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Across The Wire Vol. 6

3 Poems

By Julián Martinez

Jesus

The Vatican’s senior accountant started locking her office door, ignoring emails. Calls. Knocks. From out in the hall, her colleagues of the Holy See heard sobs. Invoices needed to be processed. No one had any idea how much they’d gone over budget, if they’d gone over or if not, how close they’d gotten. When greeted on the stairs, she’d walk faster, graying head down. She’d jet out at odd times, once immediately after coming in and shutting her door behind her. “Boss Macabre,” The Pope dubbed her over coffee with a cardinal, according to a rumor. Dozens of theories proliferated. The HR director prayed for her before every meal. What no one guessed was that the sixty-five year old was months pregnant and suffering a nightly nightmare: Jesus enraged in Herod’s Temple, flipping the tables of the money lenders. Her child was obvious— his Second Coming had been prophesied. She’d never taken those stories seriously, but for the first time in her life, she surrendered to His power. She confided all this over the phone one night with her ex-husband, the con artist, the last person she’d been intimate with over a decade ago. He told her she should be institutionalized. That’s exactly it, she thought. I’ve become institutionalized. Her stomach sank. Then a kick.

Pussy

Wire taped to my chest, I stared at my crotch to avoid looking at the open shirt in the dresser
mirror’s reflection. Green boxer briefs with tropical flowers and flamingos on the waistband. The phrase ‘big pussy’ flashed in my mind. Imagining Big Pussy from Sopranos in the mirror instead of myself made it bearable to button my shirt— it wouldn’t be me kissing the neck of my crime boss wife, asking questions about slush funds pumped with funny money over slow jams at
Easter Sunday brunch. It’d be some other rat in my place. It’d be Big Pussy. I saw Big Pussy,
sauced on a boat, riddled with bullets that never paused for a reload by my towering wife. My dick stood up at the thought. “Wait, what the fuck? Why?” I asked my crotch. My FBI handler,
coming in from the bathroom, cleared his throat and tapped his watch.

Cleo

Her jeweled hands passed over the crystal ball like ocean waves. She told me exactly how I’m supposed to die— an infection in my skull after a fall from a stranger’s window. At one point, I asked her how she could be Miss Cleo when the Miss Cleo from TV had passed away. She froze, index finger tickling my palm’s heart line, candlelight painting the maroon of her nails a deep shade, and took a breath of the Nag Champa basement air. She exhaled with a chuckle and, dropping her Caribbean accent, she said, “it’s a persona owned by the company I work for, my dear.” I thought then that I’d fallen for a scam, but she proceeded to lay my life open like the tarot cards she had me shuffle. She knew me better than anyone ever had— every embarrassing habit, every good thing about me. She said I would soon go through tough financial times— this was a couple weeks ago— then yesterday my boss called me into the conference room and told me I was being laid off. Miss Cleo said I’d be falling in love sooner rather than later, which I found hard to believe, until the memory of her dark brown eyes and silky fingertips kept me up all last night. I came back for another reading this morning but the neon sign in the house’s window is gone. I called her company’s 24-hour hotline a dozen times but it was never her, the ladies’ Caribbean accents sounding forced and offensive coming out of them. They all said they were Miss Cleo, but the real Miss Cleo is out there. Not the real real Miss Cleo, but my Miss Cleo. I love her. I need her. I don’t care how I die anymore. I need her to tell me how I’m supposed to live.

Julián Martinez loves Chicago so much, he’s marrying her. Find him @martinezfjulian or martinezfjulian.com.

Categories
Across The Wire Vol. 6

Berries Poem

By Alex Rost

I put a quart of blackberries in the work fridge to snack on over the next couple days,
go back an hour later and toss one in my mouth.
Don't even have to bite
the fruit is so tender,
just squeeze it between my tongue and the roof of my mouth,
feel it pop, sweet juice squirting out in every direction,
coating the inside of my cheek.
Flip it to my teeth to finish the job,
chomp once, twice,
then get that perfect berry down my throat and grab for another
except the second berry is sour,
a slightly too firm dud,
the third even worse.
Fourth, fifth, sixth -
sour, sour, sour.
The seventh tastes a little metallic but isn't so bad,
the texture is right
and I have hope when I eat the eighth—
sour.
Sour, sour,
fucking sour.
Firm, gritty.
By the thirteenth my palette has no memory
of that first, perfect berry
but I can't stop,
the tingle in my tongue demands retribution,
solace from bitterness,
yearns for satisfaction.
The container is low,
the plastic of the bottom showing.
One sweet berry and I'm done.
It doesn't even have to be as good as the first,
only needs to provide a glimmer
that I can take into the future,
a belief that what I'm left with is better
than this.
Sour.
Sour.
Sour.
I'm not hungry.
Wasn’t hungry to begin with.
Two left.
Please, I think.
Sour.
FUCK.
One left.
I pick it up, hold it between thumb and forefinger,
bring it to my eye.
Solid, deep coloration.
A little squeeze—
just enough give.
I allow my hopes to rise.
I have confidence.
I run my tongue through my mouth,
searching for the taste of that first berry under layers and layers of sour.
I place the final berry on my tongue,
shift it between my teeth,
and bite.

Alex Rost runs a commercial printing press outside of Buffalo, NY

Categories
Saturday Cartoons

That Pony, That Boat

By Thad DeVassie

I didn’t know what it meant to stick it to the man back in 1987. I didn’t know who the man was. Statements like that can be ambiguous. But I remember Lyle Lovett, his tall hair, the height of a new capitalism. My hair was as long as his was tall as he sang about things he wished he had and what he’d do with them. It sounded as strange as his tall hair looked by 1988. But now, many years later, and understanding who the man is, now that my hair is long gone, I yearned or the simplicity of a riding pony, perhaps on a boat, my boat, which would have to be a really small boat because I am not that kind of man, making my pony even smaller. I bought that pony, because that was what I could afford. I looked up Lyle and messaged him. I figured he might have a boat by now. He texted back, plainly, kiss my ass. I knew what he meant. I knew it was a kinship, of not sticking it to this man.

Thad DeVassie

Thad DeVassie is a writer and artist/painter from Ohio. You can see where he’s been and what he’s up to next at www.thaddevassie.com 

Categories
Across The Wire Vol. 6

2 Poems

By Damon Hubbs

Brink


Gossiping with Alyson and Alys.
Fika, visiting cake.
Nobody is Swedish although Nadia is the type of blonde
you’d kill a prime minister for.
I read the papers and gamble on papal elections.
To think of all the beauty and bloodshed,
fuck it. I’m lying to myself and others.
Artifice in loud terms.

Nadia gives me a jagged hump
and I’m on the oozy brink
when she starts talking about Irish writers
and some esthetician
in Palm Springs
nicknamed Jack the Ripper.
It’s strange how people cling together.
Darling, don’t shoot until the subject hits you.

I’m barely awake when you call me Finnegan
stately, plump (picnic, lightning).
I mock the myths I help create
make faces in the surveillance camera.
Where we’re headed, where we are
halfway down the coast I lost the comic timing,
pick up the phone like a cold kiss—
yes, Nadia, the fire escape is burning

and I’m watching the deaf republic
under a wild pack of stars.
I’m thinking about the poet
who dropped an electric toothbrush into her cunt
and fried my cock.
Love after love after love
I’m pissing like the Colosseum in full view
listening to the pretty tyranny of the wind.

