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Across The Wire Vol. 6

3 Poems

By Julián Martinez

Jesus

The Vatican’s senior accountant started locking her office door, ignoring emails. Calls. Knocks. From out in the hall, her colleagues of the Holy See heard sobs. Invoices needed to be processed. No one had any idea how much they’d gone over budget, if they’d gone over or if not, how close they’d gotten. When greeted on the stairs, she’d walk faster, graying head down. She’d jet out at odd times, once immediately after coming in and shutting her door behind her. “Boss Macabre,” The Pope dubbed her over coffee with a cardinal, according to a rumor. Dozens of theories proliferated. The HR director prayed for her before every meal. What no one guessed was that the sixty-five year old was months pregnant and suffering a nightly nightmare: Jesus enraged in Herod’s Temple, flipping the tables of the money lenders. Her child was obvious— his Second Coming had been prophesied. She’d never taken those stories seriously, but for the first time in her life, she surrendered to His power. She confided all this over the phone one night with her ex-husband, the con artist, the last person she’d been intimate with over a decade ago. He told her she should be institutionalized. That’s exactly it, she thought. I’ve become institutionalized. Her stomach sank. Then a kick.

Pussy

Wire taped to my chest, I stared at my crotch to avoid looking at the open shirt in the dresser
mirror’s reflection. Green boxer briefs with tropical flowers and flamingos on the waistband. The phrase ‘big pussy’ flashed in my mind. Imagining Big Pussy from Sopranos in the mirror instead of myself made it bearable to button my shirt— it wouldn’t be me kissing the neck of my crime boss wife, asking questions about slush funds pumped with funny money over slow jams at
Easter Sunday brunch. It’d be some other rat in my place. It’d be Big Pussy. I saw Big Pussy,
sauced on a boat, riddled with bullets that never paused for a reload by my towering wife. My dick stood up at the thought. “Wait, what the fuck? Why?” I asked my crotch. My FBI handler,
coming in from the bathroom, cleared his throat and tapped his watch.

Cleo

Her jeweled hands passed over the crystal ball like ocean waves. She told me exactly how I’m supposed to die— an infection in my skull after a fall from a stranger’s window. At one point, I asked her how she could be Miss Cleo when the Miss Cleo from TV had passed away. She froze, index finger tickling my palm’s heart line, candlelight painting the maroon of her nails a deep shade, and took a breath of the Nag Champa basement air. She exhaled with a chuckle and, dropping her Caribbean accent, she said, “it’s a persona owned by the company I work for, my dear.” I thought then that I’d fallen for a scam, but she proceeded to lay my life open like the tarot cards she had me shuffle. She knew me better than anyone ever had— every embarrassing habit, every good thing about me. She said I would soon go through tough financial times— this was a couple weeks ago— then yesterday my boss called me into the conference room and told me I was being laid off. Miss Cleo said I’d be falling in love sooner rather than later, which I found hard to believe, until the memory of her dark brown eyes and silky fingertips kept me up all last night. I came back for another reading this morning but the neon sign in the house’s window is gone. I called her company’s 24-hour hotline a dozen times but it was never her, the ladies’ Caribbean accents sounding forced and offensive coming out of them. They all said they were Miss Cleo, but the real Miss Cleo is out there. Not the real real Miss Cleo, but my Miss Cleo. I love her. I need her. I don’t care how I die anymore. I need her to tell me how I’m supposed to live.

Julián Martinez loves Chicago so much, he’s marrying her. Find him @martinezfjulian or martinezfjulian.com.

