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Across The Wire

Five Poems

By Mike Andrelczyk

***

The Logrollers 

The two of them are always there – eternally 

In my mind balancing on a spinning log beneath their wooden shoes 

Rolling on the river 

Wearing green caps with feathers in them 

Spinning their log 

As I:

Season an omelette with fennel, dill and sage

Type the words “fresh heist”

Waive all inspections 

Piss blood 

Hit a ping-pong ball into the net after a thrilling 8-minute volley

Try to sleep 

Leaf through an outdoor magazine 

Call my dad

They keep spinning on the log with their funny little green hats

***

Tahiti 2134

aurora borealis but you have to listen to a car insurance ad to see it 

the ghost of the gecko pasted to the anthurium 

barking dog sample sneakers with flame resistant tongues 

the translucent blue hockey player in the sea

of hovering hibiscus blooms 

I’m gluing my disastrous shoe again 

I’m wearing wraparound shades on an aluminum hydrofoil 

I’m tranced-out and sweating bullets in the tranquilizer garden 

as the fire ants swarm my strawberry-shaped wound 

***

Soap Bubbles 

I’m doing the dishes and I feel great 

because you’re describing a meme you saw 

and you just did that laugh style 

I really love

***

Secret Poem (100 mph)

I saw a yellow gibbous moon on two legs sprinting between dark

    hillocks

I saw a pigeon-colored crescent moon tripping down a spiral staircase

I wrote a secret poem called “100 mph”

It goes:

The sky has never been

Bigger and more meaningful

I am crying and driving

100 mph

And I’ll never be able to tell you about this

***

Cornflower

Speedwalking through the graveyard

into the cornfield and then crossing 

the highway without watching the traffic 

looking up at the chinook 

forgetting to update

speedwalking through another graveyard

mumbling to myself “I don’t give a fuck”

stopping at the garden to register the blue and to scan a cornflower

always talking to myself 

and maybe to you too

—-

Mike Andrelczyk is the author of four collections of poetry, including “!!!” with Ghost City Press. He lives in Pennsylvania. On Twitter @MikeAndrelczyk and Instagram mike_andrelczyk.

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Across The Wire

Hyperfixated

By Jessica Dawn

All the TikToks they sent in the group chat talked about hyperfixation, about all the things to hyperfixate on like games and fun facts and books and history. 

“I think these are all just about spending too much time on TikTok,” I texted a friend. 

“Do you wear your watch anymore?” my mom asked. She bought it so I could see that my heart was beating fine, that I was sleeping okay, that all the graphs looked the way they should so my body must be working right. 

“Sometimes,” I lied. The last time I wore it was weeks before, back when I couldn’t stop watching my heart rate, couldn’t look away from it rising and falling. Kept trying to figure out how the numbers compared to the day before, to the week before, to an average healthy person, to an average unhealthy person. Which one was I closest to, how far away was I from normal, how far away from normal could I get before it was dangerous, how far away from normal could I get before I died. 

People started noticing. Looked like I was bored, I guess, distracted. 

“Are you waiting for something?” my coworker asked as I checked my watch again. “No,” I lied, but I was waiting for it to happen, stroke or heart attack maybe, whatever was going to kill me, sure to arrive any second. 

“When someone asks me how my hyperfixation from three weeks ago is going but I’m already four crafts past that” the meme said, and in the group chat they could all relate. 

“How often do you think about dying?” my therapist asks. 

“I don’t know if I ever stop thinking about it,” I tell him. 

Too fast a heart rate can mean a heart attack. Too slow a heart rate can mean a heart attack. That’s what the internet told me, anyway. I looked it up again, all the links already purple. Clicked them again because maybe this time I could find the thing that would let me relax, see the note that said “look Jessica, you’re okay” that I missed before. 

“Me talking about my latest hyperfixation to anyone who will listen,” the meme says, picture of Charlie Kelly waving his arms in front of a wall plastered with papers, all of them connected with red string. 

I googled chest pain and arm tingling. 

blood clot symptoms 

blood clot leg pain 

what does pulmonary embolism feel like 

symptoms pulmonary embolism 

lips numb 

lips numb stroke 

heart palpitations

heart palpitations dizzy 

heart palpitations dizzy fatigue 

how to prevent blood clot 

how to prevent stroke 

how to know if I’m dying 

how to know when I’ll die 

“I think we should take your phone out of the equation when you’re starting to spin,” my therapist says. “Put it out of reach. How does that sound?” 

“That sounds good,” I say even though it sounds terrible. If my brain does not want it, it is probably the right thing. 

I have a recording of myself to listen to when the feeling hits, when I want to start looking things up, when I want answers that are not out there to find. One little voice recorder lives on my coffee table, another gets carried around with me. Recorders because I can’t use my phone for this, because my phone is part of the problem. Because what I need is to hear myself say that it’s fine not to know, that I can’t know everything, because what I need is nowhere on the internet. 

“It’s okay to feel uncertain, it’s okay to be anxious about it,” the recording starts. The rest is just for me. 

“Are hyperfixation and obsession different things?” I asked the group chat. No one knew, no one could answer. 

“My dad died of a pulmonary embolism,” I tell my therapist. 

“Well, no wonder you’re afraid,” he says. 

The recordings are just one part. We are doing ERP, which stands for exposure and response prevention, which means that sometimes we talk about dying and I cry. “There’s so many things I wouldn’t get to see if I die now, like my nieces and nephew growing up,” I tell my therapist. 

“That’s the thing about being dead, though,” he says. “You won’t know what you’re missing. You’ll be gone.” 

Maybe hyperfixation is just about crafts. A lot of the memes are about crafts. 

I’ve been checking the ages in obituaries, in the articles they write when someone famous dies. Sometimes the age is in the headline, which is weird but maybe part of why it’s news. Sometimes I have to click the link, scroll until I find it, but it’s always in there somewhere. Don’t know exactly what number I’m looking for, just that numbers close to my age feel bad, and smaller than my age feel worse. 

There is a part of my brain that wants to collect all these ages and causes of death into a spreadsheet, wants to graph them, and see the ages where the dots cluster like this will tell me something about myself. Doesn’t matter that it only comes from articles that I see on Twitter or that all kinds of numbers and graphs about death are already out there, and I just need to look up the right combination of words to see them. No, if I make the graphs, they will tell me something different, a statistical version of reading tarot cards, doing my own astrological chart, using data to divine how many years I have left.

If I’m being honest, I figured I’d always get a say in how and when I go. I am surprised to learn that might not be true, that there are other ways I could die, that I do not have the control I want. 

“What scares you the most about dying?” my therapist asks. 

It’s the negative space, not what will happen but what won’t. Feelings left unspoken, things left undone.

It’s not what others will remember but that they won’t remember at all. Books never published, nothing of me left behind. 

It’s time spent in the wrong ways, ways I’ll never get to make up. 

“I feel like I have to hurry up and do things while I have a chance.” 

“Sounds like a lot of pressure to put on yourself,” my therapist says.

––

Jessica Dawn lives on an island in the San Francisco Bay with a failed farm dog. She writes fiction and non-fiction, she is querying her first novel, she is trying her best. Her work is in HAD, Rejection Letters, Autofocus, Pidgeonholes, and more. Find her on Twitter @JuskaJames


Categories
Across The Wire

Swamp Thing Locates Himself on the Continuum Between Problem and Mystery

By Jack B. Bedell

“A problem is something which I meet, which I find completely before me, but which I can therefore lay siege to and reduce. But a mystery is something in which I am myself involved, and it can therefore only be thought of as a sphere where the distinction between what is in me and what is before me loses its meaning and initial validity.” —Gabriel Marcel

I have no doubt. That day in the lab that turned me into this, that took Linda away and forced me out into this swamp, caused many problems. But I, myself, what I am, is not a problem. I’ve read enough Marcel to know a problem is something independent of yourself you run across in this world, something that can be solved with actions or tactics, or that can be totally abandoned and left for someone else to fix. What I am, because it cannot be separated from me, is a mystery to be puzzled over, possibly even be understood given enough time and acceptance. Oil spills are a problem. Resource depletion is a problem. Even this coast disappearing daily has a remedy somewhere one of us can find. What I am, though, what I am on my way to becoming, will always glow as a reflection right on the edge of the horizon. And should I finally face it one day on my wanderings around this place, there won’t be a damn thing I can do about it. Other than recognize it for what it is.

––

Jack B. Bedell is Professor of English and Coordinator of Creative Writing at Southeastern Louisiana University where he also edits Louisiana Literature and directs the Louisiana Literature Press. Jack’s work has appeared in HAD, Heavy Feather, Pidgeonholes, The Shore, Moist, and other journals. He has also had work included in Best Microfiction and Best Spiritual Literature. His latest collection is Against the Woods’ Dark Trunks (Mercer University Press, 2022). He served as Louisiana Poet Laureate 2017-2019.