Patagonia Picnic Table Effect

Somewhere between night and the morning after
queer shades of future dusk
Berluti knot, orange wine, lips like an extra maraschino

we talk about art and Genet and the birdshit on the bench.
“You should write a poem about birds,”
she says, not knowing I’d sworn off bird poetry

preferring to write poems about petite mort and 21st century malaise
clubby androgynous youth, gobs of spit, vape girls, egirls
empty theaters and red latrines, Aslan’s pin-ups, lui magazine

desire that isn’t explained, desire with a mouth like a dirty rest stop,
Vogue Italia, dressing for the rapture, what it means to be exiled,
what it means to be stripped of happiness, what it means to be stripped

like a saint, murder holes, arrow loops, Divine’s funeral, my complete
fear of list poems, biographies, throat cancer, my complete fear of Kathy
Acker, Trazodone, nightstands, spotlights, Piss Flowers, the exquisiteness

of tiramisu, the slippage between desire and disgust, the foil to her
flamboyance, Stabat Mater, my complete fear of Connecticut, the
insurance man, the cricket-impresario, tennis elbow, preferring to

write poems about coupling, decoupling, parallelism, lines of influence
and what it means to find a rare species, and another, and another —
Yellow Grosbeak, Thick-billed Kingbird, a nesting pair of Rose-throated
Becards.

Damon Hubbs is a poet from New England. He’s the author of three chapbooks and a full-length collection, Venus at the Arms Fair (Alien Buddha Press, 2024). Recent publications include Apocalypse Confidential, The Crank, A Thin Slice of Anxiety, Spectra, the engine(idling, Horror Sleaze Trash, & others. His poems have been nominated for the Pushcart and Best of the Net. 

Categories
Across The Wire Vol. 6

the cure

By dizzy turek

Are you, he coughs, are you, he coughs, are you coming, he coughs & then he coughs again, excuse me–are you coming, he coughs 3 times, oy ya yoy, he coughs a little, excuse me, clears throat, are you, clears throat again, what is up with me, he coughs, 

am I gonna see you for Christmas this year?

dizzy turek writes in Chicago but is originally from Ohio. find all writing on: instagram: dizzzzzzzzzzzzzzzzzzzzzzzzzzyy & twitter: @dddddizzzzyzzz . he also does theater.

Categories
Across The Wire Vol. 5

You only Smile when I’m Down 

By Tim Frank

My revenge will be to live well.
I’ll sink my teeth into slabs
Of steak,
Let the garlic butter ooze
From my lips
As Weiss beer bursts
Upon my eager tongue.
I’ll dream of ice-cold water
Pooling around my feet
And watch the evening game
While chaining cigarettes—
Blowing rings of smoke
At the waning moon,
Creating new plateaus
Of beauty
From my idle thoughts.
And yet, what good does living well
Really do?
We cruise
Through worlds aligned
But are judged by different gods—
Indifferent gods,
Not worthy of our prayers.
You’re a phantom figure
Beyond my vengeful reach.
So do your worst, my simple friend—
Set fire to your block
Make your children cry

Tim Frank’s work has been published in Bending Genres, X-R-A-Y Literary Magazine, Maudlin House, The Forge Literary Magazine, The Metaworker and elsewhere. He has been nominated for Best Small Fictions. His debut chapbook is, An Advert Can Be Beautiful in the Right Shade of Death (C22 Press ’24) and his second chapbook of poetry is, Delusions To Live By (Alien Buddha Press, ’25)

Twitter: @TimFrankquill

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Across The Wire Vol. 5

You’re Okay Champ

By Michael Pershan

Michael Pershan is a math teacher and writer living in New York City. His writing has appeared or is forthcoming in BULL, hex, Outlook Springs, and The American Bystander. 

Categories
Across The Wire Vol. 5

The world is disappearing into words & I am afraid.

Dimensions/Medium:
Approximately 18×24 cm
Colored Pencil

Sofija Popovska just doesn’t know anymore.
IG: _aughtmilk

Categories
Across The Wire Vol. 5

Japanese Steak Knives, The Breville, A Distressed Velvet Ottoman

By Frank Carellini

they undressed methodologically.  unprovocative.  like they were about to examine each other for lumps.  folding his clothes neatly into rectangles.  those worn brown chinos.  the chambray button down shirt with underarms that smelled with years of his bitter sweat.  sweat that at one time, attracted her.  she used to liken it to “my salty Mediterranean man that smells like the rind of a lime.” where that man went, neither of them knew.  the fauvist views of succulent fruits clinging to branches above a sparkling sea are a lifetime removed.  she, folding her jumper into a square that ballooned at the edges.  never had a penchant for perfection.  their bodies were cold and clammy as they came into mutual embrace.  they tried to make love. tried pressing the atoms of their bodies into some form of miracle.  paused at each others lips, not moving, but waiting for some sort of momentum to build.  nothing. barely air passed between them.  they tried in the kitchen.  in the bathroom.  on the couch.  looking around at the set of japanese steak knives, the Breville, a distressed velvet ottoman.  as if to put the blame on them for lack of ambiance.  

checking into The Schofield.  Corner suite (always wondered what it looked like).  Lots of mirrored surfaces.  their bodies moved like lava in a lavalamp from one distorting surface to another.  two beds.  weird, he forgot to request one king.  lots of vague objects.  a miniature Calder mimic.  she put pressure on one pendant.  let it ricochet.  watched it ease back into balance.  then into stillness.  the lack of its optionality into a chaotic form was upsetting.  couldn’t be broken.  he went into the mini-fridge.  two bottles of tonic.  little bottle of bombay.  grabbed glasses from the desk.  they had a nice weight.  a weight that felt official.  called for ice.  and a lime.  two thank yous and a $10 tip later, he mixed them a drink.  thumb stung from the lime juice.  she was sitting on the edge of her bed.  patting her skirt.  she wore that perfume.  he sat at the desk chair.  swiveled around to cheers her. 

“i used to wear a beret.” 

“and smoke cigarettes.” 

“i once knew Yves Klein.  he asked me to be one of his brushes.”

this went on.  the days in montmartre.  maybe it was true.  he was no Yves Klein.  he could see it.  her body draped in that ultramarine.  being spread across a canvas.  the gushing figures materializing on canvas. 

this aroused, then irked him.  didn’t dr. muchlenbach teach her not to bring french painters to romantic getaways. 

he downed his drink.  she hadn’t touched hers.  the ice had melted and it looked diluted.  he went and sat on the bed opposite hers.  turned the tv on.  Joe Rogan’s Fear Factor, Couples Editions.  the programming at this place was meant to keep things spicy.  she sighed and got up off the bed, placing the drink down on the desk.  walked by him without any acknowledgement.  he heard the bath turn on.  ran for a while.  this episode, contestants had to stand on top of a moving vehicle and grab flags as they sped by a set of markers.  she, in a bathing suit (why were they always in bathing suits) and he, a muscle shirt, cutoff jean shorts.  after they win first place, they’d go back to their trailer and have mind-blowing sex.  maybe the exercise the entire kama sutra.  this irked, then aroused him.  annoyed at the thought of an erection through jean shorts.  felt like an insult.  the faucets turned off with that creak that the old guard turnstile knobs made.  he could hear her swishing around.  sitting up.  falling into the water.  now she was rolling onto her stomach and back.  now she was— 

the second task was a water one.  one of the team would be submerged underwater.  the other would have to crawl through a tunnel of roaches to find a key.  the key opened the tank and let the water out.  jean shorts muscled through the tunnel.  even ate a roach for style points.  bathing suit floated glamorously in the tank.  did a twirl to the right, then to the left, then winked at joe.  then to the camera.  

drive home was eventless.  across the bridge.  down the parkway.  Nicholas greeted them at the door.  Said something about the dogs behaving well.  they sat on the couch.  he turned on the tv.  maria appeared from the linen closet with a “miss, the blue does not come out of your underwear.”  she blushed.  

