By Cletus Crow
Cletus Crow is mostly a poet from Middle Tennessee. His full-length collection, Phallic Symbols, is out from Pig Roast Publishing.
Tag: farewell transmission
Categories
Webs
By Rob Kaniuk
A hot woman followed me on Twitter, but it seemed suspect. I clicked her profile. She was a barista in LA who wrote screenplays. Attractive. Funny. Definitely not real.
My friend Jenn texted me to ask why I didn’t follow her bot back. Said she made it with some Mad Libs style template that would shuffle all the words and phrases she uploaded and the bot would fire off a nonsense movie idea every hour.
Does it respond if someone comments?
Yeah, like, she calls me master when I reply, but she calls everyone else babe.
Oh shit––I should make one to resurrect Jeremy.
Oh god, that’s so sad and creepy––Yeah, and I’ll make one for my mother that tweets the lyrics to ‘Hallelujah’ in a never ending loop and says she’s proud of me when I post about my b-hole.
For a few days I laughed at the concept, played it off, then found myself digging through the ammo box jammed full of letters Jeremy sent from prison. I called Bekah.
“Yo, if I gave you all those letters, would you do me a favor?”
“From him?”
“Yeah.”
“Whatcha thinkin?”
“I just want to make, like, a digital file.”
“All of em? Dude, there’s gotta be like two hundred letters.”
“Can you do it?”
“Why can’t you? No offense.”
“Can you help or not?”
I dropped off the ammo box full of letters from different addresses within the Florida State Corrections system. I told her how to fill the templates with all his -isms. Bekah was the only one capable. She knew the way he spoke and wouldn’t clean up any of the poor grammar or correct words like set to sit.
Weeks went by and I wanted to call and see if she’d made any progress, but I didn’t. It was a lot to wade through. We spoke a few times––their daughter had been enrolled in preschool and started saying goodnight to her daddy’s picture before bed––but I didn’t bring up the ammo box.
The week of Father’s Day, she texted me:
You still got those recordings?
She was talking about the songs we used to sing together. I had piles of recordings from over the years––hundreds of hours of Jeremy and I and whoever was with us at the time.
Yeah. Haven’t figured out how to rip them from the MiniDiscs yet.
I just need one song.
I’ll see what I can do. What song?
Didn’t you and him do Wish You Were Here at Matthew’s?
Yeah, I’ll look for it this weekend.
Think you can get it to me by Sunday morning?
You got it.
Bekah wanted him there for Father’s Day. It had been little more than a year since they kicked the door off the hinges and found his body.She wanted him there to sing a song to their daughter.
I looked at the handwritten notes on over thirty MiniDiscs. Studio 566. Jimmy Mac sessions. Sanford’s vacation. Brickette lounge...I eliminated a bunch because the dates didn’t line up. Which left me with eight. Eight MiniDiscs, three hours each.
I listened to the first few tracks, just to hear his voice. He never knew how to close a song. He just kept playing. It was annoying as hell. I’d look at him, try to cue him the song was over, but with all the bong rips and Busch pounders, his eyes were always shut. The song would only end if his makeshift matchbook pick finally disintegrated. Or if he was ready to steal another cigarette. Every track ends with him laughing at me for bickering at him for ruining an otherwise solid recording.
I popped in the disk marked Half Spent / Stemmer’s Run and advanced a few tracks. A calloused finger drags along the E string. He inhales sharply through clenched teeth. Shakes a cramp from his hand. A click from a lighter and I smell bong water, stale Marlboros and the rotten brown couch. A car goes up Westdale so I know the windows are open. It’s summer. Hot. He’s got on his tattered beige cargo shorts but probably not a shirt.
We’d always bitch about never doing anything fun, but my fondest memories have nothing to do with Hershey Park or chartered fishing boats. I miss the moments where we’re bored and talking shit. Shit talking is where the love is. Ninety degrees with a box fan in the window, six-pack of pounders sweating on the coffee table. Working on a song. Telling my best friend he fucked up the end.
I’d forgotten Bekah was on this disc for two songs. “All in This Together” and “How Can I Try.” The three of us harmonizing caught me off guard. They’d known each other less than a week.
****
I met Bekah at an NA meeting and told her about my best friend who was locked up. I told her I was the only one who wrote him and as a kindness to me, she asked for the address. Pretty soon she was asking a lot of questions about him. I told her all the stories about us growing up and getting in trouble. The arrowheads we forged on the riverbank as children to fool his dad. Quitting our jobs because we figured out the bass at Longwood were hitting a white spinner bait. Coming to blows in the hotel room on Fisherman’s Wharf over a handful of missing oxys and a woman whose name neither of us could remember.
She asked if he was reckless. She had fallen in love with reckless before and it landed her in rehab. I laughed because he was in prison. But I saw what was happening––he was courting her and she was falling. I told her the only true thing I knew about my friend.
Jeremy’s like an old dog. He’s been kicked around and left in the backyard too long by his former owner, but he’s yours now. He’s gonna do dumb shit and cause you grief, but he’s fiercely loyal. Doesn’t matter how far you throw the ball, he’s gonna bring it back. Yeah, he’s reckless. And that’s why I love him.
Florida Corrections gave him fifty bucks on a Visa card and an open bus ticket to anywhere in the lower 48. Bekah came with me to pick him up at 13th and Filbert when the Greyhound came in. They had never met, never touched, but they were in love. I peeked in the rearview. They smiled and glanced at each other but this wasn’t a love letter. He’d always been so confident, but I could see he was afraid of a five foot three curly haired girl wearing a Last Waltz shirt. It was at a stoplight when I turned around in my seat. I asked him what he wanted to eat and I saw it. Did she reach for his hand, or was it he who reached for hers? Their fingers were sewn together and they were smiling. After three years in prison he told me to decide what we’d have for dinner.
****
On her mother’s porch Jeremy noodled on the Simon and Patrick guitar Bekah and I bought him. I’d mailed handwritten lyrics and tabs of new songs, and on the rare phone call we had together, I’d play a few bars so he could hear the melody. He practiced in the chapel every week before Sunday church service. Bekah wrote to him about the ones she liked, so he focused on those. I listened to the songs we sang on her mom’s porch and there’s a part at the end where the laughter dies down and it’s quiet for a few seconds. He was looking at a spiderweb between the yew bush and the brick of the house.
“Ain’t it funny how that web is home for one thing and certain death for another?”
“Wish You Were Here” was a few tracks after our songs from the porch. I had found the song she wanted and two more. I couldn’t figure out how to digitize the tracks in a way that would preserve the sound quality. So I hooked up an auxiliary cord from the MiniDisc player to a Bose speaker, then I set up the voice recorder on my phone and recorded in real-time. I labeled each one and sent them to her in a text message late Saturday night.
Along with my morning coffee, a text from Bekah:
Thanks
***
I’d forgotten about the ammo box letters until Bekah emailed me. I copy/pasted the file into the Twitter bot generator.
>@IrishHillblybot: What say me and you find a quiet spot and get as high as a giraffe’s asshole?
