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Issue 0 Issue 0 Fiction

An Average Jukebox in the Outskirts of the Biggest Little City in the World

By Aaron Burch, D.T. Robbins, and Kevin Maloney

I. LOVE IS A LIFE TAKER

I knew soon as I saw him this guy was going to give me trouble. Same as I knew soon as X told me about James at work they were going to have an affair; same as I knew my dad would be of no help when I called for advice but I did anyway, if only so I could feel mad at him instead of myself; same as I knew soon as the guy at REI started answering my questions about which tent was best I’d buy whichever one he recommended, same as I knew I’d never take that tent out of its box but I liked the idea of myself as a guy who threw a tent into his trunk and set out on an adventure and I was toying with the idea of becoming different ideas of myself; same as I knew it was a bad idea to go to that ATM back near the bathrooms and withdraw as much it would let me, same as I knew I would lose it all same as I’d lost everything I’d walked into the casino with but, fuck it, why give up on letting things go now; same as I knew soon as I saw this bar from the road that nothing good could come from stopping here, same I knew they’d have my heartsongs on the jukebox, and that was what I needed — not a new tent, not some emotional fatherly advice, not one more turn as shooter while everyone around the table cheered me on, but a little time in a dive bar in a town I’d never been in finding new ways to lose things I didn’t know I had.

I ordered a bourbon and coke, threw it back like it was a shot, set the glass down on the counter like placing a baby bird back in the nest it fell out of. Ordered another, carried it with me to the juke. 

He was already there, like waiting for me. And he was first, fine, whatever. It’s true. No big deal. I just wanted to queue up something next, before anyone else got in line or he loaded up a whole night’s worth. It’s happened before. Next thing you know, it’s last call and you never even got your songs, just threw away more money at problems that never went away. So, sure, I looked over his shoulder, but I wasn’t trying to monitor his choices or anything. I didn’t give a shit what he played, but I was curious. Couldn’t help myself. Curiosity killed the growing pile of bad ideas, I guess. 

This guy turned around, saw me spying.

“You have a problem, shithead?”

“I’ve got lots of problems,” I said. I wasn’t trying to be clever. It just came out. I think I’d been needing to hear myself say it out loud. For someone else to hear me say it. To make my confession.

“This will help you feel better,” the guy said, and gave me the most sincere, genuine smile I could remember being on the receiving end of. It broke my heart.

I looked at the juke, and at the very instant I saw that he’d cued up “Scar Tissue,” I heard him say, “People can say whatever they want, but John Frusciante is the heart and soul of the Chili Peppers.”

Jesus goddam fuckin’ shit. A Frusciante guy? 

II. THE FRUSCIANTE GUY

I was sitting at the bar, drinking my third or fourth pint since the doctors pumped the Vicodin and Smirnoff out of my stomach. I’d just gotten out of the hospital. Technically, I wasn’t discharged. My right arm still had a plastic tube coming out of it. It was dribbling blood all over the counter. It didn’t matter. The patron to my left kept flicking a cigarette lighter under his knuckle hair, and the bartender, from what I’d overheard, had a warrant out for his arrest for armed robbery. This was the kind of establishment where a little blood on the counter was expected. 

I noticed a jukebox in the corner and recalled an article I’d read recently while doing a stint in Washoe County Penitentiary. It was about the healing power of music. A team of sadists masquerading as scientist had cut the arms and legs off a hundred innocent geckos, then measured their ability to regenerate limbs while listening to Mozart. Their conclusion was that Mozart helped. The scientists received an award. Not a word about the havoc they’d wreaked on those terrified amphibians.

I needed something like that. Not Mozart, but the Red Hot Chili Peppers. In particular, the song where Anthony Kiedis sings about living under a bridge shooting heroin all day, then gets an idea and puts a sock on his penis and becomes a millionaire with a house in Malibu and six model girlfriends. I wondered if something like that could happen to me.

I walked over to the jukebox and was fishing around in my hospital gown, hoping to find some money, when a guy in a Seattle Mariners cap walked up behind me and breathed down my exposed neck like he was going to goose me or jam a knife into my kidney.

I spun around and said, “You gotta problem, shithead?”

“I have a lot of problems,” he said, wiping his nose.

I laughed. He was clean-shaven and wearing Blundstones. He had all his teeth. The only problem he had was deciding whether to spend his ill-gotten tech money on cryptocurrency or at an all-inclusive eco-resort in Papua New Guinea.

“Well, this’ll make you feel better,” I said and queued up “Scar Tissue” on the Wurlitzer. I stood back triumphantly, but I hadn’t put any money in it. The machine only responded to capitalist contributions. 

I tried to explain my situation… about Mozart and geckos and John Frusciante, who spent a decade shooting heroin and talking to ghosts, then got sober and recorded the greatest album of all time. 

Seattle wasn’t listening. He pushed past me, dropped a quarter in the jukebox, and pressed a series of buttons that summoned “Say It Ain’t So” by Weezer. 

There have been many terrible songs written by many terrible bands since man first banged two stones together and called it music, but somehow this Bitcoin bro picked the worst one. 

Bad feelings seized me. I remembered the hospital giving me medicine that was supposed to make me sleepy, but I was seized by a tremendous energy. I grabbed an empty bottle off a nearby table and cracked it over Seattle’s head.

Instead of falling to the floor like a regular person, he just stood there staring at me, trying to fathom what had happened. He opened his mouth to say something as blood ran into his eye. 

“You cock-rock motherfucker,” he whispered and took a swing. 

It was the strangest thing. I dodged his punch, but the drugs I was on made it so that only my mind moved to the left, while my body remained in place. My face took the full force of the punch. I watched myself fall to the floor.

Seattle started dancing. He was completely insane. Maybe he had real problems after all.

III. Imprints of Others

After too much codeine, the original owner of the bar fell asleep at the wheel and barreled into a center divider. When his wife signed the bar over to me, she lamented he was unconscious as the flames ate him away. Some women want you to die twice. Some men deserve it. If you ask my ex, she’d concur I was one of them. Long story short, I steer clear of Jacksonville. 

These days, the bar is a mural of hopelessness. From the cigarette ash and spilt beer on the counter to the sawdust and dried blood on the floor, this pocket universe is a meat grinder. Yet, desperate souls flood this place every night aiming to untether themselves from fear and insecurity and other lower vibrations and touch something eternal. Not a church or a synagogue or the YMCA. Here. A bar that hasn’t changed the urinal cakes in…who knows how long.

Take these two incandescent assholes for example. 

I watched the redhead in the hospital gown spill bare-assed through the doors. He clambered up the barstool and asked for a craft beer. I said we have one IPA. He wanted a taster. It missed his mouth entirely, trickled down his chin like a child at a water fountain. He ordered two pints. He had no money, but I’m the patron saint of the downtrodden. For the next hour or so, he conversed solely with the demons in his mind. 

When Mr. Seattle walked through the doors, he looked both ways like he was crossing the fucking road. He ordered a bourbon and coke. No lime. I left two in a shot glass anyhow. When life loses its flavor, I guess it doesn’t matter, does it?

They waltzed around the jukebox, squaring one another up. Under the neon glow of the Bud Light sign, I guessed the redhead was either smiling or baring teeth. Mr. Seattle dropped a quarter in, and some song started playing. I don’t much hear the music anymore. Everything outside of Molina and Hank sounds like broken bottles and muffled sobbing. 

A bottle rained down over someone’s head and another person’s fist cracked across the other person’s face. The redhead crumbled like a paper man. Mr. Seattle stood triumphant until a shard of glass went into his calve. He watched blood seep through his khakis like it was happening to someone else. He slunk onto the redhead. They rolled around on the ground like two virgins fucking for the first time. 

Mr. Seattle screamed, “You ruined everything!” 