“I used to wear berets.”  she uttered. “and smoke cigarettes.”  she was speaking to a void.  he went to the refrigerator.  took two bottles of tonic.  he put ice into his.  lime into hers. 

Frank Carellini was born in Connecticut in 1993.

Categories
Across The Wire Vol. 5

The Facts

By Kyle Kouri

Yves is dating Alfonse who’s in love with Paulo who’s fucking Stefan who’s focused on his career but married to Sydney who knows he’s gay but feels safe because they’re best friends, which makes Cristof jealous because he’s pining for both of them; and Cristof’s brother Rosco is dating Nifath, mysterious Nifath, and they’ve been in an open relationship since July when Nifath got distant and Rosco suggested they experiment; but Nifath’s been fucking Conroy since May of last year and Conroy hasn’t been tested for decades (no self-reflection); he’s been drinking with Jason who can’t get his dick hard but has been thinking it’s because he has feelings for Seana, the trans girl, who dated Sarah all throughout undergrad; and Sarah, stubborn Sarah, feels cheated because Seana’s not Sean anymore, in fact she’s never been, just appeared that way, and Sarah’s straight and sure of it, but did have a few experiences with Massie, the Bohemian, who swears relationships are soul-suckers, monogamy equals weakness; though in high school Massie dated Scottie, who is a cheater with a big ol’ penis, and has never once been loyal, but is charming, and still supported by his mother, who’s having an affair with Aldo, her personal trainer who does this frequently; and Aldo’s brother Santo is in prison and having a hard time while doing hard time because his girlfriend Mary is pregnant and works at the ShopRite which Peter has managed for sixteen years; and Peter, peculiar Peter, has had physical contact with another human only once during his entire adult life, instead he looks at little kids on the dark web; and sometimes, around lunchtime, he’ll make a detour carrying his canned tuna and pass by the elementary school’s playground where Fanny, Ms. Fanny Appleton, is the teacher and always gazes warily around the perimeter, because she’s worried about just this kind of thing; she purses her lips, eyes vigilant, and waves at Peter but doesn’t suspect him, because at the ShopRite he’s always been a nice man, a little sweaty, true, but even makes Ms. Appleton’s nephew laugh; this kid’s name is Stephen, and when Fanny’s babysitting, they stop by the store for ice cream sandwiches, but she has never noticed Peter touch him inappropriately, which, on one occasion, Peter has; anyway Ms. Appleton is single, has not had a boyfriend since college, where she was manipulated by Michael into doing things that didn’t feel right; and then one night Michael snuck into her dorm room, wasted, and raped her; now Fanny trusts no one and lives a quiet life but has a crush on Lucien Carr (no relation to the murderer), who teaches English and seems in Fanny’s opinion sweet but sad too, and everyday she swears she’s going to ask him out for coffee, but just hasn’t committed yet; and Lucien doesn’t realize she’s even interested, because the truth is he has a drug problem, and every day after his class he goes home alone, draws the blinds, snorts cocaine and drinks alcohol until he’s completely deranged, then sleeps for two hours, wakes up the next day, and repeats the same thing; sometimes he picks up his phone to call Courtney, then changes his mind, because Courtney was his wife and his best friend but then got sober, they both went through the Program, and she changed, he couldn’t beat it, so she left him, and now he’s back on a bender; and Courtney, somber Courtney, sweet, sad Courtney goes to meetings every evening and spends her days working at T-Mobile, just trying to get by; on occasion she flirts with Teshawn, her co-worker, he makes her laugh, they take break at Chipotle; Teshawn’s twenty-one and goes to the community college with Rasheeda, who he’s in love with, and she likes him, but he’s so nice, she finds that off-putting; plus she likes to go out on the weekends, in the city, where she meets Sky Pepper; and Sky Pepper, so Sky Pepper, is a model and comes from money and once her and Rasheeda went home with Sven Odenfield, the photographer, and they had a threesome, which was fun but a little intense for Rasheeda, though Sky doesn’t remember it; Sven remembers it, in fact he catalogued each moment of the evening in his Moleskine, because that’s his thing, along with photography, he’s in love with pleasure, has fucked half the city, and meticulously records each conquest; but Sven, complex Odenfield, still Facebook stalks Nadia, his step-sister, who lives in Berlin and will not return his phone calls, plus things were never the same after what happened that one night, when they shared a hotel room next to their parents and both got drunk off the liquor in the mini-bar; and their parents are swingers, they go to the private parties that Thor hosts; and Thor is from the midwest but got outta there the day he turned eighteen, and lives glamorously, hosting orgies, with celebrities, but has a soft spot for his sister Irene, who moved to New York, but couldn’t make it and so moved back home and married Alan, her high school sweetheart, who’s perfectly content in Wisconsin, he’s an engineer, would never leave there, couldn’t imagine life outside of Waukesha; and now Irene’s pregnant, she’s only twenty-five, and Alan is overjoyed (also in debt) and Irene is happy, she has always wanted to be a mother, but she wanted a career too, that’s why she moved to New York, but now it seems that ship has sailed; so once a week Irene FaceTimes her best friend Meredith, who moved to LA, and isn’t sure exactly if she’s the only one but is pretty sure she’s now dating Smash Lowe, yes, that one, the movie star, and is having so much fun and, “No, no, Irene, I do not have a coke problem, I don’t do it during the week, okay? Anyway I’m young! And Oh Irene, oh my god, you’re so freakin’ preggers!!!” and Meredith is having a great time, really living life, posts often on Instagram, but she’s secretly jealous, because throughout childhood she was in love with Alan too; her, Irene and him were inseparable, sometimes they all slept in the same bed, and Meredith once even, just once, after they’d been drinking, tried to kiss Alan but he was honest, he was loyal, he said, “Gee, Mer…I….I’m with Irene!” and was truly baffled, simple Alan, he was embarrassed, felt his honor compromised, but Meredith sobered up, she said, “Of course, no, you’re right, I’m sorry, can we just forg”—and Alan interrupted her, stood up very straight and said, “Enough,” then went into another room of the party and spoke to Johnny who developed his alcoholism at a young age and now is dead after taking too many Lorazepam on a March night, after a long bout of drinking, a few years ago; and at Johnny’s funeral his mother Aubrey cried, and his father Alec held her, stoic, but his mouth twitched and he thought that later that night, he’d sit by the fire with Skaal, his brother, who just flew in from Norway; and Skaal used to be easygoing, believed in the essential good of things, was always smiling, didn’t watch indie movies, liked buddy comedies, but that was before the Norway massacre, which killed 77 people, one of which was Anita’s little brother (that’s Skaal’s girlfriend); I shall not say her brother’s name, respect for the family, understand, but after the murder Anita became focused, she became political; Skaal, in contrast, became quieter, more sensitive, had less conviction, the world made less sense to him, and so when Alec called about his son’s death, Skaal’s nephew, Skaal blinked twice, held the phone and felt utter numbness; that trance persisted the entire flight to Chicago and still at the airport; and walking through the long terminal, dazed, startled by ascending airplanes, Skaal accidently bumped right into Olivia; and Olivia, who was about to board her own flight, took this as a sign; she turned around, left the airport, and caught a taxi back into the city, and ran to Henry, he was just stepping out of his apartment, she embraced him, and Henry was shocked, he thought he would never see her again, and he held her, but was anxious, frankly part of him had been excited for his new life, and thus was not expecting this return; and one night a month later, Henry got a little drunk and struck up a conversation with a woman at the bar near his office, she was wearing a black slip, her name was Terry; and Terry knew his type, she did this often, she got him wasted and then she fucked him, then kicked him out of her apartment and smoked cigarettes, thinking men are idiots, they are malleable, they are so easy; and Terry was the hostess at a very upscale restaurant on the Northside; and one night the famous musician and notorious womanizer Augie Rainwell came to the restaurant and ignored Terry, he did not seem interested, she was astonished; the fact was, however, that for Augie it was nothing personal, he was secretly dealing with an eruption of genital herpes, and that was affecting his confidence, he looked around the restaurant warily, helplessly, thinking everybody knew his deformity, everybody was doubting his masculinity, his sexual viability; he had no idea who had given him herpes, there were about seven women and two men that it could have been; and what was worse, the worst part of it, was that Augie was married to Jaclyn, and he had slept with her twice, without protection, since fucking strangers, without protection, and so now it was possible, perhaps likely (who knows how it really works), that Jaclyn also had genital herpes and would, once and for all, know that Augie was cheating on her; and Jaclyn, fed-up Jaclyn, would finally move out and go stay with her mother; and her mother, Avi, in the living room, would say, “I knew that boy was no good for you,” and Jaclyn would say, “Oh mother, please!” and turn away, look at their wall of photographs, where her grandmother Maya is featured prominently; and Maya was a Holocaust survivor whose husband Ira didn’t make it, but whose best friend David made it; and after the Holocaust, David wrote a book about the horror, but it was never published, and so he became a businessman, was quite successful, he married and lived a long life, ending up in a lovely home where he had a nice relationship with the nurse Genevieve, who is a redhead; and Genevieve loves to fuck, but has this feeling, this deep-rooted conviction, that abstinence is the only true path to happiness, but if that is the case she prefers unhappiness, and so has many lovers, and many secrets; and each one of these lovers say the same thing: “Genevieve was, by far, the best I ever had, but honestly, to this day, I know nothing about her;” and one of these lovers was Elliot, and Elliot has had a strange life; not only did both his parents die on 9/11 (one of those freak things, they were just visiting), he also happened to be in one square mile of two mass shootings in real life (one Isis-related, the other a white kid, with a micro-penis and a manifesto); but Elliot is committed to mathematics, he refuses to become superstitious, and right now is in grad school, getting his PHD; and Elliot, ponderous Elliot, the orphan prodigy, has never been in a relationship that lasted more than six months, they’re not practical, plus he cherishes his alone time, takes long walks, and thinks about probability, possibility, the infinite number of things that could happen to you, the infinite ways in which they could happen too, and the ways that lives intersect and influence each other, or maybe never cross paths at all, he thinks about all of this; and one day Elliot passed a family on one of his long walks; it was a mother, father, and their young boy; and that little boy was me, many years ago, my family lived around the corner, in that neighborhood, this was our park, it was small, now I see that, but back then it was the world to me; I held my mother’s hand and looked up at my dad’s body, obscured by sunlight, a vague shape, this awesome bulkiness, I tried to grab his leg, but he was too far ahead, didn’t even notice I wanted him; not at all; my father was focused on a sculpture, in the garden; this sculpture was a rabbit with big and ugly, rotting buck teeth, it wore a top hat and a sports coat, it held a watch in one paw and between two fingers on its other hand it balanced a scale, but unevenly; this rabbit smirked, taunting, mischievous, he knew everything, she was not impressed with it; they were sexless, gushing with sex though; I stared at my father and squeezed my mother, tighter, tighter, but then some smell, a floral fragrance, with the slightest rot in it, made me look away; I saw a man with long hair, very thin, very feminine, his shirt was see-through, rib showing, he was almost glowing; getting closer to us; he was not my parents, this excited me, my eyes opened, I tore from the woman who gave birth to me and ran, past the man who fucked her, I ran, and almost tumbled, but stayed on my feet, I ran forward and reached for 