Categories
Across The Wire Vol. 6

Berries Poem

By Alex Rost

I put a quart of blackberries in the work fridge to snack on over the next couple days,
go back an hour later and toss one in my mouth.
Don't even have to bite
the fruit is so tender,
just squeeze it between my tongue and the roof of my mouth,
feel it pop, sweet juice squirting out in every direction,
coating the inside of my cheek.
Flip it to my teeth to finish the job,
chomp once, twice,
then get that perfect berry down my throat and grab for another
except the second berry is sour,
a slightly too firm dud,
the third even worse.
Fourth, fifth, sixth -
sour, sour, sour.
The seventh tastes a little metallic but isn't so bad,
the texture is right
and I have hope when I eat the eighth—
sour.
Sour, sour,
fucking sour.
Firm, gritty.
By the thirteenth my palette has no memory
of that first, perfect berry
but I can't stop,
the tingle in my tongue demands retribution,
solace from bitterness,
yearns for satisfaction.
The container is low,
the plastic of the bottom showing.
One sweet berry and I'm done.
It doesn't even have to be as good as the first,
only needs to provide a glimmer
that I can take into the future,
a belief that what I'm left with is better
than this.
Sour.
Sour.
Sour.
I'm not hungry.
Wasn’t hungry to begin with.
Two left.
Please, I think.
Sour.
FUCK.
One left.
I pick it up, hold it between thumb and forefinger,
bring it to my eye.
Solid, deep coloration.
A little squeeze—
just enough give.
I allow my hopes to rise.
I have confidence.
I run my tongue through my mouth,
searching for the taste of that first berry under layers and layers of sour.
I place the final berry on my tongue,
shift it between my teeth,
and bite.

Alex Rost runs a commercial printing press outside of Buffalo, NY

Categories
Saturday Cartoons

That Pony, That Boat

By Thad DeVassie

I didn’t know what it meant to stick it to the man back in 1987. I didn’t know who the man was. Statements like that can be ambiguous. But I remember Lyle Lovett, his tall hair, the height of a new capitalism. My hair was as long as his was tall as he sang about things he wished he had and what he’d do with them. It sounded as strange as his tall hair looked by 1988. But now, many years later, and understanding who the man is, now that my hair is long gone, I yearned or the simplicity of a riding pony, perhaps on a boat, my boat, which would have to be a really small boat because I am not that kind of man, making my pony even smaller. I bought that pony, because that was what I could afford. I looked up Lyle and messaged him. I figured he might have a boat by now. He texted back, plainly, kiss my ass. I knew what he meant. I knew it was a kinship, of not sticking it to this man.

Thad DeVassie

Thad DeVassie is a writer and artist/painter from Ohio. You can see where he’s been and what he’s up to next at www.thaddevassie.com 

Categories
Across The Wire Vol. 6

2 Poems

By Damon Hubbs

Brink


Gossiping with Alyson and Alys.
Fika, visiting cake.
Nobody is Swedish although Nadia is the type of blonde
you’d kill a prime minister for.
I read the papers and gamble on papal elections.
To think of all the beauty and bloodshed,
fuck it. I’m lying to myself and others.
Artifice in loud terms.

Nadia gives me a jagged hump
and I’m on the oozy brink
when she starts talking about Irish writers
and some esthetician
in Palm Springs
nicknamed Jack the Ripper.
It’s strange how people cling together.
Darling, don’t shoot until the subject hits you.

I’m barely awake when you call me Finnegan
stately, plump (picnic, lightning).
I mock the myths I help create
make faces in the surveillance camera.
Where we’re headed, where we are
halfway down the coast I lost the comic timing,
pick up the phone like a cold kiss—
yes, Nadia, the fire escape is burning

and I’m watching the deaf republic
under a wild pack of stars.
I’m thinking about the poet
who dropped an electric toothbrush into her cunt
and fried my cock.
Love after love after love
I’m pissing like the Colosseum in full view
listening to the pretty tyranny of the wind.