>@kaniuk22: @IrishHillblybot haha hell yeah
>@IrishHillblybot: @kaniuk22 what’s up, brother?
>@kaniuk22: @IrishHillblybot i really miss you
>@IrishHillblybot: @kaniuk22 what’s up, brother?
>@kaniuk22: IrishHilblybot i wish you would’ve called
>@IrishHillblybot: @kaniuk22 what’s up, brother?
Rob Kaniuk is a proud uncle and has the best wife in the world. His mm is pretty cool, too.
By EDBOY
I tap his shoulder in the back room of Bob’s Java Jive, and go, “Bro, you look just like Richard Brautigan.”
He’s missing the broad-brimmed outlaw hat, but he’s got the glasses, the bushy handlebar mustache.
He leans back, says, “Who THE FUCK is Richard Brautigan?”
I show him the weathered copy of Trout Fishing in America that’s conveniently tucked in my jacket pocket.
“Wow,” he says, bringing the book to his face. “That IS me. What did he do? Bag groceries?”
“You know, I wouldn’t be surprised. He was a poet and did a lot of random shit,” I say. “He was born here.”
“He was born in fuckin’ Bob’s Java Jive?”
“No man…Tacoma,” I say. “He was born in Tacoma. He died in 1984.”
“Bro,” he says, “I was born in 1984.”
“You were?”
“Yeah man,” he says. “I’m obviously him. I’m Richard Brautigan. I’m fuckin’ POET, dude.”
The karaoke DJ summons him.
He sings Elvis Costello’s Pump It Up. When it gets to the Pump It Up part, he kicks the air like he’s kicking over a beer can tower.
When he returns to his booth, I show him another picture of Richard Brautigan.
“That’s my next Halloween costume,” he says.
“You’re welcome,” I say.
“Hell yeah,” Richard Brautigan says. “I’m finally gonna be somebody.”
Edboy is an American writer. He runs Spaghetti Days Press out of Tacoma, Washington. Follow him here: @spaghettidayspress.
Categories
LEMONADE STAND
By David Luntz
Sprouting like weeds all over the hood. Lemonade stands. Suburban cliché. A cliché of cliché. I loathe them. Which I suppose reflects badly on my character. But I don’t blame the kids. They’re being forced into it. Every time I see one, though, I can’t help but wonder about those children’s hygienic practices, how many flies dipped their feet in those tepid brews, and the quantity of lead in the water that had been used to make them.
But one day I was thirsty, ragingly thirsty. I approached the nearest lemonade stand. Three pleasant blond-haired children manned it. They were clad in the latest designer brand clothing popular with a certain income-level of suburban households. I drank five cups of lemonade without paying. To be honest I had no intention of paying. But I promised those children I would go home and return with their payment.
I placed my empty plastic cups gingerly on their stand. I took a step back. I thought some sort of apology was needed since I wasn’t going to pay. I waved my right hand before them and explained since they were in a business, albeit a small one, and given it was unregulated and they did not pay taxes and that my hand was clearly visible when it had helped itself to their lemonade (in contradistinction to Mr. Smith’s teachings), they should therefore take my drinking of their produce without recompense as an opportunity to learn the difference between extending credit and giving a loan—which, perhaps in the grand scheme of things, like war and politics, as von Clausewitz taught us, may be a meaningless distinction, but, I added, with a disarming smile, that was another discussion for another day.
Yet, for sake of clarity, I told them I was drinking their lemonade on credit, not as a loan. Yes, I know, I know, I said, my “credit” here amounted to my word. But if it’s good enough for the U.S. government, then it should be good enough for you. Trust me children, it’s not lost on me that the mere promise of a few pieces of that specially-inked paper no longer backed by gold, with its all-seeing eye of providence inside of a creepy bisected levitating pyramid, got me those cups of lemonade. And yes, I get I’ve just compounded my legal woes by inadvertently entering into a binding contract with you, for I am painfully aware much to my prior detriment promises are considered ‘consideration’ in contract law and oral contracts are binding and enforceable in courts of law.
Oh sorry, child, did I spill on your precious Brandy Melville dress? No, no don’t fret. Don’t cry. I’m sure the stain will come out. No? …What? No, you cheeky little fucks, I’m not going to leave my two-hundred-year anniversary special edition Phillipe Patek timepiece with you while I go home to fetch your little bit of sweet extortion, nor am I getting skinned for the cost of a whole pitcher of lemonade—you should learn to place it better on your stand!
Look, shit happens, accidents happen, deal with it. But putting all that aside, children, I know what troubles you. I know. I know. So, let’s mix metaphors and talk turkey and get down to brass tacks and address the elephant in the room: you don’t know me from Adam. You fear I will run off and never return with your precious payment. I get it. I get it. I’ve lived it, too, in my own professional life. You fear all your labor, hard work, your investment will have gone to waste, been all for naught. But look! I come with good news! Here’s another chance to learn something very important—what’s known in the parlance of the industry as a “transferrable technology” that you can acquire without any startup costs and sweat equity.
Imagine that! See, now you can learn in real time about write-offs and the cost of doing business, which had you known before, you would have priced into your cups of lemonade without having to learn about Bayesian priors, sunk cost fallacies, double entry book keeping, the utility theory of value and law of diminishing returns. Which you will thank me for later when you don’t end up like King Tarquin who, you might recall, tried to buy all nine of the sybil’s oracles but wouldn’t accept her price, so the sybil kept burning her oracles until King Tarquin caved and ended up purchasing only three oracles for the same price as he could have purchased the set of nine. The point being here to understand the value of what you’re purchasing, because one day you’ll find yourselves on the other side of the lemonade stand, so to speak, and realize that sellers sometimes like markets can afford to remain irrational much longer than you can afford to remain solvent, to paraphrase Mr. Keynes.
