Categories
Across the Wire Vol. 4

Dip Spit

By Chuckry Vengadam

Everybody at the pregame is white. Which is good. Spending most of my first two years of college exclusively with Indian people left my friend-diversity imbalanced, so it was time to step outside my ethnic comfort zone and into this frat brother’s living room. Around the room are dudes in pastel-colored button-up shirts, but it’s hard to see exactly what color they’re wearing, or even the details of their face, because the only light in the living room comes from a dim lamp in the corner. It’s unclear whether the guys around me are frat brothers or rushees like me. Guys file in and out of the fluorescent kitchen to refill their cups, temporarily exposed like a flash photograph before dissolving back into the party’s murky interior, and others stand around the room, making idle chatter or scrolling through their phones. As I notice I’m the only Indian person in the room, my heart jumps and I assume it’s just my social status rising, but nope—it’s the unfamiliar, frightening realization that I know nobody there.

I didn’t tell my roommates I was here. They wouldn’t understand. They’re brown like me, so the idea of joining the University of Michigan’s Greek life was a laughable aspiration. We’re simple folk. Our conversations are often complaints about class, dreams for the future, and stupid inside jokes, usually over ashed joints and late night games of Super Smash Bros. If I tried explaining to them why I’m rushing a frat, they’d laugh. Me, in a frat? This smooth-faced pothead bookworm rubbing shoulders with beer-chugging dudebros? “Are you okay?” they’d ask. “Just come watch a movie, dude.”

So yes, part of joining a frat was to become cool and attract women, but another part was the thrill. Rushing Pi Kappa Phi (affectionately called “Pi Kapps”) in secret made it fun, scandalous even, the idea of sneaking off to join white folk in the late evening for a nightcap or twelve, the exhilaration of leaving my normal life behind in favor of something new, even if only for a while, like clothes after a shopping spree. And besides, this was more of a tour for me than a serious commitment. I wouldn’t really get in, would I?

They’re blaring some generic pop music at this pregame. I knock back a few gulps of jungle juice to fuel my confidence. This other dude walks by, short brown hair, slanted eyes, sort of, and I recognize him from one of my classes. Marco. I wave. He looks Asian–or maybe half-Asian—so, thank God, I’m no longer the only cultural representative at this event. There’s another outsider, someone perhaps more out-of-place than me. He seems to recognize me and suppresses a smile as he waves, his mouth opening the bare minimum to signal communication from afar. He comes over.

I say, “Whattup?”

“Not much, man, just chilling,” I think his face is emotionless, but I don’t really see it because the pop music is so loud we have to yell into each other’s ears.

“You rushing?” I ask.

“Yeah.”

“Cool.”

“You?”

“Yep.”

I’ve made a friend.

Which isn’t super surprising, because at the Pi Kapps meet-and-greet the previous week, I nailed it. I bro-high-fived several bulky frat bros on entrance, the kind where you slap palms and pull each other in, then half-hug with the other arm. I sat at their sticky dining table in a small room with walls of chipped paint. The brothers seated around the table were pink-faced and wore Timberlands, long hair stuffed under backwards caps, beer in or near their hands, like a dinner party for deadbeat dads. This one bigger guy asked me to tell him about my hometown in two words, so I said, “boredom and Republicans,” earning me some laughs and pats on the back. I knew I had a shot.

The thing was, the rush coordinator told me in his nasally voice, that pledging would take maybe fifteen to twenty hours a week. He listed some of the expected responsibilities. Cleaning up after parties, tutoring other frat members, cooking breakfast, and a bunch of other chores. I’m sure there was more left unspoken, like chugging a gallon of milk or running through a cornfield naked covered in lube or other equally clever hazing rituals. The problem is that I already spend an extra fifteen hours per week for Michigan Izzat, the competitive all-male Bollywood Fusion dance team I’m on, and there is no way I can do both. I’ll have to choose.

Minutes after I meet Marco, girls stride through the door. Short girls, tall girls, blonde girls, girls wearing yoga pants, girls wearing lipstick, girls with ponytails. A fantastic diversity of white girls. I’m excited. They’re half the reason I’m here. Fraternities grant you entire crowds of perfectly manufactured white women. You don’t find them at Bollywood dance competitions or Izzat parties. One of the girls approaches me. I clench, and my solo cup crinkles.

“Are you in my Chemistry class?” she asks.

“No.”

“Are you sure?” A little smile plays on her lips.

“Yeah, I’m not taking Chemistry, so definitely not,” I say, idiot that I am.

