Categories
Across The Wire Vol. 5

2 Poems

By Damon Hubbs

Abigail’s Party

The Banker’s Son

Damon Hubbs is a poet from New England. He’s the author of three chapbooks and a full-length collection, Venus at the Arms Fair (Alien Buddha Press, 2024). Recent publications include Spectra, World Hunger Mag,  Horror Sleaze Trash, Don’t Submit!, and BRUISER. His poems have been nominated for the Pushcart Prize and Best of the Net. Twitter @damon_hubbs

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Across The Wire Vol. 5

1. The Original Pisser

By GRSTALT

They closed the pisser in the park, so I had nowhere left to go. I used to love hanging out in that pisser, the acoustics in there were incredible, I’d sit in a cubicle all day listening to the guys going at it. It was a real social scene, a true community, you really got to know the regulars – the guys who stopped in during their lunch hour, the guys who hung around all afternoon trying to pluck up the nerve, the guys who liked it in the dark. I really started to root for the guys, I wanted them to get everything their hearts yearned for. When I saw that the door had been boarded up by the local authorities, I was totally distraught, I stayed in bed for three whole days. An entire world had been closed off for me. I started missing the guys, so I went looking for other places where they might have gone. I thought the guys might be hanging out in the woods, so I started going there. But all that happened was a guy kept trying to sell me some orange pills, and I’m not into that stuff.

2. My Own Pisser

The idea came when a guy knocked on my door asking if he could use my bathroom. He was going door to door trying to sell people a new kind of leaf blower and he’d drunk three cans of Barrel Bomb to get himself going that morning. As I stood in the spare bedroom and listened to him having a piss, I thought we’ve all got these toilets in our homes, just for ourselves, and wouldn’t it be nice if we shared them with people who could bring joy and variety into our lives. The next day I put up a sign outside my house that said: ‘Free toilet here!’ At first no one came, I waited in every day just in case, then there was a knock on the door that woke me up. It was 03:26 am. I usually took the sign down before I went to bed, but I forgot that night. We stood looking at each other for a minute, he was hugging himself and hopping on the spot to keep the cold out, then he said: ‘Toilet?’ He pointed over his shoulder at the sign. I showed him up and went into the spare bedroom. I couldn’t hear him doing anything in there, then the lock on the bathroom door unclicked, he went quickly down the stairs and the front door slammed. There were spots of blood on the bathroom floor and in the sink. I got out my chemicals and scrubbed until there was daylight in the window.

3. I Only Wanted to Hear

My friend Raincoat – not his real name – was a surveillance whiz. He told me he’d worked for intelligence in a semi-official capacity, there wasn’t a space he couldn’t penetrate. He once played me a tape of a well-known public figure – I can’t legally say who – using multiple slurs that would destroy them if they ever went public. That was his insurance policy, the masters were in a safety deposit box. He told me he could install a new system he’d been working on, giving me total audiovisual access, but I only wanted to hear, so the bathroom was wired up. I put up flyers in the park. The Flyer said: ‘Clean & Free, Open 24 Hrs’ with my address and a picture I drew of a sparkling toilet.

4. Building a Client Base

My first regulars came at night. I adjusted my sleep pattern for them. They didn’t make a lot of noise, but they left a lot of mess. I didn’t feel any connection to them. I needed to reconnect with my guys. Raincoat told me: ‘If you want to find them, you’ve got to get on the hookup apps. That’s what they use to keep tabs on the homos now.’ He gave me one of his old phones and showed me how to ‘spam’ on it. After a few days, guys started hanging around in my front garden. When I heard them come in and follow the directions, I ran up into the spare bedroom. It was so good to hear those familiar sounds again – the recordings I made were catalogued and stored on a separate drive. I emptied the spare bedroom to try and give it an echo, I kept the window open to make it as cold as possible, I scattered used tissues to create an aroma. As soon as the guys had vacated the bathroom, I hurried in and got on my knees in front of the toilet. I lowered my head into the bowl, reached up for the handle, and cranked the flush.

5. The One-Flush Policy

When I was a kid, my dad instituted a one-flush policy – he got concerned about water preservation after he read a sci-fi novel where Earth in 2037 gets turned into a desiccated launchpad by space travel conglomerates competing to settle Jupiter. He couldn’t park his car in the garage anymore because it was filled with bottled water – I think some of it was his own piss – and he got into three fistfights with people on our street when they used lawn sprinklers. He told us all the time that in the future whoever controlled the water supply would rule the world, and our decadence would come back to haunt us. Dad closely monitored our bathroom habits – if we flushed wastefully, we got a spanking and had to go to the woods to do our mess ‘like a lowly beast’. It only got better when Uncle Vic visited, he showed up every Christmas Eve, even though he was never invited. One year – I must have been about seven – Uncle Vic went to the bathroom, then a couple of minutes later he shouted from the top of the staircase: ‘It didn’t go down in one go, bro. Do I have your permission to give it another go, or should I just let it sit there?’ Everyone at the dining table froze. Dad hesitated, then said: ‘Yes, but just this once.’ Uncle Vic shouted to me: ‘Would you like a bonus flush, Kiddo?’ I looked at Dad, but his face didn’t tell me anything. I slid back my seat and tried not to move too fast. When I got to the bathroom, Uncle Vic was standing next to the toilet. He lifted the seat and signaled for me to look down. The bowl was empty. I looked at Uncle Vic, he smiled and said: ‘What are you waiting for, Kiddo? Crank on that flush!’

