Categories
Across the Wire Vol. 7

This Is Not The Story Of The Hurricane

by Casey Jo Graham Welmers

I think it starts with Dylan, and it will probably end with Dylan. I have to turn back the clock a bit here, go back to when God and me were born. I have to let the song titles do most of the talking, because copyright laws around lyrics get murky. I can’t repeat quotations so you’ll just have to draw conclusions on the page. The words are still Dylan. Mine are still me. There’ve been other musicians along the way: a Rhodes scholar and a mailman and a kid from Asbury park. A Jamaican messiah, some shoegaze Stars and a Canadian brunette that once moonlit as God. A few kids from Seattle that reinvented the wheel and a skeleton crew from Haight-Asbury that claim this is all a dream we dreamed, but I’m in this dream, and Dylan is central to it, so here we are. This is my life according to Bob.

I have it on good cosmic authority that when my mom’s ’75 AMC Gremlin is smashed from behind “It’s All Over Now Baby Blue” is on the radio. She careens across the slick of Michigan’s winter roads like a hockey puck, her water breaking across the chilly driver’s seat. It is all over for me in that moment— my life in utero, anyways. I’m born blue, umbilical cord around my neck, face up. A stargazer. Yonder stands your infant with her strangled tongue. The doctor frees the umbilical cord without difficulty and I pull air, fill my tiny lungs, shriek to confirm my existence. I’m tiny and pink and premature, jolted into the world courtesy of ice and snow and the poor maintenance of rural roads.

*

I have a habit of playing with the carpet in our living room. I run my hands one way and then the other, against the grain, with the grain. This is my usual TV watching ritual, but one day in 1992 my hands sit frozen in my lap, the rug fibers momentarily undisturbed. I’m having a music related awakening. Richie Havens is covering “Just Like A Woman” for Bob Dylan’s 30th Anniversary special, performed at Madison Square Garden and aired on local PBS affiliate WCMU. My dad, seated nearby, just keeps saying oh my God, and in my mind Richie Havens is God—his voice is reaching inside me and his guitar is my heart, his fingers conjuring magic on the strings. I watch the entire concert, each and every performer. I don’t break like a little girl, but I do break—a visceral, ecstatic sort of cracking. The next day I ask my dad if we can watch it again. We watch so many times over the years that the VHS tape wears out and unravels from the cassette.

*

My mom has a vascular connective tissue disorder. We don’t know about the disorder until her carotid artery dissects, blood pools into her brain and she suffers a massive hemorrhagic stroke. I’m barely 20 and she’s 42. She tried to raise us Catholic, and because I feel like it’s what she would want, I pray nightly for her soul. I’m out of practice and winging the words, playing it fast and loose with ‘Hail Mary’s’ and ‘Our Fathers.’ I stuff her rosary under my pillow, squeeze my eyes shut, listen to “Knockin’ on Heavens Door” and “Tryin’ To Get To Heaven” back to back. Mama take this tragedy off of me. I have recurring dreams where she is trapped, some kind of ghost; dreams where we buried her alive in the backyard next to the family dog and she unearths herself, walks around the house covered in earthworms and dirt. I’m not clear on the specifics of purgatory, the status of Heaven’s doors. My mom once told me she wasn’t afraid to die, but I’m stuck on the terror of her in some kind of limbo. I don’t imagine she’d be okay having to knock or wait, caught between this life and the next.

*

I’m half asleep when my dad peeks his head into my bedroom, says an airplane just crashed into the World Trade Center. In my groggy state I assume it’s a tiny prop plane, spiraling, the pilot drunk. I picture it like a toy, something with a shiny red propeller. When the second plane hits he starts yelling in the living room. We spend the rest of the day lifeless, glued to Dan Rather. A month later my English professor assigns an essay on a song of our choice. I stay up all night listening to “Masters of War” and “License to Kill” worrying sour Skittles until my tongue is a shredded rainbow horror show. I write about death planes decapitating the Twin Towers and cowards hiding behind desks but mostly I write about this woman on my block who is homeless and mute; who I’m convinced is some kind of incarnation of the woman in the refrain to “License To Kill.”  She just sits there, and if she had a voice I imagine her fixing her cataract eyes on my own, asking me, who will take away their license to kill? She is so clearly collateral damage to man’s destruction that I can’t help but project this ‘blind seer’ trope on her. My classmates stick to our era: “Heart Shaped Box”, “Fade Into You,” “Last Goodbye,” all artists I admire but trace back though some convoluted family tree to Dylan. Kurt to Neil to Bob. Hope to the Paisley Underground to The Byrds to Bob. When I try to connect Jeff Buckley there are no meandering arrows, just a solid line that runs through his father, through Dylan, straight to the edge of God.

*

I’m sliding off the tattoo table, covered in sweat. My ribcage buzzes under the needle and I verge on the point of passing out. I’d heard this about rib tattoos, thought stupidly that my high pain tolerance would protect me. Fool me once. My husband is getting tattooed on the ribcage as well, a chunk of lyrics in old English from “Shelter From The Storm.” We’re 6 days into married life, still riding the high of our wedding. We referenced it in our vows and played it at our reception and now we’re cementing the song on our skin in blue-black ink. I’ve never worn flowers in my hair, but I have worn silver bracelets, paraded around like some kind of bohemian deity. My husband has likely sheltered me from more storms than I’ve sheltered him, it’s honestly hard to say. We promise always to do our best by each other. We give our word. We slather A+D ointment to our sides and steal constant peaks at our oozing, sacred pact.

*

I cover my palms in chalk and my arms in tacky goo, haul atlas stones onto platforms and carry heavy awkward objects specific distances. I ask the promoter of one particular Strongman contest if they can order a t-shirt for me in XS. They laugh and tell me that’s a first, but are happy to oblige. I deadlift a car but skip the squat event, knowing I can’t hit the weight. The following summer I honor my Scottish heritage, don a kilt with the family tartan and walk-on to compete in a farmer’s carry event at the local Highland Games. The audience titters, they think it’s a joke, like get a load of this chick, no way she can lift 100 pounds in each hand, let alone walk anywhere with it. In my head I hear “The Mighty Quinn.” 

 Yeah you ain’t seen nothing. 

I haul up the handles and gain distance and the laughter turns to screams. They’re on their feet, going wild for the scrawny underdog. This is, by far, my favorite party trick. 

*

I don’t want to work on the farm no more. I don’t really work on a farm, I work in a hospital. Patients throw prosthetic limbs at me and reach out to pet my hair after their hands have explored the warmth of their bare and unwashed nether regions. So I hum it, “Maggie’s Farm.” I don’t want to work for the physicians no more, the managers, the administrators in the C-suite that come to the floors in designer suits, looking starchy and crooked next to the staff in their scrubs. One executive wears heels that we can hear clicking down the hall well before she manifests at the nurses station, a spiky haired haint. She brings us pizza, would probably prefer that we sing while we slave. I don’t eat any but I stay at the farm. I transfer to the operating room. No one can hurl fake feet while propofol runs through their veins. 

*

I pull over my car because the sobs racking through my chest are uncontrollable, tears choking my vision. I’m a hazard to myself and others, collapsed on the steering wheel, “Forever Young” blaring through the speakers. My 40 year old sister is dying from cancer and I want her to stay forever growing older, with me, but she won’t be. Everything about her will remain arrested and unchanged, and I’m not sure how I’ll navigate my years ahead without her. I would build a ladder to the stars to reach her. I’d climb the rungs ‘til my hands failed, my fingers bled, a million splinters embedded in my desperate, tortured palms.

*

Is this Dylan? There’s no way, there’s no way this is Dylan! I’m sputtering in the passenger seat next to my dad, dialing up the knob on his car stereo to better hear the song coming through the public radio station. It is Dylan, singing “Death Is Not The End.” My sister has just died, not even a full day earlier. This is a Dylan song we have never heard. This is a Dylan song we will never hear again, at least not at random like this. I am shook at how literal this sign is, how crazy. My sister is spelling it out for us as easily as she can, knowing my dad, in his full blown atheism, will be the hardest to convince. She hits him over the head with the message. She hits hard. I’m agnostic, but there’s no way this isn’t her. I believe in synchronicity. I believe in this.

*

One day I will die, too. I don’t know where or when or how, but it’s inevitable. In between will be all the crushing and brilliant intricacies of life, hundreds of Dylan songs sung by Dylan and hundreds of other performers one hundred different ways. But when I am gone, and the people I leave behind are forced to pull themselves together and throw a banger of a death party, they will play “I Shall Be Released.” I want the Chrissie Hynde cover, the one she played in Madison Square garden at the concert with Richie Havens that pulled me into this whole world. 

I’ll see my light come shining.

It’s hard to say what direction it will come from—could be the east onto the west. I have no way of divining the particulars. I like to think that I’ll know who the light will be, who’s blinding spirit will be arcing toward my own.

Casey Jo Graham Welmers was named after a Grateful Dead song, so maybe this IS all a dream we dreamed. Find her most recent words in Stanchion, BULL and Pool Party, and more at https://caseyjo.carrd.co

X: @ca5eyj0

Categories
Across the Wire Vol. 7

Walking On It

by J S Khan

Here’s some saliva for a blind eye:

on Christmas Day, 1560, Peruvian natives

invented El Dorado, the City of Gold,

die Fabel vom Goldland El Dorado,

(as Herzog has it, or to quote precisely),

and Aguirre went mad on the river as a caravel

crucified itself, a jungle came unfleshed,

and monkeys invaded the Spanish flotilla,

overrunning the last refuge of white men

and their daughters, laughing, or else,

seeming to laugh, which is just as bad.

Despite this, sperm banks still seek 

a few good men, only check the ads.

Powerful—but in the wrong context.

On the other hand, flattery is nice.

These days, no sharp delineation of void

and land remains, thanks to the cunning

of resentful savages, but educated idiots

chatter on my stairwell too. Can you believe

blurb is a word? The coffee pots breathe

like Darth Vader in my kitchen, and I ponder

ancient moralities carved in their usual

binary codes. Lexicon is not even in my

lexicon. Wake me up on Judgment Day.

J S Khan’s work has appeared or is forthcoming in MQR, Fourteen Hills, Post Road Magazine, BRUISER MAG, BULL, and Burial Magazine.

Categories
Across the Wire Vol. 7

Whiteout

by Sheldon Birnie

You could hardly see the road the way the snow was coming down. If that wasn’t enough, the wind kept blowing it up and about and all over so that you could hardly see a thing past the hood of my old Dodge Ram. Not a goddamn thing. Just a pure king hell white knuckle whiteout the whole goddamn way home.

It was Boxing Day, and we’d been up the Interlake to visit the inlaws — my wife’s folks, brother, sisters, a couple cousins. The whole deal. Christmas had been great, lotsa laughs, great food from sunup to sundown. No fights. Nothing serious, anyway. Kids got spoiled and the adults got into the holiday spirit. Everybody stayed up late, and before everyone went to bed, grandpa pulled on his Sorels and shot off some fireworks down by the lake. Red, green, and white explosions battling the cosmos for attention, lighting up the moonless night above the snow covered hard water. 

Everybody slept in. Then we all ate a big old brunch, full of leftovers and fresh bacon and sausage and cheeses and fruit we forgot to put out the day before. Clouds had rolled in overnight, forecast calling for a big old dump of snow. I didn’t pay it too much mind, wanting to get back into the city before dark anyhow. But we dilly-dallied a wee bit too long, and sure enough, before we’re even packed up to go, she was blowing something fierce.

Normally, she’s about a two hour drive south back to our place from the inlaws lakehouse, door-to-door, but I knew that given the conditions we’d be looking at a considerably longer trek. Guaranteed. Even though she was already drifting pretty good by the time we left, the old Dodge trucked along the farm roads to the highway without trouble. Once we hit that hardtop two lane, though, things slowed right down. I thanked my lucky stars the kids had their videogames and headphones on in back and I wasn’t too hungover. Otherwise I mighta just turned right the hell around then and there.

The wife, she kept chatting away as we drove on down the road, about the festivities and the gossip from her sisters and what all we were gonna get up to between then and New Year’s and the shows her cousin told her we totally had to watch already. Meanwhile, the wipers are shovelling the snow around on the windshield but not really helping much. I was able to get the truck up to about 60, but any more than that and she started drifting, even with all the weight in her and the winter tires and all. So I kept going at that decent little clip, doing the math on how it’d take us maybe an extra hour at that rate. Not so bad, I figured. 

Of course, conditions just got worse and worse from there. 

Wasn’t long before I’d slowed down to 50, then 40, visibility dropping so as driving through this blizzard was akin to barreling through TV static, back when that was a thing. Couldn’t see shit. Occasionally, I’d catch a flash of the shoulder markers as we whizzed on by, confirming we were still pointed in the right direction. I’m hunched over the wheel, barely grunting a reply when the wife asks me anything until finally she realizes we’re in the thick of a bad one here. Then she goes, You want me to leave you alone, hun? 

Yes please, I say, knuckles gripping that wheel tight. She shuts off the radio, pulls her earbuds outta her purse and plugs ‘em into her phone, dialling up one of her podcasts. Thanks, dear, I go, even though by now she can’t hear me. Or pretends she can’t. Either way, that’s OK. The road is all that matters, the goddamn road and the goddamn snow and getting the four of us off of it and out of it and home safe and sound.

This wasn’t the first whiteout I’d been behind the wheel for, mind. Hell no. You live up here, you get used to ‘em. But that don’t mean they’re ever any fun. Even as a kid, my dad driving us across the prairies for a hockey tourney or to visit grandparents or aunts and uncles in one small town or other, that wind would whip the snow up into an impenetrable veil. More than once, sitting in the backseat, I’d just scrunch up my eyes, tuck my head into the corner, and hope we made it out the other side alive. This one here was turning out to be doozy, let me tell ya, and it wasn’t getting any easier, what with the light draining from the sky by the minute. No sir.