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Across The Wire

How to Tell If Your Neighbors Divorce

By Kate Oden

Today my boyfriend pulls up in the red mustang with the leaky soft-top. Other days, he’s arrived in a bronze Town & Country van, a Dodge Durango camouflaged with rust, a Ram truck crested with a rack of lights. What must the neighbors think – the Russian couple next door I never see: Do they look down at us from their green ranch on a grassy rise? Judging by the cars in my driveway, I could have four boyfriends. And that’s not counting the local foot-traffic.


I know they’ve divorced in the modified white cape, catty-corner. I saw him on Bumble years ago; I swiped right, which means “yes.” He’s an economist with silver-dollar eyes, cheekbones that sling a smile before it even happens. We didn’t match – he was correct, of course, not to swipe right on me. Imagine dating someone within hearing distance of your ex. Sometimes I see him walking down our street, striding behind his ice-cream belly. I remember when he had an operation and was on summer-vacation time, years ago, how they both came out of that cape that binds a hillock of tall ostrich ferns. They sat on the stairs, wanting to chat – the kids were gone at camp. “We feel like we’re back in college. We sleep til nine.”

Now I hear her chipping away at the driveway ice all winter: chit, chit, chit. She’s beautiful, cold blue eyes and black hair. She has a beautiful name I’ve never heard on anyone else. She once told me her mother had a badger living beneath her house. A badger or some beary mammal, pulling up in the driveway like slightly sleazy cars, seeking heat.

Every time I put the recycling out or shovel the driveway, I wonder if the cars passing have seen me many times before and asked themselves why my partner doesn’t share the duty.

Signs of divorce:

1. The sudden appearance of more cars in the driveway

2. One person doing all the outdoor chores

3. Sometimes a dog disappears, or appears

4. Sometimes newspapers pile up when someone like me vacates the house for the weekend – every weekend.

Sometimes I wonder if neighbors even overhear the phone conversations I have in the yard. They wouldn’t even have to decipher the words, just my tone, to sense that I was flirting with someone new. It’s amazing what we reveal to the curious.

All of my daughter’s friends are children of divorce. Well, Emma is the exception that proves the rule. All these households split and drooping their thread-bare connections across town, across state lines, a web of spray-confetti relationships. I feel sorry these kids have formed a de facto support group for torn households. Sorry and grateful.

It almost seems like for every intact household there’s another of divorce. We play Red Rover with our houses. There’s the jogging family who moved out of the modern behemoth up the street into a cedar-sided home vacated by a divorced couple. Red Rover, Red Rover… Where does ice-cream belly live? Does he rent from the divorcee I know on Park Street?

I’ve never been married, but I’ve done the traditional, marriage “thing” (if there is such a thing): lived in a home with a partner for years and raised a child, rescued pets, started home-improvement projects we never finished. I never wanted to make it official with marriage, though. There wasn’t enough there, there. Then I met someone divorced twice before who doesn’t want to risk a third time and of course I want to wed him, joke about it every day. The joking makes the angst funny, puts a leopard-print speedo on the elephant in the room. We’re both post-split; he sees little reason in marriage now, whereas I see more reason than ever.

Of course it could be, as my friend in Nevada says, we’re just not made for marriage. Maybe certain hearts have smaller tanks, hearts that need to fuel up at every fresh pump. I don’t mean affairs or cheating, necessarily, but the restless searching for more. The American disease. I am constantly asking my partner for commitment even as I am new to the idea, myself. I am constantly making dinner for a love that might not ever come over. There is a wonderful way that I don’t take my boyfriend for granted, however. He is no more tethered to me than the vermilion maple leaves settled in my driveway. Our relationship is built on choice, a certain wind that put us where we are and keeps us there only more or less.

The divorcee with the beautiful name used to have a barking hound and a sassy pug. She works at the retirement home. I’d like to give her a ride in the red truck, maybe the mustang top-down on a nice day. We are both more likely to forget when recycling day is, in the absence of another remembering head. But aren’t the leaves that blow here lovely.

––

Kate Oden is a German translator and ghostwriter. She lives in New Hampshire in a household with slightly more animals than humans.


Categories
Across The Wire

The Justice League

By Dustin Strickler

I am a mobility practitioner whose passion is to improve the wellbeing of others. I spent the past 15 years researching movement by studying Applied Functional Science with the Gray Institute. The inspiration for my artwork comes from my interest in the human condition, observing and blending the worlds of music, movies, sports, and notable personalities around Lititz, PA. 

My work is a blend of pen and ink, markers, colored pencil, and acrylic paint. There are underlying meanings deep within each piece of my artwork that tell a story. In some cases, my artwork is a tribute to those people, places, and poodles that I love. At other times, it’s my reflection on the injustices that I wake up every day to do battle against. 

The Justice League is based on the 1970s Super Friends animated TV series that I watched as a child. Depicted is a Justice League comic book of friends and acquaintances who I feel live up to the opening theme of this program “Their mission is to fight injustice, to right that which is wrong, and to serve all mankind.” 

Each person represented here depicts the concept of “Super Friends” because each in his own way contributes to the well-being of others within the community that I grew up in.

Stay tuned to learn who and why my Justice League kicks so much ass.

––

Dustin Strickler, Artist

2022 Original 10×16

Pen and Ink, Copic Marker, Acrylic, and Colored Pencil

Carson Illustration Board

Categories
Across The Wire

Harmless Fun

By Alan ten-Hoeve

Matt’s fat, pimply ass slid out of his pants as he searched for the smoked cigarettes his older sister buried behind the garage. 

“Ain’t no way The Rockers could beat The Hart Foundation in a real fight. No way!”

“I dunno, man. They’re pretty fast.”

Matt rose hiking the back of his cutoffs with one hand, holding a squashed orange and black curl of a thing with the other. Held it out like he’d just found a ten-dollar bill. A trace of Liz’s lipstick stained the filter.

“Don’t matter. They fly around too much.” He stuck the crushed cig in his mouth. “When’s the last time you seen someone jump off a top rope during a real fight?”

The match caught on the fourth try. Matt pushed out his lips. Eyes crossed as he tried to line the match up to the remains of the cigarette. The flame touched Matt’s nose. He flinched, corrected the distance and the blacked end chuffed back to life. Matt shook out the match before it reached his fingers, inhaled a long drag, then doubled over coughing.

I took the butt. There was hardly anything left. Just a little ring of crinkled dirty-white paper before the filter started. I put it to my lips anyway, tried to imagine it was like kissing Liz, but Matt had soaked it with his spit. I dropped it back in the weeds where it belonged. 

Matt wiped the drool from his lips. “What the fuck, that’s still good.” 

He pinched the butt before I could step on it. Puffed like he was giving it little fish-kisses. The ember went down to the filter. It sizzled and smelled like burning plastic. Matt doubled over in another coughing fit. I almost didn’t hear Jimmy dragging the heels of his combat boots up the driveway.

Jimmy was the biggest kid in the seventh grade. He’d been left back twice and was one suspension away from permanent expulsion. It was only a matter of time. Everyone knew he’d started the dumpster fire behind the courtyard, and all the kids in town were afraid of him, even high schoolers. A good guy to have on your side, but not always good to have around.

“Better put your dicks away, girls. Though I’d probably need a microscope to see them anyway.” Jimmy cracked up.

Matt offered him the fried butt.

“Get the fuck outta here.” Jimmy pulled out a full softpack of his mother’s Dorals from the cargo pocket of his camo pants. The gold foil crown on the pack flashed sun “Swiped them before I left.”

Matt dropped the charred filter, toed it under the dirt, and reached for the pack. Jimmy pulled it away. 

“Uh-uh, not so fast! First I wanna see.”

We spent the next half hour in Matt’s garage, leering at nudie magazines his dad kept hidden in a broken minifridge blocked by his rusty tool chest.

“This is a treasure trove of fine trim,” Jimmy turned a magazine sideways, cocking his head at the same time so whatever he was looking at was still right-side up for him. “Huge fuckin’ titties, a natural redhead. Fuuuck! I might have to whip it out right here and take care of things.”

Matt peeked over a magazine with a french word on the cover. “Don’t get your jizz on my dad’s shit.”

Most kids wouldn’t dare tell Jimmy what to do with his jizz, but Matt’s dad, a former golden gloves boxer who could rip a telephone book in half, was someone even Jimmy wouldn’t cross.

Jimmy laughed. “Y’know I’m just playin’. I gotta fuckin hog anyway. I wouldn’t want to scare you.”

Jimmy tossed the magazine down, took out the pack of Dorals, shook one out.

“Not in here,” Matt said. “My dad’ll beat my ass.”

Jimmy had a plastic Bic lighter with a peeling American flag on it. He lit one cigarette after another as we walked around town, smoked them halfway down, then passed it. “You guys see wrestling last night?”