Kyle Kouri is an award winning actor, writer, filmmaker, and producer. He received his MFA in Fiction from Columbia University, where he served as the online arts editor for the Columbia Journal. He is the co-founder of Slashtag Cinema, a film production company. Slashtag’s first film, the multi-award winning KEEP COMING BACK, which Kouri directed, co-wrote, and stars in, premiered at Screamfest in October 2024. His writing has appeared in Cleaver Magazine, the Columbia Journal, Ghostwatch Zine, The Los Angeles Press, and Maudlin House. His first book, THE PROBLEM DRINKER, is forthcoming from CLASH Books in 2026. He lives in and around LA with his four rescue dogs and his girlfriend, the writer CJ Leede.

Categories
Across The Wire Vol. 5

ALL THE FELLAS WANNA COME, SHOW OFF WITH THEIR KITTIES

By Alex Rost

We weren’t getting along too well just then, so we went bowling.

       We walked in at the far end of the alley.

      “I love how it smells in here,” I said.

       You wrinkled your nose. “It smells like dirty socks and stale beer.”

“I know, right?”

It was a long way to where we had to pay and rent shoes – past rows of alleys, past bunches of people milling about, talking or not talking or whatever.

“No one is bowling,” I said.

“Yeah, what’s up with that?”

“Why isn’t anyone bowling?” I asked the employee after we covered the ten fucking miles to the register.

“League play,” he said.  “Hasn’t started yet.”

“Oh,” I said.  “That makes sense.”

Now I could feel it – anticipation.  That was what really smelled.

The employee must have said something, because he was staring right at me.

“What?”

“It’s gonna be like twenty minutes.  We only have the last ten lanes for open bowling tonight.”

“Only ten lanes?”

“Leagues,” he said, and pointed off behind me.

“Okay.”

“Or thirty.”

“Or thirty what?”

“Or thirty minutes.  Twenty to thirty minutes.”

I turned to you.  You shrugged and nodded at the same time.

“Okay,” I said to the employee.  “Let’s do it.”

“How many games do you want to play?”

“Three.  At least three, I think.”

I turned to you again.  You shrugged and nodded at the same time.

“Three games,” I said to the employee, with confidence.

He typed something into the computer on top of the register.

I noticed an index-sized laminated card propped on the counter.  It said, ‘Buy three games, get a $5 arcade play card.’  It said, ‘STATE OF THE ART ARCADE!!!!!’ with all those exclamation points.

“Hold up.” I flipped the card around and showed it to the employee.  “What’s this all about?”

“You get a free play card with a purchase of three games,” he said.

“Both of us?”

“Yes, both of you.”

“Were you going to say anything? Like if I didn’t notice this, would you have given us the arcade cards?”

The employee raised his eyebrows.

“Is it really state of the art?”

He pursed his lips, glanced at the line behind us.

“I mean, is it worth it?”

“Are you going to buy three games?”

“Well, yeah.”

“Then I’d say it’s worth it.”

“Okay,” I said.  “Done deal.”

I turned to you, grinning, and said, “State of the art, baby.”

You shrugged and nodded at the same time.

“What size shoe?” the employee asked us.

You told him your size and I said, “Sometimes a twelve, but sometimes a thirteen.”

He slapped a size twelve and a half onto the counter.

“Whoa, man.  Twelve and a half?  Thank you.”

We paid and headed to the bar.  I held my shoes up, showing you the 12 ½ printed on the heel.

“I can’t believe they had a twelve and a half,” I said.

“I think it’s pretty standard.”

You didn’t understand.

“I feel like I should tip him.”  I looked back at the employee.  He was helping someone else now, looking sleepy and annoyed.

“He was kind of a dick.”

There was one bartender, busy filling a tall tube with a spout at the end full of beer.

“Check it out,” I said. “A hundred twenty ounces.  That’s like a full twelve pack.”

“That’s ten beers,” you said.

“Sure is.  Should we get one?”

“No way, that’s fucking gross.”