Tense shoulders hunched over the wheel, I kept my foot steady on the gas. Not only did I need to keep us on the road, but also avoid slamming into anyone who might be pulled over on the shoulder, trying to wait out the worst of it — or else just got themselves plain old stuck. The animals, at least, had the good sense to hunker down where they could and let the storm blow itself out before bothering to forage for food or whatever it is that draws them to the roadways and, like as not, a grisly demise.

Good weather or bad, it makes no difference — the highway takes plenty of lives. Everybody’s lost someone to the road. Driving through the shit, the faces of those I’ve known who died on the road flashed through my mind. Brendan. Olivia. Phile. A buddy’s puppy that had run off out of his hands, no leash, crushed and tossed in the ditch like a candy wrapper by a passing semi on a truck route just outside of town. I try and shut those images out. But it ain’t easy.

We’d only passed a couple trucks heading north, and hadn’t seen another set of lights headed our way since we left the little hamlet the inlaws call home, now that they’re retired. That was good, less chance of a collision. Then again, if we slid off the road, there might not be anyone by to help for some time. Sure, I had an emergency kit under the passenger seat, and we had blankets and more in the box, but it was cold out and growing colder and the prospect of the four of us spending a night shivering together did not sound appealing in the least.

So we kept on, slower and steadier as the day drained from the sky, that faint dimelike outline of the sun finally disappearing behind the aspen and the pine that lined the road, black filling in around everything but the white blur the headlights cut through the darkness.

Anyone who’s ever driven the highway this far north knows that things can get squirrely at night when the snow is blowing. Your eyes play tricks on you, the swirling snow making faces that disappear just as quick, or beckoning tendrils flickering out from the depths beyond the cone of illumination cast before you as you plow along the road. There’s no telling what the mind will conjure, what your subconscious has been itching to push up to the surface, once you’re locked into that driver’s seat, snow pouring down, tracing innumerable patterns across your tired retinas.

Same goes for sound. Unless you’ve got the radio blasting something loud and insistent, which in and of itself can be distracting, the sound of the wipers, the wind howling over the cab and through any crack or hole you might have in the seal can sound like someone calling to you from beyond the grave. Someone just out of sight whispering, shrieking, moaning your name.

So it was this evening. Only this time, I had the holidays on my mind. I’d been thinking of those who were no longer with us. Grandparents, friends, my own father. Seasonal spectres come to shake and startle my spirit towards some sort of reckoning. At one point or other during that long stretch coming down from the Interlake until we hit the lights of the city, they were all talking at me, cajoling, needling, making pleas. I knew their words were ones I’d stored away in a back closet of my mind, suppressed during waking hours, but come waltzing back into my mind now that the snow had beat down that barrier with its insistent battering of my windshield.

I’d blink my eyes, shake my head. The visions, the whispers would clear, only to come creeping back in again. 

My grandmother, tsk tsking through the kitchen; grandfather laughing from his chair in the corner. An old hockey buddy, dead these many years, smiling, his blue eyes twinkling as he asks, How she goin’, pal? Been missin’ ya bud. Big time. The many words I’d never get to share with my father, whisked away on the breeze, white frozen fingers calling to me to follow.

Now and then I’d crank the window open beside me, to let a blast of frigid air into the cab, to keep me from falling into the lull of sleep that can threaten under such circumstances. Snow would come flying in, too, but I paid it no mind. Trapped, it would melt in short order, each crystalline form never to be repeated. I had a large cup of coffee within reach, which I helped myself to when I could spare the hand on the wheel. But caffeine can only do so much against the hypnotic sway of a blizzard at night on the highway, waiting until it was time finally for me to lay my down to rest to make itself known, pumping that blood through its circuit, to keep the thoughts swirling through my weary mind.

Honey, I went, more than once, hoping she’d humour me with some more stories, or at least find some suitable distraction on the radio dial. But she was fast asleep, face pressed into a balled up sweater against the passenger side window. The kids, in back, both sawing logs, too. I hoped all their dreams were sweet ones, if they dreamt at all. I’d have to suffer through the bad ones, the waking ones, on my own and hope to make it out the other side. 

We all do in the end, though, don’t we? 

The worst stretch, after already being on the road three godawful long hours, came just after the double-lane spread out into four separated lanes as we started closing in on the city. Usually, by that point, we’re 20 minutes out, half an hour if the Sunday night traffic’s bad and construction’s bottle necking everything up further in. But we had to crawl through the snow for another hour before we passed the perimeter. Plus, with the added empty space between woods on either side of the road, the whiteout only worsened, punctuated only ever so often by a ghost of a green highway sign noting or a skeletal light-pole illuminating a drifted over exit to the right. 

We passed first one truck in the ditch, a big boy, flagged for safety, the driver no doubt up in his cab, waiting out the weather, then another and another, then a car and a pickup and another. I didn’t even think of stopping to lend a hand, figuring I might not get going again for a good while if I did.

Despite the chill I kept inviting into the cab to keep my wits about me, I was sweating something fierce, what with the effort it took to keep the truck between the ditches and my mind from running completely off the rails. I kept myself half-sane by imagining how I’d fire the hot tub off the back deck up, once we’d gotten home, and how I’d soak the chills away once the kids were tucked into bed, breathing in and out real slow all the while, hammering my left heel against the floorboards insistently. As though it all depended on that steady rhythm remaining uninterrupted. As though such actions had any true impact at all in that big, empty world beyond the cab.

The wind picked up about then, too, unbuffered as it was on either side of the highway, rocking the truck in waves, the road beneath the snow slick with ice. My mind kept running that loop of personal failures on repeat. Times I’d been needlessly harsh with the children. Times I’d failed to stick up for a friend. Or worse yet, myself. Still, those thoughts were almost welcome, compared to what was playing out before my eyes 

The view through the windshield had become a theatre of the absurd, as more strange visions emerged from the negative space between the snowflakes and my subconscious. A rabbit ripped apart by some beastly bird, an ancient carrion crow of monstrous proportions, before training its black eye on my own. Wriggling bone white tentacles, or worms, or snakes, or whatever they were, roiling over and around each other, pushing ever inward. Pushing towards me. Shadow creatures pulsing, massing and dispersing, out from the void to swarm the windshield, retreating at the last second only to regroup and do it all over again.

Nameless spectres of horrors yet to come. 

All these and more fired past my eyeballs upon that dismal stretch of road, only to fade away and reappear yet again as an image fades in and out from an old TV screen struggling to pull in reception. 

You and I both know these things you see when you’re in it, they aren’t there. Never were, never will be. All that’s there is you, the wheel clutched beneath your cold, sweaty hands, your ride, the snow and the road. There is nowhere then, only the need to keep moving forward. The voices, the sounds from the void, they aren’t there either. Not really — not that knowing so makes them any easier to plow through. It doesn’t matter, though. What matters is to keep moving. To stay on the road, to keep moving through it, to push right past it, inching towards your destination.  Otherwise, you’re a goner, bud.

Sure enough, we made it home fine that evening, four hours and some change after we set out from the in-laws place by the lake there. The kids didn’t even notice the harried state I was in when we pulled into the driveway, just grabbed their stuff and tumbled into their bedrooms to fire up bigger screens than the ones they’d been glued to over the past couple days. My wife, she knew it had been a hard drive, that I was beat and then some. But she was tired and groggy herself from the long ride, and kept telling herself she had the house to set back in order.

True to the promise I’d made myself, I rolled a little number, poured a couple fingers of good scotch over ice and pulled on a pair of swim trunks after clearing off and firing up the hot tub. When she was good and steaming, the kids safely tucked away in their rooms, I soaked myself good and proper. It felt good, I won’t lie. But still, when I’d lay my head back and look up at the sky, there was still snow pouring down without end. It was beautiful, sure. But all it did was bring me back, again and again, to that harrowing drive. 

As though it had never ended. As though I were driving still.

When I closed my eyes, it was worse. Gone was the snow, the beautiful fluffy flakes, each unique and only once for this world. Instead, the space between my eyes and eyelids filled with the darkness between the puffy white snowflakes. The negative space of the void, and all that came with it. Tired, beat as I was, I knew I’d have a hell of time sleeping that night. Just a hell of a time. 

Buddy, I wasn’t wrong.

Sheldon Birnie is a writer, dad, and beer league hockey player in Winnipeg, Manitoba, Canada, and the author of Where the Pavement Turns to Sand.

Categories
Across The Wire Vol. 6

Fast-Forward, Rewind, Fast-Forward, Static

By Caleb Bethea

Bruce Springsteen knows something about quantum physics. The way he sets up a dichotomy in a song, a divide between squalor and salvation. Then he hits the last chord before you ever hear the end of the story—the hero’s foot on the gas of his ‘54 but you have no way of knowing if he’ll really make it out of New Jersey or not. A Schrödinger’s Cat on the Boardwalk. 

One of the best examples is “I’m on Fire.” An earnestly horny track just two and half minutes long. The protagonist wants nothing more than to have this woman, but she’s married, and all we end the song with is that he’s up all night thinking about her. A dull knife cutting a valley through his skull.

I saw the music video the same year three of my grandparents died. I was seven-turning-eight, and we had a VHS of all his music videos that we watched at my great-grandmother’s house, rewinding, fast-forwarding to our favorite performances. Among my siblings, the segment of the tape most crystallized as an example of his cool, late-American demeanor was the video for “I’m on Fire.” It kicks off with a busy garage. Bruce’s legs are dangling out from under a car and he’s cranking something into place when the woman walks her heels over toward his boots to ask if he can fix her perfectly functional car and have it ready by tomorrow. 

He’s covered in grease. He smiles, a little timid, saying he can bring it by her place—but he sees the diamond on her finger and she explains they live way the hell out in the hills. 

He was so goddamn cool. A working-man rockstar in the face of death all around me. A cowboy sort of masculinity that had something to do with worker’s unions and gambling debts. So I kept rewinding, fast-forwarding to that video, believing that on the other side of all this death was me as a man who was so goddamn cool. Adulthood would find me behind the wheel of a ‘54 with an Atlantic City sign in the sky.

But now I’m thirty-two, and instead of grease on my hands, it’s seething under my skin and it slides the anxiety from one side of my body to the other, and someone along the way has knifed a valley between me and masculinity. I’m in there somewhere, just trying to keep a lid on the feral cat under the boardwalk. 

It’s fine. No one really thinks one thing or another about my masculinity, that I can tell, but I’m not real into the idea of being a man. Still, I tell myself I haven’t earned the non-binary title, not enough motor oil sliding through my veins instead of blood. And Jesus fucking Christ, I kinda hate that about myself. My looking less like Bruce and more like the person in the Iron Maiden shirt holding the boom over Bruce’s head behind the scenes for the “I’m on Fire” video shoot. But, I like that about myself, too. Still, I fast-forward, rewind, fast-forward, static.

It’s fine. 

As an adult, I watch YouTube videos about gender identity and then I watch the “I’m on Fire” video, and then I read the comments underneath. Half of them sound like “This song always makes me think of my first girlfriend, who became my wife of forty years, and died last week.” And it only takes three or four of these comments before you realize this song about a little sex is a lot about death. And not in a metaphorical way. There’s a gravity to work like this, bringing us back to the first time we wanted someone as we listen after losing them.

And gender might be something like that, a dense, rumbling fucking mystery, a space—or a lack of space—where we lose the shit that once made us who we were. All of us in our high heels rolling under the heavy machinery of a car with a supernova swirling above us. We don’t know whose car it is. We don’t care. We just want to feel so goddamn cool.

It’s fine. 

My grandfather, who was the last to go the year I turned eight, had hands strong as hell, his own pre-Springsteen brand of cool—of being a man. And I think of all my grandparents and all the pictures they took of me, the woodworking they gifted me, the souvenirs they brought me from their travels across the country, and I wonder what they would think about their grandkid’s gender confusion. I wonder how we view people from the other side of this death trap. If we get it. If it matters. 

I like to think we call our grandchildren non-binary after we die. I like to think it matters.

 

Caleb Bethea is a writer from the Southeast. They’re the author of DISCO MURDER CITY (Maudlin House ‘25). You can also find their work in HAD, X-R-A-Y, hex, Bruiser, ergot, Modern Alchemy, and elsewhere. But, mostly, they’re just a family ghoul with a wife and four goblins by the ocean. You can say hi on most platforms: @caleb_bethea_ 

Categories
Across The Wire Vol. 6

three poems

By Lana Valdez

Reminiscing on a Prosperous City You Once Ran Away to

You drank Bellinis at hardware stores with crystal chandeliers and 

tried not to get him in your photos, 

the gluttony on both your faces, 

marked. You had no predecessors, 

only ancestors laughing at you, 

at your silk scarves from the vintage store,

the cheap wallet, a prop. 

A prosperous city, a pseudonym for your socials, 

but he’ll find you anyway, you should never worry, he says.

By Cristal and candlelight 

you take your steaks medium rare, 

the ones that will be his ruin. 

You used to come here with your mother, now it’s a hideout. 

How did you come to own the shelter, you ask, 

the luxury homeless shelter for young girls? 

In the Middle of an Impossible Summer 

where your gums stick to the roof of your own mouth, 

you have a choice. 

Don’t tell me about poison

when all the lizards are hiding, when no one 

rises in the dark to feed the ocean, 

to clean the heaps of trash from her banks. 

There are rocking chairs in the swamp 

eaten up by the storm and this town was never small. 

A sleek slight of hand, our backyards up to our temples. 

Tell me this is true in your mind, 

tell me you understand, it was never your poison. 