The redhead went, “I am the eater of worlds!” 

Mr. Seattle yanked what looked to be an IV tube out of the redhead’s arm. Blood sprayed like a geyser. The redhead laughed, maniacal and free. Mr. Seattle got blood in his eye, which accelerated his pure fucking rage. His arms became windmills, missing most of the shots but landing a few that made the redhead go cross-eyed. Still, the redhead seemed to be enjoying himself—ass hanging out, covered in blood and beer, shouting about doing heroin under a bridge. The rest of the bar, its beautiful spectators of brave men who put a single arm out in front of the women for a feigned sense of protection, nodded their heads from the fight to me, the fight to me, the fight to me. I can never have my own problems. Everyone else has to lump their fucking issues in too. 

I grabbed them by their clothes and met their eyes. The redhead was dazed. Mr. Seattle blubbered. 

“Take this shit outside,” I said, “and work it out. Or don’t fucking come back.” 

As I locked the front door at closing, they were sat on the curb outside, sharing a forty and a pack of smokes. 

A bar is least lonely when there’s no one in it but you. There are imprints of others who were there before. Memories. Good, evil, human. At some point these memories transmogrify into one being. One ghost. I’ve been riding with the ghost. I’ve been doing whatever he told me.

*******

Aaron Burch, D.T. Robbins, and Kevin Maloney’s collective top three favorite books of the last year are (in alphabetical order) Birds Aren’t Real, The Red-Headed Pilgrim, and Year of the Buffalo.

Categories
Issue 0 Issue 0 Fiction

QUANTIFY ME

By Mike Wheaton

Today, as always, I passed the Walmart, Sam’s Club, Lowe’s, Chipotle, and Starbucks just before turning into the parking lot of my one-building community college campus. It’s in a part of Orlando called Lake Nona™. The trademark symbol is real. If I kept driving, I’d pass the high school next to a middle school next to an elementary school next to a Publix shopping center. Hitting a third straight red light, I stuck my hand out the window and wondered if writing a book about my inescapable consumer semi-reality might be my ticket to another school back up north with old buildings and historical plaques next to the doorways.

I’m taking a break from grading in my office on campus now. I made my first-year writing students take a position on the packet of questionable discourse I provided about how—or to what extent, if any—addictive social media use on smartphones plays a role in mental health. Most of their theses so far claim that, basically, the role is huge and the effect is bad. Even with sources to use, as their papers go on, the evidence is mostly anecdotal: it hurts when they share and don’t get many likes, or when others share something and do get hundreds of likes, or when they compare themselves to the curated surface life of the people in posts with hundreds of likes, or those whose numbers extend into the thousands. They feel worse still when they post more in attempt to make up for the disparity and get fewer likes than before in return.

My office on campus has a window. I used to be a substitute teacher, and somehow my much better job is still not enough for me. I sit in my swivel chair with this document on the screen and I’m looking outside at the Applebee’s—oh wait, that’s a Chili’s—and I’m remembering the time I took over a seventh-grade English class for three weeks twelve years ago. This was home in Jersey, before I moved again to Florida. Middle schoolers didn’t have social media accounts then. One day the lesson plan prompted me to teach a short story about kids during the Civil War who pretended to be older so they could fight for their side. They were seeking glory, the idea of which had been propagandized on both sides. The students had trouble understanding this. Why would they sign up to die like that

I said, Let’s do a poll. How many of you want to be famous one day? Every damn hand in the room shot up. Now keep your hand up if you believe you will become famous. The hands didn’t budge, fingers reaching to the ceiling. 

Out the window of my office, I can’t quite see the manmade lake from which this part of the city took its trademark. They’re building a fresh Holiday Inn in my sightline. Now I’m thinking about the class period earlier in the semester before the discourse packet, when I asked for how many students is their smartphone the last thing they see before they sleep and the first thing they see when they wake. Every damn hand in the room shot up. 

In this same class, when I asked the students to fill out a form about the credibility and usefulness of a source, a quarter of the students wrote down the number of views a video had on YouTube or the number of shares it received on Twitter. I didn’t even take off points. I get the confusion. I make my little note in the feedback. I know how students can be about their grades. The numbers, more than anything, matter. The numbers, they’re told, are revealing to people with powerful opinions. They don’t matter, except of course they do, because a while ago people decided they did, and it’s probably too late to change since it’s easier to try getting the right numbers or settle into whatever other people believe the numbers do reveal about you. 

My phone buzzes face-down on my desk. Little Apple logo shining at me. I flip it—a screen of notifications: missed FaceTime, Amazon receipt in my Gmail, new Bank of America offer, a few likes on Twitter, someone going live on Instagram, a prompt for food from Uber Eats, an episode of Filmspotting for download, a trade in my ESPN fantasy league. I’m struck for a moment by how much my phone screen looks like Lake Nona™, or how much Lake Nona™ looks like my phone screen. All the squares of logos. Disney World, after all, is only fifteen miles west. But I remember, too, years ago when Amy and I rented a room in the lower east side of Manhattan for three weeks. One night, a local told us that decades ago this part of the city was littered with needles on the streets and creeps walking in the shadows, and now cleaned up and sold off, it’s a tourist town. I mean, we were vacationing there. He kind of missed the needles. 

Years later, Amy and I bought a single-family pitch-roofed ranch in a part of Orlando with streets that wind through tunnels of live oaks. It predates Disney and affordable AC. When we first drove through, looking for a home, Amy said, I love it. It’s so Old Florida. Each neighborhood in the suburb looked as if preserved from the late 1950’s. The super-highways rumbled farther up the main roads. I liked the area too. It did seem more authentic, but in the context of this sprawl, it was just another brand to choose. 

Class in five. I’m not prepared. I can’t write a book about the inescapability of consumer semi-reality anyway without misplacing value on the number of people who, if they don’t buy it, at least know I did. And what to say about the fact really? Congrats, there is quite possibly no such thing as history except what sold. Go for the glory. Quantify me. Inflate my grade.

*******

Michael Wheaton’s writing has appeared in Essay Daily, DIAGRAM, Bending Genres, Rejection Letters, HAD, and other online journals. He edits Autofocusand hosts its podcast, The Lives of Writers. Find links and more at mwheaton.net.

Categories
Issue 0 Issue 0 Poetry

place

By Grace Jordan

Whatever this place is that I return to sometimes

 

The flat cracked clay bed baking in the sun place 

Whatever this place is that I wake in on unexpected mornings 

The walled in, lean to forced hole walking in circles place 

Whatever this place is that grips me with its gnarled joints and rotting tongue

The hold my breath under dirt in my nails, scratched in my skin place

Whatever this place is screen on screens in bugs, ants crawling in cracks 

The baseball field, library, snack stand, dance class, place

Whatever this place is happened in the car, on the bed and down the drain

The mall parking lot, June street, 2nd floor brownstone, Extended stay, barricades, place

Whatever this place is, I’d like to invite you in. 

*******

Grace Jordan is an essayist, and playwright who lives in Hell’s Kitchen. Grace’s play Moses was a two-time semi-finalist at the Eugene O’Neill National Playwrights Conference.

@gracejordyjordy on TikTok. @gracewritesdrama on Instagram, @gcwritesdrama on Twitter, thegracejordan.com

Categories
Issue 0 Issue 0 Poetry

The October House

By Sophia Popovska

In the evening you pick up your prayer from the bedside.

“Are you still here?” It stops at the ceiling.

Too far away.

The house you built makes a dull sound, barely audible.

The house you built makes an autumn sound.

The sky closes slowly, and so the trees stop reaching for it.

The sky holds back a mountain breath.

Winter comes, soft and waiting.

You pick up your dreams from the pillow. The same dreams.

In your dream, when you turn around, she is still behind you.

But always blurrier.

