By Cletus Crow

Cletus Crow is mostly a poet from Middle Tennessee. His full-length collection, Phallic Symbols, is out from Pig Roast Publishing.
By Cletus Crow
Cletus Crow is mostly a poet from Middle Tennessee. His full-length collection, Phallic Symbols, is out from Pig Roast Publishing.
By Rob Kaniuk
A hot woman followed me on Twitter, but it seemed suspect. I clicked her profile. She was a barista in LA who wrote screenplays. Attractive. Funny. Definitely not real.
My friend Jenn texted me to ask why I didn’t follow her bot back. Said she made it with some Mad Libs style template that would shuffle all the words and phrases she uploaded and the bot would fire off a nonsense movie idea every hour.
Does it respond if someone comments?
Yeah, like, she calls me master when I reply, but she calls everyone else babe.
Oh shit––I should make one to resurrect Jeremy.
Oh god, that’s so sad and creepy––Yeah, and I’ll make one for my mother that tweets the lyrics to ‘Hallelujah’ in a never ending loop and says she’s proud of me when I post about my b-hole.
For a few days I laughed at the concept, played it off, then found myself digging through the ammo box jammed full of letters Jeremy sent from prison. I called Bekah.
“Yo, if I gave you all those letters, would you do me a favor?”
“From him?”
“Yeah.”
“Whatcha thinkin?”
“I just want to make, like, a digital file.”
“All of em? Dude, there’s gotta be like two hundred letters.”
“Can you do it?”
“Why can’t you? No offense.”
“Can you help or not?”
I dropped off the ammo box full of letters from different addresses within the Florida State Corrections system. I told her how to fill the templates with all his -isms. Bekah was the only one capable. She knew the way he spoke and wouldn’t clean up any of the poor grammar or correct words like set to sit.
Weeks went by and I wanted to call and see if she’d made any progress, but I didn’t. It was a lot to wade through. We spoke a few times––their daughter had been enrolled in preschool and started saying goodnight to her daddy’s picture before bed––but I didn’t bring up the ammo box.
The week of Father’s Day, she texted me:
You still got those recordings?
She was talking about the songs we used to sing together. I had piles of recordings from over the years––hundreds of hours of Jeremy and I and whoever was with us at the time.
Yeah. Haven’t figured out how to rip them from the MiniDiscs yet.
I just need one song.
I’ll see what I can do. What song?
Didn’t you and him do Wish You Were Here at Matthew’s?
Yeah, I’ll look for it this weekend.
Think you can get it to me by Sunday morning?
You got it.
Bekah wanted him there for Father’s Day. It had been little more than a year since they kicked the door off the hinges and found his body.She wanted him there to sing a song to their daughter.
I looked at the handwritten notes on over thirty MiniDiscs. Studio 566. Jimmy Mac sessions. Sanford’s vacation. Brickette lounge...I eliminated a bunch because the dates didn’t line up. Which left me with eight. Eight MiniDiscs, three hours each.
I listened to the first few tracks, just to hear his voice. He never knew how to close a song. He just kept playing. It was annoying as hell. I’d look at him, try to cue him the song was over, but with all the bong rips and Busch pounders, his eyes were always shut. The song would only end if his makeshift matchbook pick finally disintegrated. Or if he was ready to steal another cigarette. Every track ends with him laughing at me for bickering at him for ruining an otherwise solid recording.
I popped in the disk marked Half Spent / Stemmer’s Run and advanced a few tracks. A calloused finger drags along the E string. He inhales sharply through clenched teeth. Shakes a cramp from his hand. A click from a lighter and I smell bong water, stale Marlboros and the rotten brown couch. A car goes up Westdale so I know the windows are open. It’s summer. Hot. He’s got on his tattered beige cargo shorts but probably not a shirt.
We’d always bitch about never doing anything fun, but my fondest memories have nothing to do with Hershey Park or chartered fishing boats. I miss the moments where we’re bored and talking shit. Shit talking is where the love is. Ninety degrees with a box fan in the window, six-pack of pounders sweating on the coffee table. Working on a song. Telling my best friend he fucked up the end.
I’d forgotten Bekah was on this disc for two songs. “All in This Together” and “How Can I Try.” The three of us harmonizing caught me off guard. They’d known each other less than a week.