What? Why the look? Oh this. No, no, no it’s nothing to be worried about, just 17th century with an ivory handle made from…but this is not what you should be looking at. You need to see the bigger picture. So, pay attention! I’m trying to show you that your lemonade stand is but a tiny pucker on a tentacle of an enormous sprawling octopus of insurance companies, media conglomerates, investment banks, and law firms—no, what’s that, it’s not registering, fine, fine, if such abstraction eludes you, then picture some vast ancient army moving through the night, felling trees, making fortifications, their naphtha-fueled braziers burning along the western shores of the Danube and the Rhine, the tooth-chipped coins clinking in leather pouches strapped to the legs of the weary whores, the clanking pots of the cooks, the surgeons, barbers, and bloodletters with their cloudy jars of leeches and cedar boxes stacked with fleams and catheters, the learned-Greek doctors and stoics, bantam cock spleen readers, prestidigitators, prognosticators, students of the aleatory arts, dice men, procurers, devotees of Astarte, horned moons tattooed on their tongues, spies, interpreters, masseuses, forgers, rhetoricians, rumor-mongers, apiarists, bird catchers, butchers, dowsers, trappers, curers, washerwomen, the whole slow moving slug depositing its slick residue over a wasted land bathed in its own sebaceous glow, for your stand is part of a similar vast dark enterprise and nothing is really still, which is the first illusion you will have to learn to unsee, the illusion of stillness, but the point here is that you can never learn too early, for here, right here is where theory and practice both merge and come apart depending on which side of the cliché—stop screaming you little bitch, I’m not squeezing your arm that hard—depending on which side of the lemonade stand you stand on, for like that other cliché—or is it a trope, I can never get them straight—about the cat in the hat or in the box it all depends where your observation point is, for from where I am standing you’re all basically dead, or rather should I say, doomed, and from where you are standing no doubt you’re looking at some adult you wished had never passed into your perceptual field, but alas in life sometimes we can’t choose what not to see, can’t arrange to sweep these inconveniences under the proverbial rug, just as we never know the exact moment of our deaths, which is perhaps a good thing come to think of it, but let’s not be too maudlin, for when I spoke about death earlier, I meant it mostly in metaphorical terms, so let’s pretend you’re like Adam and you’re getting evicted out of paradise, not for paying your rent late, but because you did the one thing you were told you couldn’t do, and your maker sends down an angel who takes you up to the top of the highest mountain in paradise and from there you see the whole history (which is also your future) your one act caused, and in Adam’s case it was very bad, Hobbesian, chaotic, the general state of affairs that existed before the state contracted to monopolize violence from its subjects, I’m talking untrammeled murder, disease, war, theft, rapine, but in your case I’d say the future’s less gory, though, that said, I am not sanguine either about your prospects because this stand is a kind of gateway beverage to a life of office cubicles poring over grim actuarial statistics that had their origins in Graunt’s Mortality Tables, the sponsoring of derivative securities and other dubious negotiable instruments on the Amsterdam stock exchange that not coincidently came about with the science of probability in the seventeenth century, and the probability for you dear children is sharing cubicle space like penned cattle, of smelly refrigerators stuffed with moldering food cartons left by your coworkers some of whom you will no doubt develop unhealthy thoughts towards that may adversely affect your relationships with those whom you really care about, so you will find yourself coming back to your dingy rental you can barely afford in a packed subway car and wondering, “How did I get here, where did it start?” and then you’ll spit on the name of Mr. David Hume who told you it was impossible to find true effects from causes, you will curse yourself for taking him at his word, for here the effect can be traced down the chain directly to this instance with no other intervening causes—oh please, please don’t look at me like that, this blade hasn’t been sharpened in ages, it’s quite dull in fact, but admire if you will the ivory and jewel-crusted handle, genuine 17th century Ottoman smithing here, beautiful, no?—I mean it happened so quicky, he surprised me, yes, I hate to admit it, I liked it, I know, not nice, but you can trust what I’m saying because before that I shot the fucking albatross, well not the actual one in the poem, let’s say a metaphorical albatross, truly, the details are not important, but what matters is there is no coming back from it, you see, it’s a slippery slope, and nothing’s been the same since, sometimes I can’t help myself—now, now stop shaking dear children, stay calm, besides, we all have dead birds in our lives, so to speak, don’t we, even those we tried to save, so I suppose it doesn’t matter, it all balances out in the long run, but speaking of birds, take to heart and cling to it for all you are worth this sage advice of Mr. Russell’s who warned us that thinking the sun is going to rise tomorrow is like the chicken who thinks the approaching farmer is coming to give him his breakfast (because he’s done it every morning), when in fact the farmer is really coming to wring its neck, so yes, I think you know now what I’ve really been trying to tell you, and no, it’s not that you were never going to get your payment, I think that’s obvious now, sorry, not sorry, but this is where the nightmare begins, this is where it begins, so please children run, run for your fucking lives.
David Luntz. Work is forthcoming in or has appeared in Post Road, Hobart Pulp, trampset, X-R-A-Y Lit, Rejection Letters, Maudlin House, HAD and other print and online journals. More at davidluntz.com Twitter: @luntz_david
Categories
MIDLIFE HARD-ON
By Jon Doughboy
I did four pull-ups in the park and my arms are about to fall off. I’m in decent shape, or so I thought. Three days a week I do a little exercise routine in my basement. Body weight stuff like push-ups and squats. A few dumbbell exercises. I jog when the mood and motivation strike. But pull-ups are another story. Hefting the big hunk of aging meat that is me—my shoulders feel swollen. Like I’ve just been inoculated. But against what?
I jog to my girlfriend’s parents’ house in the less affluent part of an affluent New Jersey suburb, wheezing past lush, diligently-watered yards and professional-trimmed hedges. The odd raised ranch. My triceps are burning. Cape Cods. My shins are aching too. Stone Victorians. Even my forearms are tight. New bright white farmhouse McMansions with mass-produced timber—ooh, look at the grain! Feels like we’re in Jackson Hole, honey! My girlfriend and company are travelling as a family to the Canary Islands. I declined their invitation. The bill was a bit steep for me, the itinerary a bit tedious, the concept of family a bit strained, so I’m here housesitting. A neighbor walks up with two red mums. “For Nicole. I know she loves mums. I had a funeral last week. A wedding tomorrow. That’s life, right? But they’re with us, aren’t they?” she says, pointing to the sky and then resting her hand on her heart. “My grandfather fell off his motorcycle at 80. Then he developed kidney issues. But he fought, you know? Just like my uncle. We took him off dialysis and he lasted weeks like that. We thought he’d die in days. But life, you know? It wants what it wants.” She goes on like this for a while. Life and death. Funerals and weddings. I get an erection but lean against the door in such a way that she doesn’t notice. This is my midlife crisis, I guess. I can’t afford a Porsche or hair transplants or a mistress so I’m not complaining. Though they happen sometimes at random, without a stimulus. I’ll be cooking oatmeal or aerating the lawn or sitting in traffic listening to a podcast about the Hanseatic League and boing—my cock is practically erupting through my pants. The neighbor leaves eventually. I masturbate quickly in the bathroom. I have to remember to water the mums.
I meet my childhood friend later for beers. I tell him about my aching shoulders, my midlife erections. He’s married now. Has one kid with a second on the way. They’d been trying for almost two years with joyless, scheduled intercourse. He’d go out to Long Island for work—he’s an electrician in a tiny union and is sometimes the only guy on-site, wiring new supermarkets or big-box stores—and he used FetLife to find all these kinky women. One could only get off when he fisted her while wearing his wedding ring. He said, “I tried to take my ring off once because I felt guilty, you know. I’m not a monster. I felt terrible. But she froze up when I tried to. Stiff as a corpse. So I left it on. But I always wondered what would happen if my ring got lost in there. If I’d need to take her to the hospital. Or rent a metal detector or tie a magnet to a dildo or something.”
“My girlfriend has been very horny lately,” I say. “Some hormonal change. Perimenopause maybe. Not that she didn’t have a sex drive before but now every time we have sex, she wants to have more sex right after. And I tell her I’m old. That she needs to think about the refractory period. Then she takes my soft cock in her mouth just licking it, playing around, and I’m sort of embarrassed it’s soft but also flattered that she wants me or it or us so much and like fifteen minutes later we’re fucking again. I came three times in an hour. I haven’t done that since I was a teenager in heat.”