Matt took the cigarette and pointed the cherry at me. “This guy thinks The Rockers could take the Hart Foundation in a real fight.“ He took a big drag, coughed, and passed me the butt.

“That ain’t what I fuckin’ said.”

Jimmy made a face. “Who gives a shit? Ultimate Warrior would kick all their asses in less than a minute.”

There’s no arguing with idiocy, but I hadn’t learned that yet. “No way. He’s got too many muscles. He can’t hardly move around the ring.”

Jimmy poked a new Doral in the corner of his mouth and flicked his Bic. “That’s cuz he don’t have to. He’d fuck anybody up if he wanted.” He pushed his palms up and down over his head like he was doing Warrior’s gorilla press slam. Dark yellow ovals with rusty centers stained the pitts of his white t-shirt.

I let it drop, took the cigarette and puffed, trying to remember how many that made. I was lightheaded. My chest hurt. It felt like my mind wasn’t connected to my body. Arms and legs moved all by themselves. Carrying me down the Boulevard. So many cracks in the sidewalk.

We followed Jimmy into Krauzser’s where he stole a bag of beef jerky, then turned up a side street. Everyone was quiet as they ate. I was thirsty and wished Jimmy would’ve stolen a soda too. After a few blocks, Jimmy slowed. A familiar look on his face. He stopped in front of a house, jerked his chin at it. 

“Let’s do that one.”

Jimmy’s favorite activity was ringing people’s doorbells and running away. Ring and Run, he called it. Harmless fun.

Only once did we have any trouble. We hit too close to Matt’s home. Rang one of his neighbor’s houses. A geographical error. Matt didn’t want to do it but Jimmy had a way of phrasing things that made it hard to say no. “C’mon, don’t be a gay pussy.”

As soon as Matt pushed the bell he vaulted over the railing. There weren’t any bushes or cars close enough to hide behind so we followed him around the side of the house, running as fast as we could. When we got into the backyard we froze. The whole family was in the middle of a barbecue. For about three dumb seconds we all stared at each other, blinking, mouths hung open. We ran off but it was too late. Matt’s dad gave him a good one for that. Not for what he did. For getting caught. After that we learned our lesson, and agreed on some rules, like not hitting houses within a three block radius of our homes.

I tossed my cigarette as Jimmy walked toward the house all nonchalant. When Matt and I gave him the clear sign he went up the stoop, rang the bell. We hid behind a parked car as a bent old man answered the door. He looked up and down the street. 

“Hello?” He had a shaky old man voice. “Who’s there?”

We slapped our hands over our mouths so we didn’t laugh too loud. 

As the man went back inside, Jimmy mimicked him, “Hello? Hello?” and all 3 of us broke up.

After Jimmy it was Matt’s turn, then mine. That was the order. Sometimes we’d get a dud but with it being a Sunday most everyone was home. One guy got so mad he came out of his house and walked up and down the sidewalk cursing for like five minutes. He passed the hedges we were hiding behind twice but eventually gave up. We hit a few rich houses. Girls we had crushes on. The convent where the nuns lived.

The fun started to fizzle about an hour or so later. My head hurt from all the cigarettes and my legs were tired from running. We came up to a two-story house with peeling paint. We’d walked by the place many times in the past but deemed it too risky to hit. To get to the doorbell, you had to enter a screened-in porch, and there was a BEWARE OF DOG sign taped on the screen door.

Jimmy handed me the jerky, flicked his chin. “Let’s do this one.”

I paused mid-bite and looked at him like he was crazy. “You’re kiddin’, right?”

“C’mon! I’ve seen the lady who lives here.” Jimmy held his hands out from his chest and made a pinching gesture. “Big tits, no bra. She’s not as hot as Valerie Francesca but I wouldn’t kick her out of bed.”

“There’s a fuckin’ dog sign right there. Breaks our number two rule.”

Jimmy waved his hand at it. “That’s just to scare off burglars. Ring and run.”

“Harmless fun,”Matt finished.

When I didn’t say anything Jimmy got annoyed. His face darkened and he got up close. His large body blocked out the sun. “Don’t be a gay pussy.”

I turned my face from Jimmy’s bad breath. “I’m not a gay pussy. I just don’t wanna do this anymore.”

“I don’t wanna do this anymore.” Jimmy mimicked me in a high-pitched girly voice and gave Matt an elbow. I could feel my face get hot. I wanted to hit him but I knew he’d kick my ass.

“Yeah, c’mon, just once more,” Matt added. “Don’t be a wuss.”

Two against one.

I folded the bag of jerky into my back pocket and stared at the house. “I don’t know—the porch—I don’t think I can open and close the door fast enough to get away.”

“That all?” Jimmy said. “I’ll hold the door open so you can just run out. Easy.”

I looked at Matt. 

He smiled around a cigarette. “Just this last one.”

I snatched the cigarette from Matt’s mouth. Took a long, slow drag, inhaled deeply, then tossed it on the sidewalk. Matt quickly picked it up and gave it his fish kisses.

My head throbbed. I wanted this to be done. “Alright, fine. Let’s get this over with.”

 “Yeah, that’s what I like to hear.” Jimmy grabbed me in a bear hug from the side, lifted me up, and humped me like a dog.

I climbed the crumbling front steps, wondering if I’d be able to clear them in one jump when it was time to flee. As I reached for the screen door I hoped it would be locked.

It wasn’t.

The spring groaned a little. I looked back over my shoulder. Matt was on the sidewalk, one foot in front of the other, ready to run. Jimmy had come up the steps behind me. He took the door handle. 

“Be quick.”

There was a ratty couch inside the porch. Old shoes and yard stuff littered the floor. Recycling bins overflowed with beer cans. The air smelled sour and musty. From where I stood, the front door looked about a mile away. My mouth was dry. The aftertaste of too many cigarettes mixed with jerky stung my throat.

Jimmy pushed me. “Go on!”

I gave him the finger and took a step forward. Floorboards creaked. Sweat broke out on my forehead. Halfway inside I leaned toward the door, stretched my arm out as far as I could without getting too close, and pressed the bell.

I prayed that the thing was broken, that it wouldn’t work, but I could feel the electrical pulse hum under my fingertip. In the tense silence a bell chimed inside the house. 

A dog barked and all the hair on my body stood up. I whipped around to bolt out the screen door only to see it slap closed. Jimmy was on the other side holding it shut. Below his evil eyes a huge grin split his face in half. I could hear the dog snarling on the other side of the door.

“What the fuck are you doing let me out!”

Matt was still on the sidewalk. Panic on his face. He glanced up and down the street. “Jimmy, what are you doing, we gotta run!”

I put my palms on the door frame and pushed but Jimmy pushed back against it, leaning all his weight on the other side. Laughing. He lifted his head, about to say something, then his evil eyes went wide. Without a word he let go, sprang down the steps, and took off with Matt trailing behind.

“Who the fuck’re you?!” 

I spun around and saw an enormous man standing in the doorway, holding one of the biggest dogs I’d ever seen by the collar. “I said, the fuck’re you?!” He looked around the porch. “Tryna steal my shit?”

I glanced at all the trash on the porch, wondering if he was joking. Before I could think of an excuse, he reached out with his free hand and grabbed the sleeve of my shirt. I turned away, heard a ripping sound, and pushed on the screen door. It was jammed. The dog barked viciously, pulling at its collar. 

Without thinking, I jumped through the steel mesh, tripped and tumbled down the front steps, and ran as fast as I could down the street. The dog’s paws galloped on the sidewalk behind me. A low, sustained growl rose from between a set of viselike jaws full of teeth the size of kitchen knives. 

I pulled the bag of jerky out of my pocket and let it fall to the ground. The galloping and growling stopped. I could hear the man yelling something about calling the cops.

When I caught up with Matt and Jimmy they were standing on the brown lawn of Jimmy’s crumbling apartment complex. “What the fuck was that?”

“I swear, I didn’t know he was going to do that,” Matt said. He was bent over, hands on knees, trying to catch his breath. 

Jimmy had an amused sneer on his face. “It was just a joke. You better relax yoursel—”

My fist crashed into Jimmy’s face. Pain and wetness on my knuckles. He staggered back then balanced. His lip was split. He wiped it with his hand and stared at the blood. Then at me. “I’m gonna fuckin’ kill you.”

Jimmy charged low and tackled me to the ground. I felt like I’d been hit by a rhino. The wind left me like a departed spirit. I saw the sky, big and taunting in its blueness, then a salvo of softball-sized fists rained down on me. I tried to cover up but Jimmy was quick for a big kid. His knuckles found their way through. My face and head went numb from the blows. Colors flashed across my vision. A strange taste filled my mouth.

I could hear Matt screaming in the background but was unable to make out what he was saying. In an act of desperation, I blindly thrust my arm up and felt my knuckles connected with something pointy and hard. Jimmy went limp, slid to the side, and clutched his chin.