Patagonia Picnic Table Effect

Somewhere between night and the morning after
queer shades of future dusk
Berluti knot, orange wine, lips like an extra maraschino

we talk about art and Genet and the birdshit on the bench.
“You should write a poem about birds,”
she says, not knowing I’d sworn off bird poetry

preferring to write poems about petite mort and 21st century malaise
clubby androgynous youth, gobs of spit, vape girls, egirls
empty theaters and red latrines, Aslan’s pin-ups, lui magazine

desire that isn’t explained, desire with a mouth like a dirty rest stop,
Vogue Italia, dressing for the rapture, what it means to be exiled,
what it means to be stripped of happiness, what it means to be stripped

like a saint, murder holes, arrow loops, Divine’s funeral, my complete
fear of list poems, biographies, throat cancer, my complete fear of Kathy
Acker, Trazodone, nightstands, spotlights, Piss Flowers, the exquisiteness

of tiramisu, the slippage between desire and disgust, the foil to her
flamboyance, Stabat Mater, my complete fear of Connecticut, the
insurance man, the cricket-impresario, tennis elbow, preferring to

write poems about coupling, decoupling, parallelism, lines of influence
and what it means to find a rare species, and another, and another —
Yellow Grosbeak, Thick-billed Kingbird, a nesting pair of Rose-throated
Becards.

Damon Hubbs is a poet from New England. He’s the author of three chapbooks and a full-length collection, Venus at the Arms Fair (Alien Buddha Press, 2024). Recent publications include Apocalypse Confidential, The Crank, A Thin Slice of Anxiety, Spectra, the engine(idling, Horror Sleaze Trash, & others. His poems have been nominated for the Pushcart and Best of the Net. 

Categories
Across The Wire Vol. 6

the cure

By dizzy turek

Are you, he coughs, are you, he coughs, are you coming, he coughs & then he coughs again, excuse me–are you coming, he coughs 3 times, oy ya yoy, he coughs a little, excuse me, clears throat, are you, clears throat again, what is up with me, he coughs, 

am I gonna see you for Christmas this year?

dizzy turek writes in Chicago but is originally from Ohio. find all writing on: instagram: dizzzzzzzzzzzzzzzzzzzzzzzzzzyy & twitter: @dddddizzzzyzzz . he also does theater.

Categories
Across The Wire Vol. 5

You only Smile when I’m Down 

By Tim Frank

My revenge will be to live well.
I’ll sink my teeth into slabs
Of steak,
Let the garlic butter ooze
From my lips
As Weiss beer bursts
Upon my eager tongue.
I’ll dream of ice-cold water
Pooling around my feet
And watch the evening game
While chaining cigarettes—
Blowing rings of smoke
At the waning moon,
Creating new plateaus
Of beauty
From my idle thoughts.
And yet, what good does living well
Really do?
We cruise
Through worlds aligned
But are judged by different gods—
Indifferent gods,
Not worthy of our prayers.
You’re a phantom figure
Beyond my vengeful reach.
So do your worst, my simple friend—
Set fire to your block
Make your children cry

Tim Frank’s work has been published in Bending Genres, X-R-A-Y Literary Magazine, Maudlin House, The Forge Literary Magazine, The Metaworker and elsewhere. He has been nominated for Best Small Fictions. His debut chapbook is, An Advert Can Be Beautiful in the Right Shade of Death (C22 Press ’24) and his second chapbook of poetry is, Delusions To Live By (Alien Buddha Press, ’25)

Twitter: @TimFrankquill

Categories
Across The Wire Vol. 5

You’re Okay Champ

By Michael Pershan

Michael Pershan is a math teacher and writer living in New York City. His writing has appeared or is forthcoming in BULL, hex, Outlook Springs, and The American Bystander. 

Categories
Across The Wire Vol. 5

The world is disappearing into words & I am afraid.