She excuses herself to talk to her friends, who gather in the kitchen to drain all the jungle juice from its vessel and oust me from my comfortable fortress. I’m in the living room, alone again. I search for people to talk to, but I’m not sure what to say. Most of the parties I go to have Indian people there, where everyone knows someone, and meeting new people’s easy because there’s always at least one mutual friend. Here, I’m on my own, searching for an entrance into the conversation.

My inspiration for rushing is my friend’s roommate from freshman year. Skinny, hunched over, daddy-longlegs-looking white kid. Always wore a hat as though preparing to go bald. When the three of us played video games in his dorm, he’d bless us with stories of how drunk or high he got while pledging. How many girls he’d hooked up with. He’d tell us this with a pinch of chewing tobacco tucked behind his lower lip, and then he’d throw a tantrum when he lost the game. But the thing was, he had good weed, dozens of friends, and a sex life, so I wanted—needed—to be like him, even if he and his frat brothers would get so cross-faded they’d pass out on bean bags in his dorm, their stupid mouths open as they held plastic cups full of their own dip spit.

My own plastic cup is, again, nearly empty as I stand in the corner of the living room trying to look casual. Some of the girls are perched on couches, pretending to be interested in what the collared-shirts standing above them have to say. By this point, considering my chug rate and smaller stature, I’m likely drunker than the rest. Cute white girl was a botched attempt. But that’s okay. The guys on Izzat would’ve gaped if I told them a white girl even talked to me. I could imagine them grabbing their hair, eyes bugging out, squatting on the ground in overdone displays of surprise. “Broooo, no wayyyy!” they’d say, and I’d just be like, “Yep.” Once the theatrics wore off, they’d circle me like sharks. “Why don’t you make some moves?” they’d say, the air thick with hoots and hollers.

To which I’d probably just smile and shrug, hands raised, because I was used to this. Bro-endorsed hookup culture is par for the course at a Bollywood collegiate dance team event: at the first night’s mixer, you find cute girls and “plant some seeds” by being boyishly charming and showing them attention; then, during your performance the next evening, you make repeated eye contact (especially during the sexy parts); and finally, at the afterparty, you pound five shots of tequila whose quality you severely overestimate before finding them and initiating a hot, sweaty grind session that would bring a proud tear to the eye of middle school you. Embarking on this journey was hard for me, though. I was a shy kid—a late bloomer, my parents said—so those first couple years of college, I had a hard enough time making friends, let alone romancing women, let alone drunkenly coordinating the loss of my virginity at national dance performances.

Half a cup of jungle juice later, I consider leaving this pregame until one fellow finally catches my eye: a big, bulky, WWE-champion-looking Indian dude talking to a couple of sorority girls in the corner. I approach, and he greets me with a, “Yo, what’s good, rushee!” He has an Indian accent. His shoulders are the size of helmets. He bro-high-fives me, which has now become a physically tiring greeting. His name is Yeshwanth. “Call me Yesh, though. How’s it going?”

“It’s good, man.” I suddenly have everything and nothing to say. What do I ask this fellow? What do I ask one who’s successfully infiltrated the whites so easily? His skin is dark and porous, his beard short but thick. He must be at least twice my weight, even though he isn’t much taller than me. Nothing about him matches the Pi Kapps brand of pimply pink faces and dip lip I’d grown accustomed to thus far, so I’m taken aback. “What do you like about Pi Kapps?”

He shakes his head and pauses for a moment, trying to wipe the drunkenness from his brain, and then looks at me with a kind of mentorly confidence. “This is where it’s at, dude. You don’t get this kind of brotherhood anywhere else.”

“Not even at other frats? What about OGP?” Omega Gamma Pi is our campus’s Indian fraternity, whose parties my brown friends and I would check out since they’d happily ply us with free booze and weed to convince us, a gaggle of wide-eyed Indian boys fresh from the suburbs, to join them next semester. “What about them?”

“Eh.” He waves dismissively and laughs. “Just a waste of your time, man.”

“I’m on Michigan Izzat,” I say, leaning right up to his ear as the music grows louder. “You know AJ Sarangi? Koushik Yadati?”

“Maybe?” He squints and nods his head with doubt. “That the dance team?”

I nod. “I wanna pledge Pi Kapps, but I don’t think I can do Izzat at the same time.”

“Listen, bro,” he slurs. He pulls me close, his wrestler arm wrapped around my shoulder, his other arm gesturing, like a big brother explaining how something worked. “I get why you wanna stay with them. They’re pretty tight knit. But you’re never really gonna have as much fun with that crew.”