I rolled over, jumped on top of Jimmy, and swung wildly. I didn’t care what I was hitting. He covered his face, but after a few stiff shots his arms fell. Something crunched. The sight of blood spurting from his nose fuelled my rage. It was like I’d left my body and something else was controlling it. 

Jimmy lifted his knee into my tailbone. A shockwave of pain shot up my back. My limbs tingled and went numb. Jimmy heaved me off. We tumbled over and over. When we stopped, Jimmy was on top of me again. He drove another fist into my face. I tried to lift my arms but they wouldn’t work.

Then the blows ceased and a high-pitched screech broke through the haze. Matt had two handfuls of Jimmy’s greasy hair, pulling him off. And another sound cut through the frenzy. A voice.

“One on one, Matt! One on one!”

Everyone froze. Jimmy’s mom leaned her bulk in the doorway of the apartment building. She calmly sucked on a cigarette as if she was just watching something on TV. Massive breasts strained at her shirt. She blew out a plume of smoke. 

“One on one, Matt. You gay pussy.” Jimmy’s little sister Katie peaked around her mother’s hip.

The fight went out of us. Jimmy and I got to our feet. His face was bloody and swollen. The skin around his eyes turning purple. I couldn’t see my face, but it felt the way Jimmy’s looked.

“See you at school tomorrow?” I said.

Jimmy rubbed his side. “Yeah, see ya.”

Without another word, Matt and I walked away. Jimmy went into his building. His mom stood there watching us until we turned out of sight.

I touched my head and face and winced. Hills of pain rising all over my skull. “I feel like I was hit by a car.”

Matt was suppressing a smile.

“Glad you think this is funny.”

“You shoulda jumped off the top rope.”

I started to laugh, but it hurt too much.

Matt held out the soft pack of Dorals. “Jimmy dropped ‘um when you were fighting.”

I poked one between my swollen lips and winced.

––

Alan ten-Hoeve wrote Notes from a Wood-Paneled Basement (Gob Pile Press). @alantenhoeve on twitter and ig.

Categories
Across The Wire

Interview with a Neighbor

Jason Sebastion Russo interviews Bill Whitten.

JSR: I had a first draft of questions for you about our mutual friend OD’ing in your band’s hotel room one long ago evening at SXSW, but I felt it was too salacious, even though it ends with me walking past the hotel gym at dawn and seeing you lifting weights in a black t-shirt and pair of jeans. I was still wet from having given our friend (no Narcan in those days) an ice-cold shower. I also had a couple of false starts about seeing you play guitar with Shady at the Knitting Factory (where we were pointed out to each other but not introduced, and you told Grasshopper I looked like a “young Kerouac” much to my great pride). I also wrote the story of Grand Mal playing at the Rhinecliff Hotel—which ended with you rolling around that filthy all-ages room without a shirt, and passing out at my and the late John DeVries’ couch in Poughkeepsie. But these questions were all starting to head into Hubert Selby territory; debauchery, treachery, substance abuse etc. etc. Should we pursue such a line of discussion?

BW: I feel somewhat queasy directly discussing (without the screens of fiction or abstraction) tales of past depravity. It’s probably best to take the Wittgensteinian approach: What we cannot speak about, we must pass over in silence.

JSR: Fair enough. Ludwig missed his calling, imho. What is a central metaphor in your life? I’m obsessed with the image of a plant slowly growing toward a window, for example. 

BW: Waking up drunk in an enormous, empty, windowless, dark, locked room in a stranger’s house. After a period of time (hours? days? who knows?) finally escaping. Penniless, walking for miles trying to find to my way home, vowing to change my ways, to begin again…

`

JSR: Word, or amen, to that. Do you have a common, almost trite, saying that you’ve thought to yourself most of your life? For example, I have been saying, “live by the sword, die by the sword” to myself my entire life. And/or, “garbage in, garbage, out.” Direct quotes from my father’s childhood in the Bronx. You? 

BW: Again and again, the words of Divine come into my brain: Kill everyone, kill everyone right now

JSR: An enduring, undeniable platform. We both lived in the same Brooklyn building for years, yet I was surprised that as soon as you left NYC, you immediately started writing and singing about exile. I get it now that I spend 80% of my time in central New York. I assume the shift in locale impacted your creative life. Can you describe how?

BW: Being something of a pessimist, I expected, from the moment of my arrival in New York (America’s insane asylum) in 1990, delivered from a Peter Pan bus into its cold, dingy glitter and trash-strewn streets and neighborhoods, that my stay would be short-lived. Back then (maybe now?), it was a city of fugitives, of pilgrims – men and women like me – on the run from their families, from themselves, from their origins. I navigated it according to maps I’d brought with me, drawn by its victims and castoffs. I was fascinated with both the strange, vacant-faced men crouched in dark doorways and the glamorous youth who arrived en masse from every corner of the world to take part in the vast, industrial form of human sacrifice known as the ‘arts scene’.

I have notes from the first party I ever went to in the City:

How to pay attention to her words when the muscles jumping in her jaw, the blue veins pulsing beneath her eyes were all clearly visible beneath her starveling’s translucent skin. She ran her hands through her hair, touched her nose, her ears. “I’ve become (mumble) fixated on the (mumble) fact that a kind of apocalyptic menace follows me around (mumble), the City is on the verge of destruction, I can feel it.”

I moved constantly from neighborhood to neighborhood, borough to borough, always in search of a cheap apartment. Whenever I found one, there would be constant rumors among the tenants about imminent eviction, about the landlord’s desire to sell the building to speculators. Expulsion from NYC was always inevitable.

In 2018, as I stood on the stoop of my apartment in Brooklyn for the last time, I wondered what real difference would there be between NYC and a city in the Midwest. No matter where you go everyone is glued to their phones (an apparatus designed to enslave it users). The restaurants serve the same food, the same coffee. The men have the same haircuts. True, the people are more beautiful in NYC… but the world has been flattened and everyone on it made the same.

In any case, my only plausible claim to exile is from the bookstores of NYC (currently as close to extinction as the Yangtze Finless Porpoise); my true homeland. How great it was going from bookstore to bookstore like a pub-crawl and discovering Roberto Calasso, Jacques Ellul, Bruce Chatwin, Mavis Gallant etc etc. Of course, there are a handful of bookstores where I live now but none pass my personal test (a pretty low standard) of what makes a halfway decent bookshop – i.e. it must carry titles by Marguerite Duras and Giorgio Agamben…

Finally, circling back to your question, leaving NYC has had no impact on my creative life. I continue to pursue a bad idea (a life devoted to making art) stubbornly and against all reason.

JSR: What percentage of the world is evil?

BW: An ever-growing percentage. But, I believe in apocatastasis i.e. universal salvation, which means that when we die we all go to heaven. So evil is of less importance if we all will spend eternity in paradise.

JSR: Can people change?

BW: People’s actions can change, which is all that matters.

JSR: Well said. What percent of your personality can you choose?

BW: The easy way out is to proclaim that humans are purely determined by exterior forces i.e. people are social constructions, and their personalities are fungible. But if you’ve ever witnessed the birth of a child, you know that they come equipped with an already existing personality or what people used to call a “soul”. So the correct answer is zero.

JSR: I helped you move out. You were the only friend that showed up to move me into my first NYC apartment. We were an excellent moving team, in fact, and did a ton of moving gigs together; always glad to combine working out with making rent. Why pay for a gym when you can get paid to be a mover? Bonus: being a furniture mover is one of the best ways to get to know the five boroughs of NYC.

I spent a lot of time on your stoop before it became my stoop too. Before I finagled my way into the top-floor apartment of our building—no small task—thanks in part to you and Parker Kindred (one of the best drummers alive, who’s played with everyone from Lou Reed to Jeff Buckley to Cass McCombs etc). Something Parker probably regretted when I added to the guitar overdubbing, kick drum sampling, bass rehearsals competing in the hallway, the first time I dropped an amplified bass guitar on my floor/his ceiling. Ours was the kind of building that a body dropping past the window would have been noteworthy but not that shocking.

Our stoop was one of those easy-to-mythologize places like a Sesame Street set or Scorsese b-roll. During that very specific era of Brooklyn, at the decline of its vitality, in the heart of doomed Williamsburg. Thanks to our sweet landlady’s charity, we got a front seat to Rome’s burning. (“How will they be able to afford milk?” was how she explained keeping her tenant’s rent at one-third neighborhood’s market value.) We stocked the building with bandmates and friends, all of us touring and recording as the music industry turned to dust beneath us. Thank God you guys got me in. I was indeed running from the Minotaur, having just been evicted from my tiny basement apartment around the corner, in a building sold to developers by the owner’s son. Developers that turned it into a condo overnight. I was only homeless for a month before you and Parker convinced our landlady that I was good people… you threw a rope and hauled me up to safety.