Debating on Whether or Not I Should Buy Groceries 

on the first of the month when I still haven’t rewired my brain from last month, a spectacle of sleepless eyes like saucers, of oyster dinners on the bay and dry nosebleeds. When you’re living out of a suitcase you have nowhere, nowhere to put your vanity- tracing lipstick on perfect skin, searching for the perfect spot to sit with your shadow, the shades odd and drawn. If I was worried about buying eggs, I didn’t show it, busying my mind with my reflection, burying the rampant gray hairs down, down, down the drain, shards of glass and pulp gathering at the bottom.

LANA VALDEZ is a poetess and thought daughter currently living in New Jersey. Her debut collection, “I Rot,” is available via Filthy Loot, and her work also appears in Spectra, Expat, Dream Boy Book Club, and others. 

Categories
Across The Wire Vol. 6

A Fixer Upper

by Craig Rodgers

It costs next to nothing. Who would believe, a little old thing. A cabin, some would call it. A fall down, others. This home cobbled so long ago.

He parks out front and just looks. Takes it in. The driveway is broken rock grown over. A reaching arc through the long yard. The once great paved expanse has succumbed to what may come. He steps out among the sprouts and cracks.

Beyond acres away. Farmland once. Now grains shift and lean after long generations. Remains sit somewhere out there. A chimney rising in the grass. Ancient bricks stacked. 

He calls the realtor, it rings and rings. He texts. Where are you, why aren’t you here. More of this. He tucks the phone away.

A dark waits. These first rooms. The walls are caved in places. Rotted all through. He touches, he knocks. Stepping deeper. He turns a knob and a flashlight pops and the dark falls back. He proceeds. Through rooms. On. Dust and flaking. In places falling. All these years.

He talks to himself. Little things, words. Wow or oh. Sometimes phrases. Oh wow. Touching these old walls. He runs a hand along. 

Stairs go down. A basement wide and deep, dug beyond the walls above. Old pillars brace against the weight of stone and the world. The floor goes off into the dark. Concrete in places, dirt in others. He pulls at his shirt. A deeper heat here. In the walls, in the ground. Nooks are packed with shelves now empty, dust caked along.

He walks with the phone shined around. Pale flash lens. A rug is green with mold. Old chairs sit rotting. He touches items as if to be assured they are there.

A pair of boards are nailed over damage. Planks warped by years of rain dripping. He gives one a tug and it groans and pulls loose. He yanks the other and it snaps and falls at his feet.

A void exists beyond. He squats and leans and he shines the light. A hole is dug into the earth. A black reaching down. The light won’t touch the bottom, its glow snatched up along the way. 

He stands on the basement stairs. He dials and calls and when it doesn’t connect he calls again. He climbs two steps and tries again but nothing changes. He curses aloud.

Down again. Past the stairs and on. He shines the light and he moves close and leans but he does not understand. The hole is still there but the boards are gone.

When he reaches in he feels a step. Some sort of rung. He dangles a foot and he turns and lowers himself in and another step matches the first. A crude ladder going down and down. He climbs hand over hand deep into the sunk shaft, phone light put away now, his being swallowed whole by the hot earth.

He doesn’t think to count. It doesn’t occur to him that it could be so far. When sweat runs into his eyes he wipes away its sting. When his arms begin to shake he tells himself it can’t be far now.

Still he’s shocked when the ground is there. He’d started to think the climb might go on forever. Now he stands flat on dirt floor. He turns and turns. There is a light. A trickle of gleam waving in the far off black. He goes that way, there is no other way to go.

At times he must stoop. Sometimes he touches walls for support. Making his way along. Sweating. More a cave than a hall. The light comes nearer as he moves along but it never seems to grow brighter. He calls out with a hollow want. Hello. Hello. He goes on. 

The way ends as it must. A room is there, carved into the ancient stone. A single candle sits on a table, its flicker of flame stirring in a touch of air faint and puzzling. Beyond this there is a man. Bearded and skeletal. Flesh pulls thin across bones with every movement. With long fingers he bends wood and he snaps a piece and this he tosses into a hearth and then he reaches to break apart another.

A step or maybe something more subtle. Maybe just a feeling. But now he is turning, this frail figure. He is straightening as he turns to face this man. His voice is a whisper.

“Oh there you are,” he says.

_____

The realtor steps through the house. Her suit is fine but reserved. No need for pomp in the sticks. She scrolls the phone and calls again. One foot kicks a bucket away.

It rings. Of course it rings. Forever it does. She tucks the phone away. Now she wanders. Through dark rooms and around. The stairs are there leading down. 

Her flashlight is military grade. It splashes the basement in daylight bright. Mud bugs curl into shadow. With a loafer she sifts among refuse. The leavings of a century of squatters. In one corner a molding rug has been dragged into a bunch. 

She climbs steps back into the light. Phone held high like a trophy. She steps out of the basement and then out of the remains of the structure and she scrolls and calls again, turning and turning still. The phone clicks and the signal connects and now it rings and rings and in time the call goes nowhere. She thinks she might call again but she does not. She puts away the phone and now only stands, eyes falling closed for seconds at a time, feeling the soft presence of air on skin. Not a breeze, something gentler, more slight. She breathes in. Abrasive morning air. She takes it in deep gulps. She smiles, eyes closed. Maybe she laughs, it’s such a morning. 

There is a faint air. Just a hint. In that morning freshness only the barest waft of something other does come. Smoke. She opens her eyes. She turns and turns and far off in a spread of open field there stands a chimney ancient and crumbling, some remnant of a once grand estate centuries lost, and from this relic there now trickles gray plume. She takes a step that way and then another, but she finds herself slowing, halting, and now she is sitting in the grass, now she is but an observer as the furnace is ignited once more. 

Craig Rodgers is the author of several books, dozens of stories, countless notes, and one convoluted plan to fake his own death.

Categories
Saturday Cartoons

my head is a ghost

by Chuck Agro

Chuck was born a long time ago in a far, far away strange land. He began painting at the age of 2 with a site-specific piece titled “I Poop in the Tub and Smear it on the Wall.” Though unpopular, the piece did receive much attention. Less popular than later pieces titled “Pee in the Bed” and “Poop in the Pants” it is still considered a milestone event in Chuck’s artistic career. You can find more of Chuck’s work on Instagram at @chuckagrostudio or his website at ChuckAgroStudio.com

Categories
Across The Wire Vol. 6

Magnolia from The Heartbreakers

By Dan Duffy  

Her cheekbones sat sharp—right up under her water colored eyes. Her cheeks pooled into loose hounddog jowls. Her skin, the rough and tanned leather typical of smokers late in the game.  

painting courtesy of Red Danielson (2025)

She wore pink scrubs and an old pair of white tennis shoes. She drank black coffee from a mug printed over with an image of a steamboat chugging up the Mississippi. White steam clouds floated over the boat against a baby blue sky. Her hand was steady as she lowered the cup back to the table.  

Folger’s is shit, she thought.  

Her legs crossed like stilts at the knees. She sighed and crossed her hands in her lap. She looked across the blank yard. The veinlike limbs of varied hardwoods thicketed grey and tan beyond the tall black iron fence at the bottom of the hill. Them trees are pitiful, she thought. 

She checked her black Casio and saw it was 7:07. She pushed into the thin cushions of the plastic lawn love seat. She picked up her cigarettes and lighter from the glass table. The smoke felt dry in her lungs and she wretched wetly before her chest settled into regular albeit ragged breaths.  

She reflected back on her thoughts beginning before she crawled out of her bunk into the darkness. She thought about how they started before her spirit had time to orient itself in the black morning room. She hated the thoughts. She thought they were a total nuisance. Thoughts no one normal would ever think. 

She drew from the deep background of her mind the knowledge none of these things were true. Yet she found herself unable to let go of this new copy of the old story. Every morning was like starting over in this way. She breathed in through her nose. An old trick learned in the Midwest recovery scene. 

Here I am, she thought.

I am alive. I have my Kamels and the lawn is alive and them trees are alive and the Folger’s is shit but it is still black and warm and warmin me and givin me one of the two remainin buzzes. Folger’s and Kamels and the trees and the cardinal just landed there on the feeder. Barnfire’s soul come to see me in the morning. 

She slurped her coffee and let her breath out after an eight count. She accepted her and her suicidal brain would dance this dance of breath and neurosis until the end of days. She laughed at them. She imagined their voice was a wooly faced man in a suit in the fetal position sucking his thumb on the membranelike bottom floor of her brain. She imagined brushing his hair and cooing him as he trembled and wept. An old ego vision from the early days. 

A breeze washed up from the south across her nose, her crowsfeet, the lines around her mouth as she smoked. A clump of ash fell to the concrete patio as she lowered her hand. Lightbeams played through the leaves. The sky smoky blue. 

It all reminded her of the morning in Dixie, Alabama when she’d stolen Deddy’s cigarettes off the Formica counter. She’d stared at them under the yellow light overhead of the stove, where they sat next to his gold keys, for a long minute, before she snatched them up and walked out the back sliding glass door. She’d busted six matches before she got one to stay lit on the front end of the Winston. She’d remained proud for years on account she hadn’t coughed on the first one.  

She thought the house they’d grown up in a poor one. All shingles and no roof. The backyard full of beer cans and spent propane tanks—cigarette butts, dog shit and ashes. She still cringed at the thought of it. She thought she’d tried to talk straighter, clearer, whiter—more like some person from New York would talk—on account of the house. The clapboard painted a dark emerald. She always thought the guy who painted it must’ve been drunk or high as hell as the coats were as swirled and thick as Van Gogh’s buttermilk impastos over olive trees. 

They lived after a few empty lots at the end of a road at the edge of Dixie. The city came in and turned it from dirt to oystershell in ’68. The houses up the street were mildly better than theirs insofar as their paint jobs were cleaner and their boards were straighter, and their yards were free of the trash so dominant in hers.     

She was halfway through the first Winston as she felt hands bury into and grip her shoulders and skin touch cool against her cheek as she smelled a rosy waft from the sweet olive bush near the door. 

“Hey!” said a voice like a bell.  

A smile wrapped her head. She turned and looked up into the pale diamond eyes, the suddenly strong jaw, the round nose, the dirty blonde hair in loose curls draped around the face of Barnfire. Her warm breath on her breath. 

“The hell you doin smokin a cigarette?” 

“Bein a man,” Chastity said. 

“You a man now?” 

“I am today.”   

Chastity felt a darkness in the center of the morning as she watched the cardinal hop up on the powerline. She slurped her coffee. Her bestfriend Rebecca Barnfire had come to see her from up the road.  

They’d run the town with boys in trucks till they were old enough to leave. The big trees’d all been logged out before they were born. The Service-planted-pines were just starting to grow back once they got older.  

Chastity’s father drank Bud heavies and smoked dope on the back porch when he was home in the mornings and nights. He slaughtered cows down at the slaughterhouse. The oystershell ran out by the time the road got to their house and there were big washed out holes in it and he refused to pay for the dirt work.  

He, her daddy, Charles Lee, liked to sit with his shirt off and stare at the moon. The FM band was set on 98.5 and the presence of the eternal darkness beckoned across the yard and into the fields which stretched out to the baby pines at the edge of Monroe County. He was not without the loving thoughts any man may have of his child and the universe from which she emerged. His tears ran silent down his crooked face in the moonlight and Charley Pride played on the radio. 

Chastity and Rebecca played with the dirt clods and cigarettes until they were old enough to pick up whiskey and pills. Once they’d found those—in Doctor Mellingham’s offices, in the plasticwood cabinetry, in the fields—they relied upon them the way they saw the girls growing up across the street rely on Jesus. The headlights of the old Fords lit the path to the beer joint on Friday nights down at Bill Bleaker’s Creekbed Jamboree.  

Rebecca wolfwhistled at the Southern rock four piece from Montgomery. She made her face sparkle and lowered her eyes and picked up her rose patterned cotton dress and spun once she felt the shaggyheaded frontman’s eyes. 

Chastity bit the aluminum bar at Bleaker’s with a fury her ancestors would understand. She heard stories of her grandaddy drinking the county dry through the wars—too drunk to report for duty. Back then her face was sharp and clear: like a mirror on fire. Light freckles covered the high cheekbone, the hard jaw and the hawknose. Her eyes the color of some mystic sea water. The boys from the schools the county over didn’t know what to make of her and she and Barnfire bit their heads off at their leisure.  

Once they drove west for Orange Beach under the cover of more moonlight. They watched the world turn from pure pine wood to saltwater and sand. The beach was eternal on either side and the sea went on forever in front of them and the beach disappeared into the pines at their backs. Gas lanterns burned from where they hung under the eaves of the fishing huts out on stilts at the end of long and winding piers over the water. They got naked and swum out in the saltwater. They kissed and fell asleep that way in the wet sand under the moon.

There was no evilness between them on the drive back and the air was as clear as Alabama itself. There was a silence between them which was longer and greater than the world. They stopped at bait shop for burgers and made love in the parking lot after running their hands across the neon rainbow of plastic lures, under a canopy of nylon lines. They put more ice in the Playmate and bought another sixer of Miller once they’d toweled down. The beach highway burned under the truck and the sea oats stubbled the sand on the sides of the road.  

They left everything behind and moved to Pensacola and lived in the beach bars up and down the coast. Barnfire’s folks wondered where she was. They shot bottles like skeet with twelve gauges on the beach with roughnecks in from the rigs one night. The road hummed under them wherever they went and they gave no care for trouble. Barnfire’s face grew rounder and they got jobs in the kitchens and rented a bungalow. They spent their money on beer and cigarettes and lived for the sight of the beach and night unoccluded by condos or casinos.  

Crank broke up the scene in ’78 and she remembered the feeling of the morning she left for the north with no idea where she would stop next. She saw Rebecca crying with her top off on the teal motel comforter—her palms upturned to the ceiling and her blonde hair a darkstreaked beautiful mess of waves. She’d kissed her on the forehead and put the bag in the back of the truck as Magnolia from the Heartbreakers debuted on the radio.  