My stomach sinks, but he has a point. The Indian community on our campus has a reputation for exclusivity. They don’t spend time with white people. Izzat boys would throw parties every other weekend, and the same people would go to each one, each browner than the last. Go to one and you’ll hear the same Bhangra songs mixed with hip hop beats. You’ll hear the same conversations about which girls on other dance teams are “down” and which aren’t. You won’t see a white face or hear “Sweet Caroline.” You won’t see the rest of the world.

Yesh’s eyes glaze over. I don’t believe him. He’s drunk and doesn’t know what he’s talking about. But he’s honest and friendly. And he’s the real deal, though, plucked out of Mumbai and into Michigan on a student visa, accented heavily, a little wild in his gestures with his head tilting as he spoke, not like the knockoff desis I dance with, so why wouldn’t I listen to him?

I finish my drink and stumble over to the kitchen to negotiate with the sorority girls guarding the jungle juice for a few sips when the rush event coordinator, his face a concerning shade of hot pink, enters the room. “Rushees, get on the buses,” he yells. People pass confused looks to each other, in part, I’m sure, because they’re shocked to hear such a loud expulsion of air through nasal passageways alone. “I said, rushees, get on the fucking buses, now.”

He jogs out of the house towards the first bus before I can ask where we are going. I look around, where I’m alone at this dying party with no one except my new friend Marco, who’s so drunk he can talk about nothing besides how drunk he is, and my new cultural advisor Yesh, who’s so drunk he leans against the wall, alone, staring into space, like the last book on a bookshelf. These would be my new brothers. I check the time. It’s past 11pm, and part of me wants to call it a night. I’ve acquired enough satisfying experiences, and I don’t know where these mysterious school buses are going. If I leave now, I can get home, get a little high if there’s any weed left, maybe play Melee with my roommates for a few hours if they’re awake. Then, the bus engines start, the cool white boys tossing half-empty solo cups on the lawn and giving zero fucks file into the vehicles, and man they look cool, so I join.

The ride lasts almost fifty minutes, our buses lazily careening down an empty highway through bumfuck nowhere Michigan. Yelling and whooping fill the whole bus. Guys keep standing and pointing at each other across the aisle, everyone else says, “Ayyy,” and I have no idea what they’re talking about. All I have is stupid Marco slouched next to me. The most useful part about him is the plastic water bottle full of vodka he brought onto the bus. Before dance competitions, our liaisons would similarly bring us secret liquor in water bottles so we could get sloshed in the auditorium after our performance. A much more preferable experience to this, I think, and I fight the urge to reminisce.

Instead, I ask Marco, “Where do you think we’re going?” to which he replies, “I’m so fucked up.” I ask, “Why are you rushing?” to which he replies by spitting on the floor. He leans forward and presses his forehead into the back of the seat in front of us. It stretches, and his eyebrows peel upwards so that each time the bus hits a bump, his raised-eyebrow face bobbles up and down. I can imagine having to mop up his vomit from the frat house floor in a month. He starts snoring, and I take the water bottle from his limp hand and glug down the rest of the liquor.

The bus squeals when it pulls off the lonely highway and up to a small building surrounded by nothing but air and grass. It’s clear from the line of depressed sixty-year-olds at the cash machine inside that this is either a casino or an inconveniently located Wells Fargo. We push through the next door and see, under the glow of invasive fluorescent lights, a few tables for blackjack and poker, a few slot machines, and many more old people wordlessly playing cards. No one has their cell phones out; no one speaks to each other. It’s a peaceful communal gathering, until, like a tsunami of fresh testosterone, twenty-five frat bros and rushees whoop and holler their way inside.

Risk-averse in most ways, I pull up a seat at the blackjack table just to watch. No one else is around for me to talk to. Marco sits a few seats down, his face pressed into the green felt of the table as his arm somehow stays upright to hold his cards. Yesh was too drunk to come. The other frat bros have dispersed, most headed to the small bar against the far wall for cheap PBRs. No music plays. The building is dead silent, except for the shuffling of cards and the growls of white boys. The hollow-eyed dealer, resigned to his duty, says very few words. There are no girls here. They were just at the pregame to lube us up, I realize, to get us excited before the big event. It’s just us and the geriatrics taking turns losing money.