I think some of my favorite stoop moments were your and Ken Griffin’s (Rollerskate Skinny, Favourite Sons, August Wells) endless debates. We’d gather around like Athenians and discuss books, film, music, television, romance, drugs, religion, politics, metaphysics. Everyone in our building was or had been in a band that I’d been a fan of prior, and it was nice to be amongst musicians that didn’t only want to talk about guitar pedals. So, here is my question: did our tight-knit cadre of NYC friends/reprobates impact your creative life in any way? Other than the obvious fact that you were constantly luring us to your living room to track vocals or guitars.

BW: More than one woman commented that our building resembled a barracks, or a halfway house for aging rock musicians or some kind of disreputable all-male commune. Of course, for me, my fellow ‘inmates’ were an enormous influence. Yes, I did get everyone (including yourself) in the building to play and sing on my albums Clandestine Songs and Burn My Letters. Collaborating with friends is an incredibly intimate, somewhat risky venture that requires trust and generosity. As the lockdown taught the world, interacting regularly with friends is indispensable and beneficial to the body and soul. I learned a lot from everyone and miss them all. Not a day goes by that I don’t wish I could sit down and have a cup of coffee with one of you guys. It goes without saying that texting and emailing and zooming are not in any way commensurate with in-person interaction.

JSR: Why do you get out of bed in the morning?

BW: To drink coffee, read, write, plot. 

JSR: Is everything singular or plural?

BW: To believe everything is singular, you’d have to be a Spinozaist (a Pantheist) and believe God was/is everything; trees, dirt, air etc. Against this idea of a monad as the totality of all things, there is the transcendent, for example, Christ (a being not part of our material world) exploding out of eternity, desacralizing the world, ending animism. I prefer the latter to the former. Lately I’ve been thinking that interdimensional Ufo’s rising out of the ocean/descending from the stars and acting as divine intercessors to prevent nuclear war…could fulfill a similar function. 

JSR: Would you choose to live again without knowing you were given a choice, if you had the choice? 

BW: Yes. The prime directive of every living creature is to persist by any means necessary. 

JSR: Is belief in God a choice?

BW: Not when someone is pointing a gun at you or punching you in the head or you’re suspended in that prolonged interval of time called a car crash. In those situations, appeals to god come forth unbidden from one’s lips. You realize (and then if you survive, forget) you’ve always been a believer.

JSR: Which percentage of utility have you lost from the internet

BW: In 2023, everyone is brain-damaged. Paul Virilio was often attacked for being too pessimistic or even reactionary when he detailed, way back in the ‘90s and early ‘oughts, all the damage that technology – by marooning in us in an eternal present – had rendered upon our senses. In America, 54% of the population now reads below the 6th-grade level. We can’t see, think, remember, move, write, or talk as we once did. And we’re all under 24/7 surveillance.

JSR: Is it safe to say music was your primary pursuit at the beginning of your creative life? Why or how did it surpass writing? And where is that balance now? Do you feel the same amount of excitement about both? Does one eclipse the other?

BW: I wrote when I was a kid and hid my stories in my underwear drawer. But writing was always unsatisfying and deeply shameful. I didn’t really want anyone to know my thoughts. I picked up a guitar pretty late, around age 23 or 24, driven to provide accompaniment to the songs that were (are) banging around in my head. Kandinsky described the compulsion to create an ‘inner necessity’, which sounds right to me. Whether I write or play music on any given day is dictated by the fact that I live in a small house with my family. Making music is noisy and disruptive, while typing into a 2008 Macbook is not. In some ways, these activities seem pretty much the same to me – they involve the constant erasure of bad ideas.

JSR: Can you describe the very early years when you were forming St. Johnny, and you were roommates with Dave Baker and bandmates withHartford Grasshopper? The stories I’ve heard remind me of living with John Devries in Poughkeepsie, where I apprenticed under Agitpop and Cellophane, incubated Hopewell, and got involved with Mercury Rev., which is to say, total chaos. What pushed you forward? How did you escape the chaos and make it to the big city? Music?

BW: Growing up, the key idea I learned from books, magazines, film was that all the best musicians and writers were insane, and they lived as outcasts on the margins of society. When I developed an ambition to be a rock musician, the first thing I did was try to become like the people I’d read about. As if a curse had been placed on me, I took Johnny Thunders as my role model. Naturally, I tried to find others who had similar interests. I moved to the nearest city – Hartford. I put an ad in a local ‘arts’ newspaper – “William Burroughs-style bassist wanted”. Grasshopper answered. He was working as a court reporter in Hartford and divided his time between there and Upstate New York, where he and the other members of Mercury Rev were working on Yerself is Steam. He played bass for a while in a nascent version of St. Johnny before disappearing (I learned of his departure from the note he left under the windshield wipers of my Chevy Nova) to go on tour with the Flaming Lips as their ‘lighting and explosives’ technician. Unlike myself, he was a college graduate and had a greater knowledge of music, film, and literature than I did, and his influence on me was not trivial. He eventually moved to NYC, I followed not long after, eventually landing in an apartment in Carroll Gardens with his bandmate Dave Baker. In those days (early 1990s), I was a terrible roommate. Evidence of this can be found written on the inside back cover of one of the books (Artaud’s Theatre of Cruelty) I purchased around that time: 1) A man can never really know a woman, he can only pursue her indefinitely. 2) My musical instruments are razorblades that leave wounds on my body. 3) These wounds are the aesthetic models for my music. 4) My music is filled with hidden holes. 5) Things left out (the holes) are as important as what remains.

Bolano wrote in Savage Detectives: We were spectral figures, on whom you wouldn’t dwell at length without turning away. It is a nice description of my friends and I at that time…

JSR: That reminds me. I found your copy of Bolano’s Distant Star when I moved, I swore to return it, and one day I will. Glad you mention those holes; that’s a good way to describe a distinction I loosely subscribe to, that there are two kinds of creative people: negators and cheerleaders. Both are generative, though negators rely more on preventing or removing what doesn’t work. Discernment is central to the process. I’m married to an incredible negator that makes a fine film editor as a result, and I usually partner up with them creatively when I partner up at all. I require them to sift through the sheer amount of crap that I, a cheerleader, am always swept up in. I used to outsource a lot of my discernment to you, arriving in your kitchen stoked on a dozen ideas about all manner of everything, and you’d weigh in, reliably. It’s the case with many negators that they would never make or release anything if they didn’t work with a cheerleader. So, both sides of the coin have their merits. My creative relationship with Justin (younger brother and frontperson to the very amazing Silent League) is emblematic of my theory. He kept me in check, and I made sure he released things and had content to play with. I’m using some hyperbole here to make a point because of course he generates content on his own, and I am able to cut things. It’s more of an orientation than a hard and fast rule. Would you say your aesthetic sensibility relies on discernment?

BW: I’ve never been smart enough to have an aesthetic. My goal is usually: try to create something that does not make me ashamed or want to blow my brains out after playback or re-reading. 

JSR: Has having a family changed or cemented your worldview? 

BW: Christopher Lasch once said: a parent looks at the world and all its events in the darkest possible light. Deep pessimism and rage are feelings I experience every day. I’ve never known a more sinister time than the time we live in now.

JSR: Another important marker, I think, is when I started hearing barroom piano bounce off the wall of the building behind ours. Instead of electric guitars. It provided a soundtrack to the building’s bathrooms, all situated in the back of our apartments. You serenaded us all. Happily, you bequeathed that creaky old thing to Chuck Davis and me, and I’m staring at it while I type this. It’s the sound of your William Carlos Whitten records, some of the finest rock music ever made, in my opinion, ragged, dignified, and mastered to perfection by our old pal Dave Fridmann. A perfect third act to your musical legacy.

BW: In 2008, someone from Our Lady of Mt. Carmel on N.8th Street left a perfectly good upright piano on the curb. Incredibly, our mutual friends Kenneth Zoran Curwood and Adam Marnie put it on a pair of skateboards and wheeled it four blocks to my apartment. Luckily I lived on the first floor. I’m an autodidact in all things and thus completely self-taught when it comes to the piano, and naturally, play it all wrong like an aphasic chimpanzee. To me, my piano is the black monolith at the beginning of 2001: A Space Odyssey. When someone who can actually play a piano comes over to my house and unleashes all the magic stored within it – it’s always leaves me stunned, amazed. As a side note, I’ve always had ambivalent relationships with musical instruments. My piano has never been tuned, I’ve only ever owned cheap, barely functional guitars. All my gear – recording devices, pre-amps, guitar amps, and effects, the computer I’m writing on now – are usually half broken and on their last legs. 

JSR: You and I subscribe to the same school when it comes to gear. My guitar tone depends on what pedals are discarded or forgotten by other players in the rehearsal space. The people that can afford really nice guitars are generally not the people who create music. But beyond all that, crappy gear is a form of limitation. Of boundaries. Which, as I get older, I realize is one of the most important aspects of the creative process.