In your room is the body of the days. It is a sick room.

It is the sick eye of the house.

Your house makes a sound of hurting.

The neighbors hear it and look up at the window where it is wounded.

*******

Sophia Popovska is a North Macedonian poet/translator based in Germany. Her other work can be found in the blog section of Asymptote Journal, Circumference Magazine, Expat Press, and Misery Tourism.

Categories
Issue 0 Issue 0 Poetry

Squeeze

By Alan Ten-Hoeve

He leaned over the rickety card table.

Rolled a Ball jar up the flattened tube of Crest.

Trying to extract anything that he might have missed the night before.

He’d bought the toothpaste four months earlier.

The day he moved into the monthly room after being kicked out of his house.

Exiled from the only life he’d known the last 18 years.

It’s temporary, he told himself.

A trial separation.

They would still see each other.

Date nights, she called it.

Things would work out.

They had to.

Somehow.

As time dragged he watched the tube of toothpaste get thinner.

But he knew it would be silly to buy another.

He didn’t want to have to pack more than he had to when she asked him to move back home.

Date nights turned out to be mostly lunches.

He’d bring sandwiches to the house.

Sometimes they’d eat hurriedly and watch tv.

Sometimes they’d argue between bites, then wrap the half eaten food in wax paper. 

For later.

She was always distant.

Cold.

Emotionally.

And physically.

Even on good days.

One afternoon she was flipping channels and he pat the space on the couch beside him.

The universal gesture to move closer.

She turned her head.

Fixed him with icy blue eyes that were once warm.

Said, I’m fine where I am.

Not long after she said it just wasn’t going to work.

He asked for more time.

She ignored his texts.

He wrote sweet letters.

Apologized.

Complimented her beauty.

Her clothes.

Her fragrance.

Her everything.

If she only knew how much he cared.

Eventually he couldn’t squeeze anything out of the tube of toothpaste.

Not by rolling it up.

Not by squeezing with his fingers.

Or his palms.

Or his fists.

But he knew there was more.

There had to be.

The jar helped.

And he managed to stretch the tube out.

A few days turned into a week

Two weeks.

He was amazed with his ingenuity.

People all around the world were tossing out a fortune in toothpaste everyday.

For a while it seemed like this could go on indefinitely.

But now he couldn’t even produce enough to scrape out of the nozzle.

He put more weight on the jar.

Grunted with the effort.

Sweat broke out on his face.

Nothing.

Then an idea struck him like a bolt of lightning.

He felt so stupid.

Why hadn’t he thought of this before?

He would send her flowers.

*******

Alan ten-Hoeve wrote Notes from a Wood-Paneled Basement (Gob Pile Press)  and Burn (KLR10 Malarkey Books). Tweets @alantenhoeve

Categories
Issue 0 Issue 0 Poetry

Landscape Poems

By Lauren Napier

Reading Maps

There are things about my fingers that i used to know better

Because they touched maps more often 

i used to know what an inch was

Based on the length of my own thumb:

Tip of my thumb to the joint

He used to know the map as well as the palm of his hand

The distance between joint and nail tip 

that marked 500 miles in his rearview 

500 miles closer to the ever-moving destination

tonight : there 

tomorrow : there

And Here never being a sure point 

ever-treading beneath his tires 

He used to know the map as well as the palm of his hand 

before he stopped looking at his fingers 

and seeking the horizon of the what’s next

**

Lady Justice

In this town, Justice does not wear a blindfold

Untethered by a cloth of mere thread

She can see the pleas of both meek and bold 

So Her gaze, rightly so, inspires great dread 

The limbs of folly and the whims of humans 

Subliminal threads of greed and Gold 

not much avoids her earthly sermons

Her judgements they are bought and sold 

Here she stands of stone in the desert wind 

Lording over a dusty dry land 

Not much remains in the soil of her kin 

But civil war costumes at her left hand 

A land forgotten and asking just to blossom

Within Justice‘s parched and marble pale bosom. 

**

yeah…

Nine goldfinches flitted about the feeder
Their song interlacing with the waves in the bay
Salt on the porch furniture slats
Salt along a cheekbone
As I went to make soup
The rim of the colander was exactly the width of a chickpea
Making a wooden spoon an impossible instrument for transferring garbanzos
from stove to pot
And the holes of the strainer were too big to hold the alphabet
T’s and i’s falling uncrossed and undotted toward the drain
As a gasp of loss is too big to be held by a body’s frame
Letters and oxygen both struggle to stay inside


Today I learned that there are no kites sold on the islands of Hawaii
Volcanic winds indifferent to their course and flight
I thought about how colorful carry-ons from the mainland could inspire jealousy in children’s eyes
And tears fell from mine as
the goldfinch greedily squawked at the crow with a beak filled with shrimp tails:
The neighborhood trash
“If you pulled it out, you can toss it back in.”
The sea is a cyclical thing


A gasp without exhalation is taken
silenced by a grey-skied exhale
A stifled oroboros
Heavy with a rift in her heart
A pebbly beach
free of sea detritus
and a volcanic shoreline
full of colors in flight
Would be a welcomed exchange
To see you again in tomorrow’s night.

**

An elegy for renamed lands

I long to know the sound of cracked mud spoken in the land’s native tongue 

speckled pink with turquoise for eyes 

blue stone birthed when water mingled with earthly tears 

ever-changing mirroring the hues of the earth a reflection of the changing temperament of humans 

laden with the excessive saliva produced every time the land has been renamed

these bastardizations are mispronounced 

Tread upon 

the saliva that shifts from the inside of one cheek to another 

Veiny flash glistening with a gasp

cocked head

as the tire bumps the thud ignored wholly 

30 miles later 

3 1/2 hours passed

perhaps 

it’s 2:02 there’s a pheasant on the side of the road

Route 2 

Has two white lines proving a protective boundary 

cast by the county planner 

salted in winter reinforcing the lines 

wings outstretched catching the last of the days light 

the last of the preserved feathers 

the fingertips of the

Of the sun’s rays almost as thin as the narrow primary 

dying dry dead 

once the lands shone proud under their rightful names 

Glottal stops empowered in buttes 

canyons and chasms 

and then the snow started to fall 

cleansing 

Erasing nature’s spoiled Canvas 

feather pressed between the pages of the atlas spit upon thumb and forefinger 

moistly turning the pages

Tires moving forward 

Memory and feather preserved

**

whatever is in a name?

Strange barren terrain 

Absent of a flag 

Shall not remain unnamed for long

For land cannot be mapped until it is claimed 

Is not found until it is seen by human eyes 

Topographical existence upon flimsy paper legitimizing the physical 

Paper made from the trees that sit upon the land in question

The land questioned

The question of how can anyone own the land 

Is there a contract written in cloud wisps

Bequeathing grains of sand and blades of grass

To the careless undersigned

Who has become the witless undertaker 

For the undertaking 

Man wields his pen at 

Mother Earth

A convoluted inversion of Oedipus’ plight 

The lain and the slain at his feet 

Metal ballpoint tip – cold and sterile against the living paper

Ink scratching the texture

Skyscrapers pierce the sky 

Fingernails scrape skin

The paper dissolves in a summer rain storm 

Crumbled in the branches’ fingers

And offered to the omniscient sky

Fates sealed

Time elapsed 

Earth warming with a slowly boiling shame 

Of being convinced

Someone else could be her steward

Glaciers melting in her angry gaze

She longingly whispers to those who used to tread here

Those who honored the space surrounding 

Instead of trampling 

Who moved as a part of the seasons and wind 

Rather than rooting moving feet and setting themselves apart 

Layering cement over the soil

But a whisper is hard to hear over the landscape‘s swan song 

That plays in harmony with mankind‘s reveille

*******

Lauren Napier is a multi-disciplined artist from Washington State. You can find her on tour or on twitter @punkrockdoll

Categories
Issue 0 Issue 0 Non-Fiction

Just Once Before I Die

By Jillian Luft

Imagine me, swinging in a slip dress in the ephemeral cool of fall, Payless combat boots grazing the playground dirt. Trying to make it make sense, trying to slow it all down. But no matter how much my legs might flail, I yearn to reach new heights. No matter what my eyes might beg, I don’t wanna come to rest. Big Red stings the shine of my cupid’s bow, soft matte brown and lined and never been kissed. But not for long. Sunflowers perfume saturates my scrunchie, making you go harder and harder with one long whiff. Who you are doesn’t quite matter although I like to think it’s you, the one who dated my blonde friend, the 8th grade homecoming queen, the sweet one saving the whales with her smile alone. I like to think it’s you, the one who sang Faith No More songs no one knew and had the facial structure of a late seventies poet. I hope it’s you when the sun spirals away in those still moments before our parents’ punch the clock and we go faster and faster until we both can’t stop.