“Really? Why?”

“How do you think they clean those?  Rinse them out with a hose?  No way they’re sanitized.”

Maybe they had a sort of chimney sweep tool they jammed in the tube to scrub it, but I doubted it.

“You’re right,” I said.

“Plus, it’ll get all warm and flat before we drink it all.”

“You’re right,” I said again.  “Fuck.”

We ordered beers – boring ass regular size beers – and took them to the arcade.

It’d been a while since I’d been in an arcade, and this one being billed as state of the art had me all excited.

“What the fuck?” I said when I saw it.  I said it louder than I meant to.

“That guy said fuck,” said a little kid, walking past.

“I heard him,” said his little kid buddy.

The arcade had a bunch of claw machines in the middle, like an island, and your standard ticket winning games like basketball toss and whac-a-mole along the walls.  The featured attractions were two ten-foot screens – one showing a giant version of Pacman, the other Asteroid.

We stood under the ten-foot Asteroid screen.

“State of the art?” I said.  “You can’t take a forty-year-old game, put it on a big ass screen, and call it state of the art.”

“So you don’t want to play it?”

“God no.”

We picked the basketball toss.  You were a hotshot ball player in high school, supposedly.  You were also super competitive.

A couple kids came over holding basketballs from the game.

“You can pull them out from underneath,” one said.  “You don’t have to pay.”

“Yeah,” you said, “but then it doesn’t keep score, right?”

The kid stared off, passed his basketball from hand to hand.

“Which machine did you take that ball from?” you asked him.

He pointed at the one you stood in front of.

You held out your hand, made a beckoning motion for the ball.  The kid handed it over.  He looked defeated. I knew that look. It said, ‘I tried to help someone and got fucked over.’

“Good idea though, man,” I said.  I brought up my fist for a bump.  There was a second where he just looked at my fist. Like he wasn’t sure if he wanted to touch it.  Another second passed – enough time to wonder if the little shit was really gonna me hanging.

But he didn’t, thank God.  He balled up his fist and gave me a hesitant little bump.

Fuck yeah, brother.

At first I threw up bricks, one after another.  I could see you from the corner of my eye, in the zone, knocking down baskets.

Then I made one.

Swish.

And another.

Swish.

I caught a rhythm, didn’t look down to pick up fresh balls, just locked in on the front of the rim and let my hands work their automatic magic.

Swish.  Swish.  Swish.

“Three, two, one,” the kid behind us announced.

The buzzer buzzed.

I looked at my score, at yours.  I won, by one basket.  You looked pissed.

“Again,” you said.

We inserted our prepaid arcade cards and the balls released.

Swish, my net went.  Swish.  Swish.  Swish.

“Three, two, one,” the kid announced.

The buzzer buzzed.

I won, again.  By one point, again.  You looked pissed, again.

“One more,” you said.

I pointed at the card slot.  “It says two fifty a game.  We’re out of money.

“I’m getting more.”

Most of the balls were still free of the game’s lock, and I motioned to the kid, told him the balls were all his.

“Thanks,” he said, and started to toss them at the basket.

The balls went – Swish.  Swish.  Swish.

“Kid’s good,” I said and followed you to the kiosk, but right when you were about to slide your credit card, they announced our name.

Our lane was open.

It was time for the main event – bowling.

But I don’t want to talk about bowling.

What I want to talk about is the people dressed as animals in the next lane.  Furries, they’re called.

We were assigned to the first of the regular walk-in lanes, and both teams in the league game next to us were fully geared up furries – dogs, a bear, a cute little wolf in a tutu, and all sorts of animals in the greater cat family.  

Most of them seemed peaceful, but there was a faction wearing leather jackets and heavy chains and studded collars.  One of the rough bunch was dressed as a fox with a spiky mohawk, completely immersed in his sly routine.  I watched him sneak behind the bear furry, do the old tap-one-shoulder-but-stand-on-the-other-side.  The bear’s head blocked his peripheral vision and he kept falling for it.

“I can’t keep my eyes off them,” I said while lacing up my sweet size twelve and a half shoes.

“They want you to watch,” you said.

The fox was onto other mischief, like stealing people’s beer and running a few steps away and pretending to drink them.  All sly like.

“This guy is great,” I said.

And we bowled.

Everything was going pretty well, but a tiger from the furry crew kept crossing over onto our side.  It wasn’t intentional or anything, but there were a few times where we were winding up to roll the ball and the tiger’s ass backed damn near into us and we’d have to give each other lame, embarrassed-to-be-dominated looks.

“Next time he does it, I’m gonna grab his tail,” you said.

“No.  No way.  You never grab an animal’s tail.”

“Watch me.”

I didn’t doubt you.  I never doubted you.

Sure enough, the next time the tiger’s ass came pushing its way into our lane, you reached out and gave his tail a proper tug.

The tiger turned and said, “Hey! Did you just pull my tail?  That’s not cool.”

“Then quit wagging it all over our lane,” you said.

“You never pull an animal’s tail,” said the tiger.

The cute little wolf furry came up beside the tiger and bent over in front of you, lifted her tutu and exposed her tail, swayed back and forth seductively to make it wag.

You giggled and gave the tail a tug.

The wolf put her hand over her mouth all bashful and skipped away giggling.  You came and sat next to me, a grin across your face.  

We watched a bulldog furry follow around the cute wolf and act theatrically jealous until the wolf finally relented and bent over and lifted her tutu. The bulldog gave her tail a tug.

The wolf straightened and hugged the bulldog, her head against his chest.  She was tiny and looked safe in his arms.  They stood together like that, slightly swaying to the melody of clattering pins.

“I like bowling,” you said, and interlaced your fingers in mine.

I lifted your hand and kissed the back of it.

“Me too.”

We were getting along really well just then.

Alex Rost runs a commercial printing press outside of Buffalo, NY

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Across The Wire Vol. 5

Handsome Mallard

Adam Soldofsky is the author of the poetry collection Memory Foam, recipient of an American Book Award and Telepaphone, a novella. His latest collection, Three Short Novellas, will be available this Summer.

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Across The Wire Vol. 5

His Castles

By Craig Rodgers

Each day he builds a castle. So many he’s lost count. The oldest of them is sand piled and shaped, no craftsmanship, no detail. The ones he first made when he washed ashore are only the idea of castles.

As the days go on and the line of castles spread each day’s work grows more elaborate. Parapets and crenellations begin to appear. Little carved windows. A drawbridge of sticks.

He finds the bottle while digging out a moat. Fogged glass buried long years in sand. He holds it up, he shakes it, thinking. Wondering.

He writes the note on the label. Bleached skin peeled from the bottle with delicate hand. He puts coordinates such as he knows them. HELP, he writes. SEND ME A SHIP RIGHT AWAY.

The cork he palms hard into place, tight. He gives it another pat just in case. He shakes the bottle again. The note rattles inside.

His best throw is so little, and the ocean so vast. Once it’s beyond him he sits on the beach for some hours watching it bob along before it vanishes from sight. Then he returns to his work. His castles.

Each day he builds a castle. The oldest of them has begun to crumble with age. Its detail fading like the lost wonder of a once great kingdom. The newest is formed through long hours with care. Stone walls are raised to protect the soft sand within. A sigil is shaped on the door of this fortification in an impossible realm. And each day when his task is done he sits and watches the sun fall away behind the world as he waits for another day to come, a chance to do it better again.

Each day he builds a castle. The oldest of them has sunk back into the sand, lumps of some forgotten wonder. The ones he first made when he washed ashore look like nothing at all. He’s carving twigs into flagpoles topped with leaves, he’s filling the moat with borrowed sea. Long hours go by in great care, staring and imagining and willing this citadel into being.