I remember being handed a leaflet or missalette at a St. Johnny show- maybe at the Mercury Lounge or the old Knitting Factory- that was kind of a zine of your writing, which read like William Burroughs in my memory. Did they pre-date the band? Had you always been writing them? Care to describe what you were writing back then?

BW: I don’t remember, lol, and I regret the enormous influence William Burroughs (a pedophile and murderer) had on my life. I should have been reading Proust or Leopardi! The Beat Generation was a psyop! What a waste! Haha!

JSR: The Beat Generation is basically a dorm room poster at this point. Speaking of psyops…do you think the post-Nirvana-1990s indie rock explosion, which we were both part of, was a psyop? 

BW: If it was a psyop, what would the goal have been? To transform (in tandem with other cultural engineering projects) the population of the West into solipsistic, nihilistic, porn-addicted drug-takers, incapable of reading a book or watching a film in its entirety, compelled to stare helplessly at electronic devices 20 hours a day while fulfilling their role as the world’s consumer of last resort? Is there a clear trajectory from Kurt Cobain to the Strokes to Occupy Wall Street…and then…to Bernie Sanders and AOC advocating for vax mandates and nuclear war with Russia? Was/is Williamsburg, Brooklyn a CIA outpost, a Bermuda Triangle of transhumanist-mind-control-pseudo-left-lifestyle politics?

¯\_(ツ)_/¯…

Bill Whitten has written a book called BRUTES and recorded many albums.

Jason Sebastian Russo is a rock musician and a writer.

Categories
Issue 0 Issue 0 Non-Fiction

Men Who Wear Hats

By Josh Boardman

Now I will prove the nonexistence of God. Don’t get me wrong—I’m not an atheist. I believe in His nonexistence. The language is better you see. I believe in gravity the same way. Relational nonexistence.

This is a good road to go fast down. The boy who lived down the street had stolen his dad’s pickup and I thought this was a brilliant thing to push. The engine growled down the straightaway and before spitting onto the main road my grandparents’ subdivision abruptly doglegged around a blue spruce. The tree drifted leftwise behind the windshield. The passenger window crumpled against the ground. Pineneedles partied into the cab.

The spruce caught our fall. Climbing out the driver’s side window I didn’t remember going over. The last five minutes of my life blurred like a long exposure. Sticky dripped down the tips of my fingers. A hollowness opened inside of me as if I had undergone some violent transformation, a paradigm shift, the way zealots describe epiphany. The other boy will be crying. Holy.

Last week I talked to my mother on the phone. We do this as she gets older—always me placing the call on my way between this errand and that. Last week I was talking to her about I don’t know what (a book? a cactus? wildlife she sees outside?) when she said it’s been too hard—she wouldn’t want to live her life a second time.

A little failure before moving on to other topics. A failure of eternal return.

Maybe we were talking about the book I’m writing. A novel about my brother’s death and our grief after his passing. I’ve worked a year and a half always fearing that it may be too revealing of her as a person—she was my first reader. Unrelated conversation—she told me she wouldn’t have made it through that trying time if not for God. This has become a refrain.

I wonder if she would still cling to God if she hadn’t lost so much. Meanwhile I wonder if my dismissal of her belief is a surer way of forgetting my own hardship.

I turned 33 this year. The age Jesus was crucified. All dwellers in heaven remain 33 years old. Dante wrote 33 cantos to Paradise. Both of the previous entries in the Divine Comedy comprise 34 because they are unheavenly—I have such a small window.

I haven’t gotten very far into the Bible yet but my mother is overjoyed. She shipped a fauxleather New Catholic Edition, the language updated for modern comprehension. When Rachel steals Laban’s household gods and hides them in her saddlebags she declines to climb down because she “is having [her] periods.”

King James—“the custom of women is upon me.”

I am asked to choose between vernacular and poetry. Even Dante brought dowdy Italian to a work of heaven and hell. Like a visit from Aunt Flo. I’m not sure if the Hebrew is euphemistic or not—I assume it is.

I am incapable of choosing between two opposites. Periods or the custom. Hard life or easy. Belief or disbelief. I feel helpless in their binary glare.

My father changed religions as often as his father changed hats. We’ll get to my father in a minute. But first—

Hats.

People don’t wear hats anymore. Men will wear them once they start to bald but I’m not talking about that. Pick up a book written in the 50s and try to picture the hats so frequently invoked. Imagine the skittering things, pregnant with present nonexistence.

My grandfather (one of those who used to wear hats) died mere months after my grandma. A sixpack nightly in the interim. Maybe he went to church. I doubt it. He died and we cleared out his estate ourselves.

I was between highschool and college. I had just been released from the hospital. I consumed a cocktail of drugs every morning that set my stomach in motion. Atavan. Zoloft. Willing or unwilling. Nexium. Lithium. Another psychoactive I can’t remember. Healthy or unhealthy. A real disembodied fusion on opposites.

I worked my way through my grandfather’s bookshelves to the bedroom closet with my mother. The spare room where I spent every summer growing up. She was mouthing prayers as we reached the door. I stopped with my hand on the knob, noticing.

What are you saying?

 I didn’t know what we had to be afraid of. I didn’t know my grandfather and my father and I all share the same indecision about the most important aspects of our lives.

We opened up the closet door—O God my mother moaned—

A wall of hatboxes toppled across the floor.

Panamas boaters stetsons fedoras ushankas ballcaps newsboys westerns buckets porkpies homburgs stormy kromers sunhats beanies bowlers/derbies ascots watchcaps berets tam-o-shanters visors deerstalkers tophats watersports floppies balaclavas trappers raccoontails bretons stingybrims campaigns gamblers mariners stovepipes 5-panels 8-pieces mortarboards a party hat fascinators cloches cocktail scarves pillboxes—

My father is a man of religious excess. Before I was born it was evangelical (my older brother calls it not pleasant). Most lately Catholic—though he has been characteristically unimpressed with the infallibility of the Pope. He recently pivoted to a radical sect known as the Society of Saint Pius X. When I was young I walked in on him (shame in my guts blush high on my cheeks) meditating.

As many hats as my grandfather hoarded my father gathered religions. The same ambivalence of faith swapped one denomination for another. A man who owns many hats believes in the efficacy of none. I never would’ve made it through that trying time if not for x.

Why do we Americans have such incapacity for suffering? I catch cold and I’m incapacitated for days. Fog rolls down on my mind. Once I stood for something but I no longer do—I chase anything for relief. I buy a watch imported from Switzerland. A pair of Italian leather shoes. A hunting jacket that’s dear. If I were of my grandfather’s generation I would visit the haberdashery to procure a hatbox of my own. A sniffle can be dangerous if you have a little money in your pocket.

When I was young and stupid I called myself an atheist. Even then I was more decisive than I am today. God, Abraham’s original beard, who crackles in the embers of a neverconsumed shrub. If I couldn’t hear His voice then He didn’t exist for me. If I wasn’t one of His Chosen People any belief at all was impossible.

Come closer now prodigal atheists—hear my whisper. I don’t want to convince you of the floating presence of a cartoon beard. An image of the Higher has no use when so concrete. I want you to discern your belief as clearly as a Christian’s. A little closer sweet mouse . . . let’s keep this between us. I don’t want to disgrace God and my country. You know I love them so.

God has grown weak. We are so removed from the tribesmen of Abraham that He no longer approaches us in the robes of three men to warn us of our safety. “God is dead. We have killed him”— and his absence we plated in 24 karats. The cross of history bends towards belief. You can’t disbelieve something that exists nakedly before your very eyes—and the value of currency is as invisible as gravity or God.

Nonexistence hangs heavy. Without privation there is nothing. My mother knows the weight of what’s gone—we learned the hard way. Hard life makes believers of us all.

My father thought my grandparents’ house would never sell for its unseemliness, so he tore up every tree in the yard. The white pine in the center of the front—yanked. The skinny spruce at the foot of the driveway—timber. The rosebush in the elbow between the front door and my window—everything must go.

Blue spruce on the corner of the lot. Maybe it was town ordinance but treecutters had shimmied the middle branches off so passing cars could see through. The remaining branches formed a skirt that is still dented from where it caught me as a child. In her pinecone paunch a marble rabbit crouched beside a tortoise. A fox leered down the seat that separated them.

No metaphor. No religious conversation. When my father finished clearing the estate a large stump was left and that was all.

Like the children’s book the treestump invites me to rest. I am not an old man but I need its generosity. God’s voice does not whisper through the leaves nor croak from vernal pools. It does not echo in the hollow between my eardrums. We are too distant for that.

I sit and look at my hands. They appear before me as two strange worms affixed to my body. They wriggle without permission. They clench in defense from me. I look past the foreign body I see the ravine I see the martyr trees I see the leaves of the branches of the trees. Nothing moves. Breath picks up but the world stands still.