Here’s where I employ my superpower. Here’s where I Febreze a situation I “should” like even if it smells like shit. I scan each segment of the casino and excuse its degeneracy: the senior citizens stone-silent in line for the ATM probably just had a long week, the drunken frat bros howling at the poker tables are just blowing off steam, the owners of this establishment must be proud to serve such a diverse set of patrons late into the night. Forget that I hate gambling, that I don’t like anyone here, that I’m bored and tired. My gut churns, but I bury it. Everyone else is having fun, after all. It’s what I do when I explore something new. I make it my home and forget where I come from. I bury myself, and I lose everything.

“How’s it going?” asks the rush coordinator, his nasal voice snapping me out of my daze.

“I’m doing great,” I say. “This is…so cool.”

His long brown hair has stayed slicked back, and his lower lip protrudes with a chubby bump that I try not to stare at. He slaps a hand on my shoulder. “Listen, man, if you join, you can have great nights like this for the rest of college.”

I think about this. I think about having fantastic nights at this rural money dumpster for the remaining two most formative years of my life. I imagine myself arm in arm with the white girl whose Chemistry class I’m not in, leading her into a casino, softly slipping a pinch of chewing tobacco inside my cheek like a jewel stashed for safekeeping, and playing blackjack with expressionless retirees for three hours. My stomach drops, and I feel a slow-release shock, this cocktail of trepidation, panic, and thrill, the kind that comes when your parents tell you you’re moving to a town you’ve never visited. Then, the rush coordinator, eyes glazed over, speech slurred, seals the deal. In three throaty loogies, he spits tobacco into his own beer cup and drinks it back up with a smile.

Dear God. I have no more Febreze for this.

I used most of it on Izzat. Forget about the brutal practice schedule and wannabe frat culture; performing for an audience is sexy beyond imagination. We’d line up on stage, our hearts thumping, as beautiful college girls from Texas or Ohio or wherever eye us from their seats. The music would start. The voice in my head would stop, and, for the next eight minutes, I’d feel the clarity that machines must have when they’re turned on. Who my teammates were didn’t matter; it was just about giving myself completely to this beautiful routine. Afterwards, there’d be thunderous applause, and we’d hug and jump and scream before shuttling to our hotels, draining bottles, and heading to a late-night afterparty at some glitzy club.

Dancing with Izzat is like working at a startup, though: long hours, big risks, huge payoff, guaranteed burnout. I shouldn’t have been surprised—we are twenty testosterized dudes desperately looking for a spotlight. We spend hours making sure our arm and leg angles match and formations are symmetrical. Captains yell at us to push harder, to keep our facial expressions up, to stop socializing and focus. We push ourselves  four hours some nights, and I come home at two in the morning for a breath of fresh weed before sleeping like a corpse. Homework slips through the cracks. I wake up at noon and skip class. I lay around in bed worrying about school. It’s no wonder I wanted to quit Izzat to rush a frat, with its shinier status and fewer grueling athletics. It felt like, in the company of male friendships, a promotion from traveling consultant to senior associate. It felt like something I’d earned. But now here I am, nearly two years into college, watching a potential mentor figure silently ingest his own tobacco juice.

Since Uber doesn’t yet exist, I cannot make an Irish goodbye from the casino. Instead, I suffer while I wait for the buses to rev back up. Silently, I watch my comrades lose all their money at Blackjack to the older clientele, but they don’t seem to care. Their eyes are completely soulless. Some nod off right there at the table. Others hold their own, chatting up the other clientele, who mostly grunt in response. I imagine the Izzat boys here, and it’s a fun thought. I can see them pour into this establishment instead of Pi Kapps, can feel the frenzied looks we’d receive as we literally beat our chests after winning a round. They’d take control of the aux, blast Bollywood mashups, pat each other on the back, all of us laughing and dancing on the tabletops. It’d be fun, in another world.

Eventually, we board the buses again, this time without the rush coordinator commanding us, just marching in sullenly, like commuters before a work day. I can’t find Marco on the bus, but I imagine he went home the same way he came to the casino—snoring, forehead sticking to the seat in front of him and mouth loudly open. The buses reach the pregame house again, its lawn devastated with torn grass, plastic cups, and vomit. It’s dark, and the shadow splayed in front of the porch is either Yesh’s prone body or a huge shrub. I make it back home, where my roommates are asleep, and I slip into bed, thinking of how many cups I’d have to clean up off Pi Kapps’ lawn if I were to pledge, and what those cups might contain, and I shudder with relief, happy to be alone.


Chuckry Vengadam was born and raised near Detroit, Michigan. His work has been published in the El Portal literary magazine as well as a self-published essay collection, Late Bloomer, about a few of his life’s inflection points, which you can order here. He lives in the Park Slope neighborhood of Brooklyn.