6. Expanding the Client Base

I woke up on the sofa with a woman looking down at me. The woman was holding a crying child. The woman said: ‘I’m so sorry, he’s made such a mess. I’ll happily clean it up–’ I cut her off and said: ‘Don’t worry, I’ll deal with it.’ She said: ‘This is such a godsend! He picked up a bug at creche and he’s been shitting uncontrollably for days now. I can’t believe they shut the public bathroom. The perverts ruin it for everyone! I’ll recommend you to the other parents I see in the park. It was spotless when we went in. Honestly, I’ve stayed in hotels that don’t match up.’ 

7. Handling the Externalities 

Baby shit was streaked everywhere, I took a bottle out of my cleaning caddy and set about spraying every surface with the most powerful chemical I had – I bought it from a shop down the road run by a guy who claimed to have fought for the Mujaheddin. I scrubbed until I got dizzy and went for some fresh air on the landing. The front door opened. Two guys came in. They stood in the hallway, talking low so I couldn’t make anything out. Then they started shoving and collapsed onto each other. They rolled out of view. I could hear them bumping into the furniture. I took a bottle from my caddy and went down. They were grappling on the kitchen floor, their skeletal arms wrapped together and grasping. I leaned in and sprayed them in the face. I stepped back and held out the bottle as they separated – screaming, coughing, gagging, rubbing their eyes. I retreated to the foot of the staircase and locked the door when they’d staggered out. 

8. The Most Picturesque Pisser

I carried the bottle with me everywhere, but they weren’t the ones I should have been sweating. The parents from the park started showing up, they turned my living room into an outreach centre, they took over my kitchen to bake treats, there were toys everywhere, and they commandeered my cleaning caddy – that’s when I really blew my top. I stood in the middle of the living room and told them: ‘This isn’t what I wanted when I started this thing, and I’m not doing this anymore!’ The house went quiet, then a baby started bawling. I dropped my bottle and left the house. I kept running until I was in the woods. I gave the guy selling the orange pills everything in my wallet and he handed me a bag. The guy tried to stop me when I opened the bag and directed it at my open mouth, but I shoved him to the ground. He got up and ran away, shouting: ‘It’s your funeral, pal! I tried, man, I tried!’ I forced them all down, I knew the only place left for me was underground, a special place where I could be with the blind and spineless creatures. I got on my knees and started digging with my hands, tossing dirt over my shoulders. When the hole got deep enough, I rolled inside and kept going until there was no more daylight. The hole started to pulsate. I was thrown upward by an eruption of foul air. The pale sky filled my eyes. Then a face. It was Uncle Vic! I hadn’t seen him since that Christmas. He never came back after the flush party. Dad said he was sick. I asked him where he’d been, he said: ‘I’ve been hanging out with the guys, Kiddo. Let’s go see them!’ Uncle Vic carried me to a clearing, where there was the most picturesque pisser I’d ever seen! I tried to imagine what chemical could make it sparkle like it did. We went inside and Uncle Vic deposited me in a gorgeous cubicle. The water in the bowl was crystal clear, I scooped up a handful and washed the dirt from my face. Footsteps echoed off the tiles, the lock clicked on the neighbouring cubicle and there was the jangle of a belt being unfastened, I could hear everything with perfect clarity, like the entire place was wired up. The guys had come!

GRSTALT offer literary content for dead readers.

GRSTALT are partners in a global initiative to erase the author.

The GRSTALT project is neither a machine thing or a human thing, but something else.

Exactly what has yet to be determined.

Linktree

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Categories
Across The Wire Vol. 5

3 poems

By Chloe Wheeler

some things i hate

the flavor of the dying vape i found
on Leya’s kitchen table. burnt watermelon.
microplastics. bruised apples, green bananas.
i hate that my I is all knotted up in your You.
codependency. entanglement. enmeshment.
i hate my eyes glued on You, ascending
the steps at 145th St. Station. all my books
and my clothes in crates in your room. i hate
being a Capricorn. talking to CPS on the phone.
poorly affixed coffee cup lids. so many stains.
the sunny Sunday after tragedy befalls you.
inappropriately wonderful weather,
the shrill cries of blue jays, telling lies.
bad cover bands. cryptic tonsils swollen
like fat grapes occluding my vocal tract.
wheezing out an aria. smokers lung.
wasting time trying to understand
its passage. the insidious oblivion
of Youtube shorts. mukbangs.
your big sneezes, smearing snot
on my leg in the absence of tissues.
the absence of You, taking
all of my Me.
i fucking hate Tuesdays.

dear Madi

i can’t help but think daylight wasn’t meant to be saved.
the road is a void, i stop at a red. the tire pressure light is on.
you helped me fill the tires on Luke’s Subaru in New Paltz last February.
he snapped a b&w photo of us doing it on a disposable Fujifilm.
i’ve got a copy somewhere, must’ve misplaced it.