In a single moment I float again in the blurred memory before the tree caught my fall. A woman rushes to the road and hovers around the wreck as we climb free. I do not recognize her at first—she resembles my mother only she is so much younger. There is no birdsong nor wind nor hum from the highway. Normal neighborhood sounds fold up into the skirt of the tree that’s gone.

The woman’s tears are hysterical—that’s the first thing I hear. They mingle with the machinery of the world and then life crashes back in. Blood flows down my hands a ringing splits my ears that lets me know I have returned. My mother looks like herself again—her fists beat my chest and exhort me Don’t. You. Ever. Ever. Do. That. Ever. Again.

I have felt the suck of the void. I have leavened in its peace. The lightest wind brushes me aside. The basest inconvenience. My suffering is too great! God no longer warns us of our fathers—the hats they wore, the trees they tore up.

Everything shimmers. Nothing doesn’t hurt. There is God and He is not for us.

****

Josh Boardman is from Michigan. He is the author of the chapbook Plantain (West Vine Press, 2018) and conducted the Latin translation project We, Romans (2015). His stories have appeared in journals such as New York Tyrant, Catapult, and Dandruff Magazine. He lives in Ann Arbor, Michigan, where he is working on his first novel and a collection of stories about his hometown.

Categories
Issue 0 Issue 0 Poetry

Heroin Haibun

By Graham Irvin

An old friend of mine sold pills and snorted heroin and worked third shift at a warehouse in Salisbury. He was an okay guy. He was always around to party. And he was pretty good at skateboarding too. 

When we first met he’d just started dating this girl and was in love with her. When she was in the same room as him she sat in his lap. When she was gone he talked about her constantly. He wanted to do everything with her. He wanted to experience the outer limits of pleasure. He told me, “She put her pinky in my butt man. She was just down there playing around and it happened. And I liked it.” It surprised me. I’ll be honest. Everything else about him made me believe he wouldn’t want a pinky anywhere near his butt. He seemed like a guy who would hate the idea of a pinky in his butt. Plus he ended by saying, “I’m not gay or nothing though,” which made it all the more surprising that he told me at all. But I was happy. He was experiencing new things in life. Romantically. It seemed structurally important to him at the time. It helped him grow. 

His girlfriend cheated on him not long after that. Maybe with his roommate. I don’t remember. Once his roommate told me, before my friend found out his girl cheated on him, “Dude she was flirting with me hard when we were alone the other day. She was touching my chest and playing with my hair. It was wild.” That roommate lied a lot though. It’s hard to know what’s true. Part of me thinks the roommate just wanted people to think he could take my friend’s girl if he really tried. It was important people knew she chose the other guy only because he wasn’t interested. 

She did cheat on my friend though. I know for sure that happened because the next week he threw a big party and got super fucked up. He took his pills and snorted his heroin and took off his shift at the warehouse in Salisbury and funneled beer after beer after beer. 

That’s another thing that surprised me about my friend. He only drank beer with a beer funnel. He hated the taste of beer so bad he wanted to get it over with as soon as possible. Everything about a guy who sells pills and snorts heroin would make me believe he enjoyed the taste of beer. Or at least tolerated the taste of beer. I guess what I mean is he wasn’t picky about taking pills or snorting heroin so why would he need a special tool to make sure he didn’t throw up his beer? 

At the party after he got super fucked up he disappeared to his room and came back with a gun. A Glock 43 9mm. He started waving it around. Showing it to people. Putting it to his head. “Cheat on this,” he said a few times with the gun pointed at the door. As if she was on the way. He even called and put her on speakerphone. He pointed the gun at the phone. He told her to come over but someone yelled, “No.” 

Everyone had had enough. His roommate took the phone and ended the call. He took my friend aside and said, “She’s not worth it, dude. Don’t let her get to you like this. Just take the gun back to your room and go to sleep.” So my friend went back to his room and put the Glock 43 9mm under his pillow. And then he took another pill. Then he snorted some more heroin. And funneled a beer. The party continued. 

I couldn’t say where that guy is now. That wasn’t the last time I saw him. A few months later we did coke together and he kickflipped a 5 stair at the high school near his house. I still have the video on my phone. But it’s been at least 6 years since I’ve seen him. I always liked his roommate more. 

My friend with the Glock 43 9mm who sold pills and snorted heroin also had a twin brother. His brother always joked about being the more attractive twin, which pissed my friend off, but I couldn’t really tell the difference. That was probably the joke. The brother was somewhat better with women than my friend. He was a father and, though they’d divorced a year after getting married, the mother of his child was both attractive and interesting and faithful before their split. 

My friend’s brother didn’t sell pills or own a gun because, during the time I knew him, he was trying to be a good father. The mother of his kid had full custody because even though he didn’t sell pills or own a gun he did occasionally use heroin. And he shot up too. Which, though it might not seem like it, is a lot more serious in the heroin user community. Shooting heroin is serious shit. And the last time he shot up he passed out while in his car. Which rolled into another car. And the other car was a cop. My friend’s brother went to jail for a bit and decided he’d just snort heroin but in the eyes of the court that didn’t make him a better father. 

He was at the party too. The one his brother threw to get over his girlfriend. He drank some beers, normally, and took some pills and snorted some heroin but when the Glock 43 9mm came out he said something like, “hey man you know I’m on parole.” 

Last I heard his ex-wife was remarried and had another baby. His daughter would be about 10 and, whether he was still fighting for it, he did not have shared custody of her. 

But, like I said before, nothing bad happened with the gun. I’m sure if I saw him again, if he remembered me, if he’s even still alive, we could recall happily that night. The night the gun came out. Because hey, at least no one got shot. That’s got to be worth something. 

Right? 

try this next time

you’re at a bar

tell a joke

to the person 

closest to you 

and if they don’t laugh 

tell them 

“I have a gun”

if the person 

at the bar 

still doesn’t laugh

tell them 

“I’m on heroin” 

if the person 

at the bar 

still isn’t laughing 

lean real close 

and say 

“my gf put her pinky

“in my butt” 

*****

Graham Irvin lives in Philadelphia. Some of his writing has been in Joyland, The Nervous Breakdown, and Misery Tourism. His book Liver Mush was published by Back Patio Press. 

Categories
Issue 0 Issue 0 Fiction

A 100-Foot Rabbit with Black Eyes

By Sam Berman

A normal sized rabbit gave birth to a 100-foot rabbit off Palomino Avenue. The rabbit did not come out that size. It came out little, pink and soft like something out of a magic kit. It was later the rabbit grew ten feet a week for ten weeks and then stopped growing. Naturally, the German shepherds in the neighborhood were concerned. As were the pit bulls, the border collies, and the little dog that belonged to the cop’s girlfriend down the street, Chewy, who had lost a paw when the lady’s boyfriend before the cop backed his motorcycle down their long, turning driveway and ran it over.  

Your dog had recently passed so you didn’t mind the rabbit so much. 

Your wife and kids felt different.

“It could kill us,” your wife said while she scrolled on her phone.

“So could a killer,” you said, in that dickish way you tended to offer up. 

The rabbit, you thought, was cool. Was exciting. And your wife had slept with Jesse Fali, who she knew from doing A Raisin in the Sun at summer stock in the Berkshires, and Jesse wrote scripts for zombie show where the real monsters ended up being the humans all along––so, yes, in a way––in your little-bit-of-a-dickish way, you liked that your wife was scared of the 100-rabbit off Palomino Avenue. 

Your daughter though—the one you really understand–you hate that she hated the rabbit. Even though it really wasn’t the sight of the rabbit. No. It was…well, she couldn’t stand the extra noise. She hated extra noise, loud noise, any noise. And that summer was already so loud. 

With the wailing of the good and bad summer bugs.   

The motorcycles popping off Hudson Street. 

And the rabbit: with his deep breaths on those hot, cloudless days. Certainly, even you could admit that his sneezes were unpleasant. All those different types of 100-foot rabbit sneezes: the sneezes like a flood siren; the sneezes like the sudden of a bullwhip; and that sneeze, once, so loud, you feared the earth finally cracked and broke open, and you were too late to save your family from the ground widening below them. 

Before the rabbit you had a simple thing going. Once: a bumble bee landed on your daughter’s birthday cake. Always: your foot doctor had elegant handwriting. And from time-to-time: there was lightning you could smell through the screen window. Having once lived as badly as you once lived, you began to take such delight in your new and unspectacular life. Being boring felt so good to you; paying the hundred and twenty-nine dollars a month so that your kids could enjoy Menard’s effortless green grass; all the cable channels you never even clicked on; and DraftKings loaded onto your cellphone so you could bet college football with your brother every Saturday.   

In the early mornings–before you left for work and before your wife slept with Jesse Fali– she would kiss your forehead. “Come home rich or don’t come home at all,” she’d say with her soft, sleepy laugh. And you’d always hated that joke so much. You had. Because you never really did feel like quite enough. Or you felt like she felt like she deserved a good deal more than you. And it didn’t help that before the twins were born your wife had left you a letter in the bathroom that either a friend, or a lover, or her sister had insisted she write. The letter explained that you were a good man, but not a man of consequence in the ways that really mattered. And that you could not excite her in ways she really wanted to be excited. And that you could not look at her in the ways she dreamt of being looked at–you could not see her how she needed to be seen. 