Chicago was a mean city and she’d found a new side of herself called heroin  which she hated. It was a total loss of confidence which forced her into the denizened Midwestern nights like black steel burning on the highway. She fought with several men and lost and her face took on a crushed bruisedness in the silver mirrors. You could see the outline of her bones in her arms, and the thin cotton dresses from home she’d once  been loved in went grey and ragged. 

She flew a sign on the interstate. The mega highway wind would blow her hair back and she remembered crying without tears more than once as she waited for the dollars of strangers.  

One night she found herself with enough money to enter under the Christmas lighted ceiling of Robichaux’s in the old Polish part of town. Past a row of clapboard houses not unlike the ones from the street she grew up on. There was a warm brownness to the night air. She’d seen a father and son throw a ball back and forth with a dog in one of the dozens of chainlinked backyards on the walk to the bar. She’d heard about it  through her new friend Henry James who was a night thief and a busker in the central city.  

She ordered a shift beer and looked up at the lights. A ball game played in the crook of the ceiling and she let her eyes drift past it. She flexed her jaw and felt like she’d been kicked in the mouth. She felt the cold come in from the door and turned to see a man in a black leather jacket and blue jeans brush powder from his shoulders and take off his beanie. She was overcome with the sensation of life having eclipsed her entirely. It was as if the last breath of her childhood self had blown out the door with the man’s entrance. She felt slurried as she nodded her head toward him. He was brickjawed and grey stubbled and he walked past her to the other end of the bar.  

She watched him finish his one beer. Magnolia leaves in sunlight against a blue sky blurred in the back of her head as she was overcome with the old desire for Alabama. The depression was a deep navy. There was no one to call in the homestate any longer. There might as well have been no Alabama.  

She covered her pint glass with a coaster and put her hat on and walked out to the sound of Bocephus singing notes on fishing from the jukebox. She sat on the cold black iron bench out front and felt nothing as she smoked. A boxtruck pushed through the slush and cast golden beams on the wet black road. She wanted to go to the mission and sleep. She wanted to never have another drink. She cursed the old man with his shirt off in the backyard in the moonlight.  

I got what he got. And it’s all I got.  

The truck pushed back by going the other direction and she thought of flagging it down for a ride to the mission.  

She blew her hands and looked up to the clear black sky. She began to walk toward the mission with the vision of the field beyond the trash of her youth in her mind like a warm spirit guiding her feet in the direction of the sense of a sound mind. Her pulse quickened and her body warmed. She was all of a sudden sure of what was going to happen next. She would walk all the way to the mission: the clear five miles. She would pay the dollar fifty for the bed and ask to borrow one of their towels. She’d get on her knees and pray next to the bunk, her elbows at rest on the baby blue waffle blanket, like she did as a baby in Dixie. 

She’d wake up the next morning at six to beat the crowd. She’d pray again, and have another shower, and see if she could get a comb for her hair. If she could, she’d comb it out slow and easy like the rain which then fell on her as she walked. She’d hit the eight o’clock meeting at Southland. She’d make the ten block walk there from the mission. She’d hope to see one of the women she knew there with some time. One of  those pure women in the golden light of God—their steely hair healthy, well brushed down to their shoulders and secured by expensive clips.  

She’d ask the one which called to her to guide her and she’d call her everyday and do what she said. She’d find a way to get the dollar fifty for the mission and live there the rest of her life if she had to until she found somewhere better. If she never found anywhere better it would be okay as long as she didn’t drink whiskey or get high ever again. She’d fly a sign for an hour or two a day and look for a job the rest of the time. If she had to she’d fly a sign for the rest of her life. She’d try and buy a better shirt as soon as she got the chance.  

And it all went as close to this as one could imagine. She stayed at the mission for three months and got a job in one. She sold coffee off a street cart at less than minimum wage and saved up enough in three months to move into an Oxford House further north. She worked the cart for another three months before getting on at the Donton Square McDonald’s where she made manager in two years. She kept her hair pinned back and her hands clean at work. She watched the odd reflective grey towers of the city in the mornings on the train on the way to work. The sun hit the sides of the towers and she felt alive through her muscles and face. Lightbeams fell through the shadows and crossed her face in diagonal lines those mornings on the train.  

One morning five years in she was cleaning the windows in the front of the restaurant when her pocket buzzed and she answered her phone.  

Her sister’s voice on the other end of the black line asked if she’d “heard the  news” about their father.  

“No,” she’d said.  

“He killed himself this morning with a knife in his bedroom. Stabbed himself in the heart three times and fell back on the bed and died. Dixie police found him stomach up.” 

Chastity watched a shirtless man, with a dirty blonde beard, in swimtrunks, cross the street. He knelt on one knee. She heard him cry out like a hurt bear through the plateglass over her sister’s static voice on the line. 

She met her sister three days later, down in Dixie, at a grey hotel on Highway Eight. It was a small, sad service. There were only a few Presbyterians the old bastard had long since abandoned. Chastity thought his head was bloated to unreasonably red and wide proportions even for an alcoholic. His hands folded on top of one another like a schoolboy’s on his football field of a chest. His shoulders met the white padding interior of the casket on either side. His mouth drawn in a thin anti-smile and the black holes of his nose erupted in pubic-like hair. She crossed herself at the sight of him and kneeled by his casket. She said the old prayers under her breath and the new ones she’d learned in Chicago.  

She couldn’t bring herself to kiss his forehead; the specter of this failure would haunt her for decades. They closed the box and drove him out on Highway Eight to the Dixie Historic Cemetery. She rode with her sister in her silver sedan behind the hearse. The church people only made one more carload. Highway Eight emptied out into the fields past the Sonic and the Advanced Autoparts. The fields were bright green; to  Chastity, they looked more alive than all of Chicago combined. Her sister’s car windows were oilstreaked and the clear coat on her hood had come off in two big boils of rust and sunbaked metal.  

The cemetery backed up to a soy field. It was encircled by a couple scraggly pines and a half dead cedar in which a couple turkey vultures’d made their roost. The two Hall brothers from Hall Funeral Home brought out the riser cart and set it up for their father. They wore matching auburn and navy check sportscoats, navy slacks, shiny black loafers and salt and pepper hair trimmed down to a neat half inch. 

The older brother, James, opened the back of the hearse. “Awlright Miss Chastity, now, let’s gone head and get yah daddy home baby.”      

The younger brother, Beau, pulled the casket out of the back and slid it onto the riser, in one precise pull, as James held the riser steady.  Chastity turned and watched the two Presbyterians pile out of a big white pickup.  The young, skinny one—with his thick brown hair combed over in a quaff—pushed his checkered shirt deeper into the belted waist of his khakis and curled his lip as he squinted. A bald man who drove strowed right up to the casket and patted it like a dog with a pale hand. 

“We’re gonna miss ol Charles Lee down at the chewch,” he said. “He was a helluva card, but I believe the man had a good heart. People are gonna say what they say about anybody, but I believe Charles Lee had a good heart.”  

Chastity brushed some hair away from her mouth where it’d been caught. A breeze blew through and kicked up dust in their faces. Her sister threw her hand up and guarded her eyes.  

They found themselves over by the hole in the ground the Halls dug before dawn. James Hall held his slim, leatherbound copy of the Gospel against his chest with his dark and shining hands. He wore a forlorn look of patronage as he looked over the small crowd with his back to the field. He looked as though he was prepared to deliver a life sentence to a man of equal nobility. He opened his mouth to speak but it was so dry he mashed his tongue against the roof of his mouth before he opened it again and spoke.  

“The ribbon of life is cut in the dyin days of a dyin land.”  

His tongue felt thick and pasty against the dry roof of his mouth. He gulped what spit he had left down before he spoke again. 

“It is through this ribbon we walk, and cross this ribbon we mus live. It is in the mornins, alone fields such as this, where we mus pray and say, ‘I too am a man in this land. I too will cast my seed across the clean of the earth, and ass Gawd to provide whatever providence he may deem suitable to my existence.’”  

He took a small step forward. He rocked back on his heels as he lifted his toes and then tapped them down against the dirt.  

“’Jesus was a cross maker’ it has been sung. ‘Jesus was a cross maker.’ A man amongst men. A fishermen of men amongst fishermen. The Leaven carryin the secret of the Leaven to the unleaven flock of the world. Charles Lee was one of the other. He was in one of these two camps, and only Christ knows the difference, and  Charles Lee of course was made of Christ as we all are. The Brother is at rest now. He has found his heavenly home. He is in the sky of diamonds. He is in the teal pull of the universe. For us, here on earth, there are only the two commandments to remember and  practice daily. There is no truth outside of those truths.”  

James looked over at Beau where he stood, arms crossed, at the corner of the grave plot, under one of the sickly cedars.  

“Amen?” 

“Amen,” the small gathering said in broken pieces.  

On the car ride home, her sister asked her to come and live with her after the funeral and she was struck by the clarity in which she felt the conviction to agree. She hugged her and flew back. She sold most of her things, swept the floor and bought a car to drive down to Fairhope. She went to the mission and served a meal and thanked the staff there. She visited the grave of the steelhaired woman who helped her and left a gold coin on her headstone. 

Her windshield and rear window were clean and clear as she headed south out of the Midwest. A twenty year career in the Fairhope public schools, a turn of the century cottage in a quiet neighborhood drowned in green oaks, a life in the church, her sister’s eventual release in the arms of cancer in hospice care—this was much of all which stood between her and that long drive she made out of Chicago. 

The cardinal hopped down from the feeder into the grass. It was preening itself. It twitched its head. It reminded Chastity of a smile. It spread its wings and paused. It flew blackeyed across the yard and into the sky. She touched the coffee. It had gone cold. The birds in the trees had gone quiet. There was no sound but the wind. It was 1976, no 1978. It was her, it was Rebecca Barnfire, it was her sister. All of them in the car. All of them turning the radio up to the right level. The trees burning way to give rise to the rest of the country. She coughed her wet cough and lit her last Kamel. She took three drags and a smile crossed her face in the reverie of the morning. She coughed and she  coughed and she laughed as she fell from the chair—arms wide open to all the women of the universe. To Alabama herself. 

Dan Duffy is a writer from Gautier, Mississippi. A graduate of Ole Miss and the Iowa Writers’ Workshop, he lives in Gautier. 

Red Danielson, a graduate of the Iowa Writers’ Workshop, is a poet, screenwriter, and painter. His work has appeared in The Iowa Review, Haiku Journal, CERASUS, Three Lines Poetry, and Subterranean Quarterly, among other publications. This piece, an earlier version of which appeared in Little Village magazine, was adapted from an ongoing project pairing his prose with portraits of poets, writers, and artists.

Categories
Saturday Cartoons

white men in masks

by Chuck Agro

Chuck was born a long time ago in a far, far away strange land. He began painting at the age of 2 with a site-specific piece titled “I Poop in the Tub and Smear it on the Wall.” Though unpopular, the piece did receive much attention. Less popular than later pieces titled “Pee in the Bed” and “Poop in the Pants” it is still considered a milestone event in Chuck’s artistic career. You can find more of Chuck’s work on Instagram at @chuckagrostudio or his website at ChuckAgroStudio.com

Categories
Saturday Cartoons

Duck Pond #9

by Adam Soldofsky

Adam Soldofsky is the author of the poetry collection Memory Foam, recipient of an American Book Award and Telepaphone, a novella. His latest collection, Three Short Novellas, is available here.

Categories
Across The Wire Vol. 6

Pure Life Journey

by Tom Ianelli

AJ looked at the pile of soiled food and felt bad for it. The bread had worked okay. Microwaved bologna too. But the mayo was a mess, and he had cut his penis on the rotisserie chicken.

He crossed off “food play” from the list in his journal and thought of his failed attempts. Feet, tickling, blood, hot wax, ASMR, men. None of them turned him on. But there was hope. Group play, findom, claustrophilia, clowns. One of those had to get him going. 

He dialed Genevieve. “Humiliation” was next. He shared his thoughts with her and she said she would google some stuff and come over the next night. 

AJ was thankful for Genevieve. She worked at his gym and was as naïve about kinks as he was. He could tell she didn’t like him much as a person, but she agreed to help him because he paid her a couple hundred dollars per session, which he could more than afford. 

“But, like, I only do stuff to you, okay?” she had said when they first started. 

Since then she had choked him and pegged him. She had popped a balloon on his balls and sat on a cake in front of him. 

When she came over the next night there was no preamble. She slapped him in the face and made him put on women’s lingerie. She wore a leather jumpsuit and as she swatted him with what looked like a small leather fly swatter, he felt the first inklings of pleasure come over him. She pushed him onto the couch and he laughed.

“No laughing,” she said.

She grabbed on to the front of his hair and yanked so hard some came out.

“Ow, don’t do that!” He had told her that losing his hair was his biggest fear. 

“Oh, poor baby,” she said and yanked out some more.

“Genevieve, stop, please.”

“Say anything other than ‘yes ma’am’ and I’ll rip every hair out of your head.” She took a water bottle, pulled his head back and sprayed it in his mouth. He coughed and spit it out. 

“What is that?”

“My piss.”

“Oh my god.”

“You love it.” She grabbed the front of his hair. 

“Yes ma’am!”  

“Get up!” 

He did as he was told.

She made him try to twerk. She made him do the worm and laughed at his flailing. She made him smoosh his privates against the glass so the whole city could, as she put it, “see how weird it looked.”

While he obliged her, he tried to understand how anyone could find this sexy or enjoyable. Still, he didn’t use the safe word. Perhaps the pleasure came later.  

She made him bend over and be her furniture. 