Categories
Crayon Barn Chris

June

By Dylan Smith

For the last three days I’ve been alone up here in my shack. Drying out, coming down, recovering. It’s been hell since I took the last of Chris’s pills but I’m through the worst of it at least. No more mirages on the edges of imagined things. No more violent voices in the night—no visions. Just a gentle breeze through the midnight leaves, a soft gust swirling through the eye of the storm of my life. My shack is like a hole in the side of this mountain. I’m holed up inside it like a vagabond, a fugitive, a thief. Nothing left but bandit rations now. Shitty coffee, cans of beans, blahblahblah—I’m hungry. Dawn fires built to boil water brought up in buckets from the muddy creek and this mountain wind moves through me tonight—I am no man, a ghost. My outhouse hole is almost full. Subterranean snowcapped mountain. Winter’s ashes and sawdust sprinkled down on decades upon decades of human shit. I wonder if Alma ever took one in there. God, I hope so. Then a part of her would be near. Art certainly has—that I know for sure. Still no sign of him yet. Nightmare from last night: Art mowing lawns in denim short-shorts and a wizard hat. Chris coming up behind him on horseback in the dark. Come and see. The barn down below both black and brightly burning. 

No rain. No moon. No beer. 

Still no word from Alma either.

June 16

Today I woke early and limped up to the Glasshouse to find some food. A freezer in the basement full of bags of fruit and fish. I let the fish thaw bare on the bluestone poolside while I floated in the salty blue water. From the pool ledge I looked out over familiar trailers and trees and in through the windows of giant empty mansions, and through my telescope I spotted Alma’s greenhouse, the creek, her kitchen. My Volvo looked like a grave newly dug in the grass beside Art’s barn, the dusty dead black of it reflecting no light. Let the dead bury the dead. No light. I thought about my poems as I floated. My narrowing path. My secrets. My vision’s been blurry in the left eye still, but back in the city Chris’s new girlfriend, Sarah, she super-glued the cut. I never should have buzzed up to that apartment. I had holes in my socks, no boots, so I had to—it was a necessary mistake. Sarah noticed the cut above my eye right away. Asked a lot of questions, reasonable ones I had no honest answers to. She looked me up and down a lot. Said she thought I was crying blood. The place was incredible though. Windows overlooking the park. Sarah told me the apartment had once been her grandpa’s. Apparently her grandpa was dead. I’d taken the last of Chris’s pills on the elevator up and was stealing a lot of paranoid glances out the windows: the cathedral, my Volvo, the torn up city street. I think it freaked Sarah out. The cathedral bells rang out at random with the rise and fall of the playground down below. I have to be sure I’m not getting towed, I told her. Sarah had bright eyes. Paint covered pajama bottoms. Green crocs. I thought I recognized her from somewhere, I still don’t know where from yet. I asked if I could take a shower. Sarah hesitated. I offered up more lies and she laughed and led me into her room. This is where I work, she said. Left me alone with her paintings for a while. They were big. I loved them. Each seemed to be throwing a birthday party for itself. I found a bag of Chris’s stuff in the closet. Some clean underwear and socks, Chris’s boots. The disco ball from our first apartment in the city, and this new journal. I stuffed it all into my duffle bag. Got cleaned up. That’s when Sarah knocked. She had a tube of super glue for the cut. Okay, I said. She sat me on a stool in front of my favorite painting. It had an umbrella in it, an actual umbrella. I asked about the painting. Up top and to the left she had flattened the black umbrella and underneath that was a row of upside-down yellow inventory paper. A perfectly balanced composition. Powerful work. Purple glitter paint swirled and smeared and Sarah pointed to a splatter of shining confetti letters. That’s the alphabet, she said. And some numbers. Right. And this white stuff on the umbrella here is Glass Balloons. I looked up at her. Glass Balloons? Yeah, Sarah said. She was looking at the picture. I just find this stuff, you know. The umbrella I found in Chinatown, the yellow paper I think came from a friend. I looked closer. Glass Balloons! The white stuff seemed to be what glued the umbrella down over blurry streaks of dayglo blue and orange buildings and glitter and the picture looked like a curb in the city to me now—like a birthday party had blown up downtown and this was the perfect happy rubble of it, the colors streaming in a kind of easy crayon rain, and the graph paper even formed a grid. 