But then you had the girls

And your wife didn’t leave. 

And you two never spoke about the letter.  

And so soon later the girls had turned ten: and you were watching them try on different styles of swimsuits in the basement in an attempt to create some type of water scene.

They told you they were making a mermaid movie. 

Having just seen a mermaid movie themselves the night prior. 

They offered: that mermaid movies were the future of movies, and you needed to watch them make their movie because you’d seen movies and understand how they were supposed to look. 

“Watch,” they kept telling you. “Watch us.” 

Their beach towels unfurled in separate corners of the basement. 

Their big pillows taped with magazine covers like shark fins.

“Ten more minutes,” you’d told them. “Then it’s sleep.” 

But the girls didn’t listen. Because no one ever listened; the shoe-worn carpet in the living room was proof of that. You would not un-often curse yourself for not having the big men that came in to refinish the fireplace remove their shoes before working. You’d asked them politely once or twice to remove their boots, and once or twice they had over the course of that week. But then they didn’t. They stopped. You didn’t ask again because you just wanted the men to go. So, there was a track, thinned like the path of well-used hiking trail. The worn nylon carpet proof like a boot against your throat, that you weren’t the kind of man that other men had interest in listening to. 

The building was only a half mile away so you and the girls would walk over. It was one of your grand, splendid plans: to teach them something about civil service. About the love of thy neighbor. On the walk you’d ask the girls questions about their friends and their school and their futures. And before long the three of you would be in front of the brick building with the gray sign and the almost-yellow letters that read: Commission for the Blind and Visually Impaired.

***

Because you understood the magic of an empty interstate: in the winter you’d take your breaks at Southland Oasis, a doughnut shop above the snowy highway. You would drink your coffee with Hari, whose chewed-up work pants made a funny sound as he talked about the president, about NATO forces and kill squads, and then bemoaned the immiseration of the middle class and explained that taxes–property and income–in other countries would be an act of war! A call to arms! The final treason of a failing democracy.

In truth, Hari had been your sponsor during the tough years. And he’d gotten you this job that wasn’t great but was still a job. And you had love for Hari, because even though he primarily only talked to you about his talk-radio insanities, that didn’t change the fact that the night you were in that parking garage off Lawrence, your kit fully loaded, your arm tied off and your main-vein purple and begging for some action, it was Hari you called. Hari. And it was Hari who came down and took you to the diner across from the post office. He told you the government was subsidizing the growth of Hormone imbalanced eggs. Which made you laugh right then so loud that you didn’t even notice he was crushing your kit with his boot under the table.

So.

It was Hari who kept you laughing long enough to keep you alive.

“The end of Babylon,” Hari would say, a semitruck passing underfoot.   

“Maybe,” you’d say. “Maybe…But, then what is it we’re doing…working at the toll booths?” 

“Not work,” Hari would reply, thinking, blinking, gulping. “We’re in the first wave, buddy.” 

***

When the rabbit first grew tall, the news cameras came. As did the government scientists with their walkie talkies, their calipers, their shiny tranquilizer guns with exacting red dots that glowed on top of their barrels. They did not shoot the rabbit, electing to instead bring in a crane and build the scaffolding right there in the middle of the lawn.

They shined floodlights in the rabbit’s eyes. 

They shooed away chimney bats that had snuck in beneath the rabbit’s big ears. 

They found and then brought in a stethoscope the size of a dinnerplate and listened to the thrum of his big rabbit heart.   

Of course, some people came and prayed. 

It only made sense that the rabbit must be God. 

At the very least a godsend.

After a year or so, the rabbit no longer seemed to be a cool thing. At first, you liked that the rabbit struck fear in your wife–who’d slept with Jesse Fali, and who needed to be punished–but after a string of panic attacks for which you had to take her to the emergency room at Saint Joseph’s, you were past the retribution phase of her infidelity, now there was only the painful part; the part where maybe-it-was-a-little-bit-your-fault part.

The meaty part. 

Everything about the 100-foot rabbit became quite a nuisance: the sight of the rabbit, the thought of the rabbit, the rabbit’s sneezes that rattled the wine glasses. Everything. All of it. You

were over it. He was now just some big dumb thing that kept the girls awake. And–and! Another thing you hadn’t anticipated was how the 100-foot rabbit had invited the hopeful: arriving with their prayer beads and wax candles bearing the image of Saint Guadalupe. You hated how crowded the block had become, all with people all waiting for the rabbit to do something. To reveal some 100-foot rabbit revelation: a mass healing, or a mass punishment. With their wheelchairs leaving tracks across your lawn. And your garbage bin already full of used medical supplies––evidence that the sick that had begun squatting in your alleyway, your bushes––as you struggled to find a resting spot for your empty milk jug amongst the overfilled colostomy bags, needle plungers, and adult diapers side-spun into neat bushels. Up against a single trash bin you saw a prosthetic leg with the sock and sneaker still on the foot. There were faded stickers lining the thigh of the leg, mostly of breweries and alehouses from a town outside of Dallas. Whoever’s leg it was had come a long way; a long to see a rabbit. It went on this way for many more months, almost a year.

But in the end the rabbit did nothing.

No healing. No, he only blinked.   

Berkshire Hathaway bought the rabbit, okay. 

And no one was allowed to touch or look or speak to the rabbit. There was a sign. Motion lights. Security cameras just in case the high school kids came by with their spray-paint. 

***

Now, even though it’s forbidden to deviate from the planned route, when you and the girls volunteer to walk the blind, you will sometimes walk whatever student you are assigned to that day to the corner opposite the 100-foot rabbit. Young or old, you have the girls take them by the hand as you explain the rabbit’s eyes are black like river stones. Like whirlpools at midnight. And then you tell your student that the rabbit never really moves. You tell him he just stands like an uninterested goliath, the sun and wind and birds taking turns moving over him. You say, “You’re really not missing a single thing with this fucker. Not a thing.”  You explain that all he does is just stand, pretty much still unless he’s sneezing, and that all the people that come to watch him do the same thing: they stand, pretty much still behind the wire fence that Berkshire Hathaway has installed and watch him. You offer the insight that, “Maybe the rabbit is more a statue… a totem. Maybe one day he’ll just kill us all.” And then you go on to explain to your student about your wife–and how you still, unfortunately, love her. And how she wakes up crying from the middle of her dreams and tells you that in the dream, which is actually more of a nightmare, that the rabbit has turned on her, on you, on the kind and simple denizens of your town. 

Then you ask the blind student––while your daughters practice their somersaults on the lawn behind you––really, what kind of God would ultimately betray us? Not that you believe in God, but if there is one–what the heck? This is how he spends his time? Just asking the questions makes you wonder why you no longer get asked to play harmonica with Victor’s band at The Catbird on Fridays? Did you do something? 

Did you bother someone? You tell your student, “Shot glasses had been broken at The Catbird. Pool cues had been spun and snapped and guitar players’ girlfriends had stormed out raging and tearful. It was The Catbird. A rock-n-roll club, man. Antics were part of the job description!”

Your student holds his hands over his eyes and lets out a huffing noise. 

You continue: “Really, what had I done?” 

“I don’t know man,” says your student. “I wasn’t there.” 

“Am I that truly unlovable to this big fucking world?” 

You both stand in silence, the sun beating down on your bare necks. 

High above the shambling oak trees, the rabbit looms like some wonderous bug from a prehistoric or alien world. He blinks and you can see a quiver between his eyes like the way the daughter you know best sometimes quivers between her eyes before she starts crying. Behind the rabbit there are still no clouds, but two gentle contrails where the Air Force pilots had been just a few minutes before. Your student sighs once more. Once more. Then Your daughters yell, “Look at these,” And then tumble forward into a small clearing, laying on their backs as their dizziness subsides. 

“Maybe the rabbit is here for blood,” says your student, wiping sweat from his chin. “To dwell is so pointless. But now I’m hot and I’m tired, man. I just want to get back. Walk me half-way, okay man? I’ll go the rest of the way on my own.”

******

Sam Berman is a short story writer who lives in Chicago and works at Lake Front Medical with Nancy & Andrew & Reuben. They are terrific coworkers. He has had his work published in Maudlin House, The Masters Review, D.F.L. Lit, Hobart, Illuminations, The Fourth River, Smokelong Quarterly, and recently won Forever Magazine’s Unconventional Love Stories competition. He was selected as runner-up in The Kenyon Review’s 2022 Non-Fiction Competition as well as short listed for the 2022 Halifax Ranch prize and the ILS Fiction Prize. He has forthcoming work in Expat Press, Craft Magazine and Rejection Letters, among others.