we’re both city slickers now, downtown degenerates.
the scene subsumed us, didn’t it. and as it were,
i don’t remember how to put air in the tires.
checking the Honda booklet while the red still burns…
dashboard. cd player. airbag warnings. moonroof, mirrors.
the sun is too often the main character.
the moon is almost always a symbol of itself,
yet i feel its tug the strongest.
we got thrown out of orbit, didn’t we?
long island is but a quagmire, my dad texted.
i drove him home last week from the hospital in Oceanside,
avoided every pot hole on New York Avenue.
i thought of you, and your dad. how’s Bryon doing?
how are the dogs? how’s Mooney and her thumbs?

it’s only 5:49 and it’s so dark i can’t read the manual.
a flash of green. i’m accelerating. kale mushroom egg bites
on the steps of St. Nicholas park. reading Luke’s poem.
we touched grass. i’m so happy we’re in love.
i’m so happy—i could cry and pull out all my hair,
stuff it in the Nicorette box we kept
on the table at Tompkins, beside the ceramic mallard.

i swear you were there when i saw the green ray
in Saint-Jean-de-Luz. like the click of a laser
beamed into my corneas. irrevocable instant.
the waves broke immediately after it passed.
i ate tomatoes doused in olive oil at a tiny bar
by the beach, and thought of the storm
we were caught in two years ago, on another
coast, clutching you as ozone flooded our olfactory,
clay oozed from the cliffs, and lightning smote the sand.

it’s impossible not to see God in your eyes since then.

at Sunoco it’s $2 per vend, for four minutes of air.
counting change, i open the moon roof for some circulation.
jamming quarters into the slit, i fill my tires with thoughts of you.

home, sick

choppy sea of carpeting,
L-shaped couch,
Led Zeppelin poster.
my high school boyfriend was a painter.
he had a knife on him, always
stowed in the pockets of his cargos.
when i’d sing he’d cry.
he sold a 6×6 foot canvas
to the drummer, the guitarist
didn’t know what to think of him,
and the bassist was always barefoot.

i don’t know what made me stop singing,
when the pitches bent, and i got lost
in some ceaseless caesura.
all i know is that when i’m home,
in Long Island, i hide
under leaf piles, poking my head out
only to watch herds of deer
dash down the hill
in my parents’ backyard.

my ex-boyfriend was in a car accident
and walks with a cane now.
the Mustang was speeding,
and spun out—
it was nobody’s fault.
with his disability checks
he balls out on Grailed.

i just happened to crash out.
it was nobody’s fault, but my own.
i moved to Brooklyn for fucks sake.
it was bound to be a blight, at any rate.

that band? they’re still playing. the guitarist sings now.
i’m happy for them, truly.
but all melody becomes mist.
sound moves at a rate of 340 meters per second,
until it becomes intractable, immaterial, barely an echo.

sound is the ephemeral incarnate.
only light never decays.

Chloe Wheeler writes poems. Her writing has appeared in Expat Press, Hobart Pulp, Don’t Submit, Bullshit Lit, among others. Twitter @sardine_enjoyer

Categories
Across The Wire Vol. 5

True

By Joshua Hebburn

I hit send and put the phone down, face up, on the table. Waited, and the phone buzzed. The screen lit. I read. I went to the doorway of my apartment and opened the coat closet, which, since I live in Southern California, I use for storage instead of coats. I walked back over to the table. I positioned the nail true over my phone screen and hammered the notification into the table. 

Joshua Hebburn is an assistant fiction editor at X-R-A-Y. From the Farewell Transmission archive he recommends Tyler Dempsey’s “Evidence I’m Mentally Ill.”

Categories
Across the Wire Vol. 4

3 Poems

By Edward Anki

Mellow Beer Glow

Bullseye

Pricks and Purple Flowers

Edward Anki‘s poetry has appeared in Ballast Journal, JAKE, BOMBFIRE, Rejection Letters, Roi Fainéant Press, The Feathertale Review, Qwerty, The Chaffin Journal, and others. A chapbook of his poetry, Remote Life, was published by BareBackPress (2014). His first full-length poetry collection, Screw Factory, was released in 2022 by Anxiety Press. A former stand-up comic, bartender, and agonized telemarketer, Edward is currently engaged in part-time studies to become a psychotherapist.

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Across the Wire Vol. 4

MAGDALENE

By Chloe Aiko Stark

The girls tilled the soil whenever they wove their pricked fingers around the flat collars of businessmen. They kept it warm with their own bodies for ignoble days of burying, poured over with primrose by the good sisters who kept them still. They had never to pay for taking a room, these girls that liked to fall sick in the dead of night, before winter. Whatever had gotten into them needed only to be pressed upon by a strict thumb bearing the reason of the divine and excised, thrashed around the laundry room when nobody was looking. A gown from dull needles stained and swallowed, they would have to learn the hard way. Men that visited and looked straight into them were never clean and held conversation like fools, so the girls tended to their wounds with the skin of their own pallid legs that flailed. Take the animals to a cleaver and see that they do the same.