Sarah had pink and blue paint on her wrist. Even her smell was a little familiar. First she cleaned the cut with alcohol. Q-tips and gauze were involved. My hair still dripped wet from the shower and I asked how she knew how to do this. I grew up with a lot of brothers, she said. Sarah squeezed the cut. Applied the glue. She did it all gently though, gently. You’re going to have a gnarly scar, she said. That’s okay. I don’t care. Your hands smell just like flowers. 

The Glasshouse refracted the daylight into rainbows and spangled them across the pool water at dusk. I washed the bird shit and blood from my jeans, then flung the legs over a tree branch to dry them. I could have ironed my clothes with a rock. That’s how hot it’s been. Birds soared up into the sun-shot air and dove back down in whirling black circles through the heat. I made a fire. Ate the fish. The sun went down behind the smoke drift and mountains. I wonder where the wind comes from?

I’ve been avoiding the inevitable, the unfolding calamity of my life. 

Alma. The city. Everything I’ve taken from Chris. 

It’s midnight now. Starlight shining through the pines. 

I can still feel the sunshine in my jeans. Glass Balloons.

Every time a tree creaks I think it’s Chris hiking up to kill me.

June 17

This morning I found Art standing over a hole in one of the barren hay fields behind Alma’s garden. His hands were on his hips, his hat pulled down low against the sun. We waved as I approached but he didn’t smile at me or nod or speak. I watched him notice my new boots, my limp. He made a show of shaking his head. I stood beside him and put my hands on my hips too, kind of mocking him, trying to get a laugh. It didn’t work. I looked down into the hole. The hole looked deep. I didn’t know what was going on. Art knelt down and pulled up a tangle of red and blue wire from within it. The back of his sky blue shirt had been bleached from the sun and a length of rope led down deep into the narrow dark. The rope was attached to a back plastic pipe. The hole was as wide as the middle of a sunflower and it was lined with thick black metal pipe and the wind sounded like water rushing down through the trees. 

Art looked up. 

“It’s like the Endless Hole.”

“What?”

“You never heard of that guy? This guy from back in the day. On the radio. He’d always call in about having an Endless Hole in his yard.”

“Never heard of that.”

“Figures.”

Art stood. A red car came struggling around the corner. An old lady from up the road named Ruth. Art and I had done some work on her cottage. We waved as she went slowly by. 

I took off my sunglasses. Art noticed the cut above my eye. 

I hadn’t been to work in over a week. 

Finally Art smiled. 

“Somebody sure kicked your ass.” 

“Yeah.”

“How’d you get ahold of new boots?”

“Chris gave me these,” I said. “Hand-me-down boots.”

Art laughed. Shook his head, scratched his beard. He laughed and laughed. 

“What? I’m serious.”

“Sure you are, Sunshine.”

“No, seriously. What? They’re steel-toed. He gave me these as a gift.”

“Guy kicks your ass and gives you the boots to remember him by? You can’t bullshit me, Sunshine. I know Chris didn’t give you any free boots.”

I looked down at a burn hole in the right tongue of my boot. From when Chris left them leaning against the wood stove to dry. That was just last winter. Stepped straight through some ice as we walked across the creek. 

The air all around us felt huge and hot and still. My rib still hurts whenever I laugh or cry or scream, so I tried to hold everything in. A bird cried out. I didn’t know what kind it was. I took shallow breaths. Another rush of wind came down from high up on the mountain and it flattened out along the tops of trees and banged open the gate to Alma’s garden. All around us the leaves turned inside out, sparkled a thousand shades of Beck’s. Art’s favorite beer. The gate slapped shut—then it flew open again. Now the air was still. 

“Is she home?”

“Is who home?”

“Alma, man.”

“No—nobody’s home. Not anywhere. It’s been a ghost town.”

“Have you heard from her at all?”

“Heard from who—from Alma? Why would I?”

“I don’t know. I haven’t heard from her either.”

“Says the guy who’s never had his phone charged for as long as I’ve known him alive. You expecting her to write you a letter?”

“I don’t know.”

“You see that’s your problem, Sunshine. You’re even worse than I was. At first I thought she might be up there with you. Like a honeymoon kind of thing. But then I saw your sorry broken tracks limping up the trail alone.”

“You could have come up and checked on me at least. I was pretty sick.”

“Yeah, well. Seemed natural enough to me. You and that lonely poet life. Even lone wolves come down from the hills when they’re hungry.”