“Well, I say enjoy it while you can, man. Because we don’t really have sex anymore. It’s just work and parenting and on Sundays I watch football and fuck around on the guitar all day. Lots of Black Sabbath. The riff master.”
He shows me some videos of guitar prodigies on YouTube. Loads of fancy finger work. But the music sounds busy to me. Like they’re playing way too many notes.
The next day I meet my mom and my sister at a Chinese place for lunch. Mom points to the kitchen and says, “Look, they’ve got actual Chinese people cooking. That’s a good sign. On Queens Boulevard we used to get all-you-can-eat Chinese food for two dollars. Piles of egg rolls. Buckets of lo mein. Now dumplings cost ten bucks. Ten bucks! What happened to this country, huh?”
My sister is telling me war stories from the psyche ward where she works. “The schizophrenic patients aren’t that bad. It’s the bipolar ones you have to watch out for because they get manic. And the drug addicts. They’re disgusting. They’re all criminals with bedbugs and scabies. And so entitled. One of them refused to eat the food in the cafeteria and was screaming ‘my insurance pays for this shit’ meanwhile their insurance is Medicaid so actually my tax dollars pay for it, bitch.”
“Did you say that?” I ask. I admire my sister. She’s very strong. Until she isn’t. Then she’s staying in another psyche ward in another county for a week or two. Meds. Sleep. Repeat.
“No.”
“Ten bucks for dumplings! Dumplings!” My mother says.
My sister goes on: “But one time we had this real piece of shit patient who had cancer and he beat cancer but was back in the ward for something else, it’s a revolving door of nutjobs, and he was screaming, calling all the nurses cunts and saying he had AIDS and trying to spit on us and when we finally restrained him I whispered into his ear, ‘I hope your cancer comes back and kills you’ and you can bet your ass we were cackling about that on our smoke break.”
My mother calls the waiter over. She doesn’t have time for menus and likes the—any—attention. “Do you have a shrimp dish?”
The waiter, a young Asian kid, says, “Yes, many shrimp dishes.”
“With garlic?”
“We have shrimp with garlic sauce.”
And I get an erection. In this dumpy Chinese place while my sister is telling me psyche ward drama and my mother is nagging the waiter about the size of shrimp. Are they big shrimp? Are they prawns? How many shrimp come with the dish?
We order. I excuse myself to masturbate in the filthy bathroom by the fire exit at the end of the hall. There’s no soap so I use the hand sanitizer on the sink. There are dark fingerprints smudged on the wall. When I return to the table, the food is already there.
“These aren’t prawns,” my mother says, examining a shrimp she’s skewered with a chopstick.
“Did I tell you about the Bulimic girl who was really sweet and read my tarot but had the bones of an old lady because of her eating disorder? She was like sixteen or something but with 80-year-old bones.”
“Ten bucks for dumplings. Unbelievable,” my mother says.
I sit down and take a sip of Coke. My chicken smells like rancid fry oil. My shoulders still hurt.
The next morning the landscapers wake me up. Watering, mowing, seeding. Mornings in the suburbs are noisy with hired labor keeping yards tidy and clean. I lie in my girlfriend’s childhood bed wondering if she lost her virginity in it. If she had her first orgasm in it. Wondering how close the Canary Islands are to Africa. Wondering, remembering. Annalise. A Peruvian pre-law student who was volunteering at the library with me to teach new immigrants how to read. I was there for court-mandated community service. She was there to pad her resume. Afterwards, we’d fuck in my Ford Explorer under a huge, half-dead Catalpa tree at the back of the parking lot. She’s a lawyer now in North Carolina. Practicing law. What am I practicing now? Life? Except you don’t get a free trial. Or maybe you do. I should listen to the podcast I downloaded about karma. I go to the bathroom. I jerk off. I hope the landscapers watered the mums.
Two days later my shoulders and back are less tight. I jog to the park again. Step past the mums, across the tended yard and past the various architectural styles of the affluent houses. I do three pull-ups, four, five. I’m hanging from the bar. I have an erection. My abs are tight, my shoulders. I want to be young again, fucking in the back of a beat-up SUV and thinking about my future. I want dumplings that don’t cost ten bucks. I want money. I want to be on a Spanish beach with my horny girlfriend. I want to have a kid, to teach my kid how to master riffs. I want to be twenty pounds lighter, twenty years younger, twenty times stronger, smarter, better. I want. I don’t want to want.
But life, you know?
Jon Doughboy is a recovering “literary fiction” writer who now produces “prose entertainments” to pass the time, available for the amusement of none and all @doughboywrites
Categories
CHILDREN’S CRUSADE
By Avee Chaudhuri
Whenever our father Martin wanted to go on a bender he said he had to take an urgent letter to the offices of the North Eastern Atlantic Railing Corporation in Portsmouth, three days away, for the chairman’s eyes only, and that he would leave as soon as he could find the keys to the Buick. He preferred traveling at night, he told us, because the roads were clear. Thirty minutes later he would be down at the bar getting silly on scotch with a public-facing hand up the proprietor’s skirt, who poured scotch gratis. We told ourselves Mrs. Brenda had been widowed. Our father was many things but he wouldn’t with a married woman. No, it couldn’t be. Mrs. Brenda’s husband surely had been shot out of a cannon at too high an angle during his time as a prisoner of war, and he had not survived the impact of his collision with the warbling pines of the Black Forest. Our own mother had actually died giving birth to the twins.
Martin, our father, liked to go on a bender every week. He loved drinking. “It feels good,” he said.
One time we ventured, the twins hiding behind us older children, “Would it not feel good to make a real home for your children. Would this not feel as good as, if not better, than drinking scotch?”
Our father was an attorney, who handled the affairs of many North Eastern concerns and he hated vagueness as a point of professional pride. “Well, how much scotch are we talking? What do you mean a real home? Bedtime stories and so forth.”
“Presence, just presence, consistency, tact.”
“Fuck that noise,” Martin said as resigned as ever. “And wait a minute. You know I’m doing you children a favor doing my drinking out in the world. Not corrupting the family hearth with the sound and odors of profuse wretching. Scotch is a poison after all.”
“No, you wait a minute. Don’t frame that as a virtue. There’s your fingering of Mrs. Brenda, a proud business owner.”
“I don’t know what you’ve heard or seen. You kids don’t understand. I was concealing some documents on her body, important tax documents.”
“Sure, Martin. Sure.”
“Martin?! Goddammit, you treat me with respect. I am your father!” And he stormed off for his most serious bender yet, reaching as far south as Savannah, Georgia. He stayed there for three weeks until Mrs. Brenda summoned him back posthaste.
During this absence we had a frank discussion among ourselves and decided we ought to go out in a blaze. We were burdens to Martin. Maybe he could find love again with Mrs. Brenda, if only he had the temerity to move beyond hand stuff, to take her wholly in his arms and do her. We decided to fight for the Holy Land.