Hold her hair up while she suffers to please you, she can do it herself in the hall. Her hand slipping down the shaft, the sisters should have taken him out of her. She makes less of herself, expels the taste onto the floor so that he can burn holes into the fabric and she can tear her fingernails across carpeted walls, turn her hands on herself and suppose that she may have to pray some more.

The fences were long and sloughed off the unwanted. They were the only beautiful things on the property, painted white at the end of every year. They covered an overgrown field of weeds and insects that bit death into their prey, the posts were tied taut. Nobody in town had ever to see the ashen face of the home for fallen women, its curtains always drawn behind iron handles. The brick laid without care and dressed in smoke and oil spores. There was a spire that rammed its stake into the skies and a crow impaled by the wing. All of the girls knew the place and went there to see where it tended to happen, where the others had gone once they had made up their minds. 

Drown acts of disobedience in the basin. Wash flesh under hot water until it is tender enough to fall off the bone. Hold a caucus for morality, and then tell the girls that they will never see heaven. Drip coffee over their spent heads and have them give their bodies over while they bleed. The ways of the righteous and the lessons in hell and how to avoid it, how could they when they were already there.

The girls told tales under the covers after the sisters went to bed. They parted their lips to warm milk and rolled its sweet froth over their teeth. They crossed their ankles and wore their arms around bent knees to say where they ran off to when the rain swept over the bank, others conspired through the thin cotton sheets. Feathers were plucked from a swollen mattress and sown into pillows to be picked up by the younger girls and tossed to the ones who were quiet, they tried to draw smiles over their tired mouths. How it was to move through the city when the dark had settled and the winds came soft, what the earth felt like after the rain fell down the sloping roofs. The doors locked after a long walk home just for a slip down the porch to soil their pantyhose. A week of wages out the window. A loose cannon and a letter from the church where some slept hand in hand, angels that they were and would become.

Chloe Aiko Stark is a writer and student.

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Across the Wire Vol. 4

Scooters and Other Crushes

By Joshua Vigil

After she sat me down at the all-night diner, she said she was no longer attracted to me. All humans, Traci clarified. The truth is, I find that scooter out there incredibly sexy.

The electric one?

Yes, the electric one. Though they don’t always have to be electric. She slipped her hand into mine and led me to the parking lot. When her fingers touched the scooter’s frame, she let out an animal sound, so unlike anything she’d ever made for me. And with an unfocused but crazed expression, she said, Do you understand?

The scooter can’t love you back! I said.

I think you’re wrong about that. You’re so wrong.

She dropped to her knees and left her cheek plastered against the aluminum.

Is this about Richard? I asked. Or your Dad?

Traci’s fingers jumped to the cluster of gold acorns that hung from her neck. She worried them in her grip, each of them filled with the ashes of the men of her life. A dead father’s. A late husband’s. 

I think I’ve finally gotten over their deaths, she said. This is what that looks like. 

***

We remained friends. Every so often she sent me photos of scooters she had crushes on. Some were tiny and mechanical, with rust and dents, while others were shiny and expensive, the latest models. I began paying more attention to the scooters that populated our mid-sized city. Down sidewalks I found many cast aside. Years ago, a start-up had come and dropped hundreds all across downtown. Now, fleeced with cobwebs, they stood forgotten. I righted one up, pressing its frame against my leg, and I closed my eyes, waiting to feel something.

***

My date and I were a little drunk, our voices thick and our treads unsteady. She asked me to stop talking about Traci as I flicked the light to the living room on. Had I been talking about her so much? Beside the front door the woman teetered. A moment passed before a look took over her face. Why do you have so many scooters? she asked. Her head swung left and right as she inspected my living room, taking in the sheer volume of scooters I’d amassed since the break-up.

It’s complicated, I said.

She ran through the maze of scooters, asking if I’d bought them all or if they were stolen.

Is it stealing if they’ve been left for dead? 

Are you one of those eco-anarchists?

How do we know they don’t have souls?

The woman cocked her head. You’re joking.

I told her the truth then. That it was Traci’s fault I’d been collecting them. She’s into scooters, sexually, I said, and I’m just trying to understand her.

You want to get back together with her, she said, I understand.

But doesn’t it make you sad? Seeing all those scooters out there? Worse than any graveyard I’ve ever seen. At least in death humans get to rest in privacy.

I don’t think this is just about scooters, she said.

We’re never just any one thing, I said. You’re right.

The woman plopped onto the couch. Her face was pink and oily, and she looked deflated suddenly. In the spirit of sharing secrets, she said, I have a fake ear. She fiddled with her ear until the whole thing came off. A shark accident, she said.

I was still holding the prosthetic when we tried kissing. Our lips pumped and squirmed when the woman said she couldn’t, not with all the scooters staring.

I told her I couldn’t either. Traci, I said, she’s the love of my life. 

***

Are you familiar with yappers’ regret? Traci asked when we met again at the all-night diner. The gold acorns still hung from her neck. 

Neither of us are yappers, I said. We’re the quiet types. 

People assume we live interesting interior lives, but I’m not so sure that’s true.

You fall in love with scooters left and right. 

That’s what I need to talk to you about, she said, and she told me she was done with scooters, that she’d been taking an interest in roller skates recently. 