****
I met Bekah at an NA meeting and told her about my best friend who was locked up. I told her I was the only one who wrote him and as a kindness to me, she asked for the address. Pretty soon she was asking a lot of questions about him. I told her all the stories about us growing up and getting in trouble. The arrowheads we forged on the riverbank as children to fool his dad. Quitting our jobs because we figured out the bass at Longwood were hitting a white spinner bait. Coming to blows in the hotel room on Fisherman’s Wharf over a handful of missing oxys and a woman whose name neither of us could remember.
She asked if he was reckless. She had fallen in love with reckless before and it landed her in rehab. I laughed because he was in prison. But I saw what was happening––he was courting her and she was falling. I told her the only true thing I knew about my friend.
Jeremy’s like an old dog. He’s been kicked around and left in the backyard too long by his former owner, but he’s yours now. He’s gonna do dumb shit and cause you grief, but he’s fiercely loyal. Doesn’t matter how far you throw the ball, he’s gonna bring it back. Yeah, he’s reckless. And that’s why I love him.
Florida Corrections gave him fifty bucks on a Visa card and an open bus ticket to anywhere in the lower 48. Bekah came with me to pick him up at 13th and Filbert when the Greyhound came in. They had never met, never touched, but they were in love. I peeked in the rearview. They smiled and glanced at each other but this wasn’t a love letter. He’d always been so confident, but I could see he was afraid of a five foot three curly haired girl wearing a Last Waltz shirt. It was at a stoplight when I turned around in my seat. I asked him what he wanted to eat and I saw it. Did she reach for his hand, or was it he who reached for hers? Their fingers were sewn together and they were smiling. After three years in prison he told me to decide what we’d have for dinner.
****
On her mother’s porch Jeremy noodled on the Simon and Patrick guitar Bekah and I bought him. I’d mailed handwritten lyrics and tabs of new songs, and on the rare phone call we had together, I’d play a few bars so he could hear the melody. He practiced in the chapel every week before Sunday church service. Bekah wrote to him about the ones she liked, so he focused on those. I listened to the songs we sang on her mom’s porch and there’s a part at the end where the laughter dies down and it’s quiet for a few seconds. He was looking at a spiderweb between the yew bush and the brick of the house.
“Ain’t it funny how that web is home for one thing and certain death for another?”
“Wish You Were Here” was a few tracks after our songs from the porch. I had found the song she wanted and two more. I couldn’t figure out how to digitize the tracks in a way that would preserve the sound quality. So I hooked up an auxiliary cord from the MiniDisc player to a Bose speaker, then I set up the voice recorder on my phone and recorded in real-time. I labeled each one and sent them to her in a text message late Saturday night.
Along with my morning coffee, a text from Bekah:
Thanks
***
I’d forgotten about the ammo box letters until Bekah emailed me. I copy/pasted the file into the Twitter bot generator.
>@IrishHillblybot: What say me and you find a quiet spot and get as high as a giraffe’s asshole?
>@kaniuk22: @IrishHillblybot haha hell yeah
>@IrishHillblybot: @kaniuk22 what’s up, brother?
>@kaniuk22: @IrishHillblybot i really miss you
>@IrishHillblybot: @kaniuk22 what’s up, brother?
>@kaniuk22: IrishHilblybot i wish you would’ve called
>@IrishHillblybot: @kaniuk22 what’s up, brother?
Rob Kaniuk is a proud uncle and has the best wife in the world. His mm is pretty cool, too.
By EDBOY
I tap his shoulder in the back room of Bob’s Java Jive, and go, “Bro, you look just like Richard Brautigan.”
He’s missing the broad-brimmed outlaw hat, but he’s got the glasses, the bushy handlebar mustache.
He leans back, says, “Who THE FUCK is Richard Brautigan?”
I show him the weathered copy of Trout Fishing in America that’s conveniently tucked in my jacket pocket.
“Wow,” he says, bringing the book to his face. “That IS me. What did he do? Bag groceries?”
“You know, I wouldn’t be surprised. He was a poet and did a lot of random shit,” I say. “He was born here.”
“He was born in fuckin’ Bob’s Java Jive?”
“No man…Tacoma,” I say. “He was born in Tacoma. He died in 1984.”
“Bro,” he says, “I was born in 1984.”
“You were?”
“Yeah man,” he says. “I’m obviously him. I’m Richard Brautigan. I’m fuckin’ POET, dude.”
The karaoke DJ summons him.
He sings Elvis Costello’s Pump It Up. When it gets to the Pump It Up part, he kicks the air like he’s kicking over a beer can tower.