“Where do you work again?” she asked, sitting on him, cleaning her nails. 

He didn’t respond.

“Answer me.” She slapped him.

“I’m a project manager at Chewy,” he said.

She laughed for a full minute. “AJ, do you realize how pathetic your life is?”

“Yes ma’am.”

“And now you think that if you can find some kink it will make you interesting?”

“Yes, ma’am.”

“You think a sexual depravity will shield you from the fact of your complete uselessness?” 

“Yes ma’am.”

She got up. “Lay down,” she commanded.

“Yes ma’am.”

She tied his hands behind his back and then tied his feet to them. “Even your parents hate you,” she said. 

“Genevieve—”

“Shut up.” She pulled out a gag. “I’m sick of your whining.” She shoved the ball into his mouth and strapped it tight. “Now you’re in time out.”

He realized he didn’t know how he would say the safe word with a gag in his mouth. His eyes bugged.

Just then, Genevieve’s phone buzzed on the counter. She glanced at the screen, frowned, and snatched it up.

“Hello? What? Wait, what happened?” She began pacing, ropes creaking as AJ strained to follow her with his eyes. “No, no, no, don’t hang up. Fuck. Okay. I’m coming.”

She swept her things into her bag with shaking hands, yanked on her coat.

“Oh my god, oh my god, oh my god,” she kept muttering as she bolted for the door, never once looking back at AJ.

The door slammed. The latch clicked. Then silence.

Three years later, AJ was standing behind the podium at the Pure Life Journey meeting with 100 expectant faces staring up at him. 

“Genevieve forgot about me there,” he said. “I laid on the floor of my apartment, bound and gagged in women’s underwear for 72 hours, soiling myself over and over. If I hadn’t hired my cleaner that week, I might have died. But in the end, it was the best thing that ever happened to me.”

The crowd looked up at him proudly.

“The day after being freed, I was driving to the doctor and I saw a billboard that read:

I’M COMING—JESUS

and I realized that the answer had been there all along. I went online, found Pure Life Journey, and once I reclaimed my virginity, all my anxieties floated away.”

His own words made him blush. He felt their truth, their purity. 

“Celibacy became my purpose,” he went on. “I dedicated myself to it, and after a year, I was leading the program.”

When AJ finished speaking, he shook hands and smiled at the followers. 

“I’ll be having office hours until 6,” he said, and went to his office. He shut the door behind him and went behind his standing desk. The desk was customized, four and a half feet tall with walls that went to the floor so that visitors could only see the top half of his torso.

He stood there for a moment, sighed and then pulled down his pants and underwear in a practiced motion, letting the cool air hit him. This was his favorite part of the day. He cupped his bare ass, fingers spreading, and closed his eyes. 

There was a knock at the door. 

“One minute,” he called. 

He opened the laptop on his desk and there was a still image of a porn video there, a woman hunched over, aggressively climaxing. He pulled his shoulders back, straightened his shirt and, pants still down, he called, “come in.”

A young man entered. Early thirties, nervous red face. AJ welcomed him warmly and gestured to the chair on the other side of the desk. The man sat and divulged his problems. 

He had a porn addiction and his wife recently found his browser history. “I can’t help it,” he said. “The more I hate myself, the more I turn to these sites, to these women.” 

It was the same shame and panic AJ had seen countless times.

“You’re in the right place, my friend,” he said with a smile. “Porn addiction is simple. Once you can understand, really understand, that it takes so much more than it could ever give, you’ll find that you’ll want to give it up.”

The man smiled, flushed and grateful, and said he would come back next week. When he left, AJ shook his hand, and then used the hand that had touched the man’s to cup his balls. 

The secret nudity had started by accident, a year earlier. It was ten minutes before his office hours started. His fly was unbuttoned and he was checking a mole on the top part of his thigh, when a new member burst in without knocking. AJ was so caught off guard he dropped his pants and stammered a greeting to the new member. Mortified, he didn’t know how to pick up his trousers without getting caught, but after a minute, he saw that the member had no idea that his pants were down. His bare legs were a total secret. Something about this excited him, so he stood like that for the entire meeting. The member never caught him, so he left his pants down for the next meeting, and the one after that, and then the rest of his meetings that day, and soon he was doing it every day. 

After a few months, however, AJ found the thrill of his secret was wearing off. He wanted higher stakes. AJ didn’t use porn. He didn’t masturbate. He was as sexually pure as he purported himself to be. But he reasoned that to use porn for this purpose wasn’t related to his own sexual gratification, and that made it okay. So, he began to have images and videos of various sex acts on his laptop, their depravity projecting secretly out to him as he nodded along to what his visitors divulged.

There was another knock.

“Come in.”

This time a woman in her late fifties. She wore a modest blouse and she kept laughing uncomfortably, her hands trembling. 

“I just want to feel clean. To feel innocent. I call sex hotlines in the middle of the night and talk for hours, I don’t even know why.”

He gave her his whole speech. Recovery, devotion, realignment. He used the words she wanted. Words he knew were helpful and true. She left with tears in her eyes.

AJ exhaled and looked down at his naked lower half. There was no arousal. It didn’t turn him on in the moment or later. It wasn’t about that. He hardly knew why he was doing it, other than that it was a secret. That it was something no one could know he was doing. 

He often felt bad about it later in the evening. He knew it was a sin. He wrote about it in his diary, repented in his prayers and vowed to stop. But the next day, when he got back to his office, his pants came off, the porn came on, and he took in his visitors. 

A third knock. 

“Come in.”

It was Katherine Meyer, his biggest fan. An avid soul saver, she showed up to every meeting.

“Mr. Donald, my nephew is addicted to video games and needs your help,” she said. She stayed standing. 

“Please call me AJ,” he said for the 100th time. “Tell me about your nephew.”

She did. She went on about his sinful teenage behavior. AJ’s eyes glossed over and dropped to the porn on his screen. He angled the laptop towards him and Mrs. Meyer didn’t seem to notice, so he scrolled and clicked some other videos, pressing play, checking first to make sure the volume was off. 

“These video games, they’re soiling our youth,” Mrs. Meyer was saying. 

“Mhmm,” AJ said. 

“I saw a music video my nephew was watching and it was just butts. Not a single face.”

“It’s terrible,” AJ said. He pulled his shirt up around his waist and stroked his hips. 

He glanced up and saw Mrs. Meyer looking at the framed poster behind him. It showed Jesus dunking a basketball and said, “HE IS RIZZIN,” underneath.

“What do you think? I just hung it up.” he said, smiling.

She looked closer and her face contorted. She looked confused.

“Rizzin’ is a slang term, Mrs. Meyer,” he said.

“Dear Lord,” she said.

He laughed, “What, you don’t like it?” He turned around and he saw what she had seen. The way the poster hung from the nail the angle of the glass reflected back a perfect frame of his naked ass, the porn. The others hadn’t seen it because they had been sitting.

“Dear Lord Jesus.” Mrs. Meyer approached the desk.

“Mrs. Meyer, it’s not what it seems,” he said, shutting the laptop quickly.

“Pervert!” She screamed.

He tried to reach down and pull up his pants but she was quickly around to his side of the desk.

“Pervert!” she screamed again. 

She pulled out her phone. The first flash of the camera came and he reached up to try and stop it but this made him stumble and he fell over as the flash went off. As he lay there, pants at his knees, she took another one and then she opened his laptop and took a picture of that too.

AJ’s parent’s house upstate had a massive lawn in the back that spread beautifully down to the lake. There was a boat house for their power boat, pontoon, schooner, and the various small sailboats and skiffs. 

At the top of the lawn, Mr. Donald was sitting on a cushioned lawn chair reading. He was tanned and healthy, with a nicely graying head of quaffed hair. He wore tortoiseshell sunglasses and his white linen shirt was opened a few buttons. He reclined with such a simple, elegant calm it was almost impressive.

Mrs. Donald came out with an equivalent air of tranquility. She wore white linen pants and a loose blue blouse and carried two drinks in cut crystal glasses. The ice in the glasses caught the sun as it shone through the brown liquid of the Arnold Palmers, each with the red dot of a cherry floating on top. 

“Here you go,” she said, handing him the drink.

“Thank you, my dear,” he said, smiling up at her.

“Who was that on the phone?” Mr. Donald asked. 

“AJ.”

“Mm,” Mr. Donald let out and kept reading.

“The team pulled the story from our outlets. It’s on some smaller channels but it won’t matter,” Mrs. Donald said. “The Chewy people said they will take him back.”

“Mm,” Mr. Donald said again, then laughed at something he read and turned the page. 

She sat down in the lawn chair next to him. They were silent together for a moment. Dense trees hemmed in the lawn. The grass was all one length, nature’s immaculately manicured carpet. The late afternoon sun was creeping down slowly, still warm and radiant. It was a gorgeous day. Mrs. Donald took a sip of her drink, the ice tinkling, and Mr. Donald looked over at her, smiled and took a sip of his. 

They basked in the sun, enjoying the day, until Mr. Donald sighed. “The fuck do you think is wrong with him?” he asked, his voice lilting and disinterested. 

Mrs. Donald sighed, also disinterested, “Who knows,” she said. She opened a magazine and scanned it. 

After a while Mr. Donald lowered his book. He turned to his wife and looked at her over the top of his sun glasses. 

“Hey,” he said. 

She lowered her magazine. He stared at her for a moment and then smiled. “Do you have any of those edibles?” 

She laughed like a schoolgirl. “Yes, of course.”

He laughed too. 

“You know you could just buy some for yourself,” she said.

”I know. But I like pretending you’re my drug dealer.”

She giggled again. “I like it too.”

“You want to take them and watch Love on the Spectrum?”

“It’ll just make me cry,” she said. 

“Come on.” 

“Fine.”

They clinked their glasses, took big sips, and turned down to the lawn in front of them. The sun was soft and gold and bathed everything in warmth. It seemed to enter and emanate both Mr. and Mrs. Donald, who were both in their 50’s but looked decades younger. 

“Look,” Mr. Donald said, nodding his head down the lawn. 

Mrs. Donald followed his gaze and gasped, “They’re back!” she said. 

Three deer, a mommy, daddy and baby, walked through their yard. The baby was still small and stumbled awkwardly. 

“Oh, isn’t it lovely?” she asked.

Mr. Donald looked out at the sun setting on his beautiful property. He saw in his mind the house in Aspen, the apartment in Chelsea, the Hamptons house, the house in Hawaii that his wife knew nothing about. He thought of Chewy and the various other subsidiaries he owned through RH investments.

He laughed to himself. “It’s fuckin’ beautiful all right. Fuckin’ goddamn beautiful.”

Tom Ianelli is a fiction writer and street bookseller in Brooklyn. He asks the questions for the Lit Chat series at @peterbooksnyc. He has written for The Panacea Review, Quartersnacks and Bruiser Mag. 

Categories
Saturday Cartoons

white men in masks

by Chuck Agro

Chuck was born a long time ago in a far, far away strange land. He began painting at the age of 2 with a site-specific piece titled “I Poop in the Tub and Smear it on the Wall.” Though unpopular, the piece did receive much attention. Less popular than later pieces titled “Pee in the Bed” and “Poop in the Pants” it is still considered a milestone event in Chuck’s artistic career. You can find more of Chuck’s work on Instagram at @chuckagrostudio or his website at ChuckAgroStudio.com

Categories
Saturday Cartoons

comic strip #9

by Craig Rodgers

Craig Rodgers is the author of ten books, a handful of lies, and all manner of foolishness.

Categories
Across The Wire Vol. 6

Wash Cycle

by dizzy turek

That was the note. The note from Faith to Art that got dropped and Dado got a glance at but didn’t ask anything further that got retrieved by Marina who had a huge crush on me but that’s not of interest and I was really happy at the time nothing happened to it other than hair and dust and a bit of wetness. 

That was the note that I speculated was a love note because everyone said Faith was in love with Art. I speculated that because I didn’t know anything about anything especially not love whatever that meant. When I told my first girlfriend I loved her, it was a total guessing game. I was guessing that whatever is supposed to happen will happen as it should so that meant when we were together all the time and we kissed and did stuff that meant something was happening between us and that something must have a name and love works well enough. She did not agree. Everyone speculated Faith was in love with Art because that’s what you guess is happening when people spend a ton of time with each other and you have nothing better to do then not ask them and speculate. Who knows? People send notes for all other reasons than love.

That was the note that I found forever ago going through jeans that don’t fit me. It made me think about how we live apart because pieces of paper can be the link between people not near each other or email but email is a skeuomorphic imitation. I took out the note at the time and put it in a drawer with other pieces of paper like cards from my grandma, grocery lists, plays, degrees, prayer books, scrap, playing cards, self help, fake suicide notes, bands I’m trying to not forget.

This note that was from Faith to Art is earthshatteringly embarrassing. I won’t be reading it. My grandma asked what it was when I found it in my jeans a few years ago. I didn’t lie, said it was an old note. She said she had a note from years ago that she always wondered where it went until one day she found it and then she lost it again and wondered where it went. I told her I was glad she found it and was sad she lost it. It was from my uncle. I see, I said and I played the rest of my hand and got shuffling. It was an apology, she said.

That was a note, to give this, from myself to myself. That this note is a fill-in-the-blank. This was a place to place what was between Faith and Art. Faith was Nate’s cousin. Art turned out to be gay. I never asked him what he meant by that. The note to myself was that the note was a fill-in-the-blank because I can’t speak for them. I’m the messenger which makes me responsible for the message not what’s in the message. The note I’m giving myself is watch out and give it room. After all, it’s a message I never wrote and as it so happens never delivered. 