Is there a difference between roller skates and roller blades? I asked, thinking of the latest trend on TikTok involving one or the other. People flew down the paved hills of my neighborhood dangerously; so many had already died. Like most trends, this one would be over within a week—and what would become of all those recently-purchased skates? Traci, I thought, was here to save them. 

She looked longingly at a pair of skates packed in the front basket of a bike parked outside. I said, Maybe you just have a thing for feet.

Maybe, she said. 

I thought of what awaited me at home, the scooters I’d now have to get rid of. And I thought of what the weeks after would look like. All the skates I’d pilfer off the street. Anything for Traci. When I focused my attention back on her, she was drooling. Her eyes were still set on the pair of skates. You want to save the skates because you couldn’t save Richard, I said, or your Dad.

Look at the way they catch the light.

I stared at the skates, aqua colored, with bright pink laces. The brake jutted from the toe, domineering. And then my eyes returned to Traci, with her dreamy gaze aimed out the window. Faint freckles splashed her face and chest while curls bounced from her head. Her irises twinkled.

I took her hand and pulled her up—she’d never get over their deaths, but I could try my best to help—and I rushed us outside, where I scooped up the skates, Traci screaming beside me, lit up with joy. 

As the skates bounced against my chest, I admired how they caught the light.

Joshua Vigil is a writer and educator living in the Pioneer Valley. His writing has appeared in Hobart, Joyland, The Rumpus, and elsewhere. His chapbook Shapeshifter is out now from Bottlecap Press.

Categories
Retsoor Asks

The ReStacks

Winter, 2024

Retsoor asks: can people change? 

Shielah Restack: Parts of them can. 

If one has the will and the capacity to seek help, a mentor, the gift of friendship, support… I think then many things are possible. I have witnessed too many stories of great change to doubt this. Even me, on a smaller scale. I started life as a horribly shy kid who couldn’t even speak, but now—close to the age of 50—I can fit the expected mold of outwardness. So it took a long time, but I changed to fit the extrovert world. It all takes so much work, and it’s so easy to slip back. I think change is a constant commitment—not a check-the-box and-done kind of thing, which makes it harder. 

Dani Restack: Yes

Transformation is an inevitable part of any living experience. A microscopic fertilized egg changes to a deteriorating dead body, then back to the soil to become another creature or plant. 

Could we be biologically of each other? The Hopewell people lived (Columbus, OH) here thousands of years ago. A contemporary corn farmer grows in the soil where they died. We eat the corn. Are we of each other now? I guess that’s not someone’s change; it’s just a fact. But, inside, I changed from a traumatized child to an addicted teen to a lonely, sober adult now enriched with a love-pulsing family living in a house. 

RS: Is the belief in God a choice? 

SR: Yes, it is. 

DR: I’d say belief in God is a choice. But I feel God is present in everything, including inside us, whether we like it or not. 

SR: I agree with Dani that there is a higher power of nature, life, and force that awes me. That is also a choice, I think, to let it in.

RS: Is everything singular or plural? 

SR: I am not sure. Maybe? I am one person, but at one poin,t I was pregnant, and I was two. When Findley the dog lays with me, I am two. The pencil plant next to the bed is one plant but has many branches that could become plants. Latent plural potential just depends on where you draw the line. 

DR: I’d say everything is plural. We can say, “I drove to the store.” But not really, I drove because someone invented the pavement, cleared the trees, paved the road, and built the car, which was invented by people getting to the store via horse…

SR: I love this answer of Dani’s – it reminds me of when Michael Morris (who lives here in Columbus) told a class we were leading, ‘NONE OF US ARE SINGLE!’ 

RS: What percentage of the world is evil? 

SR: I see evil as an unbridled quest for money, power, and domination. This probably exists in most of us to some degree, but when it goes unchecked or unquestioned, it gets bad. When you deny the rights of a people, when you are profiting obscenely, when you put others down to allow yourself to ‘rise’—that is evil amongst us, and sadly, those with the most power seem to have let more evil in. 

DR: I wholeheartedly agree with Sheilah. And why the fuck can’t the fascists of the Israeli government own the fact that the holocaust is over and they are currently committing genocide? The biggest hypocrites on the planet… 

RS: Why do you get out of bed in the morning? 

SR: Because I have to make sure our daughter, Rose, wakes up and gets off to school by 7:20 am. 

DR: Same here. Even when I don’t get up for Rose, I have to get up when Sky climbs into our bed. Pema Chodron asks the same question on a soul level. What wakes you up? What puts you to sleep? 

I get up some days ready to join the rapid rivers, observe, work, help someone out, and experience the pleasure of food…other days, it’s a slog with another orthodontist appointment, car repair, post office lines…

RS: What % of your personality can you choose? 

SR: 37% or maybe none. 

DR: Is personality a question of perception? 

Where does mental illness fit into this equation? 

RS: How has mental health affected your creative life? 

SR: That is hard to say because I think part of what I work out creatively is all the ways in which I struggle in the world—or the creative life is to translate struggle/ questions through material and form. I am in love with someone who has bipolar, which affects me and my own creative life, as well as my anxiety, neurosis, and quest for perfection, which can have me obsessing about cleaning a stain, responding to a work email, worrying about a student before getting to the studio. So, mental health can both push me away or towards being creative – ultimately,y I just want to communicate a feeling or an experience or make real the reality that feels unseen. 