When he returns to his booth, I show him another picture of Richard Brautigan.
“That’s my next Halloween costume,” he says.
“You’re welcome,” I say.
“Hell yeah,” Richard Brautigan says. “I’m finally gonna be somebody.”
Edboy is an American writer. He runs Spaghetti Days Press out of Tacoma, Washington. Follow him here: @spaghettidayspress.
By Bud Smith
Last night I broke a rib kicking a balloon. I went flying like Home Alone, Marv and Harry, landed on my side and damn it hurt.
Sometime around sunset the following day I was at Miriam’s 80th birthday party, sat mostly alone at an oblong table, lacking the power to laugh.
The backroom of the restaurant overlooked the turnpike. Half her family stared out an endless window at an endless peel of traffic. The other half took turns briefly holding whoever’s baby.
The sprite-like server asked if I was all right.
In my own way I signaled, Not at all.
He brought more table wine.
I sipped non-dominant, explaining how I’d been wounded in battle the previous midnight, but neglecting to mention my opponent: a rubber bladder full of breath, color of bubble-gum, hovering low along the hardwood floor of the upstairs guest room.
How the house had shook and woken two sisters, two nieces, all the tetra, even the cherry barb.
The server left. The baby echoed all around.
Unable to dance or mingle, I watched Giada loom over an elderly man at table five. I saw how she was disguising her hatred, making what appeared to be pleasant small talk, though he was a known-enemy, a pink-faced gentleman-fuck in a baby blue suit and teal tie. She was nodding. Was smiling cool even.
We’d been married eleven-and-a-quarter years. I’d studied and was fluent in her many gifts.
I, in fact, was one of her gifts.
Another of her gifts was ‘forever-patience.’
Another was ‘resting angel face.’
Then there was her ability to conceal absolute repulsion.
Who could ever guess, during the car ride over, Giada had instructed me to slowly choke the life from this bloviating man.
His exact relation was unclear.
Her father’s first cousin? Second cousin? Third cousin? Forth cousin? No cousin at all? Luca. Former dean of colleges, retired fifteen years but the way he bragged about campus, you’d never know.
Maybe she would snap, fetch up the potted tiger lily centerpiece, and brain him.
A silver mylar balloon struck the ceiling fan but my table mate bopped it away with an unconcerned backhand.
Gold foil on the balloon read “80?!”
And Miriam? Perhaps Miriam was a great aunt?
I had no clue, except I loved Miriam, wanted her cloned two thousand times. A moment before I had seen the bartender letting the baby pull ice cubes from the bucket. But Miriam had objected. Now Miriam was rocking the mystery baby. Giada’s family had conquered this backroom with toasts, and gossip, and four courses of food already. Espresso was brewing. I limped to the remainder cocktail shrimp.
Not two minutes later, someone tapped my shoulder. I turned, expecting to be offered a pig in a blanket—not so—another server bestowed upon me the baby.
“I’m hurt,” I said, indicating my side.
Big Nico saved me, took the young one and spoke in his low baritone, “Who’s your daddy? Who’s your daddy?” Our world was built of questions, posed to those who lacked the ability to speak. “No, really. Who’s your daddy?” He gently shook this baby over his head. “Is there a daddy in the house?” Big Nico asked like someone might say, ‘Is there a doctor in the house,’ just a moment before an emergency tracheotomy.
I studied a poster board full of photos of Miriam as a child in Passaic and Miriam as a teenager in Passaic and then Miriam as an adult after she’d gotten herself waylaid in Salt Lake City.
The photos on the poster board I liked best, twenty or so, captured a gnawed-away time when she was young, in New Jersey, just after WWII, when everything was sepia dew and sepia roses.
One of those sepia photos on that pasteboard was of this building I stood in now, which Giada’s family used to own. For six years they’d owned it, I think.
First the building contained a hat store that also sold shoes. Then it was a shoe store that had some hats. Then they sold no hats. Briefly after the family lost the building, imitation diamonds were sold here. After that, it became a pawn shop. Then there was white flight and nearly it was demolished. Yet here we all were, knee-deep in bruschetta, faux bouquets, and Dean Martin—the place now called Friar Anthony’s.
Two of the other twenty photos were especially striking, bloomed with life, belonged on a gallery wall.
One of these special photos was labeled “1964 M” She was twenty-four and wearing a white dress, stood in front of a plaster wall painted evergreen. She was wearing a halo. Either it was Halloween or Noel.