It is a glance that shows him the glint. He turns again and it’s still there, riding the seesawing lap of ocean’s reach. The bottle stirs at sand’s edge. He sits, he stares. He can hardly believe. Then he is running, and he is stumbling, he is falling where it lay in sputtered foam. He takes the bottle up and with a hand he wipes it clear. And there inside, where before there was rolled his note, now sits anchored a ship.

Craig Rodgers is the author of ten books, a handful of lies, and all manner of foolishness.

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Across The Wire Vol. 5

THREESOME WITH MY BROKEN SELF

By Cletus Crow

Cletus Crow is mostly a poet from Middle Tennessee. His full-length collection, Phallic Symbols, is out from Pig Roast Publishing. 

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Across The Wire Vol. 5

Webs

By Rob Kaniuk

A hot woman followed me on Twitter, but it seemed suspect. I clicked her profile. She was a barista in LA who wrote screenplays. Attractive. Funny. Definitely not real. 

My friend Jenn texted me to ask why I didn’t follow her bot back. Said she made it with some Mad Libs style template that would shuffle all the words and phrases she uploaded and the bot would fire off a nonsense movie idea every hour.

Does it respond if someone comments?

Yeah, like, she calls me master when I reply, but she calls everyone else babe.

Oh shit––I should make one to resurrect Jeremy.

Oh god, that’s so sad and creepy––Yeah, and I’ll make one for my mother that tweets the lyrics to ‘Hallelujah’ in a never ending loop and says she’s proud of me when I post about my b-hole. 

For a few days I laughed at the concept, played it off, then found myself digging through the ammo box jammed full of letters Jeremy sent from prison. I called Bekah.

“Yo, if I gave you all those letters, would you do me a favor?”

“From him?”

“Yeah.”

“Whatcha thinkin?”

“I just want to make, like, a digital file.”

“All of em? Dude, there’s gotta be like two hundred letters.”

“Can you do it?”

“Why can’t you? No offense.”

“Can you help or not?”

I dropped off the ammo box full of letters from different addresses within the Florida State Corrections system. I told her how to fill the templates with all his -isms. Bekah was the only one capable. She knew the way he spoke and wouldn’t clean up any of the poor grammar or correct words like set to sit

Weeks went by and I wanted to call and see if she’d made any progress, but I didn’t. It was a lot to wade through. We spoke a few times––their daughter had been enrolled in preschool and started saying goodnight to her daddy’s picture before bed––but I didn’t bring up the ammo box.

The week of Father’s Day, she texted me:

You still got those recordings?

She was talking about the songs we used to sing together. I had piles of recordings from over the years––hundreds of hours of Jeremy and I and whoever was with us at the time.

Yeah. Haven’t figured out how to rip them from the MiniDiscs yet.

I just need one song.

I’ll see what I can do. What song?

Didn’t you and him do Wish You Were Here at Matthew’s?

Yeah, I’ll look for it this weekend.

Think you can get it to me by Sunday morning?

You got it. 

Bekah wanted him there for Father’s Day. It had been little more than a year since they kicked the door off the hinges and found his body.She wanted him there to sing a song to their daughter.

I looked at the handwritten notes on over thirty MiniDiscs. Studio 566. Jimmy Mac sessions. Sanford’s vacation. Brickette lounge...I eliminated a bunch because the dates didn’t line up. Which left me with eight. Eight MiniDiscs, three hours each.

I listened to the first few tracks, just to hear his voice. He never knew how to close a song. He just kept playing. It was annoying as hell. I’d look at him, try to cue him the song was over, but with all the bong rips and Busch pounders, his eyes were always shut. The song would only end if his makeshift matchbook pick finally disintegrated. Or if he was ready to steal another cigarette. Every track ends with him laughing at me for bickering at him for ruining an otherwise solid recording.
I popped in the disk marked Half Spent / Stemmer’s Run and advanced a few tracks. A calloused finger drags along the E string. He inhales sharply through clenched teeth. Shakes a cramp from his hand. A click from a lighter and I smell bong water, stale Marlboros and the rotten brown couch. A car goes up Westdale so I know the windows are open. It’s summer. Hot. He’s got on his tattered beige cargo shorts but probably not a shirt. 

We’d always bitch about never doing anything fun, but my fondest memories have nothing to do with Hershey Park or chartered fishing boats. I miss the moments where we’re bored and talking shit. Shit talking is where the love is. Ninety degrees with a box fan in the window, six-pack of pounders sweating on the coffee table. Working on a song. Telling my best friend he fucked up the end.



I’d forgotten Bekah was on this disc for two songs. “All in This Together” and “How Can I Try.” The three of us harmonizing caught me off guard. They’d known each other less than a week.

****

I met Bekah at an NA meeting and told her about my best friend who was locked up. I told her I was the only one who wrote him and as a kindness to me, she asked for the address. Pretty soon she was asking a lot of questions about him. I told her all the stories about us growing up and getting in trouble. The arrowheads we forged on the riverbank as children to fool his dad. Quitting our jobs because we figured out the bass at Longwood were hitting a white spinner bait. Coming to blows in the hotel room on Fisherman’s Wharf over a handful of missing oxys and a woman whose name neither of us could remember.

She asked if he was reckless. She had fallen in love with reckless before and it landed her in rehab. I laughed because he was in prison. But I saw what was happening––he was courting her and she was falling. I told her the only true thing I knew about my friend. 

Jeremy’s like an old dog. He’s been kicked around and left in the backyard too long by his former owner, but he’s yours now. He’s gonna do dumb shit and cause you grief, but he’s fiercely loyal. Doesn’t matter how far you throw the ball, he’s gonna bring it back. Yeah, he’s reckless. And that’s why I love him.

Florida Corrections gave him fifty bucks on a Visa card and an open bus ticket to anywhere in the lower 48. Bekah came with me to pick him up at 13th and Filbert when the Greyhound came in. They had never met, never touched, but they were in love. I peeked in the rearview. They smiled and glanced at each other but this wasn’t a love letter. He’d always been so confident, but I could see he was afraid of a five foot three curly haired girl wearing a Last Waltz shirt. It was at a stoplight when I turned around in my seat. I asked him what he wanted to eat and I saw it. Did she reach for his hand, or was it he who reached for hers? Their fingers were sewn together and they were smiling. After three years in prison he told me to decide what we’d have for dinner.

****

 On her mother’s porch Jeremy noodled on the Simon and Patrick guitar Bekah and I bought him. I’d mailed handwritten lyrics and tabs of new songs, and on the rare phone call we had together, I’d play a few bars so he could hear the melody. He practiced in the chapel every week before Sunday church service. Bekah wrote to him about the ones she liked, so he focused on those. I listened to the songs we sang on her mom’s porch and there’s a part at the end where the laughter dies down and it’s quiet for a few seconds. He was looking at a spiderweb between the yew bush and the brick of the house. 

Ain’t it funny how that web is home for one thing and certain death for another?”

“Wish You Were Here” was a few tracks after our songs from the porch. I had found the song she wanted and two more. I couldn’t figure out how to digitize the tracks in a way that would preserve the sound quality. So I hooked up an auxiliary cord from the MiniDisc player to a Bose speaker, then I set up the voice recorder on my phone and recorded in real-time. I labeled each one and sent them to her in a text message late Saturday night.

Along with my morning coffee, a text from Bekah:  

Thanks

***

I’d forgotten about the ammo box letters until Bekah emailed me. I copy/pasted the file into the Twitter bot generator.

>@IrishHillblybot: What say me and you find a quiet spot and get as high as a giraffe’s asshole?