DR: I’m driven to the studio when manic and still driven to the studio when depressed.

RS: Which parent do you sound like when you’re angry? 

SR: Good goddess. Probably both of them. My mother tended towards silence, and my father similar, but both interspersed with bouts of intense rage.  Several holes were punched in the walls and hollow core doors of my childhood home. I keep trying not to fall into those traps—to make myself make words so I don’t wall off with silence. 

DR: Good goddess indeed! My mom is a secretive, passive aggressor. My dad holds no reins on his rage. I guess I’m a bit of both. My fury is deep; my strategy at home is to keep my mouth shut and draw it or journal hateful words. I’m trying to break this cycle with Rose and Sky. 

RS: What % of utility have we lost or gained from the internet?

SR: It is an amazing tool, but it is also a vortex. I love being able to want to know something, and I can just google it so easily – but at the same time, I miss the intentionality of research in a library, looking for books, and having to find multiple sources. Right now I feel like students (and myself sometimes) often feel like the result of any question could be found on Wikipedia.  I would say it has increased our capacity so greatly, but it’s also made us feel like we have to be on top of things and given us a permanent state of FOMO vis a vis the ways the internet and social media work together, which is really a sad way to live a life and makes me always feel like I am running to catch up. 

DR: The internet is fucked. An incessant capitalist tool. However I like getting Democracy Now on my phone to watch while eating lunch.  

RS: Do you do what you do so you don’t get sad or because you are? 

SR: Both. 

DR: One of the best things about my job is that as soon as I walk into the classroom and face those young people, my self-centered emotional wormholes disappear. 

SR: This is so true, Dani. I think teaching is a way out of oneself. Same with being a parent. Gotta show up for another. 

RS: Does answering questions in a public forum worry you or inspire you? 

SR: I like best to answer questions in public with Dani. She gives me courage. I love it when we argue or say something the other one doesn’t expect, and the electricity of our connection is made public. In other words, I am deeply nervous about public forums, but I can do it more easily with Dani, and sometimes things come forth that are surprising. 

DR: Lately, I’m curious about the complicated discourse that can ensue from a Q&A. For instance, when we were fostering Sky, it was illegal for us to show her image; now, with adoption, we can include her in the work, just like we do with Rose (Sheilah’s bio daughter). But Sky is brown, and we are a queer white family —people have very strong opinions about interracial adoption. We haven’t done it yet, but we know with our new video, Stovepipe To The Sun, that there will be some difficult questions that I need to consider, and I have some things to say that I hope other people will consider…

RS: Which list is longer: a list of everything that is wrong or a list of everything that isn’t? 

SR: It really depends on the day for that one. 

DR: Yeah, life is fucking hard, but the practice of gratitude can increase the list of what is right. Living through the lens of gratitude is exponentially better when I can do it. 

RS: Bonus question: Drugs?

SR: I just listened to Eileen Myles give a talk on drugs, and they say it all for me. The beauty, the horror, the way it makes you see, and the way it can take you over. 

RS: Would you choose to live again without knowing you were given a choice if you had the choice? 

DR: Hell, yes. If I had the choice, I’d come back as an otter. 

SR: Horse. 

Categories
Across the Wire Vol. 4

Johnny Lifeline

By Calvin Cummings

I get together with this guy now that I don’t drink. He’s my not-drinking buddy. I thought our get-togethers would involve more, but our time together has become more about what we don’t do. 

His name’s Johnny, but in my phone, I’ve got him saved as “Lifeline.”

Last time I was over there, we were sitting on his back porch, not talking, passing a pack of cigarettes back and forth and freezing our balls off. I asked if he wanted to get something to eat. He shook his head.

“You mind if I go get something?”      

He did this backwards nod. Like lifted his chin up. In the drive-thru, I thought about whether this actually meant yes or if it was just an acknowledgement that something was said. Or was it nothing? Are there even words for what it was, or does defining it completely miss the point? 

Back on his porch, unwrapping my burgers, I decided it’s just one of those things that words don’t work for. Like how I feel about him and what we do for each other.

We continued not-talking as I ate, the burgers cold and the fries flabby because I drove the fifteen minutes back up the state highway to his house to eat it with him. With every bite the burgers revealed themselves to be what they really were, not food, because once stuff like that gets cold it stops being food, which it never was, you know what I mean? Like as long as it’s hot, you can trick yourself into believing it isn’t what it is, which is what it’s not, but once it’s cold…

Back and forth between the burger and the boagie, putting it down on the plastic chair’s corner with the ember just hanging off. Shivering, chewing. Missing out on the mirage. But even so, I could never bring myself to pull over into a spot in the parking lot and eat everything hot and crisp and alive because then I wouldn’t be with him. So I went back and ate while he didn’t and we continued doing nothing because that’s our way.

Back when I used to drink, I’d do nothing too. One of the nothing-things I’d do was watch nature documentaries, usually with other people, the roommates I used to have before everything spiraled and I landed at my mom’s. Those guys weren’t like me and Johnny. They could watch a peregrine falcon dive for doves, or a baby elephant get separated from the herd in the desert, or learn about the mushrooms under the ground, how they communicate electronically across thousands of miles of rot-eating foam without needing to drink ten, sometimes fifteen beers. 