Imagine me, a girl on the outside. No walls for her to slump against in her imperfect loneliness, no pillows to muffle her screams, to writhe against with want. She no longer needs that kind of comfort. She’s out at the bus stop now looking at the passing cars as detours into PG-13 danger while the bus stop boys salivate and try to stuff their memories of her in their pockets to inspect closely later. She notices but can’t care about what they’ll do with her and those daydream distortions of her naked skin and whatever else they perceive on her as budding and blazing. She’s got bigger things to do in this big, bad world, like whatever she wants. And the next car that slows will ride her off to her next core memory, her next big mistake, her next lesson learned, her next favorite thing further and further away from those defining wounds that reside somewhere deep, deep, deep.

Don’t remember me pre-packaged in the same tight jeans and baby tees as the rest, rendered unworthy of French kissing by SLAM Book criteria, subject to the whims of boys with sweat stains on the inside of their baseball brims and pot leaf pendants jostling against their baby bird chests. Boys who, when they felt generous, rated me a 7.5 with a “pretty cute” or “decent” next to the score. After all, they weren’t total monsters. I was cool; I wasn’t a total dog. My stacked friends with the good hair and real curves were easy 9.5s and 10s with vivid descriptions of their attributes. A robust lexicon devoted to puberty’s great gamble. When those boys were honest–or I’d failed to impress them with my extensive knowledge of pop culture—I earned a solid 6. My stacked friends tried to reassure me, tried their best not to gloat but failed. Their eyes twinkled with ego while they squinted into the shine of my braces. Oh, don’t worry, Jilly, 6 is average, above actually because 5.5 is the median of 10. (The SLAM Book was always shared during Algebra for some reason). Yet, I recognized the rock-hard truth and let it pummel me for the rest of my life. The disturbing open secret that average was worse than ugly. Natural beauty, so close and still so far out of reach. A possibility, no matter how slim, that you couldn’t attain because of physical flaw(s) you, and you alone, failed at obscuring. To be average was to know that your efforts at self-improvement sucked.

I blamed my dead mom and her sisters who abandoned me once she was nothing more than ashes buried beside a pretty beach. If they weren’t gonna stick around, the least they could have done was teach me a cosmetic trick or two. An eye makeup hack for the helpless, the pathetically orphaned by feminine wisdom. Helped me delude others so I could delude myself. 

Don’t remember me, thirteen and motherless, showered and anointed with Victoria’s Secret Freesia lotion, pleading each night with whatever presided on high, most likely some supernal version of a man, for a bigger ass while MTV Jams flashed across my dark bedroom walls like horny hymns to a perverse God who could grant me the one wish that mattered: being a bonafide rump shaker. By spring, I’d manifested my desired derriere and did not care what dark pact I may have made.

I had an ass.

A plumper, thicker and much more prominent ass than that of most girls. It was the stuff of booty bass sonnets. It was noticed. And by default, so was I. Prayers answered, I paid my penance, yanking off willing boys in the woods, anticipating transcendence, hoping to be reborn as something more than a good laugh. But it was better to be a punchline than to never make them laugh at all. At least, I earned a natural reaction. A reaction of any kind.

Imagine me under the bleachers, drinking brown bag hooch, husky voice booming, I don’t care what you do to me. Whatever you do to me has been done and I’ve probably done it better myself.

Imagine me, my smallest skirt snagging on the windowsill, sneaking into a house I’ve never seen when the sun shines and will never remember again. Imagine older men in there, but not too much older, old enough to be dead to their ambitions but still alive enough to what a youthful touch can provide, willing to entertain the husk of me between games of Mario Kart, weak bong rips and pulls of Rumple Minze. Imagine them not crossing lines without my limp go-ahead. Imagine that being enough. 

Imagine me telling my hometown punk rock heartthrob the truth that one night he drove me and my friend to Denny’s and asked me who I wanted to fuck so badly in our school it hurt. Like so badly it was painful. Imagine me cackling from the backseat, it’s you, you asshole, and you know it and that’s why you’re asking. And instead of taking me and my friend back to his house where his old-looking dad sat alone in a tiled room with the good china and a muted blue TV and we strutted on past and waited in his bedroom that was so sparse it looked staged for an open house as he showered for a good half hour, my friend and I giggling at our good fortune for not having a ride home from the mall until he finally emerged, muttonchops dripping, towel loose around his scrawn bod perched on the edge of his bed like such a fragile, harmless thing, big hands playing treacly acoustic renditions of Sunny Day Real Estate that he thought would get us wet as he was, he had dropped my friend off, skipped the shower and the emo theatrics and fucked me plain and silly until he took the pain away for both of us. Imagine that. 

Imagine me telling all the dreamy alt-boys working in the food court at Gyros-n-More what I was willing to do to them, how I wanted to climb over the counter and devour them whole in their Dickies and Sublime tees right underneath the rotisserie spit. I wanted to suck them dry…and more.

Imagine me, in my 20s, an expensive haircut and the hair everywhere else tamed and shamed and groomed and pruned to perfection, just how all the boys and girls all liked it. How I liked it. 

Don’t remember me as I am now, age 40-who cares, welling up in front of the mirror, rubbing my fine lines in the good light, because I’ll never know what it is to be hot. As I age, it’s more difficult to let go of the notion that I should be. I’ve been robbed. 

Don’t remember me as social media reflects: pleasant, inoffensive, sweet. Like a clean smell you barely notice except when it’s replaced by something stronger. And for god’s sake, don’t pity me now and look closer. Just know there are consistent flaws in the makeup: eyes too small and deep-set, nose too prominent, lips too thin. Even now, I’m afraid to point out each of these failings because then you’ll notice them too. You, my unlucky new beholder. 

I’m probably the last person you should trust anyway. My beauty, or lack of it, ultimately belongs to you no matter how much I wish to master it, to bring it into submission. I don’t want to be in control of most things. Judge away and draw your faulty conclusions. I’ve spent too much time (my whole life) trying to glean meaning from my face, my limbs, my hip-to-waist ratio, the size of my tits, the shape of my tits, the size of my ass, the shape of my ass, the shape of my legs, my leg-to-torso ratio, the size of my stomach, the extra fat on my cheeks, the extra fat on my stomach, the fat, fat, fat. I’m bored. I’m boring myself. I hope I’m boring you. Please imagine me boring you.

Imagine me like the better and braver women I notice in movie theater bathrooms, airport bathrooms, any shared and public space, standing in front of the mirror, unapologetically interrupting the illusion of having a natural anything as they spray their tresses, contour their bones, apply, and reapply paints and creams and mists to any outstanding surface. They believe in artifice. They believe in their art while I avoid my reflection. My unwavering gaze is on my soapy hands rubbed clean. I rarely meet my eyes. It’s too painful, too futile. Each time, it feels like a gross admission of defeat.