But the twins, who were rather precocious, pointed out: “That place, ought we to project our rather meager version of faith onto it?” It’s true, I think we had only been to church the one time, at our maternal aunt’s insistence. She had to watch us because Martin got into a brawl with a bunch of Machine Democrats at a bar in Yonkers.
“We are only really culturally Catholic,” the twins said in unison.
But we wanted to do something useful with our sacrifice. There was a bookmaker in town Martin had run afoul of. In addition to being a drinker, he liked to let it all ride on the ponies. Our mother was a very beautiful and kind and understanding woman, and I think this explains our father’s obvious misery with the prospect of living, the horror of it, the vanishing likelihood that he would take Mrs. Brenda into his arms and do her. I mean, every time he saw us peering at him from around a corner, curious as to his movements, equally curious and concerned about the type of man we would grow to resemble or eventually be drawn to marry, he must have seen in our faces an apparition of our dear dead mother. What greater prophylactic can there be than children underfoot. We were going to detonate in the presence of the malicious bookmaker. The twins had cultivated an interest in applied chemistry and fitted us all with bombs. It was Monday, nine in the morning when they went off in the bookmaker’s shop and we were blown upward. And now we are jumping nearer to seraphim, trying to feel at the firmament of their jaundiced wings, but they simply float higher than we can reach in a conscious denial. Even in heaven on high we children remain objects of pity and scorn.
END
Avee Chaudhuri teaches Creative Writing and Literature at the University of Nebraska-Lincoln. He is the chef/owner of The Sepoy’s Revenge, a restaurant he runs out of his office on campus (Andrews 320).
Categories
YOU ARE MISALIGNED
By Kia Guindon
Terry is in a mood. Eyes drippy with resolve. He looks like he’s one long glance away from trouble. “We’re gonna get out of this place,” he says, “Thelma and Louise style.” I want to tell him we are here voluntarily, that we can leave whenever we want.
“Don’t they die?”
He tells me he doesn’t have all the details sorted yet.
*
I’m in the garden watching the sky leak by. Terry is beside me, combing through the Times. He likes to read the headlines out loud. Something to do with feeling more attuned to the communal suffering of the world.
“Alphabetical or random,” he asks.
“Dealer’s choice.”
He begins, “Killer asteroids are hiding in plain sight—a new tool helps spot them. New Mexico wildfires map an early, record-breaking season. Liviah’s new liver: a family grapples with the girl’s puzzling hepatitis—a doctor prescribed an obesity drug, her insurer called it vanity.”
“What else?”
“There’s one about coral reefs. But I know anything to do with the ocean breaks your heart.”
*
It was my mother who insisted on my stay. Un petit rest, she called it. Chicken soup for the troubled soul.
“You must know what this looks like,” she said in the hospital.
I wagged a finger. “You are misaligned,” I said when what I meant was misinformed.
What happened was this. I was found floating tummy up, far out in the Pacific Ocean. Coast guard pulled up beside my limp, star-fished body and asked, “Miss, are you in need of saving?”
I couldn’t talk but flashed a thumbs up to indicate yes, that would be nice. As my consciousness turned spongy and edgeless, I brushed my tongue along my palate and was comforted by the taste of salt.
*
Terry ate oatmeal with water. That’s what I first noticed. That, and he took long, drawn out spoonfuls. Like he wanted to remember each oat.
“He sure likes to suck out the marrow,” one of the cafeteria ladies said.
I sat down close. His balmy breath was palpable. He kept eating, paying me no mind. We sat like that till his plate was cleared and it was time for group.
I was fed up after a week of smeary oats and silence.
“Good luck Hon,” cafeteria lady said to me.
I followed Terry to the common area. Tracked him through the TV room and rec center. When he settled in the garden I stood in front of him, arms crossed.
“What are you here for?” I said.
“Did you know almost everything on earth, including you and me, was formed from the heart of a star.”
“I thought we consisted mostly of water,” I said.
“That’s what they want you to think.”
“Who’s they?”
“You know.”
“I don’t. That’s why I’m asking.”
The sun thrummed down. Terry picked at his skin. I stood staring, resolute.
“What’re you here for?” I repeated.
“DNA, honey,” he said. “What’s your excuse?”
*
Truth be told, I wasn’t trying to do what they thought. Problem is my story sounds fake. Even to me. When I think back to that day my brain feels like a vat of air. I remember the ride to the beach. Talking Heads on the radio. Stale stench of summer. Pulling from a bottle of clear liquor. Then the tape zips forward to the bit where I’m saved. Sure, I felt some misery. But it was my baseline. Nothing that would tip the scales.
*
The Chosen Ones join group today. “One, two, God is coming,” they sing, “Fighting for us, pushing back the darkness.”
We are sitting in a circle on plastic chairs. Most of us are wearing what we came in with, minus any shoelaces, necklaces, drawstrings, belts. Terry is beside me, rambling on about time.
“Funny thing is,” he says, “no one knows why we only experience it in one direction.”
A nurse paces, clipboard to her hip. The chalkboard reads: Falling is not collapsing, falling is extending. “Know the signs,” she says, and we all nod along.
“Three dimensions for space,” Terry says, “And only one for time.”
*
This month makes three. Terry and I have a motto now: Maybe they’re born with it; maybe it’s clinical. Talking is prohibited after lights out so we sneak into the TV room with flashlights and blink morse code to each other. We are still learning so most of our words are simple: throat, wave, white.
No one knows Terry’s exact age. But gossip is stock here. Some say he burnt his birth certificate a long time ago on account of the government tracking him. I asked him about it once, but he just said space and time are the framework within which the mind is constrained to construct its experience of reality.
Others tell tales of Terry selling fake never-before-seen pictures of Elvis. Or harvesting kidneys for the black market. One story lands him in Italy, married briefly to a countess. Whatever the truth, I can tell from his large pores and yellowed fingers that he’s experienced in life. More so than I am anyways.
*
Mother calls. Her voice sounds springy.
“So,” she says, “what’s the cup at today, baby?”
“Quarter empty,” I say.
“Don’t be like that.”
She tells me about Walmart Guy. He has a bump nose and large skull. They go to dive bars and peel off labels of Michelob and play rock paper scissors. Loser eats the label. They are to be married. City hall style. Very little shebang. Next to no rah-rah. It isn’t appropriate to celebrate with extravagance, she says, for a woman of her age.
“And you?” she asks.
I remind her that my environment is not exactly ripe for love.
“Not a single prospect?”
I tell her I have Terry and that he’s like a husband in that we don’t have sex and sling our irritabilities at one another to relieve the pressure in our hearts.
“Oh yes,” she says, “I understand.”
*
We are guests. But that feels like the wrong word. We were not invited nor do we wish to stay. What got us here was a need for a blip of rest. Nothing permanent. Most of us here are happiest when life is like a film. We have an affinity for illusions.
*
Chef makes a thousand eggs a week. Divided by seven, that’s one hundred and forty-two eggs a day. Numbers help. No ambiguity.