In the other photo, everything had an orange tint and she was getting a haircut from a much older man with a cigarette hanging out of his mouth. The collar on his flannel shirt popped. She had on a tight sweater, navy blue, with gold zigzags.
“That’s me,” Miriam said over my shoulder. I turned and introduced myself. Said ‘Happy Birthday’ again. She reached for my hand. I gave her a shake against my better judgement and nearly cried. She’d come all the way from the other side of America—Utah—to be exact, as if on a farewell tour.
“These two photos are really good.”
She didn’t get me. “A swell camera.”
“Who is the man?”
“My father, Little Nico. He used to hide money all over the house. When he died, my brother Nico—Big Nico—got the house. When he finally sold, well you know, they tore down that house.”
“No I didn’t know.” I was upset to hear this but not surprised. I’d loved that house.
“They tear down everything. They’ve got to keep the bulldozers busy. But with all that junk Nico had put in there, I can understand. We had to clean it out in a hurry just so they could level it.”
“That was some good junk though.”
“Sure it was. We’d be giving away an old dresser and hoping it didn’t have money hidden in it.”
“I lived in that house for a month.”
“When was this?”
“Ten years ago.”
“I loved that house. You lived there? I’d say a hundred people lived there. Open door policy. At one point the mailman lived there.”
“I’m Giada’s husband,” I said. I pointed to one of the photos of the house, trashed to the max. “Is that 2012?”
“Maybe I met you. You were thinner?”
“For sure.”
“What a lightning rod for garbage. And we’d have to worry there is money hidden in everything. That’s how our dad was. There were all these pill bottles. The other day I opened a bottle of nickels.”
“When did he die?”
“1992. No. 1993.”
I glanced down at Miriam’s feet. She had on neon running shoes under, maybe, her fanciest dress.
“1994. June the ninth. Dad played the lottery every day. When he died we filled up the coffin with empty cigarette packs and losing lottery tickets. Everyone saw that and smiled. Buried him with two Marlboros, a red, and a lite, one in each corner of his mouth.”
I gave Giada a wave she didn’t see.
The servers in their purple vests and purple shoes, handsome parts in slicked hair, wheeled out dessert. The sun was at the perfect angle to blind us all.
Some hero shut the curtain. The room dimmed into comfortable shadow. There wasn’t a single light on. I leaned in closer to the poster board, looking again at those two, specifically striking photos. I realized all my pain had gone poof.
I pointed to the angel and the haircut.
“Who snapped these?”
“Oh, that would have had to be our older brother. Luca.” She pointed out the man my wife wanted me to strangle. The man Giada was still talking to, still being civil to.
“He carried that Nikon everywhere.”
“I really love those two photos of you,” I said.
Miriam hugged me and gave my neck a little peck.
I went back to my table and sat down with espresso and tiramisu. Giada had floated over to her mother and father and now, to the baby’s delight, her father sang a novelty folk song urging Christopher Columbus to turn the boat around.
The Marine across from me consumed candy crush. His red-headed daughter poked him in the gut, spoke more about a carnival soon happening on the cliffs. The seat where the mother had been was vacant.
I looked back at Luca sat all alone. I thought again about his photos. He looked so lonely. Where was his camera now? I didn’t want to kill him anymore.
If his sister was 80 and he was the older brother, that would have made him at least 82. I’d met him fifteen years earlier. At a different reunion barbecue.
He was always saying evil things at barbecues. At one legendary bicentennial barbecue, he may have told Giada’s mother she needed plastic surgery.
The barbecue I’d been to, he said something nasty to Giada even, but what?
Oh I couldn’t recall even that.
Can you be irrationally mad at something not worth remembering? Let’s see. I picked up my plate and cup and sat down at the table across from Luca.
“Hello,” he said.
“Luca, you don’t know me.”
He was barely looking. “I know all about you.”
“I just wanted to tell you—”
“Save your breath. I used to believe in radical honesty at your age. It’s a waste.”
He ate some of his cake. I ate some of mine.
“What should I apologize for?” he asked.
I looked across the restaurant, Giada was talking to a woman in a skyblue gown. The missing mother?
“You’re right, forget it. I heard you took those two photos that I like over there. So I forgive you, as an artist.”