Imagine me drunk, forgetting the details of my face, or convincing myself I have another one altogether. Imagine every boozy pore of me exuding the charismatic equivalent of a cocktail straw chewed through with carnal ferocity, or a peek of upper thigh when the skirt rides up a bit too much or a waft of shampoo that intoxicates like a hard drug or a head-all-the-way-back laugh when dancing to the best songs on the bar jukebox. Imagine what I could accomplish before the moonlight fades. 

Imagine me forgetting the details of my face when sober, when music alone molds me into what I truly am underneath it all, and I move as if I were the culmination of every man, woman, and organic matter’s wet dream. Who could I be then? The parts I recognize when I forget to look at myself through your eyes only. When I feel the eyes of the universe on me instead.

Imagine all the times men have stopped and ogled and started something I wished I’d let them finish. Actually, you don’t need to imagine this. Just like I didn’t need to imagine my women friends aghast, dumbfounded that these dudes saw something in my likeness that made them pause, that made them hunt and pursue and hunger after me as I appeared, commenting about my good body, my elegance or my entrancing eyes as my friends scoffed within earshot. Regal and mysterious? What were they seeing? I was the girl-next-door. 

Don’t  remember me standing there, my dumb mouth good and shut, while my bedridden mother laid into me for the SLAM book my brother found in my room and brought to her like the chump that he was. In between pages where I rightly kissed my girlfriends’ asses with 10s and “total sweetheart,” “love like a sister” and scored each boy no less than an 8 along with comments like “fine as hell,” “cool freak,” “total sweetheart,” I wrote that my brother’s beauty queen girlfriend was a “SNOT,” “stuck-up,” and “not all that.” I scored her a 3.5. 

Is all this because you know you’re not beautiful like her?

My mom was exasperated, tired. She was near death and did not have time to say things gently. She didn’t know I would remain frozen in this moment of devastating inadequacy for the rest of my life. She only knew her own beauty was fading and she didn’t have patience for those that didn’t accept their fate, their place within the hierarchy. A hierarch her disease had evicted from cruelly and forcibly. But she didn’t know that I’d hold the memory of her beauty dearer than anything I loved about myself. 

Imagine me hot. Truly hot. Cramming my crushes’ mouths with all those verbs that hurt so good. Bangin’, smokin’, slammin’, stunning. Let them burn, let them hurt for once.

Imagine me oversharing about my exploits, doling out tales of my romanticized darkness to an enraptured audience. Imagine me actually relating to all those hot girl memes on the internet, posting calculated mirror selfies zoomed in on my teeny-tiny midriff and disaffected cartoon pout. Imagine me captioning them with moody quotes from suicided poetesses and godfathers of goth rock. Imagine me pretending I’m plagued by insecurity instead of enamored with the way my ribs ripple beneath my too adorbz bralette. Imagine the privilege to look sexy while self-destructing and have thousands upon thousands of followers bear witness to your gracefully planned fall from grace. Imagine enhancing your irreproachable hotness with self-deprecation. Just imagine the audacity in that. The freedom. Fuck, really imagine that.

Don’t remember me with a succession of doting and devoted paramours since age sixteen. Worshipping romantics, each in their own way, desperately trying to persuade me to see myself as they saw me. And sometimes I did. Sometimes I was a beautiful blur. Yet, I dismissed their efforts as lovesick delusion. It’s what love does, I’d say. You inevitably confuse my insides for what’s out here for real. You’ve gone too deep. I’m sorry this happened. My interior filmed your eyes over, glued them shut to any sort of objectivity. All you can see is my wit, my humor, my goodness. My goddamn goodness. It creates this mirage every time. I’m glad you see what isn’t here. If you did, you wouldn’t stick around as long as you do. Thank god for my goodness and my great, big bangin’, smokin’, slammin’, stunning heart. Thank god I have something else to offer you.

Imagine me as the irresistible taste of battery, the spark on everyone’s tongue.

Imagine me never saying please or thank you unless I mean it.

Imagine me taking up space and not thinking about saving room for you. Or thinking about it but not until I’ve thought about all the ways I want to occupy every crevice, every gap that begs for me instead. Imagine me gorging on my fleeting desires and tossing you my scraps. You’ll have to make yourself so small to fit beside me. You’ll have to pretend to know how humility feels. It’ll be a lesson I can teach you. All of you. 

Imagine me pushing myself onto a boy, or a man, knowing he’ll accept the modest roundness of me because it’s enough and fits in the palms of his hand. Imagine me, the opposite of sweetness. No roundness of being. All sharp edges, jutting forth, especially where it counts.

Imagine me not thinking about the shape of me at all. Imagine me ineffable and immaterial like a God. Imagine me on my knees, worshipping myself, sight unseen but felt in the touch of every fingertip that roamed my flesh with the pure intent to fuck. 

Imagine me, as I am now, a pill under my tongue, ready to swallow the night whole, a cat-eye so sharp and on-point that when I blink, my eyes flicker like comely daggers under the blacklight, stabbing through the skin of reality while the party moves around us like a dream. Imagine me, a sleek shimmer sliding around your neck and through your veins. Imagine me enhancing the fantasy. Imagine it isn’t just the drugs talking, but my body. 

Don’t remember me beyond this shell. I want you to covet my slippery surface, not everything slowly rotting within it. I want you to cling in vain to what will always elude us both. Tell me I’m at my peak. Tell me you’re drawn to it only for this moment and never after. 

Don’t remember me making these demands. Pretend it was all your idea. Yeah, imagine telling me I’m hot and making me believe it just once. 

Just once before I die.

*******

Jillian Luft is a Florida native currently residing in Brooklyn. Her work has appeared in X-R-A-Y, Expat, Hobart, Rejection Letters, and other publications. She’s currently at work on novel about Florida dirtbag romance. You can find her on Twitter @JillianLuft or read more of her writing at jillianluft.com.

Categories
Issue 0 Issue 0 Non-Fiction

Signs and Wonders

By Mike Nagel

Recently someone started painting arrows on all the sidewalks in the neighborhood. At lunch, the dog and I follow them around. They take us down Royal Oaks to Princess Blvd. Then over to Camelot via Guinevere. They’re poorly done. Freehand. White spray paint on concrete. Some of them look like lower case r’s. Some of them look like capital t’s. I think if you’re looking for signs in your life you can’t be too picky about what they are. I think ⎯ if you’re looking for signs in your life ⎯ you kind of have to take what you can get. 

“Well,” I say when I find another arrow. “Good enough for me.”

It’s May now. The tree pollen is moderate. The ragweed pollen is moderate. The grass pollen is high. Everybody I know is whacked out on Flonase and Claritin D. Even the dog takes a small dose. An entire city experiencing the common side effects of over-the counter antihistamines. Drowsiness. Fatigue. Irritability. Wednesday evening J and I go for a walk. We follow the arrows down Oak Grove and into a cemetery.    

“Wait––is this a cemetery?” she said.

“No.”

“It says cemetery.”     

“Where?”

“On that huge sign right there.”

There are twenty-two cemeteries in Plano, fifty thousand cemeteries in Texas, one hundred and fifty thousand cemeteries in the United States. Wherever you’re standing, you’re probably standing in a cemetery. We walked around a little. The tombstones are all a hundred years old. Slab grey. Crumbling and faded. You have to put your face right next to them to see who it is.

BOWMAN, one of them said. 

RUSSELL, one of them said. 

BOWMAN RUSSELL, one of them said. 

J stopped at a giant chunk of granite shaped like a human head.

“Sarah E. Gamble Chenault.” 

Who?” 