With this note, I was like Pheidippides. I ran when I was young. I don’t run anymore. What for? Back then, it was a marathon everyday. Everybody had steam. They would go from one edge of the playground to the next. They’d race on the concrete. Nate would cheat. We would run to get it all out. We would run as far as we could to the edge where the houses started. We’d run back except Dado would stay out there and I knew Ms. Hartman was going to give him detention. Nate would be back already. Where’s Dado? I warned him but he just stayed out there getting smaller as I ran back.

That was the note and it reminds me when I saw Art last at his brother’s graduation party. I had been invited for some strange reason by his brother. His brother said hello which was strange because I don’t really know his brother. His brother was nice enough, pointing me to the catering and the dessert table. I saw Art. It had been years. We sank right back into something like it had been. Art did instruments. All kinds and when a person can do instruments, it’s a miracle. It’s another language. I wanted to hear him play at some point but we stopped talking because I had somewhere else to go that evening and my brother picked me up and that was the last time I saw Art.

That was the note Art played. A piano on a YouTube video. He made it in Australia on a fellowship. A simple note played on a piano. It sounds about right on the YouTube video. It makes me long for the real thing. Each note is similar to the last but different in a way that I don’t have the words to describe because I don’t know music at all. Similar yet different. Art the common denominator.

That was the note Faith gave to me, after galloping up from the big tree near the playground after looking at bugs. Faith was a gal who was a bug looker. Not that there’s anything wrong with that. Bug lookers are as a part of society as any other person. Bug lookers have a distinct Pokémon quality to their pastime. Nothing wrong with being a person who watches the ground to find its tiny inhabitants to pick them up and pin them to styrofoam. My friend Harvey did that. He had a GameCube which I tried to play as much as I could to make friends with him. Faith was a bug looker of the highest order. A loner and a freak and a girl freak which is extra painful as boys are meant to be alone. Alone girls are too sad to be pitiable and when they have notes to send, most people read them and publicize the information. Faith was a friend or at least a friend of Art’s so I kept the secret. Faith trusted me with a note after looking at bugs and barely said where it was to go to. I found out by the “to Art” that it was for Art. 

This was the note that I held on to through middle school, lost in high school, found again in college, and found again here on the other side of college. 

That was the note that Dado got a glance at and I never asked nor was close to him enough to ask what was on the inside. Dado is out there, somewhere, living a full life. He knows something about my friends I don’t know and I hope he thinks about it from time to time. Then again, people forget things all the time.

This note is turning into a prayer. A message goes to heaven. When the soul of a message is lost it goes to heaven if it is good and hell if it is bad. If it goes to heaven, it’s read by God and any who were expecting it up there. In hell, it just is never read.

There was not a note as far as I was made aware. Someone sent me a text message which is like a note but slick and plastic. There were several posts, there was even a website for the funeral, emails. Notation, passing back and forth. There’s a grave, a mark, a note somewhere that I need to visit. One of the last things I wrote about Art was a note that I sent in an email with as many memories as I could pull from my mind. Even then, there are memories missing. Simply a fill-in-the blank. A space where you feel a memory used to be.

I’m just grateful no one will ever read this. It’s between them, Faith, Art. I just hope they got to say whatever it was they needed to say to each other without me getting in the way.

After all, that was the note and now it’s nothing but a bunch of washed up pieces of paper. Left it in my jeans, through the wash. Flat, weak, worn, and I just have to throw it away now after all this time.

dizzy turek writes in Chicago but is originally from Ohio. he also does theater. 

Categories
Across The Wire Vol. 6

Dear LORD

by Colin Gee

Pester’s lawn was overgrown with chest-high grasses and vines and scrubby little trees, except you could sometimes make out the little nests in there where he would roll with his bottles of Schnapps. The sharp grasses were punctuated like Moby Dick every hundred pages with what you suspect is a joke with a hideous towering thorned weed like a praying mantis, with veined and baubled pods and gooey leering fissures, that hung in the grasses.

The barf-green carpets in Pester’s house, long flattened by his hairy flat feet, his bigfoot feet, reeked sourly of Vacation Bible School in the 1970s: frantic onanism, candy corn, and TV dinner. Pea/carrot medley with beef stroganoff, turkey with cornbread stuffing, buttered sweet potatoes and gravy, tender fried chicken pieces with butter-basted veggie platters, Yukon gold potatoes mashed with real milk by real milkmaids, thought Pester, in virginal Swiss hose and bonnets that they always take off. Now for a limited time only with mom’s blueberry muffin or apple pie, jammed into the top of the tin. But Pester’s mom had been dead for thirty years, gone dead.

Mr. Rufus lived on the same block with his partner Timothy in the immaculate three-story Queen Anne Victorian mansion with the Rapunzel tower on the corner. Leaded glass windows, parquet floors, and the gorgeously sculpted, meticulously trimmed lawn with tidy paired flower and vegetable gardens and the famous twin oaks. One time Pester puked all over their topiary and it was chunky mushroom tomato sauce and green beans, we speculated. Everyone saw it happen and went to look at the mess. Timothy came out on the porch, made it to the planters, and rushed back inside.

Later on I hooked up their hose and sprayed the chunks off the bush, across the sidewalk and into the gutter, but that was not enough. I had to get a pushbroom and nudge the chunks down the gutter to the drain, and run a lot of water until everything was shipshape.

How did Pester get into heaven? Who let him in here? And how can we get rid of him?

Colin Gee (@ColinMGee on X) is founder and editor of The Gorko Gazette. 

Categories
Issue 5 Issue 5 Non-Fiction

BATTLEGROUNDS

By Jessica Aurell

It’s July.

In keeping with the old custom, my birth is one of my very first deaths. Like my mom, like her mom, umbilical cord wrapped taut around my neck like every first born baby girl in our lineage. Dad breaks the news to a waiting room full of strangers. How my entire little body was gray-blue as the scales of a bruise. Right hand in a fist, clenching at my destiny. It’s a moment of worldwide paralysis. 

The doctor slinks on his gloves 

Lifts a mask to his guard 

Throws me in the ring and beats me up good, 

so surgically nonchalant 

until I let out the chicken cry of a loser, 

who gets to keep the prize. 

Papa bragadocious, my Messenger on the Hill, paid the local movie theater fifty bucks to have lit up that night on the marquee: 

“WELCOME TO THE WORLD: 

JESSICA DAWN AURELL” 

But the seventeen year old in charge of swapping out the lettering, left out the L in WORLD. So there I was–welcomed to the WORD, instead. 

I am made of such obscure mistakes as these 

A clash of mythology and predestination 

Of faith and no reason. 

It is July. 

In toddlerdome, I demand darkness. I often trespass the coat closet, stashed with a mesh bag full of the beach toys we only ever use on New Year’s in Half Moon Bay. My summer-swollen head gets stuck in a bucket I frequent. Sight, sound, smell, taste all go blank as a black hole. Like the dungeon of a womb. My mom is a first and only time mom and takes me to the hospital at the slightest hiccup. There we discover that the pressure is so tight around my cranium, the doctors cannot just pull the bucket off, but must saw the bucket off with what appears to me to be a turbo speed pizza slicer. I only begin to cry once my skull is free. 

This is around the same time that I start blacking out 

the whites of my baby doll’s eyes with sharpie, wanting to shield them from the knife of the light which carved me.

My dad has me baptized and writes a sermon on the book of John, Chapter Nine, where Jesus spits in some mud and rubs it in a blind man’s eyes and then he can see. “His disciples asked him, ‘Rabbi, who sinned, this man or his parents, that he was born blind?’ 

I learn early on the importance of the guardian angel, waiting to be beheld ten times a day, who doesn’t fear breakfast like I do, or love the sound of breaking glass like I do. I am relying on something I cannot see because I love when I cannot see. I never feel more safe than I do when I’m stuck in that bucket. 

It is July. 

In the summertime, before my freshman year of high school. There’s a group of popular junior girls who take interest in my “potential”, because I’m long-legged and eastern european-esque, and they advise me to purchase a bra. 

I follow their instructions, do a hack job of shaving my legs, spritz on some Pure Seduction body mist and stuff my Old Navy training bra with wads of toilet paper. They text me and say “Meet at the baseball fields” across from Flynn Wethers house. Flynn Wethers looks like a pencil but is the most popular boy at the high school. Flynn Wethers drives a vintage green convertible and I fantasize about road head in the wind. I build a body beneath my sheets out of dirty laundry and beanie babies and sneak out through my window like they do in the movies. 

When I arrive there on the dirt, there are the popular girls and there are the popular boys and it feels as if I’m the last one chosen for a team sport. I am filled with eyes, then quickly taught about a beer bong, getting deep throated by alcohol before being whisked away on the shoulders of some guy who plays a sport. With the guy who plays a sport I have my first peck, my first tongue, and my first endoscopy. We are in the backseat of his father’s SUV. There is no wind but there are screens behind every head rest and I catch the reflection of myself in the blank. He feels up my newly fabricated breasts and I forget for a moment they aren’t real. I move his hands to my neck like I remember seeing a girl do on pornhub. 

My throat is a football in his fist and I blackout and the next thing I know is I’m hiding in a pantry from the cops with my shirt on inside out. 

I am informed of my sins the next morning, when I read on my formspring submissions that I am the blowjob queen of San Francisco. That I am a thirteen year old skank who buys her lunch with dirty money. That I suck dick like a girl does on pornhub. 

I call a friend who wasn’t cool enough to stuff her bra and go to a junior party and she tells me she’s already heard all about my escapades. That her mom advised her to pray for me. That I should probably drop out of school and consider the monastery. 

If I was a nun I would black out the whites of my habit as I did of my baby dolls eyes. 

Of the purity of a night 

Of the insecurity of “no”. 

Of making it out alive with a cherry in the harvest. 

It is July

In another five years. I’ve placed my hands in a black velvet box and taken the box to a psychic who meticulously reads the palms. 

She says to me, “You will save many souls.” 

And I say to her, “You don’t say.” And proceed to let this go to my head. 

I become the Vigilante, with nipples fleshed against my blouse like baby bullets. But I’ve never shot a gun. 

This proves to be a problem, when on some South Central street corner I get rammed by a big bully on a bicycle; who grabs me by the nape of the neck, puts a box cutter to my abdomen and says, “Hey I’ll kill you! I’ll really fucking kill you!” 

In the shallows of my girl-jean pockets there is pepper spray disguised as lipstick. I feel it cylindrical between the crease of my thigh and my crotch. I feel the skin puckered beneath the pressure of the blade. An incorrect intuition takes over, blurting out in my own voice, “Well, I have pepper spray”, scolding like a teacher as I simultaneously snatch the weapon from my holster, as the bully simultaneously snatches the weapon from my hand and skips it across the street like a riverside child. 

We lock eyes in the flashbang, before I projectile vomit directly on his face. I was vegan as an eating disorder at the time, so missiles of raw, barely digested carrot, cabbage, and corn pummel his head as his stare of intimidation morphs to sheepish terror. In shock and disgust, he drops his own bike before me and runs off scattering flecks of barf like a windshield wiper, without securing a single spoil of mine. 

I love the mistakes of my body, which without fail serve the purpose of some divine plan. When I get home and undress to wash myself off, I discover in the other pocket a miniature and hand-blown glass turtle. A parting gift from mom as I flew the nest, a token of resilience and protection. 

Of perfect timing 

Of who the hell do you think you are 

alone in LA without a shield or an army 

Of getting lucky this time, one more time. 

It is July 

In many more years. And I am folding my armor at the laundromat. I try to listen to a podcast and be educated, but I’m paying more attention to the doodles on the sky blue walls that outline Coldplay lyrics in clouds. Look at the stars, look how they shine for you. When I am tapped on the shoulder by a squat man with braids and stubble and stench and asked about my sneakered feet, I feel as if I am in a bubble, abruptly burst. This man, at the laundromat mind you, tells me, “I want to take care of you, I want to pay your bills, I want to see your toes” 

So of course I give him my phone number. Mostly because he won’t move it along. With my granny cart loaded with my wares he’s pursuing me out the door. He says he gets paid on Fridays, nipping at my ankles like a puppy. I say okay. Tiny Tim tells me he’s a security guard at the TD Bank on Fulton. I say okay. He tells me he wants to take me shopping, wants to buy me a summer wardrobe, wants to pay for me to get my nails done. I say okay, okay, okay. He tells me that he’s honest, that he’s noble, that he loves me. That’s when I notice the corpse of a bird.

It is a bad sign. 

Of a perfect specimen 

Of the frog pinned down for the science class dissection 

Of a slimy prince who cannot uphold his end of the bargain. 

It is still July 

The same July and I watch the bird decompose a little more every day. Before I leave my apartment, I look out the window to check for the man from the laundromat. Somedays he is standing across the street, waiting for my first steps out the door, to saunter over and say, “But baby, I’ll give you whatever you want, just give me a pair of your dirty underwear.” 

One time he does zelle me thirty dollars and another time fifty dollars, but I mean honestly, do you think a girl like me’s soiled g-string is worth a measly eighty bucks? The blow job queen of San Francisco? 

So I’m on my way to my job because a man thinks I’m cheaper than a rental car and I pass the dumb dead bird who I’m getting sick of. I cross the street at the Dunkin Donuts and again at the funeral home where my morbid fascination always keeps an eye out for unloading hearses. And there between the bones of the crosswalk is a detached femur of a dog. Or I can only guess it belongs to a dog. It’s surely bigger than the leg of a cat, but the paw is smushed in such a way that makes it appear almost as a goat’s hoof. 

With the curiosity of a car crash, I slow my gait to inspect. It is the cleanest cut I ever saw, a perfect ball from a perfect socket. The sun refracts twinkles off dry brown blood. We’re near the hospital. I pray the dog died swiftly, sacrificed to the fender of an ambulance charging on to save a life. But this is a one way street, with the hospital at the other end. You can’t possibly save a life rushing away from. 