He smiled. “Good. You’ve seen the light. And so have I. Isn’t that photo of Miriam and my father so funny? Who ever saw a father cut his daughter’s hair? But that’s the kind of man he was. He would take apart the TV set just to see how it worked and he would put it back together. No formal training. No education. But he’d wear a tie, hovering over the open hood of a car, changing spark plugs, pulling on wires. He’d guess and he’d be right. Me, and you, we’d be hopeless.”
“Your father had innate talent.”
“When the priest would drop by he would be lying on the couch reading the paper and Miriam would let him in the house but Dad wouldn’t even get up. He didn’t make a big deal of ceremony and he thought a lot of people were terrible kissasses. Anyway, I was a nerd. I had a camera. That priest gave it to me. I took lots of photos.”
The restaurant was louder now. The drunks had had their rocket fuel. Voices swelled. Faces grew younger. And there was Miriam sat under her throne of balloons, shoulder-to-shoulder with Nico. He was red-faced and blockheaded, and whispering something that doubled Miriam over in laughter. I guessed, at this pace, she’d live another eighty years.
One thing I remembered about Nico was that he put newspaper down and let his three-year-old-totally-healthy dog, shit in his house. Never once did I see or hear him yell at that dog. Though there was a doggie door, the dog preferred to shit in the house. And in the mornings before work, I’d step out of that dog-shit-reeking house, to my car and see Nico had hundreds of pounds of bulk garbage tied with twine to the roof of his Ford Taurus, which he’d gathered in the dark. So I’d untie it all and put it there amongst all his other nightly winnings. Every year he used to have a yard sale in the summer and sell the town back its trash.
But as you already know, the house is gone, and so is the dog, not to mention, nearly everything else.
I heard a balloon pop under the table.
I bent down in terrible agony.
The baby was crying but nobody else noticed. He’d curled up in a little ball, his mouth full of silver mylar.
I reached out my good arm but the baby scurried away. Now was sucking his thumb amid all this clatter and chatter. He pulled his thumb out and the string of the popped balloon was wrapped around his thumb.
The baby drooled loose the rest of the choking hazard and smiled.
“Whose kid is this under the table?”
Up above, Luca was summarizing an important commencement speech he’d heard given every Spring for the entirety of his adult life.
I called for help again.
Nobody seemed to hear.
I held out my plate. The baby crawled over and began to scoop handfuls of cake into his brand new mouth.
Bud Smith is the author of the novel, Teenager, among others. He lives in Jersey City.
By Lucas Restivo
Lucas Restivo is OPEN for representation and endowments
By Tyler Plofker
Tyler Plofker is a writer in NYC.
By Uchechukwu Onyedikam
Uchechukwu Onyedikam is a Nigerian Poet/Photographer based in Lagos, Nigeria. BOTN, Pushcart Prize nominee. His poetry has appeared in Amsterdam Quarterly, Brittle Paper, Poetic Africa, Poetry Catalog, Sky Island Journal, Unlikely Stories Mark V, Spillwords, among other publications. He and Christina Chin has co-written and published two poetry chapbooks. He’s a contributor at Mad Swirl.
By Rich Boucher
Rich Boucher resides in Albuquerque, New Mexico. Rich’s poems have appeared in The Nervous Breakdown, Eighteen Seventy and The Rye Whiskey Review, among others, and he has work forthcoming in The Literary Underground and Cul-de-sac-Of-Blood. He is the author of All Of This Candy Belongs To Me. Interestingly, he can’t stop looking at the sky.
By Sofija Popovska
Sofija Popovska is a poet, translator, and editor-at-large at Asymptote Journal. Her other work can be found in mercuryfirs, Circumference Magazine, Grotto Journal, and Poetry Daily, among others. Her poetry collection, Thaumatropes, which she co-authored with Jonah Howell, was published in 2023 by Newcomer Press.
By Corey Lof
Wilts saw the ocean for the first time when he was twenty-six. Thank you, he said. We were on the Oregon coast where a waterfall was coming off the cliffs, landing on the beach and running through a spiderweb of trenches to the shoreline. The sun had set and what was left of the light had turned the waterfall, and everything really, the rocks, the sand, us, the ocean, translucent and purple.
Thank you, thank you, he said, breathing like he wasn’t sure he would ever get to do it again. I half expected to turn around and find him facedown making angel shapes in the sand, like he was talking to God, or the earth or something. I hoped he wasn’t talking to me. I wanted to be riding around on Aprhi’s shoulders in the shallow, taking selfies. I didn’t want to be credited with whatever Wilts was experiencing. I ignored him, but he kept saying it. Thank you. Thank you for bringing me here.