It was hard work pulling up the well pump. A hundred feet of water line and rope. The water line was slick and dark with earth and mud and it got lighter and more clay-colored the farther it went down. I didn’t have any gloves and my newly cleaned jeans got immediately muddy. Art walked the line out across the drought clenched field, holding it above his head as he went, and I struggled to pull the last of it up by the rope. The pump was fancier than I imagined it would be. Stainless steel cylinder. Somehow pretty shiny still. Art came back through the field, heat waves shimmering above the swaying burnt hay. More like something you’d shoot into space, I said. But the connections were all rusted and shitty above the pump, and I noticed the rope had frayed. Art examined the wiring. Said the thing had burnt itself out. 

Art pointed at the date imprinted on the metal. 

“I was your age when this went down.”

His shirt was soaked with sweat. 

I looked closer. The date said 1991.

“That’s the year I was born,” I said. 

Another car came around the corner quick—“Cop,” I said, standing. 

Art looked up. No sirens or lights. The sheriff just waved as he hauled ass past the barn. Art waved back. I did not. The sheriff disappeared into the trees. 

Art cut the well pump wire with his knife. 

I knelt down again. 

“You make everything we do look suspicious,” Art said.

“Weren’t you about my age when you found work up here?” 

“Something like that.”

“Then wouldn’t you have been here when this well pump was put in?”

“It’s possible,” Art said. He looked up at the cop dust being blown away by the wind, then back down into the hole, frowning. “Yes—I guess anything’s possible. Maybe I helped the last guy do it. I don’t know—probably not. Long time now. Don’t really remember either way.”

Back up at the barn Art offered me a beer. I told him I’d been dry since my cathedral experience in the city. Something strange must have happened in there. Spiritual maybe. Art just shrugged. Alma’s well pump dead in his hands. Like a caveman carrying some kind of futuristic bone. He ducked into the dark of the barn. 

I walked over to where my Volvo was parked in the grass. The Citibike was in there still. That was not good. My stomach rolled. I saw my duffle bag there too and remembered hiding Calder’s wizard hat under the seat. That was also not good. Shame. Fear. Guilt. I sat in a shady spot where the grass meets the gravel. 

The grass was dry from no rain and my arms felt tired from the work. It felt good to be tired in that way again. It must have been right around noon, the shadows of the trees all coiled up and black. Art lunged back out of the barn with a beer and took a seat on a stone slab by my car. He had mowed all around the car and the grass underneath it looked greener than the rest. Tall and healthy to the bumper. Art looked down at the grass now too. The bottle in his hand was green and dewy and it dripped in a wonderful way. Beck’s. A beer did sound pretty good. I didn’t know what day it was. Not that it mattered. Art opened the bottle with his knife. 

“I need you to move this car off my grass.”

“I can’t,” I said.

“Why not.”

“It’s broken.”

“Broken how.”

“I don’t know. It broke down. I had to get it towed up here.”

“You had this vehicle toward up here from New York City?”

“Yeah.”

“Sunshine—”

“Somebody down there would have charged me money. I figured we could fix it up here for cheap.”

“Cheap? You make no sense, Sunshine. You’re out of your goddamn mind.”

“Chris pays for whatever it’s called—roadside assistance. I happened to have his card. Free tows for the first ninety-something miles. The lady charged me an extra eighty bucks for the Citibike. But it was still pretty cheap.”

“And did Chris hand-you-down that bicycle too?”

“Look. The tow truck lady tried to jump it. The radio comes on but it wouldn’t start. Nothing happened.”

“Okay.”

“Will you help me fix it?”

Art shook his head and laughed. My jeans were heavy with sweat and muddy water. I looked up the hill. The air was so hot that it rippled, and Alma’s farmhouse flapped like a flag in the heat. 

I heard another screech from that unfamiliar bird. I couldn’t figure out what it was.

“Next time you’d better taper off instead of cold turkey,” Art said. “It’s supposed to be safer that way. They say cold turkey like that could kill you.”

“Okay. But will you help me fix the car? I’m out of water.”

“Fine, Sunshine. A lack of power. I’ll try to take a look at it tomorrow.”

The bird call came from high up in the woods. I felt relief. I wanted to ask Art what kind of bird it was, but suddenly a silence had settled in all around us. The air felt still like the surface of calm water. I didn’t want to disrupt it. I closed my eyes. Some time passed. Art went back and forth to the barn for Beck’s but I stayed still, and soon there was a kind of opening, and a door, and beyond that everything was wonderful—the moment I entered upon was everywhere, it was perfect—something had separated me from my senses and now there was no space and no time and no language (so no me) and it was all spiraling up and up and down into one formless edgeless endless red door way deep down within me opening, opening in me where the light and dark had never been divided. 