Dimensions/Medium:
Approximately 18×24 cm
Colored Pencil

Sofija Popovska just doesn’t know anymore.
IG: _aughtmilk

Categories
Across The Wire Vol. 5

Japanese Steak Knives, The Breville, A Distressed Velvet Ottoman

By Frank Carellini

they undressed methodologically.  unprovocative.  like they were about to examine each other for lumps.  folding his clothes neatly into rectangles.  those worn brown chinos.  the chambray button down shirt with underarms that smelled with years of his bitter sweat.  sweat that at one time, attracted her.  she used to liken it to “my salty Mediterranean man that smells like the rind of a lime.” where that man went, neither of them knew.  the fauvist views of succulent fruits clinging to branches above a sparkling sea are a lifetime removed.  she, folding her jumper into a square that ballooned at the edges.  never had a penchant for perfection.  their bodies were cold and clammy as they came into mutual embrace.  they tried to make love. tried pressing the atoms of their bodies into some form of miracle.  paused at each others lips, not moving, but waiting for some sort of momentum to build.  nothing. barely air passed between them.  they tried in the kitchen.  in the bathroom.  on the couch.  looking around at the set of japanese steak knives, the Breville, a distressed velvet ottoman.  as if to put the blame on them for lack of ambiance.  

checking into The Schofield.  Corner suite (always wondered what it looked like).  Lots of mirrored surfaces.  their bodies moved like lava in a lavalamp from one distorting surface to another.  two beds.  weird, he forgot to request one king.  lots of vague objects.  a miniature Calder mimic.  she put pressure on one pendant.  let it ricochet.  watched it ease back into balance.  then into stillness.  the lack of its optionality into a chaotic form was upsetting.  couldn’t be broken.  he went into the mini-fridge.  two bottles of tonic.  little bottle of bombay.  grabbed glasses from the desk.  they had a nice weight.  a weight that felt official.  called for ice.  and a lime.  two thank yous and a $10 tip later, he mixed them a drink.  thumb stung from the lime juice.  she was sitting on the edge of her bed.  patting her skirt.  she wore that perfume.  he sat at the desk chair.  swiveled around to cheers her. 

“i used to wear a beret.” 

“and smoke cigarettes.” 

“i once knew Yves Klein.  he asked me to be one of his brushes.”

this went on.  the days in montmartre.  maybe it was true.  he was no Yves Klein.  he could see it.  her body draped in that ultramarine.  being spread across a canvas.  the gushing figures materializing on canvas. 

this aroused, then irked him.  didn’t dr. muchlenbach teach her not to bring french painters to romantic getaways. 

he downed his drink.  she hadn’t touched hers.  the ice had melted and it looked diluted.  he went and sat on the bed opposite hers.  turned the tv on.  Joe Rogan’s Fear Factor, Couples Editions.  the programming at this place was meant to keep things spicy.  she sighed and got up off the bed, placing the drink down on the desk.  walked by him without any acknowledgement.  he heard the bath turn on.  ran for a while.  this episode, contestants had to stand on top of a moving vehicle and grab flags as they sped by a set of markers.  she, in a bathing suit (why were they always in bathing suits) and he, a muscle shirt, cutoff jean shorts.  after they win first place, they’d go back to their trailer and have mind-blowing sex.  maybe the exercise the entire kama sutra.  this irked, then aroused him.  annoyed at the thought of an erection through jean shorts.  felt like an insult.  the faucets turned off with that creak that the old guard turnstile knobs made.  he could hear her swishing around.  sitting up.  falling into the water.  now she was rolling onto her stomach and back.  now she was— 

the second task was a water one.  one of the team would be submerged underwater.  the other would have to crawl through a tunnel of roaches to find a key.  the key opened the tank and let the water out.  jean shorts muscled through the tunnel.  even ate a roach for style points.  bathing suit floated glamorously in the tank.  did a twirl to the right, then to the left, then winked at joe.  then to the camera.  

drive home was eventless.  across the bridge.  down the parkway.  Nicholas greeted them at the door.  Said something about the dogs behaving well.  they sat on the couch.  he turned on the tv.  maria appeared from the linen closet with a “miss, the blue does not come out of your underwear.”  she blushed.  

“I used to wear berets.”  she uttered. “and smoke cigarettes.”  she was speaking to a void.  he went to the refrigerator.  took two bottles of tonic.  he put ice into his.  lime into hers. 

Frank Carellini was born in Connecticut in 1993.