For the next month I pass the limb where it’s become my monument, patches of dirty white fur sewed into pavement. I am the pall bearer, the funeral procession, the mourner. I will save many souls. Sometimes I lay on the ground next to it at night, stitch my spine into the ground until each vertebrae is flattened and forgets itself. The longer I spend with the leg the more lockstep I am with paranoia. There is no other way around it. If I want to go anywhere I must pass death.

Jessica Aurell is a Brooklyn based writer, triple cancer, and jaded waitress. She is rewriting the Bible. She is waging war. She is counting her blessings. You can read more of her ramblings at trophyseance.substack.com

Categories
Issue 5 Issue 5 Poetry

LABOR OMNIA VINCIT

By Ben Nardolilli

Ben Nardolilli is a theoretical MFA candidate at Long Island University. His work has appeared in Perigee Magazine, Door Is a Jar, The Delmarva Review, Red Fez, The Oklahoma Review, Quail Bell Magazine, and Slab. Follow his publishing journey at mirrorsponge.blogspot.com.

Categories
Issue 5 Issue 5 Fiction

THE FIREMAN

By Walker Rutter-Bowman

My wife has become a more suspicious person. I tell her we can trust the babysitter. Her references check out, she’s first-aid certified. She’s a nice young woman, but my wife thinks she’s in it for the wrong reasons. It’s all right to have an agenda, which is hard for my wife to accept. My wife’s success as a painter didn’t come from plotting and scheming, only because she’s not good at those things. The thing she’s good at is painting. The thing she leans on is her talent. I point out that she admires some artists of known agendas. When my wife and I wed under the dying elm next to the reservoir, her brother said we had to reason with each other, and we agreed. But she won’t let me be the devil’s advocate, let alone the babysitter’s. The babysitter’s not in it for the baby, though she likes the baby well enough. She’s in it for the money, because that’s our transactional society, simple economics. She stands at the door, slipping her feet into her shoes, arms into coat, and we hand her cash. Cash, the king. The baby sleeps. My wife says the babysitter is an art student looking for a recommendation, which is true. My wife hasn’t uncovered some great secret. My wife found her in one of the studio classes she teaches. The babysitter’s been honest with us since the beginning. She represents the frankness of a generation. My wife is eating dozens of daily grams of protein but her blood sugar seems low, her energy has cratered, she looks in the freezer for frozen meatballs and reasons to distrust her fellow woman and man. I make sure to be present when she interacts with the babysitter. My wife says I always take the side of the less fortunate. “The babysitter comes from wealth,” I say. “Where?” she asks. Wealth, I say, like it’s a place I know.

My wife wants an old woman to babysit. She thinks the lack of old women in our lives is a failure of character. And the old women we do have in our lives are not the right kind of old women. They say the wrong things. They make me carry their carts. When the baby was just born, they said it looked unwell. The baby’s eyes were different sizes, and she hadn’t grown into her skin. When I hurt my knee, one of the old women said, I guess your running days are over. We don’t believe in hitting old women, though sometimes a neighbor shakes our faith. When my wife married me under the dying elm by the reservoir, my brother said I would take care of her when she was old because I loved my elders. Maybe I did, once, but it’s hard to remember. When I help the old women in our building, a mutual feeling of animus lingers. Our eyes lock and narrow. When we wed under the dying elm on the shore of the recreational reservoir, we agreed to celebrate one another’s known associations, but perhaps we didn’t use those exact terms. My wife doesn’t approve of several old men in my life. She says I want to be like them, the old and lonely men, a sour smell clinging to my clothes and neck. She says they are the kind of old men who don’t listen to women, as if there are many kinds. But I keep my neck clean. When I hold the baby, she puts her face right into my neck, and she enjoys it. She loves my neck. She puts her mouth on it. I don’t want to be lonely, but there’s nothing wrong with a little time alone. No one wants an old man to babysit. Only an old woman. I’m not sure why, but this is how it’s done. We won’t be making any changes. Everyone’s a pioneer before the baby comes along, then they remember that convention has its merits.

The day before the opening the babysitter calls to cancel. She ate a bad salad. No one is thoroughly washing their vegetables and greens. My wife, for instance. It could have been you, I do not say. You could have killed the babysitter by accidentally feeding her the feces of livestock. Wash your stuff, I do not say. Restraint in such situations is even more valuable and punishing. I hold myself back with an outmoded form of tolerance. This infuriates my wife, who has read much about the lives of saints but has the wrong temperament to follow in their footsteps. She knew what the silence said. It drives her to wash a carrot with such uncommon vigor that it slips from her grasp and shoots out of her hands and into her eye, the orange point striking the white ball. “Are you happy now?” she screams. When we wed under the dying elm on the shore of the polluted reservoir, her aunt had told us to laugh at one another, and we agreed, so I am laughing. But of course I’m not happy, not even glad.

We get her squared away with a nice eyepatch. She lets me put it on for her, kiss her hair. It looks good on her because that’s the kind of person she is. Turning her head slightly to let me know she is being regal in her pain and humility, and that the kissing, if it continues, will not be on the lips. She is still trying to be a saint. I kiss her hair again. She doesn’t need an apology, just my sadness. Like a sexy saint she walks through the house, floating, touching things gently, with only her fingertips. She’s at her best in the aftermath of conflict. I knew my wife would secretly enjoy wearing the eyepatch. We decide to bring the baby to the opening. It’ll be easy. She is a good baby and well liked. She has never attended an opening, and maybe it’s about time we bring her along as a part of the family. My wife believes in one integrated life, not an artistic practice siloed from the rest of it, and I agree, I guess. The baby is a part of our lives.

When my wife was awarded a prestigious and lucrative prize that made us temporarily rich, we lost our minds a little. We got into wine. We did some research and bought a wine fridge. Anyone can win a prize just as anyone can have a baby. It was a lot of remunerative validation, but not enough. It went away quickly, and as it did, she asked herself, Why me?, which seemed like a natural question after the windfall of validation. Why me and not the others? But she asked it with such regularity, such force, that it began to drive me insane. Why me, why me, why me? I started hearing it in the squeal of breaks, the tinkle of a windchime, the creak of a rusted gate. Why me? Why me? When we wed under the dying orange elm we agreed to be as one, the reservoir was crowded with birds and the civic dreams of park architects and the promises we made to one another. My father told us to be grateful, and we tried. When we wed by a dead tree, we did so to condone one another’s worth through words of repetition, though perhaps not in those exact terms, and I’d like the option to veto a few repeated phrases. Why me, why me, why me? When we wed a tree was falling and a manmade lake was rotting and her mother told me she had never really considered her daughter the artistic type. When we wed, the wind ruffled the water on the reservoir, blowing the stagnant both toward and away, representing the chafing of nature against man, or vice versa. The wind is bad, the wind is good. At no point did the wind sound like Why me, why me, why me? There are questions I don’t ask myself, and in this way I hope to be a model for those I have agreed to share a life with.

I believe in my wife’s paintings. I believe in the baby. And yet, one of my goals in fatherhood has been to avoid comparing our daughter to my wife’s paintings. I have failed at many things but at this I have mainly succeeded. 

There is wine at the opening, the paintings hang on the walls. The wine comes out of glass bottles and goes into plastic cups, it comes out of the cups and goes into mouths, onto tongues and lips, onto shirts and the concrete floor, onto pants and shoes. The beautiful people are wearing beautiful clothes, except for those who are trying something else. The people move in a circle around the room and then clump in the middle, their hands touch and then peel apart. I can tell my wife is disappointed, doing her fake smile. She pulls back her upper lip to show her pink gums. She is doing everything right, and she will have to keep doing it. We have not been temporarily rich for a long time. She wants to scream but the longer you go without screaming, the harder it becomes. Our friends have a wine fridge I find very sleek and unassuming. I am trying to drink less, sleep better, dream more. I can tell from her one eye that she’s tired. She’s not used to the eyepatch, and she keeps peeling it up and wedging her fingers under it to rub her socket with a back-and-forth squeak like a cloth or squeegee on a pane. Her paintings are excellent, and it’s unclear if they mean anything to anyone. It’s likely her eye is infected or getting there. The baby is being shy with her head on my shoulder, and then the baby stops being shy and wants to walk. The baby starts to cry, and my wife comes over to comfort her. The baby is not really a baby. Please understand that when I say baby I mean philosophically. She knows the difference between her mother coming over to comfort her and her mother coming over to shut her up. She can say a few words like hop and bob and money. I go outside to get some air. A fire truck crawls down the next street over and sirens drown out the sound of the baby screaming at the paintings. Someone is burning tonight. I hate to think of babies stuck in buildings, but I love the thought of firefighters carrying babies in their arms. They deserve a lot of credit for being so gentle in their huge fireproof suits, and I think the babies like to look into those firm faces under black and yellow helmets. From where I’m standing, I can see the baby facing the canvases and opening her mouth as wide as she can, as if to devour each work of art. I had the same instinct when I saw my wife’s paintings for the first time—the urge to engulf them, wrap them up, take them inside myself. Something about them makes you want to open yourself up, which not a single critic has noted. The baby is screaming, and people are looking at her with sympathy, but also moving away from her, putting some distance between them. From a young man I acquire a cigarette, which I begin to smoke. The baby screams with all her might and I use my whole chest to tug in every bit of smoke from this cigarette, a scream in reverse, as if I can flip it inside out with the force of my inhalations. 

“What do you think?” says the man who gave me the cigarette. “She’s too young for an opening,” I say. “I mean the paintings,” he says. I mention that not a single critic has noted the thing about opening yourself up to a work of art. He writes it down on a little notepad.

The sirens keep pealing. The lights from the fire truck dance across the buildings, smudge across the windows. A few improbable stars poke out, and a plane rises or falls across the purple-black sky. The sky is like a reservoir. I am like a dying elm. My wife picks up the baby, and the baby kicks her as hard as she can in the stomach. But then she decides the violence must end. She gets snuggly. She securely clutches a clump of my wife’s hair, which means peace. My wife sees me and waves and tells the baby to look outside, pointing, and the baby doesn’t see me, but she waves all the same. She will be lucky if she grows up to have hair as beautiful and strong as her mother’s, able to withstand all this tugging. The baby is muscular, in her way. She wears tunics. She lifts objects above her head like boulders and then releases them. The paintings are mostly of trees that look terrified to be so well-lit and stuck, as the artist has stuck them, in the middle of grim fields. My wife likes the work of a group of French artists who called themselves prophets. They painted bright but soft interiors and trees that look terrified. One of them died in a river, one of them died of disease, and one of them—I don’t know, I don’t know. They were artists of a known agenda, and they said so. Usually in my wife’s paintings there are two trees but sometimes there are three. The trees don’t look like people, despite what some critics have said. Some critics have said that the trees are people, or the absence of people, the hatred of people. They have not said that the trees are trees, or the absence of trees, the hatred of trees. My wife believes her critics are trying to work their way into her. They bite her, they chew a hole, they burrow in, and from that vantage hope to see and say something of worth. The baby did the opposite: she was too close to the paintings. She had no perspective. She had to get out of there, look around, get her footing. She is my wife’s greatest critic because she gave up the privilege of proximity. She exited the body of the artist and, with a few exceptions, never looked back. My wife is like anyone else, hating people, loving trees, and vice versa. When we wed under the approximation of wood and by the facsimile of water we held hands and said we would share it all, but it turns out we could have been more specific. 

The baby runs at the paintings and, whereas I would’ve stopped the baby before she reached them, something holds my wife back. The baby reaches the paintings and clutches at them with her small, strong hands. In some spots she pulls off the paint. If she puts it in her mouth there might be an issue. My wife holds her by the wrist to prevent it. The baby trembles with effort, and so does my wife. I think of a movie where a man tries to stab another man with a knife. One lies on top of the other, they tremble with effort, and the knife descends. The knife goes into one man’s heart, but the paint doesn’t go into the baby’s mouth. A clump falls to the floor, smacking softly. The good thing about paintings as creations is that they never destroy each other. They can glare at each other from across a room for years without ever rising to violence. Of course, the baby’s actions ultimately unlocked a new phase of my wife’s artistic career. She would never display paintings so wet and fresh again. In this way one creation can improve another. But I decided I couldn’t watch the epiphany happen. Or wonder how my wife would balance the discovery of a new direction with the need to discipline the baby. We don’t touch paintings. We don’t hurt art. So I walked around the block because, as a father, there’s nothing like it for the mind and spirit.

Before we ever had a child, we wondered what we would do when it misbehaved. Our first thought was to improve upon the past. We believed we’d turned out well, but was it because or in spite of the methods of our mothers and fathers? For a number of reasons, we didn’t want to strike the child. For one, we could still recall feeling so small and helpless before the power of our parents, who struggled in their positions of authority. My wife’s father was an alcoholic whose work significantly contributed to the microchip industry. He spanked her only once, under orders from her mother, and when his daughter started crying, so did he, and she was so shocked to see him crying she stopped, wiped her eyes. But he went on sobbing because self-pity was how he expressed himself. It came over him like a storm. They could speak to each other if they were watching a game. Televised grass made them feel calm. When I misbehaved, my mother, a classicist who won some acclaim from her book on plumbing in the ancient world, shook me by the shoulders and said, Why, why? and my father walked out to the backyard to check on his birdfeeders. He won very little acclaim for checking on his birdfeeders, despite his great passion and skill for it. Our goal was to be better, more logical. We wanted consequence for all parties involved, especially the child. It should make sense. Now we had to wonder what to do when a child unlocks a new phase of an artistic career by breaking the rules. And good art is all about breaking rules. It’s tricky. I buy and eat a hot dog. With caution the vendor watches me eat it as if expecting some complaint. No complaints. It’s a delicious hot dog.