It was always like this with Wilts, we’d be doing something normal, like getting gas or watching an ambulance tend to a car wreck, and Wilts would experience some profound depressive episode. It was nothing to be jealous of, but there I was. I wanted to push him over into the sand, fill his mouth with it.
Man, thank yourself, I said. You pitched on gas too.
The second time Wilts saw the ocean he almost drowned. We were burning driftwood on a campsite in northern California, surrounded by long beach grass. The sand was cold and the air was a thick, salty mist. The moon never rose and so turning away from the fire basically left you blind.
You go swimming? Aphri said, looking over my shoulder to where Wilts stood, soaked and shivering, with some girl in his arms. He kept grabbing her like he was checking she was there. They bashed their foreheads together and panted in unison. It was obvious, whether he saved her, or she saved him, or they’d just tripped into a puddle together, Wilts saw it as a cosmic sign. The universe was always telling Wilts that this was it, he’d arrived, and it always ended with his heart looking like sidewalk vomit.
Who the fuck is that? Aprhi asked.
The fire flashed in the girl’s wide eyes. She pet Wilts’ chest, looked up at his chin.
The three of us had been staring into the fire since before dark.
We hadn’t even noticed he left.
He moved into the girl’s van and the next time Aphri and I saw him was in Hollywood. Though he disappeared early that night too. Aphri borrowed then bled on Wilts’ only nice shirt while in a friendly fist fight over a flowery necklace given to us by a homeless man.
It was me who punched him.
I got into it with Aphri twice that night.
Later, while Wilts was asleep, or wandering all woebegone through the Hollywood streets, Aphri warned me against going behind a bar to smoke weed with a black guy who had neck tattoos, so I called him a racist and he smacked me in the face and told me a story about how he was robbed at knifepoint in Guatemala.
I said, I wish I had a knife, I’d take you for everything you got.
What did I tell you about threatening me with violence? he said. I’ll whoop your ass.
I dumped what was left of my beer in his lap and took off while he was still trying to figure out what happened.
But I was so unaccustomed to being alone, I didn’t know what to do. I ended up in some bushes, just off the Boulevard, with my pants down. I thought I might jerk off, but it was hopeless. The mood wasn’t right. I don’t know what I was thinking. Parts of my life were slipping away so fast it was as if I never lived them. Maybe I was hoping to get more time with them. Maybe I thought I’d get that time while in prison as a sex offender. I don’t know. But that was me there, bare ass in the mulch, hand on my soft dick, scrolling through old photos on my phone of all the people I loved and never told.
Wilts told us he was leaving for good one night in a dry lakebed outside Boulder, Nevada—the Boulder no one talks about, that consists of a laundromat and mechanics shop and not much else, the one I’d confused for Boulder City, Colorado and for years wondered what all the hype was about.
We pulled off the road, into a dry lakebed and drove in circles as fast as we could until we lost interest when we realized that was the extent of it, circles. There were no giant cracks or other worlds for us to fall into. No one was chasing us, no one was watching.
We parked, dug a hole to protect our fire from the wind, ate mushrooms and stared blankly into what was a bleak, album cover sort of horizon.
When the sun set, Wilts, Aphri, and I wandered around the dry lakebed in the dark. Wilts had my guitar with him. He plucked the odd low note and let it ring out. Eventually we laid down.
That’s when Wilts told us he was leaving. He laid on his back and looked up at the sky and spoke to us as if he were telling us he was going to die. Again, that’s how he was. His tone always terminal, his sentences always punctuated with deep sighs of resignation. He spoke of love and chapter endings, new beginnings, and a whole bunch of other shit I was embarrassed to even hear.
I gave him a hug and told him we’d miss him but other than that, I stayed quiet. I didn’t want anything I said to betray the fact that I saw this as a non-event. There was no great sense of beginning or end. Wilts was leaving. I always knew he would. It was clear from day one, when Teo left and Wilts replaced him, that he couldn’t hack it. Not on the road, not with Aphri and me. He was too open and too sticky. Everything we passed became a part of him, yet the crucial pieces of himself, the ones that stand you up in the morning or stop you from tripping backwards into your own head, those he’d just let fall out wherever he happened to be or he’d give them away.
There was never a choice. Not for him. He was always going to leave.