Categories
Across The Wire Vol. 5

The Facts

By Kyle Kouri

Yves is dating Alfonse who’s in love with Paulo who’s fucking Stefan who’s focused on his career but married to Sydney who knows he’s gay but feels safe because they’re best friends, which makes Cristof jealous because he’s pining for both of them; and Cristof’s brother Rosco is dating Nifath, mysterious Nifath, and they’ve been in an open relationship since July when Nifath got distant and Rosco suggested they experiment; but Nifath’s been fucking Conroy since May of last year and Conroy hasn’t been tested for decades (no self-reflection); he’s been drinking with Jason who can’t get his dick hard but has been thinking it’s because he has feelings for Seana, the trans girl, who dated Sarah all throughout undergrad; and Sarah, stubborn Sarah, feels cheated because Seana’s not Sean anymore, in fact she’s never been, just appeared that way, and Sarah’s straight and sure of it, but did have a few experiences with Massie, the Bohemian, who swears relationships are soul-suckers, monogamy equals weakness; though in high school Massie dated Scottie, who is a cheater with a big ol’ penis, and has never once been loyal, but is charming, and still supported by his mother, who’s having an affair with Aldo, her personal trainer who does this frequently; and Aldo’s brother Santo is in prison and having a hard time while doing hard time because his girlfriend Mary is pregnant and works at the ShopRite which Peter has managed for sixteen years; and Peter, peculiar Peter, has had physical contact with another human only once during his entire adult life, instead he looks at little kids on the dark web; and sometimes, around lunchtime, he’ll make a detour carrying his canned tuna and pass by the elementary school’s playground where Fanny, Ms. Fanny Appleton, is the teacher and always gazes warily around the perimeter, because she’s worried about just this kind of thing; she purses her lips, eyes vigilant, and waves at Peter but doesn’t suspect him, because at the ShopRite he’s always been a nice man, a little sweaty, true, but even makes Ms. Appleton’s nephew laugh; this kid’s name is Stephen, and when Fanny’s babysitting, they stop by the store for ice cream sandwiches, but she has never noticed Peter touch him inappropriately, which, on one occasion, Peter has; anyway Ms. Appleton is single, has not had a boyfriend since college, where she was manipulated by Michael into doing things that didn’t feel right; and then one night Michael snuck into her dorm room, wasted, and raped her; now Fanny trusts no one and lives a quiet life but has a crush on Lucien Carr (no relation to the murderer), who teaches English and seems in Fanny’s opinion sweet but sad too, and everyday she swears she’s going to ask him out for coffee, but just hasn’t committed yet; and Lucien doesn’t realize she’s even interested, because the truth is he has a drug problem, and every day after his class he goes home alone, draws the blinds, snorts cocaine and drinks alcohol until he’s completely deranged, then sleeps for two hours, wakes up the next day, and repeats the same thing; sometimes he picks up his phone to call Courtney, then changes his mind, because Courtney was his wife and his best friend but then got sober, they both went through the Program, and she changed, he couldn’t beat it, so she left him, and now he’s back on a bender; and Courtney, somber Courtney, sweet, sad Courtney goes to meetings every evening and spends her days working at T-Mobile, just trying to get by; on occasion she flirts with Teshawn, her co-worker, he makes her laugh, they take break at Chipotle; Teshawn’s twenty-one and goes to the community college with Rasheeda, who he’s in love with, and she likes him, but he’s so nice, she finds that off-putting; plus she likes to go out on the weekends, in the city, where she meets Sky Pepper; and Sky Pepper, so Sky Pepper, is a model and comes from money and once her and Rasheeda went home with Sven Odenfield, the photographer, and they had a threesome, which was fun but a little intense for Rasheeda, though Sky doesn’t remember it; Sven remembers it, in fact he catalogued each moment of the evening in his Moleskine, because that’s his thing, along with photography, he’s in love with pleasure, has fucked half the city, and meticulously records each conquest; but Sven, complex Odenfield, still Facebook stalks Nadia, his step-sister, who lives in Berlin and will not return his phone calls, plus things were never the same after what happened