles.

As the days go on and the line of castles spread each day’s work grows more elaborate. Parapets and crenellations begin to appear. Little carved windows. A drawbridge of sticks.

He finds the bottle while digging out a moat. Fogged glass buried long years in sand. He holds it up, he shakes it, thinking. Wondering.

He writes the note on the label. Bleached skin peeled from the bottle with delicate hand. He puts coordinates such as he knows them. HELP, he writes. SEND ME A SHIP RIGHT AWAY.

The cork he palms hard into place, tight. He gives it another pat just in case. He shakes the bottle again. The note rattles inside.

His best throw is so little, and the ocean so vast. Once it’s beyond him he sits on the beach for some hours watching it bob along before it vanishes from sight. Then he returns to his work. His castles.

Each day he builds a castle. The oldest of them has begun to crumble with age. Its detail fading like the lost wonder of a once great kingdom. The newest is formed through long hours with care. Stone walls are raised to protect the soft sand within. A sigil is shaped on the door of this fortification in an impossible realm. And each day when his task is done he sits and watches the sun fall away behind the world as he waits for another day to come, a chance to do it better again.

Each day he builds a castle. The oldest of them has sunk back into the sand, lumps of some forgotten wonder. The ones he first made when he washed ashore look like nothing at all. He’s carving twigs into flagpoles topped with leaves, he’s filling the moat with borrowed sea. Long hours go by in great care, staring and imagining and willing this citadel into being.

It is a glance that shows him the glint. He turns again and it’s still there, riding the seesawing lap of ocean’s reach. The bottle stirs at sand’s edge. He sits, he stares. He can hardly believe. Then he is running, and he is stumbling, he is falling where it lay in sputtered foam. He takes the bottle up and with a hand he wipes it clear. And there inside, where before there was rolled his note, now sits anchored a ship.

Craig Rodgers is the author of ten books, a handful of lies, and all manner of foolishness.

Categories
Crayon Barn Chris

Spitgum

By Dylan Smith

June 22

Dawn comes late in these woods, the sun slow to rise up over the hill behind my shack. From bed I dreamt about one of the opening passages from the Bible. That bit about dividing the darkness from the light. I woke to a word. The word was Water. Then it was one word followed by another, language like a slow constellation of lightning strikes in my head. I felt graced by the presence of something new and wild in the dark outside my shack. A family of deer in the window, maybe. Or maybe a new word. I rose slowly. A calm flow of light fell through my naked body and I laughed without the language for knowing why. I drank a little water. Built a fire to boil water in the purple morning rocks. Even without any rain, the trees swayed gratefully. I must have still been drunk. I pulled on some jeans. Lit a candle at my desk. And then I realized what had really divided the darkness from the light. It was the word Darkness. The word Light. Coffee brewed in a giant glass jar and some white coals hummed brightly in the gentle summer dark outside. Language had divided me from Alma. Shaped this distance between me and Chris. I went to work on a poem. Words would emerge and I would arrange them. Words with significance in and of themselves. Sculptural words. Words with a visual meaning. I tumbled them onto the paper. Creation. Bicycle. Dancing. Myth. I typed them and I retyped them repeatedly into the typewriter, banging on the keys, the keys making music. Alphabet. Wildfire. Apocalypse. Water. A passageway opened between the poem and my hand and an infinite unity unfolded beyond the body. A structure formed. An archway within. Slowly the windows got more blue. 

When I looked up again I saw seven dark deer hiking down the hill toward the barn. I read the poem back to myself. I hadn’t quite captured it yet. I blew out the candle and dug up Alma’s engagement ring from the sawdust and dirt at the bottom of my pocket. I didn’t know why I had the ring. I hadn’t had it for long — I shouldn’t have taken it. I’d been meaning to return it to that red unfired bowl beside Alma’s bed. I held it up to some blue sky between the trees in my window. Something startled one of the deer out there. Its head lurched up from the low swaying ferns, its dark body rearing as it turned — then it leapt out arching into the golden gray blue green. The others followed in slow motion, their thrumping bodies loping up the hill toward the light, and then I heard a deck board groan outside my shack. Somebody was here. My first thought, of course, was Chris. I swung around as the door drifted open and a silhouetted figure darkened the daylight in the doorway. A wordless shadow. An eclipse. I tried to scream as I stood, working Alma’s ring back into my pocket. The figure’s back was turned to me and it was hooded and tall and draped all in black. I couldn’t scream. Nothing came out. My brother, I thought. My killer. And in that moment I thought about the word nightmare in a new way. Like one of the horsemen, I thought. Mare of the night. I closed my eyes. Wasn’t drunk anymore. In fact I felt very hungover. When I opened them again the shadow was still there, only now it was up on its tippy-toes, peering up into the bird’s nest that had been built between the rafters above my deck. Impossibly tall. Weirdly elongate. The figure looked like a thin opening in the air. 