“Incoming news,” Terry says between forkfuls of wet yolk.
“Sock it to me.”
“At a dangerous 125 mph, the well-known Britney Spears eludes the police,” he says, his voice all Southern lilt. If I close my eyes, he could be Harry Connick Jr. or maybe Dennis Quaid.
I pencil a three into a Sudoku row. Terry is naming billboard hits from 1959 alphabetically.
“I don’t know why you bother with that crap,” he says.
“Think good, look good,” I say.
He blinks ‘okay’ then ‘yeah right’ at me.
I don’t tell him about my tricks. Memorizing sonnets. Sudoku. Omega 3s. I don’t tell him the average brain’s weight and volume shrinks about 5% per decade after 40 and that I’m halfway there and my odds don’t look great. I don’t tell him about losing the word vacuum. “What’s the name of that machine?” I asked one of the others, “That sucky device that gets all of the dust.” Other things too. Important things. Like the brand of my mother’s perfume. Or the name of my hymen-taker.
What stays, stays. Survival of the fittest. That’s Darwin. What else do I remember? Not much. Was it me or Dostoevsky that said it’s very pleasant to break something from time to time? Terry says memories exist outside of time and space, but I think only the strongest memories endure. No one tells you though if it’s the right things you’re remembering.
*
“I thought of something,” Terry says. “We have to try to imbue our lives with ambition.”
“Do or do not,” I say, “there is a lot of try.”
“Listen, listen, listen,” he says, “ambition gets a bad rap, but channel it correctly and boom.”
“Boom what?”
“Boom, life.”
*
Terry had no moral compass. That was his problem. This was when he lived at the Western tip of the I-90. Tough is what he calls that time. At night he’d tread out into the dark on sodden patches of grass and fix his eyes on the dimmest part of the sky. He wanted to return to dust. Unburdened by time. Be up there, just another star.
That’s all in the past though. Acceptance is his mantra now.
*
“I’m not myself,” I tell Terry before group.
“Who here is?” he says.
Group is a time where the past gets a good going-over. The Chosen One’s have access to the past. Bonafide memory savants, the lot of them. They remember every infraction of morality, small or large.
Terry too. He can rattle off names and dates of birth from his high school rock band.
I want to know if it’s wrong to only recall the shape of a day. Light flaying the sky. Muted pinks and purples out a window. When I watch films I’m left with feelings. No facts. I do not know if the lady was in red or blue or white or green. But I can remember her forlorn face in a mirror. The way she twirls a spoon in a cup of coffee. Even my mother. I have been here long enough to not know if she stands at 5’4 or 5’6. Or if her eyes are flecked with yellow. But I have tucked away moments of her mouth laughing. That I do have.
*
I come clean.
“You just ended up out there?” Terry says.
“Yeah.”
“And you don’t know why?”
“No.”
“There’s gotta be something.” He makes a list. Probable causes. He wants to get to the source.
“Parents?” he says.
“Alive.”
“Boyfriend?”
“Negative.”
“Friends?”
I move my head from side to side. “A few.”
“Hard drugs?”
“Too young.”
He blinks ‘shit’ at me. “Maybe that’s your problem—no fun.”
*
Terry has a plan. We’re going to the beach. Exposure therapy. To confront the scene of the crime.
“Better than any of the cockamamie you’ll get in here,” he says.
The Chosen Ones remind us to be wary of the impurities of the outside world. There is filth everywhere. Terry tells them he’s beyond corruptibility. He was born with sin in his blood.
“Do you really think that’s a good idea?” my mother says.
“Better than any of the cockamamie in here.”
“I trust your judgement.”
“I don’t,” I say. “That’s what got me here in the first place.”
*
We arrive midday. It’s still there in all its aqua wonder. Unchanged. We stand gazing out. Undulating waves of blue and green. Miles and miles of water.
“Anything?” Terry says.
I tell him I feel like a croissant. Flakey, layered, a little wet. We are encouraged to use metaphorical language to describe our feelings. Looking at things head on, we are told, can be overwhelming.
“Sometimes a leaf is just a leaf,” he says.
“Sometimes a leaf is just a leaf,” I mimic, an octave higher.
“What I’m getting at, kid, is maybe you’re just sad. And it is not like anything else.”
So I tell him. From the top. The parts I remember. My mother and her men. And then the town. Its people. Sagging faces. About all the ordinary ways life stacks up.
*
I was there all of six months. We didn’t escape. But we didn’t die either.
On my last day Terry blinked the word moist at me.
I thought, I’ll never see him again.
I thought, there’s two ways to deal with the cards you get dealt. Mete life out into measurable acts of compliance. Or use whatever you must to escape the oblong shaped, far away threat that is as real to you as your ten fingers and toes. Be it God or the space-time continuum. To the former, the latter are deranged, wrong, mad.
Pick a word.
Kia Guindon is a Canadian writer based in New York.@km_guindonn
Categories
AS I LIVE AND BREATHE
By Reilly Tuesday
Sometimes Tara feels like she’s the only girl in this city who grew up eating Lucky Charms every morning. Her friends in Montreal didn’t grow up with sugary cereals in the house and probably seldom slurped the blue milk output of 8 distinct marshmallows. One humid evening the self-declared almond-mom offspring, all grown up, come over for a barbecue. They gather to grill the 12 frozen Compliments-brand beef patties, on sale for $19.99. Together they joyfully slurp dripping grease and mustard and golden beer.
Once every last drop is lapped up, they go home. Tara then realizes she forgot to buy a barbecue brush with those wiry bristles to thoroughly clean the portable grill. She tries her best to clean the waxy grease with bunched-up paper towels, tries to limit the black gunk that gathers under her fingernails, and tries even harder to ignore that weird tight feeling in her chest.
Her father, Darren, won the barbecue in a charity golf tournament for hurricane cleanup in her coastal Canadian hometown. Darren works for a company that specializes in making cardboard boxes for seafood companies, which are waxed on the inside to help better ship the oysters and mussels and lobster and haddock and so on. They cannot be recycled.
The town of Summerville’s harbour is Lucky-Charms-milk blue on calm days but pink on stormy days, when the churning sea rustles up the red sand on the ocean floor. Tara returns from the big city and goes jogging on the boardwalk, following the piles of seaweed along the Atlantic shoreline, just like she always does and just like she always has. She knows that the town’s sewage was formerly dumped into the water, that the shit then became fertilizer and the black seaweed then multiplied and multiplied. She learned this in the Nitrogen Unit of Grade 6 Science.
For the Water Unit, the teacher brought in plastic tubes and big Rubbermaid containers full of water and taught Tara and her classmates how to siphon. She remembers practicing with plastic straws in plastic cups of Nestea in the Wendy’s sunroom with her brother, Blaze. Sometimes Darren took them to McDonald’s, but less so Burger King and Dairy Queen after they got shut down and sat deserted in the sea of plazas. She remembers proudly showing off her skills but Blaze was only in Grade 3 or 4 and could only blow bubbles because he hadn’t learned to siphon yet.