that one night, when they shared a hotel room next to their parents and both got drunk off the liquor in the mini-bar; and their parents are swingers, they go to the private parties that Thor hosts; and Thor is from the midwest but got outta there the day he turned eighteen, and lives glamorously, hosting orgies, with celebrities, but has a soft spot for his sister Irene, who moved to New York, but couldn’t make it and so moved back home and married Alan, her high school sweetheart, who’s perfectly content in Wisconsin, he’s an engineer, would never leave there, couldn’t imagine life outside of Waukesha; and now Irene’s pregnant, she’s only twenty-five, and Alan is overjoyed (also in debt) and Irene is happy, she has always wanted to be a mother, but she wanted a career too, that’s why she moved to New York, but now it seems that ship has sailed; so once a week Irene FaceTimes her best friend Meredith, who moved to LA, and isn’t sure exactly if she’s the only one but is pretty sure she’s now dating Smash Lowe, yes, that one, the movie star, and is having so much fun and, “No, no, Irene, I do not have a coke problem, I don’t do it during the week, okay? Anyway I’m young! And Oh Irene, oh my god, you’re so freakin’ preggers!!!” and Meredith is having a great time, really living life, posts often on Instagram, but she’s secretly jealous, because throughout childhood she was in love with Alan too; her, Irene and him were inseparable, sometimes they all slept in the same bed, and Meredith once even, just once, after they’d been drinking, tried to kiss Alan but he was honest, he was loyal, he said, “Gee, Mer…I….I’m with Irene!” and was truly baffled, simple Alan, he was embarrassed, felt his honor compromised, but Meredith sobered up, she said, “Of course, no, you’re right, I’m sorry, can we just forg”—and Alan interrupted her, stood up very straight and said, “Enough,” then went into another room of the party and spoke to Johnny who developed his alcoholism at a young age and now is dead after taking too many Lorazepam on a March night, after a long bout of drinking, a few years ago; and at Johnny’s funeral his mother Aubrey cried, and his father Alec held her, stoic, but his mouth twitched and he thought that later that night, he’d sit by the fire with Skaal, his brother, who just flew in from Norway; and Skaal used to be easygoing, believed in the essential good of things, was always smiling, didn’t watch indie movies, liked buddy comedies, but that was before the Norway massacre, which killed 77 people, one of which was Anita’s little brother (that’s Skaal’s girlfriend); I shall not say her brother’s name, respect for the family, understand, but after the murder Anita became focused, she became political; Skaal, in contrast, became quieter, more sensitive, had less conviction, the world made less sense to him, and so when Alec called about his son’s death, Skaal’s nephew, Skaal blinked twice, held the phone and felt utter numbness; that trance persisted the entire flight to Chicago and still at the airport; and walking through the long terminal, dazed, startled by ascending airplanes, Skaal accidently bumped right into Olivia; and Olivia, who was about to board her own flight, took this as a sign; she turned around, left the airport, and caught a taxi back into the city, and ran to Henry, he was just stepping out of his apartment, she embraced him, and Henry was shocked, he thought he would never see her again, and he held her, but was anxious, frankly part of him had been excited for his new life, and thus was not expecting this return; and one night a month later, Henry got a little drunk and struck up a conversation with a woman at the bar near his office, she was wearing a black slip, her name was Terry; and Terry knew his type, she did this often, she got him wasted and then she fucked him, then kicked him out of her apartment and smoked cigarettes, thinking men are idiots, they are malleable, they are so easy; and Terry was the hostess at a very upscale restaurant on the Northside; and one night the famous musician and notorious womanizer Augie Rainwell came to the restaurant and ignored Terry, he did not seem interested, she was astonished; the fact was, however, that for Augie it was nothing personal, he was secretly dealing with an eruption of genital herpes, and that was affecting his confidence, he looked around the restaurant warily, helplessly, thinking everybody knew his deformity, everybody was doubting his masculinity, his sexual viability; he had no idea who had