>@kaniuk22: @IrishHillblybot haha hell yeah

>@IrishHillblybot: @kaniuk22 what’s up, brother?

>@kaniuk22: @IrishHillblybot i really miss you

>@IrishHillblybot: @kaniuk22 what’s up, brother?

>@kaniuk22: IrishHilblybot i wish you would’ve called 

>@IrishHillblybot: @kaniuk22 what’s up, brother?

Rob Kaniuk is a proud uncle and has the best wife in the world. His mm is pretty cool, too.

Categories
Across The Wire Vol. 5

THE NIGHT I MET RICHARD BRAUTIGAN

By EDBOY

I tap his shoulder in the back room of Bob’s Java Jive, and go, “Bro, you look just like Richard Brautigan.”

He’s missing the broad-brimmed outlaw hat, but he’s got the glasses, the bushy handlebar mustache. 

He leans back, says, “Who THE FUCK is Richard Brautigan?”

I show him the weathered copy of Trout Fishing in America that’s conveniently tucked in my jacket pocket.

“Wow,” he says, bringing the book to his face. “That IS me. What did he do? Bag groceries?”

“You know, I wouldn’t be surprised. He was a poet and did a lot of random shit,” I say. “He was born here.”

“He was born in fuckin’ Bob’s Java Jive?”

“No man…Tacoma,” I say. “He was born in Tacoma. He died in 1984.”

“Bro,” he says, “I was born in 1984.”

“You were?”

“Yeah man,” he says. “I’m obviously him. I’m Richard Brautigan. I’m fuckin’ POET, dude.”

The karaoke DJ summons him.

He sings Elvis Costello’s Pump It Up. When it gets to the Pump It Up part, he kicks the air like he’s kicking over a beer can tower.

When he returns to his booth, I show him another picture of Richard Brautigan.

“That’s my next Halloween costume,” he says.

“You’re welcome,” I say.

“Hell yeah,” Richard Brautigan says. “I’m finally gonna be somebody.”

Edboy is an American writer. He runs Spaghetti Days Press out of Tacoma, Washington.  Follow him here: @spaghettidayspress. 

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Across The Wire Vol. 5

Three Stories

By Shane Kowalski

Genius At Work  

I went on a gameshow but didn’t win. Instead, spectacularly lost. They said I sucked. That I should never have been born. They’re probably right. I went home and found my wife having sex with the gameshow host. Somehow, she had beat me home. The gameshow host you’ll remember as the beautiful model of the late 90s, Brooke Teal. This makes sense, I thought. My wife said leave. Brooke Teal laughed. I closed the  door behind me, carrying with me my old-fashioned lamp handed down from my Polish grandfather. It’s of a boozy-sad hobo who looks suspiciously like Charlie Chaplin. Above him, where the lamp’s bulb burns dim, it says, “GENIUS AT WORK.”

To Nobody  

I was dead for five hundred years and came back at the wrong possible time. My postman came through the yard, with a letter which, when opened in private, told me I had missed everything. “Missed what?” I said out loud, to nobody. Everybody I had known had long since died. My beloved dog, Hamstring; my mother who knew every knot in the book; my grandfather—but he had been dead since before I was born. Then  one day I was shaken from the seduction of an afternoon nap by a phone call. “Hello, but there’s been a big mistake,” said the voice on the other end. “Mistake? What mistake?” I said. But then I could hear the neighbors outside, doing their marches in the yard. They were practicing for a reckoning. I couldn’t relate it to anything. There was no precedent. The only thing I remember from my previous life is what Debussy said. He said to the singers in his opera, “First of all, ladies and gentlemen, you must forget that you are singers.”

Class Clown At Our Lady Of Perpetual Sorrow  

I was unfairly punished many times as a student at Our Lady of Perpetual Sorrow. 

It was usually because I was pranking someone. Usually because I was pranking Old Garf. Garf was the runt of his prestigious, sprawling family. Anchored by everything you could be anchored by at twelve years old. Horrible youth for Poor Old Garf. 

I’d call him up numerous times, pretending to be a doctor or police officer and having to inform him of his parents’ demise, usually in some ill-fated excursion or random chance encounter of morbid violence. I was excellent at making them up! My imagination was like a knife. Everything around me, the butter. 

And poor Old Garf, every time, on the other end of the phone, sobbing like an alley cat with nobody to push away. Old Garf, always believing me. 

So, you see what I mean? Unfairly punished. Unjustly! Garf believing the same story (or variation of the story). Imbecilic! Dunce! Old Garf… I can’t stay mad at him. After all these years… You’ve heard about him no doubt, very recently, in the news. Having achieved the highest status in some acronymed company that has great influence over public policy.

Shane Kowalski lives in Pennsylvania, where he teaches creative writing at Ursinus College. He’s the author of Small Moods (Future Tense Books).

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Across The Wire Vol. 5

Barn

By Steve Gergley

On Friday night, I drove out to the Wickens family farm to listen to my wife’s hardcore band play a show inside the barn at the edge of the woods. The barn stood sheathed in a thick crust of shimmering obsidian paint. A common nighthawk wearing a tiny leather jacket perched on a post just outside the door. It was April. I had quit my job at Wal-Mart over a year ago. My wife said she was fine with this, but I wasn’t sure. She had never been very good at expressing her true emotions. 

Inside, the barn was empty of animals and people and fences and hay. A carpet of soft dirt covered the cool floor. My wife slammed on her drum set in a rapturous thrall. The sound of her drumming was deafening. The concussive force of her kick drum rammed into my ribs like a right hook. Runnels of gleaming sweat forked down my wife’s luxurious neck. She wore nothing but the expensive purple lingerie I had purchased for her thirty-sixth birthday last month. Stepping into her line of sight, I held up my hand and waved to her in adoration. She stared at my shins for thirty-one seconds. She did not smile at me or acknowledge my presence. She played her 9/8 drum patterns and stared at the lead singer’s ass for the next hour. So I peeled off my clothes and lay on my back in the nude. I grabbed fistfuls of loose dirt and smeared brown streaks of mud across my thighs. I stared at the mossy cobwebs clinging to the corners of the gambrel roof. I pushed my pinkies into my ears until forks of sticky blood began to flow.


Steve Gergley is the author of four books. His most recent novel, Episode 3328: Ian Sharp, was published in January of 2025 by Translucent Eyes Press. His short fiction has appeared or is forthcoming in Wigleaf, X-R-A-Y Literary Magazine, Maudlin House, Passages North, Always Crashing, and others. He tweets @GergleySteve. His fiction can be found at: https://stevegergleyauthor.wordpress.com/. In addition to his own writing, he is also the editor of scaffold literary magazine.

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Across The Wire Vol. 5

EVERYTHING LIKE ANTS

By Maxfield Francis Goldman

In the end there was nothing worth staying for. I left LA on bad terms. I’d burnt bridges, accrued social debts, and alienated myself from whoever tried to comfort me whilst grieving. I was a drunken arsonist, scorning those once dear to me when six feet deep in liquor. I had some girls for comfort. None of them knew about each other, until they did. I had some friends, until I told them to fuck off. All this accumulated into LA becoming one big hell after Laruen died. 

I lived in a small apartment. It was in the old spanish style and decorated with movie posters from a lost Hollywood. I moved there after college to be a screenwriter. I did that. Or, I tried that. I wrote a screenplay about an all female death metal band struggling to make a decision about whether to sell out or not when offered a record deal that mandated them a makeover. Lauren was cast as the lead singer. 