They no longer dump Summerville’s sewage into the harbour but every once in a while the tangled lumps of seaweed are shoveled into dump trucks and taken to an unknown location. Now there is a water filtration plant right next to the shore but not next to the part where tourists go in the summer. It created 25 new jobs. Tara jogs past the plant and practices holding her breath so as not to breathe in the smell. A little further ahead she reaches the wet seaweed lying in the sun. She doesn’t hold her breath but inhales deeply because the smell reminds her of home. She stops when she feels a dull pain in her chest expanding.
Tara forgets the Deep Woods 30% Deet Bug Spray in the garage and gets 25 new mosquito bites. On the drive back to her parents’ house she gets stuck in farm equipment traffic. The tractors aren’t so bad, but the sprayers are unbearable, too big to drive around until they eventually turn off onto a red dirt road to spray the Cavendish Farms potato crops with herbicide. Tammy, Tara’s mother, calls them cancer trucks. She tells anyone who will listen that the constant fumes in the air gave Blaze autism as a child. She will tell anyone who will listen anything so Tara doesn’t mention how when she sleeps on her side she’s awoken by a sharp pain over her breastbone.
When Tara finally gets home, Tammy is cutting potatoes and watching the news. The anchor says that Cavendish Farms has donated 1 million dollars to Queen Elizabeth Hospital and a unit will thus be renamed Cavendish Farms Same Day Surgery. It instills hope across the province that keeps hearing about patients dying in emergency waiting rooms because it takes 17 hours to be seen by doctors that keep leaving like Burger King and Dairy Queen. Tara places her hand over her chest. Darren comes home and cooks fish that someone at work gave him in a waxed box. Blaze comes down from smoking weed and eating Lucky Charms in his room and the four enjoy a dinner of haddock and potatoes and it smells like home.
Tara goes back to Montreal and writes headlines for rain jackets and backpacking tents made with special waterproofing chemicals that cost more than her monthly rent. She works for 20 minutes at a time then opens Instagram reels to see vintage resellers testing their retro dishware for lead paint. She brews filter coffee with tap water and cooks breakfast with non-stick cookware from Amazon that leaves flecks in her eggs. The sink is full of dishes that look just like those on Instagram reels. When she washes the plastic cutting board she bought at Dollarama, the dark-green plastic fibers of the dish sponge get stuck in its grooves.
She contemplates a garden of microplastics then contemplates synonyms for fresh air then contemplates if she should see a doctor. Her heart aches for something she can’t quite figure out. The weird pain in the left side of her chest keeps getting worse and she doesn’t know why. Tara goes online and finds one available appointment with a medical professional in a far-away neighborhood. She feels grateful that she didn’t have to wait 17 hours in a windowless room named after a J.D. Irving company. The doctor gets her to inhale deeply and performs run-of-the-mill tests then orders her to get her chest X-rayed for possible tumors in her ribs and lungs.
Tara spirals and thinks about all the homemade-bong particles, vessels crafted with water bottles and hollowed out pens, among everything else. She goes to a different clinic in a different neighborhood to watch dust particles dance under the fluorescent lights as an X-ray technician tells her when to breathe. She doesn’t smoke weed for a week as she waits for the results. She doesn’t do much at all.
The sky is Lucky-Charms-milk blue on calm days and pink on days when the smoke arrives from the forest fires in northern Quebec. The X-rays come back normal but the pain comes back once 10 days of prescribed painkillers run out. Tara feels very grateful that the health insurance from her underpaid outdoor sports equipment copywriting job partially covers physiotherapy. The physiotherapist asks Tara if she works from home and she says yes. She sits on a cold massage table and slowly twists her body from side to side. Yes, she feels it there, and yes there, and yes, there.
Alas, there! Yes! It’s not poisons or pesticides or poor decisions but rather propelled inflammation, from where rib #6 or #7 meets the spine. Her back has become too immobile from not doing much at all, which in turn has been putting pressure on her ribs, and then her sternum. She goes back to working from home. She gets assigned exercises to do from home, too. She buys a foam roller at 30% off with her employee discount.
Tara goes to more barbecues and more parties and eats her hotdog anyway when it falls on the ground. She jokes about gut health with new friends and old friends and almond-mom offspring. When she’s drunk she sometimes brings up the fucked-up week of waiting for X-ray results and thinking she had lung cancer. She will tell anyone who will listen anything. She asks if she can bum a cigarette. She wonders if she should give more of a shit about microplastics. She insists that even the siphoning classes and Cavendish Farms Same Day Surgery unit are real. She wonders if truth or fiction is more powerful. She can’t get into it right now, the Greenwashing Lunch & Learn is starting.
Reilly Tuesday is a writer from Prince Edward Island, Canada. Her work has appeared in Expat Press, Hobart Pulp, The Car Crash Collective Anthology, Dream Boy Book Club and elsewhere, including The Page, which she created and edits. Find her meandering around Montreal or as @reilliz on Instagram.
By Jesse Hilson
Women are enemies, and men are enemies in a different shape, but the same distasteful antagonism. You see them in public where you rarely go, in excursions out of your mousehole. You do go out sometimes, to Tony Larry’s hangouts, the farm stand he maintains with his boyfriend Brian, the farmers’ markets you go out of your way to visit. Otherwise you stay away. Everybody is an opponent to be melted down with contemptuous eyes. Does it disguise desire, does it hide a potential love-charge? Those false dates with Tony Larry, he never suspected were dates, but you half-feared them to be before they happened, wondered at while they were happening, and drove away from them afterwards in confusion.
What do you know about that? You know nothing about that. You were thinking just this morning, about how you were that gay kid, that kid with the gay vibe in high school who nonetheless escaped all the allegations and went on to fuck women, double digit body count, never touching male ass or having your own ass be taken by sodomites, but still the contradictions remain, potent after many decades of a benighted lifetime. The womanly compartments within you resonated nevertheless, the “feminine side” others may detect but they were cruelly (perhaps mercifully) disguised from you, like many other things. Until you crossed paths with Tony Larry.
At lunch with Tony Larry’s boyfriend Brian, eating tomato sandwiches at the café, glasses glowing with sparkling water in the sun. Brian’s clothes were dirty from the farm, as if by self-conscious design, to be seen as a “farmer.” Brian was going on and on: “I wouldn’t actually want my AI to have the voice of an upwardly mobile Black man. I just wouldn’t. Call me a reactionary backwards bigot, or whatever. It’s truer to say if AIs must have Black voices they should sound more like stand-up comics on Def Comedy Jam, or rappers. That’s the history I want evoked when I interact with the tech regimes of the future, if I must do so. The whole question of deciding your AI’s voice ahead of time is crazy to begin with. I’m not sure why exactly but it feels wrong in the same way tailoring your Zoom background with bookcases and designer lamps feels wrong with a capital ‘R.’ Be natural, be true. Be racist if need be. Be authentic. Don’t kowtow to the neoliberal agenda.”