given him herpes, there were about seven women and two men that it could have been; and what was worse, the worst part of it, was that Augie was married to Jaclyn, and he had slept with her twice, without protection, since fucking strangers, without protection, and so now it was possible, perhaps likely (who knows how it really works), that Jaclyn also had genital herpes and would, once and for all, know that Augie was cheating on her; and Jaclyn, fed-up Jaclyn, would finally move out and go stay with her mother; and her mother, Avi, in the living room, would say, “I knew that boy was no good for you,” and Jaclyn would say, “Oh mother, please!” and turn away, look at their wall of photographs, where her grandmother Maya is featured prominently; and Maya was a Holocaust survivor whose husband Ira didn’t make it, but whose best friend David made it; and after the Holocaust, David wrote a book about the horror, but it was never published, and so he became a businessman, was quite successful, he married and lived a long life, ending up in a lovely home where he had a nice relationship with the nurse Genevieve, who is a redhead; and Genevieve loves to fuck, but has this feeling, this deep-rooted conviction, that abstinence is the only true path to happiness, but if that is the case she prefers unhappiness, and so has many lovers, and many secrets; and each one of these lovers say the same thing: “Genevieve was, by far, the best I ever had, but honestly, to this day, I know nothing about her;” and one of these lovers was Elliot, and Elliot has had a strange life; not only did both his parents die on 9/11 (one of those freak things, they were just visiting), he also happened to be in one square mile of two mass shootings in real life (one Isis-related, the other a white kid, with a micro-penis and a manifesto); but Elliot is committed to mathematics, he refuses to become superstitious, and right now is in grad school, getting his PHD; and Elliot, ponderous Elliot, the orphan prodigy, has never been in a relationship that lasted more than six months, they’re not practical, plus he cherishes his alone time, takes long walks, and thinks about probability, possibility, the infinite number of things that could happen to you, the infinite ways in which they could happen too, and the ways that lives intersect and influence each other, or maybe never cross paths at all, he thinks about all of this; and one day Elliot passed a family on one of his long walks; it was a mother, father, and their young boy; and that little boy was me, many years ago, my family lived around the corner, in that neighborhood, this was our park, it was small, now I see that, but back then it was the world to me; I held my mother’s hand and looked up at my dad’s body, obscured by sunlight, a vague shape, this awesome bulkiness, I tried to grab his leg, but he was too far ahead, didn’t even notice I wanted him; not at all; my father was focused on a sculpture, in the garden; this sculpture was a rabbit with big and ugly, rotting buck teeth, it wore a top hat and a sports coat, it held a watch in one paw and between two fingers on its other hand it balanced a scale, but unevenly; this rabbit smirked, taunting, mischievous, he knew everything, she was not impressed with it; they were sexless, gushing with sex though; I stared at my father and squeezed my mother, tighter, tighter, but then some smell, a floral fragrance, with the slightest rot in it, made me look away; I saw a man with long hair, very thin, very feminine, his shirt was see-through, rib showing, he was almost glowing; getting closer to us; he was not my parents, this excited me, my eyes opened, I tore from the woman who gave birth to me and ran, past the man who fucked her, I ran, and almost tumbled, but stayed on my feet, I ran forward and reached for 


Kyle Kouri is an award winning actor, writer, filmmaker, and producer. He received his MFA in Fiction from Columbia University, where he served as the online arts editor for the Columbia Journal. He is the co-founder of Slashtag Cinema, a film production company. Slashtag’s first film, the multi-award winning KEEP COMING BACK, which Kouri directed, co-wrote, and stars in, premiered at Screamfest in October 2024. His writing has appeared in Cleaver Magazine, the Columbia Journal, Ghostwatch Zine, The Los Angeles Press, and Maudlin House. His first book, THE PROBLEM DRINKER, is forthcoming from CLASH Books in 2026. He lives in and around LA with his four rescue dogs and his girlfriend, the writer CJ Leede.