“Take me down into the field,” I whispered hoarsely, weakly. It wasn’t what I’d meant to say. The figure ignored me. Though I thought I heard it whispering something too. Hissing these strange little bird sounds. 

A pale hand emerged from the blackness, and finally I gathered my courage to cry out:

“Come and get me, Chris! I know what you’re here to do. Let’s go down into the field.”

The figure fell back onto its bootheels and, turning toward me, removed its hood to reveal a head of closely shaved hot-pink hair. The unveiled face was horse-like in its length and yet still sort of moonish – like a sickly androgynous vision of Chris – but it wasn’t him. I thought the kid looked profoundly malnourished, not nearly as plump or stately as Chris, and as they passed over the threshold and into my shack I saw for the first time their eyes: they were pale eyes, burning eyes – they were dazzling violet lavender eyes, and like a strange ghostly doppelganger of my brother, they looked about my shack with a smile. 

“What the hell are you?” 

They looked into my eyes without judgment. 

 “Nothing. Huh? I dunno.”

 “Nothing? You’re not some kind of death vision of Chris?”

“Oh, nope. Nothing like that. Name’s Spitgum. Who’s Chis?”

“Wait — Spitgum?”

“In the flesh, hater. First and last. Don’t hate.”

“Holy shit — I’m so sorry, man. You’re Art’s — wait, I’m sorry — here,” I said, pulling over my fallen chair so they could sit. But as I carried the chair toward Spitgum and the summer light outside my shack they swayed their way straight through me, and toward the poem I’d left lying beside the window. 

 “Don’t be sorry.” They picked up the page and started to read the poem. “What is this? Art told me you’re a poet, but this is just a list of words.”

“It’s a sonnet, man. But look, Spitgum — I’m sorry I yelled at you like that. I thought you were my brother.”

“I understand. You were afraid. It’s okay.”

Spitgum set down the sonnet. My new telescope stood upright on the windowsill beside the poem. They picked it up and looked out the window through it. 

“Woah,” Spitgum said, jerking away from the glass. “Woah — that sun nearly burnt my eye out. Whose telescope was this? A sailor’s?”

I poured myself some coffee and took a seat in the chair. The summer air filled my shack through the open doorway behind me as I took a sip. I set the cup down on a floorboard. The coffee had gone cold. I noticed the imprint of a bent roofing nail in the darkly stained wood. Bird shit on the window screen. I put my face into my hands. Wrangled up a painful breath. 

“Probably a pirate’s,” I said. 

“Woah. You think so? Can you see Art’s barn from up here?”

“Not now. The leaves block pretty much everything. But definitely in winter.”

“You’ll have a hell of a view of it then.”

“A hell of a view of what?”

I opened my eyes. Spitgum had the telescope trained on me now. The lens magnified the lavender color of their eye. Blown up all wonky and brightly wide open. They looked like Chris’s thin sickly twin.

I could barely fucking breathe.

“Spitgum, put that telescope down. You’re freaking me out. Here. You want some coffee?”

I held out the cup.
“Thanks. But this telescope is the only reason why I’m up here.”

“What the fuck does that mean?”

“Art sent me up here to get it.”

“What for?”

“We can’t get the new well pump to work and now it’s stuck down in the hole. Art thinks with your telescope and his flashlight we might be able to see what’s blocking the way, but whenever I look down into it all I see is stars. A whole night sky’s worth of stars. All the constellations look inverted — or reflected — and there’s this slight trembling of the ground. I also see red lights. Red blinking lights.”

I did my best to process this. Spitgum’s fingernails were painted black and they had sky blue earplugs pressed inside their ears. I wasn’t doing very well. 

“Does Art seem alright?”

“Not nearly as bewildered as you. Haven’t seen him since I was a kid though. So how should I know.”

“How did you get up here?”

“Hiked.”

“No — I mean how did you get upstate? I thought you weren’t supposed to be here until the Fourth.”

“Bus. Well, I walked. Walked to the barn from the bus. The fourth of what?”

“What? Of fucking July, man. How did you find the barn?”

“It’s called an iPhone, hater. Google Maps. I saw you holding that wedding ring up to the light.”

“How old are you, man?”

“I don’t have to answer that. Time is fake. Magic is real. I got refried.”

“Refried.” 