You filed all this commentary away in your internal dossier on Brian. He was too trusting, too open with his opinions over lunch. You were surprised he was telling you all this, with no monitor, no checking of your signals, none of the paranoia another person might have shown. Tony Larry’s affections had made him too secure, too complacent. They gave Brian a protective shield you scan for cracks, even though you are not in competition with him. You notice whenever they say goodbye to each other they exchange “I love yous” in a quick, monotone voice, identical to each other from long repetition, like androids running through a tired subroutine. This privately infuriates you. It feels dead. It doesn’t seem organic enough for Tony Larry, to your mind. Then, also privately, you whip yourself for thinking so as you drive alone around the countryside.
Who was Brian to you, and you to Brian? Was he trying to gag you and shock you with extreme politics, was it a defensive maneuver somehow, to protect his relationship? Tony Larry told you about Brian’s hobby as a writer. It seemed like a false, dangerous surface just like the farmer persona. He wrote stories about BDSM. It was beyond him, though, to seek a truly Dostoevskian moral confrontation, you sensed. Besides, you don’t wear BDSM like an accessory, an outward fashion statement. At least you thought so. Later you worried that you didn’t know the correct thing to do either, you didn’t have the savoir faire, either. Brian was an idiot, but what were you going to do, tell Tony Larry that his boyfriend was a corny faker, with falsely acquired attitudes and that you were realer than he was, because you were older? You had allowed these attitudes to come to you more naturally over time, and it was a generation gap. Tony Larry being a millennial should have been able to see that. But you could barely see that, or see anything, you know that now. You tend to see more, as time goes by. You have more info to add to the hopper and you can judge from a place of higher visibility.
“Not necessarily true,” Tony Larry told you when you shared just a fragment of this with him, editing out all explicit reference to Brian and hoping he’d gather from your half-hearted hints that older was superior. “Not if you’re shoving it all down over time, Noah. People sometimes get more blind as time goes by.” You thought you were suggesting you were smarter about life, the soul, whatever, than Brian was. To displace Brian from his position even though they ostensibly loved each other. What room for displacement was there, though, what foothold for jealousy existed that would avoid being spotted on its face? Like did you think Tony Larry wouldn’t see the emotional angle? Were they laughing at your attempts? Tony Larry seemed to humor you, to your face: millennials were wise that way, you discovered to your envy and disgust. Somehow these counseling sessions were conducted in a gel-like environment created by Aubrey’s wake after she left. She was a millennial too. You’d told Tony Larry about the spanking and rough sex Aubrey had goaded you into. You call it goading, you suspect you aren’t truly curious enough to take possession of the actions in the bedroom, ownership of the pain you caused Aubrey’s body to make her cum. You wanted to distance yourself from that, even as you told Tony Larry with hetero pride how you’d made Aubrey have an orgasm without ever taking your clothes off. This dom role felt aligned with the fact that you were eight years older than Aubrey and Tony Larry, you were Gen X. You were on the demographic outskirts of a sexual territory only the young, the queer could occupy safely, solidly. You were not a member of the group somehow, even though Aubrey used you to perform those rituals with her, rituals that extended beyond sex and into conversations, sour niceties, pain silently inflicted.
What were you doing telling Tony Larry any of this? You couldn’t say, especially since, as the visibility and awareness of your age grew, you developed unbidden feelings for Tony Larry, dreamt about him. Dreams that seemed non-sexual in nature, or you hoped so, after awakening and taking your first thoughts of the day, the way ignorant people hoped for certain outcomes in the news, political developments, tragedies scrolled over on the iPhone with a vague prayer for forgetfulness. Feelings had a surface area laser-mapped onto an unseen plane, a zone of men when the beams had heretofore only fallen on women’s physical bodies. And the male surfaces were not embodied, it wasn’t carnal with men, in a way you could point to or perhaps admit in your imperfect epistemic understanding of yourself and your own desires. Maybe you were a sexual cripple because you could only lust after women as you had seen them for decades, and never conceptualize anything else, any other tools ill-fitted for the hand. Some bisexual conscience hectored you, teased at you, from dream-angles, dream-ventriloquisms your waking mind couldn’t own up to puppeteering. A disillusionment never acquired such profundity that it would shake the faggot machinery within into awful automaton life, sending down cascades of magnetic dust and debris, the golem in motion. The inner android drew on a lifetime of observations that the straight, hetero self made, the storage of data for mysterious usage. This scientific knowledge might have positive value to the android’s purposes, if they could even be isolated themselves. To think of yourself as a machine made it all seem like something dark and less than human even though it was the automatized search for love and meaning. How could that ever be inhumanly colored. Why dust, falling, why not the ice that seizes life, breaking off in a shower of tinkling fragments and freeing an imprisoned organic being? You do not want to be the robot, do not want the machine-model of mind to apply, whether in disability or sexual confusion. You would rather this inner self be an isotope or inherent version of your mentally ill outer self, a hidden iteration from whom all consequence has been removed. You no more want to own an unconscious that produces dreams of Tony Larry than you would want to own a weapon that, by its very existence, potentially threatens the peaceful life of the household.
Jesse Hilson lives in the Catskills in New York State. His work as a writer and cartoonist has appeared in X-R-A-Y, Hobart Pulp, Expat Press, Maudlin House, Exacting Clam, and other venues. He has written two novels, Blood Trip and The Tattletales; a poetry collection Handcuffing the Venus De Milo; and a short story collection The Calendar Factory.
By Mallory Smart
(You were alive. Now you’re not. Make peace with it or don’t. It won’t change anything.)
NAVIGATING THE AFTERLIFE
You exist, but only as an inconvenience. Being a ghost isn’t hard. You just have to stop pretending you matter.
You are neither here nor there. You will get used to it, but not in a way that feels good.
DEALING WITH THE LIVING
They refuse to acknowledge you. Not because they don’t believe in ghosts but because they believe in themselves too much. They are the center of their own story. You are background noise.
It’s not that different from being ignored when you were alive, except now it’s not personal.
UNDERSTANDING YOUR NEW FORM
If you weren’t weird before, you are now. Accept it and move on. Or don’t. Either way, you’re stuck with it.
You always felt a little disconnected from reality. Now it is just official.
AVOIDING BUREAUCRATIC NIGHTMARES
Nobody tells you that the afterlife has paperwork. Probably because if they did, no one would die voluntarily.
Bureaucracy doesn’t die with you. It just gets less comprehensible and more passive-aggressive.
HANDLING HAUNTINGS
You are a problem now. Embrace it. It’s not like you have anywhere else to be.
You wanted to leave a lasting impression. You got your wish.
FINAL NOTES
There is no next step. No light. No revelation.
You will wander. You will watch. You will wait.
Eventually, you’ll stop expecting something to happen. That is when you realize the afterlife isn’t a punishment. It is just more of the same…
Mallory Smart is a neurotic Chicago-based writer and editor-in-chief of Maudlin House. She hosts the literary/music podcast Textual Healing and the horror podcast That Horrorcast. Her new book, I Keep My Visions to Myself, is available now through With an X Books.