[]

J teaches American Studies at the high school down the street. She wears themed t-shirts depending on what they’re learning that day. On Tuesday it’s a Richard Nixon t-shirt. On Wednesday it’s a Roe V. Wade t-shirt. On Friday it’s a picture of an American soldier in Vietnam.

“War is hell,” his helmet says.

Maybe they all say that.

I don’t know very much about America. I’m not sure anybody does. The shirts aren’t helping. Yesterday she was wearing a shirt with a pineapple on it. This morning it was an atomic bomb. It’s a common misconception that because I live with a history teacher I have some idea what’s going on. I don’t. I just follow the arrows around like everybody else and hope they lead to something interesting at some point. At night the top of my mouth itches. My tongue swells up. My whole head feels like an over-inflated birthday balloon. It’s tradition around here that once a year all our heads explode. You get used to it. You can get used to anything. In the evening I drink organic allergy-relief tea out of Bulleit Bourbon mug.

“Mmmm,” I say. “Tea.”

I haven’t had a drop of booze for ten weeks but I have this stupid tea. It’s okay. Peppermint flavored. Anti-inflammatory. Tastes like potpourri. I once knew a guy who traded his eight-whiskies-a-night for a liter of Diet Coke and a porn addiction. A lot of things are interchangeable. I read they recently developed the technology to lop off a human head and swap it out for something a little more reliable. I hear good things about papier-mâché.

[]

“Right on cue,” Ron says after the first heatwave hits the first weekend in May. 93 degrees. Overcast and sticky. A chance of rain with a certainty of being miserable. There’s some comfort in the reliability of it. Most lab rats prefer constant abuse to unpredictability. Yesterday I found a dead bluebird in the backyard. A victim of heat stroke and dehydration. The latest casualty of our warming planet. I put out an old Tupperware container filled with tap water and declared myself the interim minister of wildlife hydration.

“Just as the Lord cares for the birds of the air, so will he care for you,” the Bible tells us. 

“I know,” I say. “That’s what I’m afraid of.”

In the evenings I sit on the patio swing and watch TV on my laptop. I drink Guava Goddess kombucha. At some point the mosquitos come out. Asian Tigers. The ones with the stripes on their backs. I think they’re attracted to my screen. I don’t blame them. Lately I’ve been watching The Marvelous Mrs. Maisel.

The camera work!

The set design!

If there’s one thing I know about filmmaking it’s the importance of production value. I once asked a semi-famous cinematographer what his secret was.

“Point the camera at something good,” he said.

In the mornings I follow the arrows down Royal Oaks, past Monarch Drive, all the way into Bob Woodruff Park. In Italy all roads lead to Rome. In Plano all sidewalks lead to Bob Woodruff Park. I keep ending up here. It’s hot and green and smells like a Petco. Lately someone’s been leaving million-dollar bills on all the picnic tables. “Here’s the Million Dollar Question,” the bills say. “Will you go to Heaven when you die?”

[]

The temperature rises. The pollen floats around. The mosquitos are fruitful and multiply. Well, I think, at least they’re having a good time. 

Sondra tells me that Asian Tigers feed all day long. Blood thirsty alcoholics. However much they get, they could always use a little more. They live for eight days and lay 500 eggs. The latest prototype in the long history of mosquito evolution. Like me, they arrived on the scene completely uncalled for some time in the late 80s. And ⎯ like me ⎯ they are capable of drinking themselves to death.

“I don’t remember these from when I was a kid,” J says, smacking one against her ankle.

“Yeah,” I say, smacking one against my neck. “They’re new.”

Part or particle of God, Emerson became an all-seeing, never-blinking eyeball. Tuesday night I become a Panavision Panaflex II movie camera. 

“The secret,” I remind myself, “is to point myself at something good.”

Lacking anything good, I point myself to the left, toward the cemetery. I’ve been back a few times. The final resting place of forty-three people who never made it out of the neighborhood. I check to see if I can communicate with them telepathically.

Hello? I think at the ground.

Is this thing on?

Testing testing one two three.

Are you there, Sarah E. Gamble Chenault? It’s me, Margaret.

Like you, I am open to the possibility that I am one special son of a bitch. Like you, I am open to the possibility that there has never been anyone else like me in the history of the world. I stand there between the graves until the mosquitos come out. Sometime after sunset, just before dark. A few at first. Then a lot. Then all of them. I’m a poorly functioning diabetic. 7.8 A1c. My veins are full of Hawaiian Punch. I hold my arms out like that Jesus statue in Rio de Janeiro.

“My blood,” I say. “Artificially sweetened for you. Drink it in remembrance of me.”

You can lose 3 pints of blood before you feel lightheaded. 4 pints before you see stars. 5 pints before your head floats off like a hot air balloon, up past the power lines, in the general direction of Costco. 

[]

On Tuesday J wears the Nixon t-shirt again. On Thursday it’s the pineapple. History repeating itself. A three-week laundry cycle. 

“We’ve seen these ones before,” I remind her.

On Nextdoor I hear about a plan to release ten million sterile mosquitoes around DFW. Decoy fuck toys to keep these things occupied. An obvious-enough strategy, I guess. The day Politico leaks a brewing overturn of Roe v. Wade, my Twitter timeline is full of men vowing retaliatory vasectomies. Solidarity via sterilization. They post emojis of scissors and cherries. 

Well, I think, it’s not like the world needs MORE balls.  

That afternoon I follow the arrows past Queens Way over to Spring Creek Pkwy. Then I follow them back down Spring Creek to Royal Oaks. Then I follow them around in circles for a while. Then into Bob Woodruff Park. It’s 92 degrees. Sunny and clear. I’m out here sweating my balls off. It’s the least I can do. My eyes are bright red and itchy. My head is the size of a beach ball. I have ten million dollars on me. All cash. 

When the sun goes down the fireflies come out. Lampyridae, they’re called. I remember because lamp. They flash around me like paparazzi. I’m famous. Me and my yellow belt. Me and my black skinny jeans. I pump my hips back and forth. I turn around and walk backwards. I give them a show.

[]

Yesterday I Googled my own name and got five million hits. Later my head exploded. It happens every year. I’ve had thirty-four heads. This will be number thirty-five. They’re full of cotton balls and glitter and alphabet soup. Ticking time bombs. Rigged to blow.

*******

Mike Nagel is the author of Duplex. He lives in Texas.

Categories
Issue 0 Issue 0 Poetry

Majestic in its Natural Habitat

By Alan Ten-Hoeve

I nosed the school bus around Bantam Lake.

Let my mind disengage and wander.

It’d been a stressful few months.

Life was unraveling.

And trying to hold on only gave me rope burns.

But it was a beautiful morning.

The sun had just crested the dark hills.

Dense morning mist hovered over the water.

About a half mile away a dark shape drifted toward shore.

Through the mist it kinda looked like that famous picture of the Loch Ness Monster.

When I came around the bend I was able to make out what it was.

A giant unicorn floaty had come unmoored and was drifting freely around the lake.

The kind that could hold a lot of drunk knuckleheads.

One rainbow wing had lost air and dragged in the water.

As I got closer I noticed the peaceful look on the unicorn’s face.

Eyes closed, snout down, giving it the appearance of a sanguine smile.

Like it knew things I never would.

A goddamn air-filled plastic Buddha.

Calmly coursing across an inland sea to bring enlightenment.

Majestic in its natural habitat.

With the dark hills and mist I thought it would make a great picture for Instagram.

Too bad I’d passed it.

Maybe I’ll see it like that again someday.

And have time to stop.

Someday.

Someday never comes.

No.

I couldn’t stop thinking about that unicorn.

A mile later I said fuck it.

Down shifted and whipped my yellow whale around the triangle on 109, back toward the lake.

Tires squealed on the pavement.

Car horns sliced the air.

“Yo, bus driver, what’re’ya doin’? School’s that way.”

“Snap! He kidnappin’ us yo!”