Back at the gallery the lights are stronger and more colorful. The blues and reds and their whirling strobe belong to a firetruck. The sidewalk is full of the people who were once inside and are now confused. They had not planned to be huddled together on a sidewalk. They had not dressed for this. They are impressed by the truck but don’t want to show it. Now I hear the gallery alarm, a bell hitting itself like a penitent. I search the crowd outside for my wife and the baby until two figures catch my eye: my wife and the baby, alone in the gallery. Not alone for long, though, as the firemen march in. My wife speaks with one of them, and I can read confusion in her gestures as she struggles to process what the baby has unlocked in her artistic practice. We know there is no real danger of fire. I think we’re all feeling sheepish about our involvement in the art world when there are firemen about—even though firemen can be artists, and artists firemen. It’s easiest to be neither, and I recommend it. Some people are looking at me, wondering if I’ll run in, wondering if I’ll just stand there. I just stand there, and that earns some approval. It allows them to judge me, and once that is complete—it only takes a moment—to extend their tendrils of sympathy. I can tell the fireman is being kind to my wife. I can tell my wife is thinking about him in an intimate sense. I can tell my wife would like to take one painting off the wall and bring it outside with her. She hands the baby to the fireman. The fireman has never been in this situation. We see him through the windows of the gallery. The baby nestles into his arms. She is too old to be held like that, but the fireman is so big. He could hold anyone like that. He looks down at her. She will never remember this, the lights splashing across the buildings and streets and faces, her mother carefully unhanging from the huge wall a painting with a fresh divot. We will hold the memory for her, forever. The fireman cradling her with a gentleness he won not by training or study. He is special. The baby reaches up and touches his helmet. Her hand unlocked a new phase of a major painter’s career, and who knows what it could do for him. Her hand tells him, You’re doing good work, you bring something natural to all of this. The fireman touches her cheek with his large and gloved hand. That hand saves lives. It’s a moment I’ll never forget. She won’t remember it, but we’ll remind her for the rest of her life, the rest of our lives. Was I in danger? she’ll ask, trying to understand, and we’ll have to answer, No, not really. It wasn’t about that. It will be tricky for the fireman too. So you saved the baby, his family says, from fire, from death? No, he says, not exactly. It wasn’t about that. But for a moment, we were two people who understood one another. She unlocked a new phase of my firefighting career. But everyone has left the room. They miss his stories of melting metal, of noise and smoke. They don’t care what he found in the face of a child. So the fireman sits alone with his thoughts.

Walker Rutter-Bowman is a writer and editor living in Brooklyn.

Categories
Issue 5 Issue 5 Non-Fiction

INTEREST

By E.N. Couturier

At the online newspaper where I work, I am instructed to get better at making people interested in me. (Well, not “me,” just my ideas, what I say, what I think, what I mean, what I notice, what I believe, who I am.) 

Historically my writing and my life have only interested specific people with the same questions I have. I am in the habit of thinking this is an advantage, that it’s better to have a real connection with a few than something fleeting with many. Sometimes I wonder if I am a coward to not sell myself harder. 

I find my stories interesting, the people in them surprise me with their thoughtful depth, but the public won’t click unless the headline promises something shocking and impossible. They seem to want it to hurt. 

I say to my editor, I’m almost done writing this lede but I want it to suggest more narrative. We don’t need narrative, she says. We need intrigue.

She has worked here for 50 years but admits nobody knows what that really means. Maybe one of us will crack the code today. But then we’d develop into some new problem; such is progress. If we aren’t struggling towards something, we aren’t living for anything. 

Our office takes up the first floor of a big brown building in the center of the city. Seagulls hit the windows like cannonballs. Pigeons shit and die on the wide front steps. This morning I almost slipped on the stucco, which someone had flooded with bleach to neutralize the stains. Another tiny egg had already fallen from a nest in the overhang and shattered into the sanitation. The bird was fully formed but had not yet fought its way out of its shell.

In our air-conditioned open newsroom with tinted windows, I sit at a long, shared desk and deconstruct what would interest me about off-season maintenance activities on a lowbush blueberry farm. I write about how the land is lit on fire to make the plants produce more fruit; four hundred people read it. This number is far too low. We are losing money. I am costing money. I don’t earn it. Steve the sports guy brought in off-brand Twinkies called Hoo-Dees, and all of us are smiling. Steve cares about our lives. Last week was butterscotch candies. You’ve got the touch, the CEO said to me before they started tracking my numbers. You’ve got your finger on the pulse. 

Sometimes when I get anxious about my failure to restart humanity’s heart, I think reflexively about biting into somebody’s neck like an apple where it meets their shoulder. I’m just convinced I would find some relief in an undeniably real intersection with the world of other people. I’ve had it before, but whenever it goes, I think I’ll never know it again. 

This image of sinking my teeth in doesn’t help me relax, but I invite it without wanting to, gnashing my jaws like plastic wind-ups alone in my car at the thought of how my work could have been better, could have meant more to more people if I only knew what interest was, how to draw it and how to bear it.

One of the only poems that ever did anything to me ends on the lines: For here there is no place that does not see you. You must change your life. Whatever I do, I want it to change something, make someone understand that they are changeable. 

My poet friend had a God complex in middle school. He describes lying in bed believing he was the Messiah, that he had to be careful what he dreamed at night because it would all come true. We joke that maybe it takes this kind of narcissism (his word) to become a writer. But I don’t disbelieve him, really, 11-year-old Sammy in the puka shell necklace. Why would God give you the chance to act if He couldn’t use your movements?

For this reason, I wonder if I should find it selfish that I am so comfortable receding into the background. Other women with jobs like mine make their companies money by filming themselves trying things for the first time, playing up a wide-eyed stupidity about reality that I am unwilling to replicate. Maybe they help more people than I ever will. I don’t want anyone to look at me, even though I need them to. 

Before this, I reported on local government for a small paper focused on print where nobody talked about interest. It was already on the page, so everyone saw; they didn’t have to choose it. People said we were a relic of a workplace, the kind of world that didn’t exist anywhere else. Somehow that didn’t make things any easier.

I broke my own heart in spite of myself there over a video game player, the first person I could have had a future with. We were both old-fashioned and slow and new together, set aside from whatever it is that most other people seem to share. He studied sewer lines carefully at work and told me he meant what he said and took long walks around town after midnight in a leather jacket he’d worn for 10 winters. Lying in bed, I thought about him passing by my apartment, knowing he could be close to me at any moment without my realizing. 

But we didn’t want any of the same things; after work he looked past the world, liked to watch television and go to the movies. Forgetting helped him stay nice, he said, kept reality from warping him. Underneath his affection ran a current of bitterness for everything before. I wanted to fix it but also feared it would surface once who I really was became undeniable, moved beyond the walls of the office where I came to see him after hours. This is sparing us both, I said when we called things off, without feeling any better. Later, I kept remembering how his hair touched his shirt collar.

To forget, I started seeing a guy who worked on the printing floor baling paper with a foot-pedal machine that whipped plastic cord around the stacks and melted the ends together on top of his dry pink fingers. He smelled sharp like ink all the time, even in his weekend clothes. Privately I referred to him as Friggen’ William, because he kept designing notes in Photoshop to tape on my car and texting me seven times in a row. I let him into my life because he was so relentless about wanting it. 

It was easy to slip away from this attention because it was just my face, really, that he thought all the other things were attached to. He would pause to ask accusingly, You aren’t catching feelings, are you? like they were terminal, and I’d say no, William, I’m not. When I asked him why he wouldn’t buy curtains for his bedroom, he said no one ever looked in. 

Sometimes now, when I’m not happy with an article, I’m almost relieved nobody is reading it. The television monitor mounted to the wall above my desk displays our top stories today: A man crashed a plane and broke both big toes, a swimming pool is closed for high levels of human fecal bacteria, the university hockey team’s prospects are grim, and an aquarium downstate is now home to a rare albino lobster. 

I really hoped the last story I wrote would be up there. In it, I interview a man who has spent decades taking photos of wishing wells. Most of these wells drew water a century ago. Later, homeowners capped the tops to keep their children from falling in and built decorative fences around them, attached little blue buckets to the handles. He knew of an old book I mentioned and told me it was a wonderful resource for people who are interested in things other than Instagram and artificial intelligence. 

Like me, perhaps, he wants to grab everyone in the world by the hair and make life matter to them, to fight through reality. The book moved backwards from buildings and went on to say that trees are magical creatures, fantastically intelligent beings millions of years old who can figure out survival better than any of us ever will. Sometimes, when apple trees fall down in old age, their branches stab the ground and grow up into new plants rolling across the landscape.

People like to say that you can only help somebody who really wants to be helped, reach somebody who is already searching. Plenty aren’t. Most aren’t, supposedly. I still find that hard to believe. Why does one sheep run from you?

I drive home by myself, perfectly untouched. No single men work at the online newspaper. Sometimes I don’t know if anyone sees me, so I stop at a gas station for a slice of slick pizza just to remember what it feels like. All week, I observe people carefully, photograph their faces and their hands, take pages of notes, listen to their recorded voices again so I can replicate them for the public and love them in this way. Still, we don’t get close to each other. 

Even the most sensational headlines sometimes don’t bring in more than a few hundred clicks. Intrigue alone isn’t enough; the audience waits for a factor nobody can isolate. 

Once in a rare while I deliver it to them without realizing I have until thousands of people are sending the story to each other, until all of them are talking and understanding what they want to. Sometimes I think nothing we do could ever be explained, any impetus captured, beyond the shape of the action. You don’t have to talk to your hands to make them move; they just do it. I’m depending on you to see what I tell you is there. 

E.N. Couturier is the author of Organic Matter (Autofocus Books, 2025). Her work has appeared or is forthcoming in Offrange, The New Territory, jmww and elsewhere and has been nominated for Best of the Net and the Pushcart Prize. Find her online @witnessborne.

Categories
Issue 5 Issue 5 Non-Fiction

STAIRCASE & DAD, SMOKING IN 1995

By Terrance Wedin

STAIRCASE

Someone in the shop said it was the radio. The song on the radio. That he was distracted by a Pink Floyd song playing on 105.3 The Bear. Wish you were here. 

He cut through pine first, then bone. Treads for a staircase that didn’t go anywhere but backstage. The teeth were moving so fast the blood dried almost immediately.

Someone in the shop tied his finger with twine. Someone else hit the button that turned off the table saw.

All Dad said was, “Someone go find my car keys.”

He played pool that night. Wrapped finger tapping the felt between shots. 

Maybe this is where we got it from. Brothers able to endure. Sons told not to look away. Let it wash over you until you no longer feel it.

Was it hanging off? Was it dismembered?

Dad’s pool shark buddies asked these questions. They wanted to know how he planned to play league with a Frankenstein finger. They wanted to know how to line up a shot with a finger with no nerves.

Once, Dad told me a story about his father covering their trailer in kerosene and lighting it on fire. They spent a few weeks of hurricane season in wet clothes because the windows of the car they slept in leaked. His father’s knee ballooned to the size of a softball. Infection from his wet jeans. He pulled his leg behind him, making it a part of his grift as he pointed at Dad back in the car and pocketed cash in a parking lot.

Karl didn’t believe it could all be true.

I reminded him of the staircase Dad finished. Reminded him of a Beckett play we saw once. Reminded him of a radio station that still exists.

DAD, SMOKING IN 1995

Sometimes after dark, Dad didn’t smoke on the balcony. Sometimes he’d walk down the flight of stairs, through the laundry room where the dryers and electrical meters hummed, and stand in the field outside our building. Six other buildings in Foxridge looked back at him. 

From my top bunk, I pushed the blinds on our bedroom window down and watched the ember of his cigarette move. Smoke looped from his hip to his face, back and forth. Most nights I counted the seconds he took between each drag. I looked past him, adjusted my face against the cold window so I could line my eyes up with his, to see whatever he was fixed on out there. 

All the buildings looked the same as ours. Same balconies. Same shade of brown paint. Same parking lot. Same yellow lights behind curtains in other people’s windows where I sometimes caught shadows watching him like I was. He’d stretch his arms up, adjust the fanny pack the doctor made him wear because of his bad back. Sometimes he would take a few steps in his white Reeboks, like he was going to sprint toward one of the other buildings, toward anywhere else. But he would stop, like someone had grabbed him by the arm, retrace his steps carefully back to his spot. 

Dad smoked everywhere. He smoked on the couch. At the dinner table. In the car. On the balcony. All those places made sense to me. He was doing something while he smoked. Outside, he was just standing and looking and smoking. The streetlight near the dumpster cast a perfect square of light across his shoulder, some nights through spring showers, some nights splitting the mosquitos clouding around him, just above where he kept the green pack of Benson Hedges rolled into his shirt sleeve. He blew smoke straight up or tilted his head to the side, sending it away from his face. Sometimes he coughed into his fist. Sometimes he spit mucus into the grass.

There was one time Mom walked out there after him, her house slippers leaving dragging marks in the snow. His footprints made circles around him. I watched her talking to him in her winter coat, but I couldn’t make out what she was saying. She stood five feet away, talking at his back, jabbing her finger at the space between his shoulders. He never looked back at her. Never said a word. Just kept smoking as the snow fell between them. 

Mom bent down and packed a snowball in her bare hands and tossed it at his back. Just kept smoking until she walked away.

Some nights I’d close my eyes while he was out there. I’d tell myself when I opened them, he’d be gone. But then I’d listen for him. I’d count the seconds between each sound bringing him back inside. His footsteps up the stairs, the clang of the metal front door, the television volume coming back to life, his lighter sparking up one more cigarette.

Terrance Wedin lives in Austin, Texas. His work has appeared in Esquire, Fourth Genre, Ninth Letter, Washington Square Review, and other literary journals. His first novel, ANCHOR, will be published by Haskell Industries in 2026.