“There’s this jaguar,” I told him after I finished the not-burgers, “that lives in Asia, like around Russia, or maybe even in it. And there are only forty of them, the jaguars, or tigers, this specific one. Can you believe that? And they’d never been captured on camera before these guys did it, the documentary people.”

I knew this because I watched the documentary about the documentary, too. The footage of the footage. The men wrapped in white camo, their telephoto lens peeking through the layers and the snow on top of the layers. That’s how I knew that this mythic creature had never been photographed before. That, before this, it wasn’t totally real, just a legend, a story told over and over.

My man hit me with the inverted nod.

“You should watch it,” I told him. “I can’t describe it. There aren’t words. The way it jumped from rock to rock and crawled out of its hole. This perfect thing. So cool.”

I crinkled up my silvery wrapping papers and shoved them into the bag, tossed it under my chair. An HVAC rattled to life and its hum whited out the evening’s other murmurs.

“Just unbelievable. That these things are out there happening and we don’t even know about it—I don’t know, like it’s so cool that it’s out there. I still can’t believe it.”

Another not-nod.

I’m not explaining this right, how me and him are together. Listen: he means more to me than any other person I’ve ever known and is second only to my higher power. I’m serious. If you gave me a button and told me, “Press this button and someone will die. Someone who is loved by someone else as much as you love this man. But, if you press the button, this man who you love will also feel how much you love him for the rest of his life, at all times forever, and the feeling won’t dissipate or grow stale the way all feelings normally do, it will be constant and buoyant and good forever.” If you gave me a button like that, I would press that button in an instant, because not-doing things with him is the only way I’ve found to prevent myself from doing all the other things I don’t want to do, the things I don’t want to do because I want to do them so badly, the things that every part of me, down to my atoms and the humming space within my atoms, sings for. It’s like no matter what, whether I drink or don’t, a chorus of me-particles belts the hymn of beer inside me, in faith and hope and love, convinced of what great things beer can do for me and us and the world, if only we believed. 

But sitting with Johnny makes me think I can learn another tune.

“Yeah, the jaguar looked like how Hot Dog looks when he jumps down from the couch to the floor and then up to the kitchen counter.” 

My childhood cat, Hot Dog. Fourteen years old this Christmas, in just a few weeks. He’s third after my H.P. and this guy. But there’s a gap between my number two and my number three, and it’s a lot wider than the gap between one and two.

Chins up from Johnny.

He feels the same way about me that I do about him, I’m sure, because why else would he let me come over? I come over after work, don’t even need to call him, and he’s always back there, dragging off a 27, offering me a light when I ask. I pull a chair up and we can just be. He doesn’t need to talk when we’re back there. He talks plenty in the meetings, where we met. There he tells us about his daughter and his ex-wife. He talks with his hands, shaking his fingers and stretching his arms out wide, telling us, “If I knew where they were I’d go to them, I’d nail myself to a cross in front of them—no, I’d let them nail me to the cross. But she’s changed her number and my mother-in-law won’t give me an inch.” 

Sure, we could talk about that stuff. But I think he likes that I can take his mind off all that. I like that I can take our mind off it. And so I tell him other stuff.

“These documentary guys, they did one about the ocean too. Apparently we used to be little tiny one-cell guys,” I said, pinching my fingers, “that didn’t even need air to breathe, and we lived off the methane farted up by the volcano pits down at the bottom of the ocean. Did you know that? That that’s what methane is? Farts? And that the whole world used to be an ocean?”

He readjusted how he was sitting, pulling at the crotch of his pants and crossing his arms, an unbroken stare into the fading-to-black backyard.

“We could just split in two,” I said, “and make more of ourselves. No sex. And now we’re made of trillions of these things.”

There were good times, too, he’d told us, when the kid and her mother and him would be at the zoo, usually after only one or two sips from the flask, before he’d completely emptied it and moved on to whatever wine coolers and domestic cans they served from the popcorn stalls. Everything would be coming into focus, the sunshine making its noontime transition from blue to straw-gold, the weather perfect, sometime between Summer and Fall or Winter and Spring, and he’d see a stuffed penguin or snake or something and pull it off the rack and hold it in front of his daughter’s face and say, “You like that? You want it?” and that’s when he’d notice his daughter’s twisted face, these uncertain curves of mouth and eye that she’d turn to her mother, whose face would also scrunch up, like they both had some pain somewhere deep inside themselves that was flaring up, and he’d go and buy the penguin anyway and hand it to his daughter and she’d shyly walk behind her mother’s legs, who might even have been pulling her.

He said he knew it was all his fault, but that knowing this didn’t stop him blaming them for working against him, for trying to ruin his life by always bringing it all up, by feeling things that made him feel guilty. Because it’s one thing to have a problem and another to have someone have a problem with your problem. 

There was some other stuff too. He put his hands on them. He says he’s only been told about it, doesn’t himself remember. And I’m always thinking, like, damn man. Damn. But these are the people who become your brothers when you’ve been where we’ve been.