I’d forgotten about the kids in back.

“This’ll just take a minute,” I said.

When I got to the unicorn I put my hazards on and pulled the bus over.

Retrieved my phone from the glovebox.

Opened the camera.

“He gonna drive us inna lake! Du’s like, I’ma sicka’deez kids, I’ma drown‘eez muhfuckaz.”

Cars stopped in front and behind the bus, drivers craned their necks, unsure what to do.

Wondering if they should pass.

“Yo, that du crazy,” a kid said.

Laughter.

I didn’t care.

Once I got the picture, a strange calm washed over me.

A sensation I hadn’t felt in a long time.

“Yo. bus driver.”

The kids were all huddled at the windows looking down at me.

Some looked worried.

Some looked amused.

Some looked worried and amused.

“You aight?”

I looked at the picture I’d just taken.

It was good.

Would probably get a lot of likes.

“Yeah. I think I am.”

I got back behind the wheel.

The kids slowly lost interest in me again.

Went back to their phones.

The rest of my morning route went by in a warm fuzzy daze that engulfed me like a blanket.

I was the fucking unicorn.

I smiled.

Who’s crazy now?

*******

Alan ten-Hoeve wrote Notes from a Wood-Paneled Basement (Gob Pile Press)  and Burn (KLR10 Malarkey Books). Tweets @alantenhoeve

Categories
Issue 0 Issue 0 Fiction

Elpenor in Hades

By Adam Soldofsky

Process 
It was unpleasant, but I’d been in the military. The lines were incredible yet they moved  along towards intake. My neck was stiff. It was uncomfortable to look over my shoulder.  We exchanged glances. Few of us spoke. It was all fairly obvious. The sky above was a  boiling pixilation that exploded perpetually on the horizon.  

Posterity 
In the hangers they blasted our eyes with lights and waved little wands. They snapped our  photograph against an eggshell backdrop. There was some confusion with the names.  Trouble with certain accents. There was mumbling, mishearing. Embellishment.  Truncation. Poetry underwrote posterity once again. I fed my name to the manglers, then  waited with baffling hope to be issued identification, a card they printed on the spot. 
 
Halfway 
I sat in the chair across the desk from the caseworker in her cubicle. The walls were  pinned with the drawings of children. Her perfume lay claim to the air. She asked  questions, returning my answers as she marked in the file:
Unmarried.
Parents: still living. 
Oldest son. 
Ran away from home to join the war.
I was handed a number of vouchers. We discussed my options for shelter, nearest relatives or a halfway house. 

Subdivision
The house was in a subdivision in the Western District. The Underworld was entirely  communities of this sort. Immaculate. The paint, tactful. The turf, orderly and green.  Picture windows. Sacred geometry. Little parks. Plaques beneath the statues. 
My room was cozy. The residents were men, old and young. Some were talkative.  Others kept to themselves. I was partial to the latter. The house rules were displayed in a  frame in the common area and read as follows: 
Clean up after yourself. 
Share in household chores. 
Attend all mandatory meetings and classes. 
Maintain employment or pursue an education. 
Keep all appointments with your case manager. 
Report any and all progress or adversity.
 
Revelations 
I went to the meetings. I attended the classes in the little room at the community center.  The topics were abstract or pragmatical. One of the first concerned the lack of Justice.  This was of much interest to me, as I had done some killing and wondered about the  moral implications. Some of us had suspicions back in life. But we did not gloat to the  others. People expected revelations. The rest of us tried to be sensitive. There was  unlimited access to counseling. 

Euphemism 
I enjoyed the classes, thought less of the meetings. My case manager had enrolled me in  two support groups. One was for Veterans of the Trojan War. The other was Coping with  Your Unglamorous Death. 
In the veterans group, I felt out of place. I hadn’t died in combat. I was more than  a little ashamed of my death. There was some snickering when I told of it. I expected as  much. The group leader thanked me and I sat down. Later he found me and pressed my hand between his two. His sincerity was profuse but clearly authentic. He told me it was okay. 
What can you do, I said. 
My horse kicked me, he said. 
Excuse me? 
Not her fault. A wasp stung her flank.  
 Oh. Sorry.  
It happens. 

Apotheosis 
The group for Unglamorous Deaths was at first a sad affair. Later it became very funny. I  was obliged to tell about the drunkenness, the climbing atop Circe’s terrace to sleep nearer  the stars. The morning call to ship, my subsequent panic, tumble, broken neck. There  were worse deaths assembled here but I was still very close to mine. The group included  women. We did some socializing outside of the meetings. There was one woman I found  lovely and intelligent, the full details of whose death I’d rather not––t involved an ill-advised bet. 
That she could wrest such dignity from her disgrace was unsettling. Apotheosis is  a term I didn’t know then. My mouth was generally thrown out of rhythm by her  presence. I could speak to her but first I’d have to swallow something jagged. I was  astonished by her interest in me. I was never in love during my life.  You remind me of my grandmother, I told her on a date. 
Aren’t you a flatterer, she said. 
You’d be flattered if you knew her. 
Tell me something about her. 
Well, I said, she began her life a slave-girl. 
I see. 
Her former masters are here. She is not. 

Development 
I was not a brave soldier and this was obvious to my superiors. I was the youngest aboard  my captain’s vessel but that hardly explains anything. I did not enjoy the war. I had  enlisted to escape my father. 
It was a surprise to find myself excelling in the classroom. I scored highly on the  placement tests. I enrolled at the university on scholarship. By now my wife and I had a  little house in the quiet planned community known as Tanglewood. I worked construction  and went to school. There was a lot of development in the Underworld at that time. My  wife pursued her certification in counseling. Eventually she found work mentoring girls. 
I continued to visit the discussions at the community center. When we discussed  the Memory Question the room was always split. We must preserve the recollections  from our days of life, urged the Rememberers. For some this required heroic diligence.  The Forgetters supported oblivion for the purposes of comprehensive assimilation. They  were sometimes accused of taking this position simply to legitimize the eating of lotus.  The two camps got along for the most part, despite the difference of opinion. Though  they tended to vote opposite each other. 
I was not dogmatic myself, holding on to what was pleasant and burying the rest.  One Rememberer, enlivened by the debate, stood up and declared: 
Every soul in this room has one recollection that validates all that is disagreeable. You, she pointed at me. Give us yours! 
Sailing in black night, the algae blooming like a cosmos off the coast of Malea. 

Vanishing 
My neighbor had been a prophet of doom when he was alive. Now he was a mechanic. A  nice man. We’d have conversations in our driveways, mornings when I went out to  collect the newspaper. I was now an academic. My dissertation—The Civic  Disadvantages of Memory in the Absence of Justice—had been published and I was  offered a post at the University. What would my father say? In all the years I lived under  his roof I never once saw him impressed.  

I told my neighbor about my wife wanting children. How I wasn’t sure. How I  worried about the Vanishing.  
Everybody worries about that, said my neighbor. 
Don’t you? I said. 
Oh sure––I have a group, he said. We meet Sundays before football. 
Death had not meant an end to mystery. Souls vanished routinely from the  Underworld. Those that returned after days, weeks or months had nothing to report.  No idea they’d been gone. Many did not return. Thus I worried about becoming a parent. Children are adaptable and resilient, said my neighbor. 
There was no end to the children entering the Underworld. 
It is our responsibility to open our home, said my wife. 
She tended to appeal to reason when she wanted something. It was convenient  how duty and desire coalesced so seamlessly in her. I hated to interfere with her  happiness. Her love was a dynamo beneath us.Compromised, it would lead to  destruction.  
We put our names on the waitlist.
 