“Yeah. I’m out there, Billy Willy. My brain got deep fried twice.”

I could hear the baby phoebes chirping in the hopeless rainless godless heat behind me. 

There was a quivering quality to the air.

I felt like I was going to cry. 

“Please, Spitgum,” I said. “I don’t know what the fuck you’re talking about.”

“One time in a blackout I took a megadose of LSD. Got myself stuck in what they call the infinite time space continuum. Fried the holy crap out of my brain. Then a couple weekends later I did it all again. That time I was only brownedout though, so I suppose it was sort of on purpose. All my life. All my life all at once. Part of me’s stuck in that loop. Beginning, middle, end — it’s all happening at the same time for me. Big time. Forever. All at once. Refried.”

“Jesus,” I said. 

Spitgum took the cup from my hand. I looked up at them. They’d been smiling down at me and my busted eye. My vision was still cloudy and throbbing. They really did look a lot like Chris. 

“Spitgum, why are you dressed like that? All in black robes. It’s summer.”

“I burn too easy. But enough of this talk radio bull shit, Bill. I have to be somewhere by noon. So close your eyes.”

“What?” I said. 

“Just do it. Shut the good one first, then slowly the left one.”

What the hell. Why not? I did what they said. 

Spitgum held the coffee cup and telescope in their right hand and, with their left, they slowly reached out toward my eye. 

“Shut the bad eye now.”

“Seriously, man?”

“Shut up. Slowly. Just do it.”

I did. 

“And now, with your eyes closed, Bill, close your eyes…”

I swatted the little freak’s hand away from my face. 

“Fixed,” Spitgum said.

“Oh come on, man. Fixed?” 

I was blinking a lot. It started to feel like something had happened.

 “Yeah. Fixed. Now I need to get back down to the barn. There’s only one meeting at the church today and legally I’m not allowed to miss it. Are you coming?”

“I don’t know. I’m having a hard time accepting the way things are today,” I said.

Spitgum nodded and took a sip of coffee. Slowly though, turning their shaved pink Chris head toward the light, they spit the coffee back up into the cup. 

“Spitgum, man. Are you serious?”

It all splashed out onto the floor and all over my feet. But I didn’t care — I didn’t even flinch. Suddenly I could see. 

“This coffee tastes like piss dirt.” Spitgum wiped the darkness off their chin. “You shouldn’t be drinking this.”

“Look—” I said. 

“No you look, Billy Willy. Spitgum spits the truth. Be grateful. Don’t hate.”

I put my face back down into my hands. Was this what a nervous breakdown looks like? I must be cracking up, I thought. I looked back up at Spitgum. My eye had stopped throbbing completely. The veil over everything had been lifted. Spitgum was honestly the most beautiful sight I’d ever seen. 

 “I think you should come with me,” Spitgum said softly. “Let’s go down into the field, like you said. It’s better than you just sitting up here alone all day doing nothing.”

I looked around my shack. Spitgum was probably right. I thought about Alma. Alma would be down there. 

The power must have come from the palm of Spitgum’s hand. 

“Alright,” I said. I closed my eyes again. “Alright. Just give me a couple more minutes.”

Spitgum walked over to the book of Word Roots lying open on the floor beside my cot. 

“You really don’t have any electricity in here?” 

I didn’t answer. I heard them pick up the book. 

“Give me a word from the list. I mean, from your sonnet.”

“Not now, man. My eye feels better but I think I’m still having a panic attack.”

“I’m a poet of sorts too, you know. We’ll end up being good friends before the end. Now don’t be a hater. Give me your favorite from the list.”

I peeked over at my unfinished poem. 

 “Apocalypse,” I said. 

“Excellent.”

They flopped the book back over toward the A’s. Ran a long bony finger down the page.

Some time passed. Spitgum seemed to be studying the root. I heard them whispering and clicking their tongue, but they never did read anything aloud. 

I started to feel a fever coming on. 

Spitgum tossed the book back onto my cot. I watched them discover the postcard of Saint Francis I’d pinned to the wooden wall. They took six steps back and looked at the painting through my telescope. Light glistened in the basin of creek water I keep on the ground for washing up. Spitgum giggled. Then they returned to just hanging over me in my chair. 

More time passed. I looked up at them again. They really were just standing there. Leaning on my walking stick. Draped all in black. Smiling down like some silent shining saintly idiot. 

“Sometimes it’s like a big shadow on my brain,” Spitgum said. 

“What? Jesus Christ. What is?”

“The truth.” 

Dylan Smith is looking for a job if anyone knows of any jobs in Brooklyn.