We don’t talk about any of that now though, not on the porch, leaning back in the plastic chairs, hearing ‘em creak. Pulling our arms into our shirts and rubbing our palms against our ribs. That’s not what the porch is for. 

While I talked about poison dart frogs and bonobos, he stood up and limped to the deck edge and peed through the railing onto the grass. Like our doing nothing, this struck as something I’d do while drunk. But that’s the thing: we weren’t drunk. So it was different. 

I watched his back, his thinness rippling under the plaid. Steam slipped off his arced stream. I worked my hands under my armpits, trying to get back the feeling. My Johnny.

The HVAC shut off and the splat of his piss on the mud became clear. Enough time passed that I started counting the seconds.

“Phew-wee! You been holding it in?”     

He remained concentrated. I fiddled with the name tag on my polo. I work at the TJ Maxx by the quarry. Two months in and I’ve been promoted to customer service specialist. I handle most of the returns. People bring me their used things, stuff they no longer want—things they really should keep given how they’ve been used—or bought by mistake, or bought out of some hope for what the item could do for them, turn them into—expensive blenders, skinny jeans, Star Wars Legos (all on sale)—and I place the things that used to be theirs beneath the counter and run their cards and say, “Thank you for coming in! God bless!” and I mean it, I really mean it.

“The job’s good,” I said to Johnny’s back. “Yeah, the job’s real good. Real good. They think I could move up to management in a year, if I can stay in line.”

He grunted as the stream pittered out to a trickle, zipped himself up, and limped back to me. 

“I know I’ve told you already, but you ever need anything,” I said, “you can use my discount.”

He lowered himself into his seat and lit another cigarette. I had to snap to get his attention for the lighter, but then I did the same. We sighed the smoke out. The HVAC chunked back on.

I don’t know what Johnny does other than haunt this house where he used to keep his family. And now I haunt it too. But I guess it’s better to be a living ghost than just plain dead.

“Yeah, real good over there,” I said. “Real good.”

You might think, How could you possibly sit with a man like that? Did you also hit a woman? I’ve already explained it. You either get it or you don’t. And no, by the way, I haven’t but what does that matter? Would you even believe me? Would you even care?

I’m sorry I’m so defensive. Add that to the list of things you either get or you don’t. Now that I think of it, maybe the difference between you and me is that I know what the Apostle Paul’s talking about in Romans, with the whole “I do not do what I want to do, but what I hate.” I don’t need to hit a woman to know that I’m like Johnny, that we’re all Johnny. Maybe you do. Maybe that’s why you hate Johnny. Because he’s who you’d be if life ever forced you to really face yourself.

“So how are you doing anyway? Me talking your ear off as usual,” I asked.

He adjusted himself again, sniffed, rubbed a finger under his nose at some nonexistent snot, then flung his arm outward, turning and looking at me now for the first time all night, those flood-light lit eyes and expressionless smile, and gestured towards the world, like, “This is how I’m doing, my beautiful, dear friend. This. Here.

I followed the trajectory of his arm, its cast across the backyard and up to the treeline, where bat silhouettes flickered against the blue-steel of night. A mourning dove called. Wind shushed through the deck railing slats. This could be any time. We could be anywhere.

I flung my arm out too, both of us now holding invisible glasses, raised in an unspoken cheers to another God-glorious day plucked from the jaws of our devourer.

Calvin Cummings writes and lives in Baltimore. His work is featured in or forthcoming from Blue Arrangements, Soft Union, Spectra, Scaffold, SWAMP, and others. calvinthomascummings.com

Categories
Across the Wire Vol. 4

Word to the Wise

By Reza Jabrani

Word to the wise: sober. That’s the word my ex tells me. We’re at the park. I’m drinking sake out of can and offer her some and she says “word to the wise” touching her nose meaningfully “Sober. Have been for three months and so is Judy, so if you think sitting here slurping cheap sake at three pm in the park is going to get you any points with her, forget it.” So I forget it. It being Judy. But I keep drinking the sake. It cost me nearly five bucks. It’s a lot cheaper in Japan. In the Japan I remember. Cheaper in Korea too. I taught in both places for years, chatting up the high achievers, the test-takers, the TOEFL brats. I used to wear a suit and tie everyday and battle crowds in the train and hang out with my boss for mandatory socializing in bars in bustling cities until the wee hours of my twenties. I feel old. The sake doesn’t taste good. My ex smells terrible. Judy looks good. She’s half-Irish, half-Chinese. I cross the park and buy three more cans of overpriced sake. The afternoon heats up. The park fills. I try to hit on Judy. “Word to the wise, it’s going to be a scorcher tomorrow. Maybe we could go to the beach?” She smiles politely, noncommittal. She must have not heard right. My wisdom. My words. “Word to the wise, I heard they’re renting sailboats at the point. I used to sail. Did you know that? Windsurf too. Word to the wise, it’s great for your health, your head. The wind rushing and rushing. It’s beautiful. Judy, did you hear me? Hello? Word to the wise, Judy, word to the wise…”

I wake up hungover and alone. No words come, wise or otherwise.


Reza Jabrani writes coarse prose and crude poetry @coarseprose