I’m surprised he lasted this long.
He asked me if he could take my guitar and since I wasn’t playing it, and I said, Sure. If you got fifty bucks.
It was a fluke that he’d ended up in the van to begin with. Years ago, I was sitting in the park in Toronto with this girl I’d started seeing even though I was about to leave town, when Wilts called. I hadn’t spoken to him in months. I remember thinking, is this really something I feel like taking on? The shortest phone calls with Wilts could leave me with an overwhelming sense of guilt and a deep pain in my gut. He had the power to both brighten the world, bring it into clarity and at the same time make it feel hopelessly out of reach.
I sighed a sigh I learned from him, one of his deep, what difference does it make, sort of sighs, and answered the phone. Hello?
He was silent for a while, then all he said was, I see you.
He was right there, right behind me in the same park, somehow wearing on his face every possible implication of the time past between our seeing or speaking to one another.
I told him I was leaving and he said, Can I come?
It’s only ever a matter of gas pitch, I said.
But I still wonder, what if I didn’t answer the phone? What if he’d seen me screen his call? Would he still have approached me, still have had me turn around?
Years later, after Wilts had come and gone, I ended up back in Toronto for a stint, more or less squatting in his apartment, while he tended to another broken heart in the safety and comfort of his childhood home.
I’d been to the apartment once before, when his girlfriend still lived there. I remember being amazed by how full of life it was, how full of stuff, creamers and sauces, photos stuck with magnets to the fridge door. They had cactuses and clay cats and little glass bottles lined up along the top of the door trim. They had little things lined up along any little thing that jutted out from the wall, really, anything that resembled a shelf. Coffee cups with sailboats on them, pictures of people at weddings.
But now that she was gone, the apartment was barren. All the life that I’d seen was hers. He’d just been clinging to it, calling it his own.
The next time I heard from him was a few years after that.
I was back in Toronto, waiting for my car at a mechanic shop. He sent me a message saying he had all his stuff and nowhere to go. Not a clue. He said his most recent breakup happened to coincide with his landing on the wrong side of a line drawn in the sand by his mother after his father’s death. He said, I don’t really want to get into it.
He said, But I hear you’re in Toronto. Me too.
I was living with the woman that would become my wife, that with more time, would have our child, and live quietly with me in a life most would call normal—and I guess what I’m really wondering is if that sort of normalcy can find me in time, then why not Wilts?
I knew he would be a terrible house guest, that he’d permeate our entire four-hundred square foot apartment with his incurable melancholy, but I’d already answered the phone.
Where in Toronto? I said, and immediately spotted him across the street from me, a hopeless lump slumped over a rolling suitcase. He still had my guitar.
He stayed on my couch for two weeks. My wife—my then girlfriend—worked at a bar and so we spent most evenings on our own, Wilts and me, getting stoned and showing each other music on YouTube. Between songs he told me of his plan to fly to California and win back the last girl—in an endless string of girls—who’d broken his heart.
I was working on my own at the time, turning people’s tiny, unfinished basements into illegal apartments, with six-foot ceilings and windows you couldn’t fit a basketball through, if any. So, on the day of his flight, I took the morning off. We had breakfast together at a diner and over cheap coffee and eggs Wilts sighed and went through his plan with me one more time. He would post a photo of himself on the coast in a place of romantic significance for him and his ex, then wait until she saw it and came to find him …
Pulling away from the airport that morning, I cried like I’ve never cried for my own life, like it was my mother’s heart he carried around in his chest.
I mourned Wilts’ death years earlier, while still in his company. He didn’t need to tell me he was suicidal. I mean, he did, on several occasions, but he didn’t need to. It was obvious. And it didn’t take much for me to accept it as an inevitability.
I was in no shape to help him.
We lived in different worlds.
His every breath was the result of a war being waged inside him—you could hear a village burning when he opened his mouth—and there I’d be, standing right beside him, feeling nothing, staring at a shoe.
I was his friend.
I answered the phone when he called.
I say all this, but he might not even be dead. Maybe he hasn’t done it yet. Maybe he won’t.
At this point, I wouldn’t know.
It’s been years.
Corey Lof lives on an island in the North Pacific with his wife, son, and many animals. His writing can be found in Hobart, Vlad Mag, Rejection Letters and several other places online. He would like to acknowledge that the first 300 words or so of Wilts was published as a flash by Back Patio, under the same title, in 2022. (@coreylofsatwit)