The movie did okay. It led to other conversations about other scripts that I’d promised to make. Scripts I tried to write and failed to finish. Meanwhile, Lauren auditioned for overdubbed car commercials and background gigs for b-rate reality shows. She was cast as ASIAN WOMAN ON CELL PHONE 1. Implying there was another Asian woman talking on a cell phone in the background as some spray-tanned wop monologues about his troubled dating life.

It was at an afterparty for the show where Lauren’s heart stopped. Bad blow. A Grand Mal seizure. There are videos readily accessible on behalf of the audience’s presumption she was faking it for attention. Apparently there were a handful of celebrities at the party. A-grades like Bradley Cooper who were featured briefly on the show making sardonic commentary upon the stars’ attempts to find love in an admittedly disembodied LA. I have only watched one once. That was more than enough. And so came the months of grief, and thus passed my life as I’d known it. No longer did I think about movies, writing, art. 

I sold off most of my possessions. I booked a plane ticket to New York without plans of where to go upon arrival. I knew nothing of how I’d live. All I knew was I wanted out. 

This brings me to now, the morning of my move. In LAX with a backpack filled with nearly meaningless memorabilia of my 20’s, and a suitcase filled with clothes, unseasonably light, considering my wintery destination. 

In front of me there’s a family of four arguing about who’s gonna sit in the aisle seats, who’s gonna be in the middle, who’s gonna be the ‘pariah’ left to share a coupled row with a stranger. The kids argue with severity. The father looks indifferent, the mother too. The son and daughter force their way to agreement that they will both sit in the aisle seats. I feel vaguely relieved that at least some people get what they want in this world. Or at least know where they belong. 

For a moment I have direction. The tall security guard rushes me forward in line and tells me to have my passport ready. I pull it from my pocket, hold it in my hand as I move up. My ticket is scanned and I file forward in a bureaucratic and soulless fashion.

On the plane I sit alone. Normally I would be happy about this, but today it fills me with a particular dread. The prospect of leg room does not particularly suffice for the comfort another soul could bring right now 

I consider the superficiality of my being. I have nothing: no great work to show for my thirty odd years on earth. No deep connection with family. No friends. No depth. I have managed to live lightly. Skimming seconds until they turn to days. I watch LA grow distant below me. The morning sun is sepia. The interiority of my plane is gray. 

I unlock my phone to put on music. The plane drops violently in altitude. A baby starts crying. I drop my phone on the ground and it slides to the row behind me. The drop feels like getting punched in the gut. I stare down at my shoes as our bird takes its thrashing. I’m wearing black monk straps. I suddenly realize how unfashionable, ugly, and untimely my choice in footwear is.The plane shakes. I feel a tap on my shoulder, the man in row behind me speaks in a calm, high voice, says “this yours?” and hands me my phone. 

The plane begins to drop in steps as if drunkenly stumbling down a flight of stairs. I attempt prayer. I yearn for the grace of stable religiosity. My bladder threatens to scream and my stomach hums baritone. I yelp at the sound of a huge tin trash can getting kicked. A dip in elevation. A flicker in light. A lack of control. I feel the closing of an imminent future. My bladder folds. Passengers scream. The overhead compartments throw up Rimowa. Film photos of me on a seesaw. The feeling of saltwater in my eyes. The smell of spring rain. The innocent nausea of a merry-go-round. The first memory of a hand tucked in mine. The blackness of sleep. 

Everything grew alright by seconds spent away from daylight. It was silent, not like sleep but rather the soft erosion of sense following shock. It was the feeling of being weightlessly held. A gentle suggestion of guided continuance. Something like hope.

“Are you alright?” the man says to me as I come to, opening my eyes and staring at his face. It’s pale. Bearded thickly. He has a long, thin nose, and rimless glasses. Two long curls spurting out of his temples. 

“I think I might be dead,” I say to him. He is standing in the aisle, leaning in to eye level. He smells of a faint menthol.

“My boy, you only fainted, you are alive and well.” His w possesses a slight v. “vwell,” he says. I stare into the faint blue of his eyes, and ask as a child appeals to anything above him “will you sit next to me . . . I am scared . . . I am scared I am going to die . . .I am scared I am going to die and I have nothing.”

He laughs, I scooch over and he slides into the seat beside me. Takes my hand and looks me in the eye. “You are wrong, you have everything. You have me. You have your hands, you have your eyes, your ears, your nose and your hair. Tell me—do you believe in God?”

“I don’t know.” I say grabbing his hand back. “I don’t ever think about it.”

He looks deeper. “Wvell, do you think about yourself?”

“Yes. Almost exclusively.”

“Well then you think about God.It’s banal. Everyone says it. But In Judaism, God is Ein Sof. Infinite. Meaning you, that that, is you too. Meaning God makes up all that surrounds us— given the belief that God is the origin of all existence. To really think about anything, to not only think about God, but to know him as well as man can, to be close to him.”

“I have no clue what that means. I’m not smart anymore. And I think I pissed my pants.”

Tzimtzum. The contraction of God’s infinite light to allow the creation of the universe. It left space for God to be everywhere. The withdrawal of God leaves space for your mind. For all of us to be, and to be singular. Thus we take his place as the embodied gods of everything around us.”

“Everything around us?”

He smiles big “Everything. Everything like the clouds. Everything like grass. Everything like ants. God went far away to somewhere we can’t understand to allow everything to be its own divinity.”

“I have God too?”

“You couldn’t not have God if you tried.”

“I’ve tried.”

The Flight mellows. The stewardess serves drinks. We both take gin. I tell him my mother was Jewish. He says he could tell. I ask how and he says it’s something you just come to know. I take another Gin and fall asleep on Levi’s shoulder. In my dream I wear converse and a big felt hat. I’m dancing with men in long black coats singing in a language I don’t know. I have children. They aren’t there but I know I have them. A wife too. Her face is a feeling I have in my heart and not an image.

I awake upon dissension, carrying the dream like a lungful of breath. Heart pounding. Perspiring, right there beside Levi. Our declination is smooth, the bright city below draws close like clouds. Wind. Inside me Levi claims is everything: Lauren is alive. My friends are a part of it too, my family, my everything. 

As the plane touches down, people begin to cheer. I feel second-hand embarrassment. I am them too. They are me. I follow Levi down the aisle. Out of the plane and into the airport. JFK is busy. I begin to lose him in the crowd. I follow the tail of his greatcoat through peripheral glances split between traveling bodies. I stay on him, into baggage claim, where he is received by a group of men dressed just like him. They take him warmly. 

I think of yelling his name. And then I don’t. I watch him exit the building. He minimizes into a black fleck as he draws deeper into the mouthlike opening of the short term parking lot. I know he doesn’t look back because what he wanted has already happened. I want what he wants. To bring me close to something real. Something we will continue to share foreverlong. This empty space God once breathed life into, the freedom of blank paper. White walls, Fluorescent light. Freedom to be the same but entirely different. 

A young woman comes up to me and asks “do you know which carousell has the bags from LAX?”

“I don’t.” And as I say that, they start to fall from the shoot onto the black conveyor belt. 

“It’s alright.” she says,  “I see it, it’s just starting to begin.”

And as I watch the bags circle around, I think to myself, it’s just starting to begin. 

Maxfield Francis Goldman is a 22-year-old author from Upstate New York.

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Across The Wire Vol. 5

CASH FOR DIABETIC TEST STRIPS

By Bill Whitten

Selling Diabetes Test Strips For Cash

Bill Whitten is a husband and father of two wonderful boys in St Louis where he spends 15 minutes at a time recording entire albums all by himself. He also finds the time to write and send it to us to publish. Go find his music and buy it;  from St Johnny to Grand Mal to William Carlos Whitten. He also makes youtube videos. An amazing talent. Black Mystic Speed by WIlliam Carlos Whitten