Ecstasy 
When the child arrived my love ballooned dangerously. If I looked too long upon the  little girl, particularly when she rode on my wife’s hip, I would begin to tremble like a  rocket. This condition was somewhat alleviated when I held a camera. 
We went often to the park. We visited the sleek shopping mall. The floors  gleamed underfoot. The selection stole my breath. We went for drives. The hedges along  the roads, the rows of houses nearly identical and wheeling in all directions propelled me  toward ecstasy. I took far too many pictures. There were fountains in the public squares.  
Flowers in the beds. There were street fairs. Markets and bazaars. I enjoyed anything  which brought me into proximity with my compatriots. Our assembly seemed the proof of something important.

Pastime 
We hosted parties in the backyard. Invited our colleagues and they brought their  children. I built a swing set. The children chased each other about the yard and flitted at  our knees. The adults sat on the patio and discussed the newest speculation surrounding  the Emperor and Empress. Their role in government was now purely symbolic. Thus their  private affairs became the national pastime.  
She has no shame, said one. 
Neither does he. 
Well, I think she’s worse. Look how she dresses. 
Look how he flaunts his infidelity.  
She’s much worse, said another. She was nothing before they met. He plucked her  from obscurity and set her down in luxury and adoration. 
They both ought to have some shame, said another. 
What use is shame in the Underworld? said my wife. 
Just when I felt it impossible to fall any further in love she would say something  like that. 
I don’t know, said someone, but I feel they ought to have a little. 

Captive 
Couldn’t we have another? 
Well. We certainly have the room. 
That’s hardly the point, my dear.  
I know. 
I want another one. I feel we’re ready. 
Me too. 
And we do have the room. 
We wrote back to the agency. Our application was approved and a second child, a boy,  was placed in our care. He was shy. He did not take to us so readily. He watched us carefully and we watched him. During this time I dreamed of Odysseus. Seldom did I  wake dry, without the tremendous outrage for which I could not account slamming in my  ribcage. A captive on a sinking ship. 

Disposition 
I took walks under the ever-rippling canopy worrying about the boy. He went long  periods without speaking. He’d cut large notches from his hair with kitchen shears. While  I lay in bed fear and love tore over the tracks of my nerves on a collision course. My wife  is an effortless sleeper. Immediately embroiled in a dream,she is what my mother would call an unbothered soul. Lying beside her, the children lost in  the dark of their rooms, the ruthless oceanic quiet of the street lapping against the window, I felt utterly removed from grace.
 
Tessellation 
Though he took me on it was clear Odysseus was bothered by my presence. I was  roughly the age of the son he’d vanished from. Sometimes when he was giving orders he  could not bring himself to look at me. Then the desire to please him would incandesce  my bones. Now I was feeling this way about the boy. I would relive any horror to know  his thoughts. Preparing him for school was like dressing an idol. Meanwhile, the girl  thrived. She needed us for shelter. Transportation. The rest she could manage. I felt  childish in her presence. She tolerated my kissing her when I dropped them at school. The  boy followed along through the double doors, his steely hermetic aura wavering about his  little shoulders.  
I went on to the University. Gave lectures. Saw students in my office. Tried to appear composed. Drove home through the tessellating neighborhoods. Kissed my wife.  Inquired about the children. Performed my part in the meal. Afterwards loaded the  dishwasher. Read the paper. Put the children to bed. Spoke idly with my wife on the sofa. They’re enforcing the beard policy at the University, I told her. 
Are they really? 
Yes. 
Everybody has to grow one? 
Only the men. 
I’m sorry about that. 
Do you mind a beard? Not terribly. 
And if there were a lot of grey in it? 
You’d look distinguished. 
You wouldn’t leave me for a younger man? 
Not if he wore a beard.  
Young men grow the most disastrous beards. 
I’m glad you’re not a young man. I would probably have to leave you. 
Went upstairs to bed. Lay with my wife until she was asleep. Lay awake, the the  world above bearing down. Darkening. Day in and out.
 
Storming 
I came home, set down my damp coat and briefcase. Dried my beard on my sleeve. The  girl was at the table with her homework. The boy sat on the floor. He would only wear  white during this period. He had on white coveralls atop a white t-shirt. White socks and  sneakers. He was drawing things on his arms with a red marker. 
Where’s your mother? 
The girl shrugged.  
I went upstairs. I came back down. 
Where’s mom? Her car’s in the driveway. 
The girl looked up from her assignment. 
Maybe she went for a walk. 
But it’s storming. 
We regarded each other. The boy started with the marker on his legs. I looked in the backyard and in the garage. 

What’s for dinner? 
I don’t know. 
I’m hungry.
I looked to a small gesture of agreement from the boy.

I fed the children. I bathed them and put them to bed. 
She’ll be back, said the girl.  
She was always right. 

I checked on the boy. He lay dreaming like a pharaoh with his arms folded over  his chest.  
I went downstairs. Sat on the sofa and faced the front door. Light entered from the  street shredded through the blinds and shuddered on the walls. I shook under the blanket.  The storm kept on. 

Glyphs 
Days and weeks. The children were adaptable and resilient. I considered joining a group.  I lectured and graded papers enveloped in an unruly lavender fog. I saw to the children  though it felt like the reverse. 

Don’t worry, said the girl. It’ll be okay.
 
Where did she come by this riddle? 
The boy clothed himself in white. Each day he covered his body in red glyphs.  Each night I wiped them away in the bath. The weather was strange. The sky was  lowering around us. 
Don’t worry, Dad. 
Finish your breakfast.
 
Threshold 
The firmament fell to the land like a dark bridal gown. I needed to buy groceries. I’m going to the Superstore. 
No thanks, called the girl. 

The boy stood up from the floor covered in his own crimson language and took  my hand at the threshold.  
We drove through shattered element rebounding from the streets and hurried  through the parking lot under the umbrella. I’d made a list but found it soaked.  Incoherent. Chaos clapped me on the back. I began to weep. People stared. The boy took  my hand. Led me down the florescent aisles. I filled the cart.
 
Prism / Oaths 
We hustled to the car and unloaded the groceries. There was a great clamoring taking  place around us. I held up the visor of my hand and looked off towards the edge of the lot  where shoppers were descending and crying out. There the gale had twisted and upturned  the low sky and left it an aqueous vertical prism. We began to weave through the  vehicles, moving with the crowd towards the spectacle.  
The shoppers were swarming at a cleft in the low firmament where fires burned in  the body-cavities of two bovine corpses, behind which living men dressed in armor were  praying oaths over their bloody swords. Among them was Odysseus. A tremor swept over  me. Then another. The boy made a way through the hordes with me in tow. His eyes were  calm and his steps decisive. I felt my tongue begin to glow. 

Hot and Cold 
The crowd peeled away around our progress as from a blistering heat. At the fore the boy  halted and I approached Odysseus where he stood in the dark puddle of his sacrifice. He recognized me at once. He began to weep and clutch his chest while I stood  before him in my raincoat and penny loafers, the damp running off my beard, the groaning multitudes at my back. 
Elpenor, he said. How did you come to the world of darkness, faster than me in  my black ship? 
Indignation scudded through my extremities. I opened my mouth. Out burst my  story like a starved scavenger bird. 

Do not desert me! 
Burn me in full armor! 
Where was this coming from? 
Plant my oar upon my tomb! 
Or else my curse be god’s bounty on your head! 
Was I this soul? I shook with embarrassment.  
My captain placed his hand over his heart histrionically:  
All of this, my unlucky friend, I will do for you. 
Unlucky? 

He smiled like a miser, eyeing passed my shoulder for the soul he’d come in  search of. I went hot and cold. I would spit in his face. I would throttle him and claim his  shield. The boy reached for my hand.  
He stood in his white uniform beneath the umbrella. Little red lights sparked in  the soles of his shoes.

*******

Adam Soldofsky is the author of Memory Foam (poems) and Telepaphone (a novella).