“This stone has a sparkle to it,” Art said. 

His words sounded distant, lovely, alien, strange.

I opened my eyes. Art had three empty bottles beside him on the rock and his hat was hanging from his knee. We’d left Alma’s water line out in the field and it unfurled down below like a hundred foot snake. I took a deep breath. My rib didn’t hurt so bad anymore. The shadows of the trees had lengthened back out. I wondered how much time had gone by. 

“Wow—Sunshine, look up—it’s the hawk.”

The hawk looked dark against the blue sky soaring, hanging as high as the well went deep.

“You ever read any Homer, Old Man?” 

“Hey, easy. I’m not that old.”

“ that hawk is an omen,” I said. “It’s a drifter, no mission—floating just for us. How wonderful.”

“Speak for yourself, Sunshine. You sound like a dirty hippie. We’ve got missions—go look inside that barn. We’ve got plenty of missions.” 

Art finished his Beck’s. The hawk’s shadow spun counter-clockwise over the roof of the barn and a blurry truck passed by blackly. Still not Alma. Art got up to get another. 

“What the hell,” I said. “I’ll take one.” 

Art came back with four and handed me his knife.

“Plenty of missions, Sunshine—too many missions. The only thing we lacked today was a little bit of, whatever—whatever it is—wait, what was it?”

The hawk cried out—it screeched. 

I laughed. Beck’s. Pop-pop. The logo is a key. 

I always figured I knew what a hawk sounded like. 

I guess I was always wrong. 

Dylan Smith is looking for a job if anyone knows of any jobs in Brooklyn.

Categories
Across The Wire Vol. 3

2 Micros

By Cletus Crow

Excaliburs

I forge a sword that cuts through passive aggressive bullshit. It’s the only way I can love you. You forge a sword that cuts through bipolar mania. It’s the only way I can listen. When our blades clash, we’re happy. We fight to the death. 

T.H. White’s The Once and Future King

Lancelot is one ugly cuss. He fucks Guenever, King Arthur’s queen. Arthur is one spineless cuck. Arthur and Lancelot are friends. If I’m Lancelot, I don’t know it. If I’m Guenever, I regret it. I’m Arthur sitting on the edge of our bed. Mascara runs down your face like lava. There is no joust.

Cletus Crow’s poetry collection, Phallic Symbols, is available from Pig Roast Publishing.

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Across The Wire Vol. 3

NDA

By Julián Martinez

Good morning, I am reaching out today to make clear some topics that came up during our interview last week regarding my prior employment. I was formerly employed by a public figure known across the globe for their ubiquitous impact and influence across culture, media and beyond. What you may not know is that this public figure is, and has been, a company and not one individual.

I was responsible for the management of paid actors who portrayed this figure in public and sometimes private spaces, while the operation was overseen by a think tank that included investors, political advisors, financiers, and myself since November of 2023. Prior to that, this public figure (who I am not legally allowed to name) was a living individual by whom I was originally employed in 2018.

My legal obligation to maintain the anonymity of this person has been in effect since my signing of a non-disclosure agreement, although this may have been nullified on October 23rd, 2023, when this individual set the paper copy of said agreement on fire in my living room, shortly before what was later referred to as “the personal-professional merger.” Thus, because of the uncertain status of this agreement, I am unsure of what can and cannot be shared without direct retaliation. 

I feel it is only right to inform you, looking ahead to my in-person interview with you tomorrow afternoon for the Director of Development role, to address the gap in my resume which you remarked upon in conversation. To clarify, I am sharing some of the more sensitive, “gossip-y” (for lack of a better word) details to give context to the skills and capabilities I would bring to your team.

Though my time with Drake— fuck! Fuck. Sorry! Didn’t mean to write Drake. I could backspace and delete that, but you know fucking what? It feels good to type that. It’s like, oh, who’s that one pop star? I know his name. Tip of my tongue. Oh, fuck me! Drake! Lil’ ole Canadian rapper and entrepreneur, now a nominal figurehead for what is projected to be one of the most powerful groups of leaders in the world. I mean, you name ‘em. You think of a fucked-up rich person, and they’ve got their meat hooks in Drake’s carcass and I’ve shaken those hooks like hands.

The shit I’ve seen! You don’t know the half of it. You don’t know at all! I’ve never even said this shit out loud in the privacy of my bathroom or over text or even thought about it. God forgive me for all the suffering I’ve helped put innocent people through. God forgive me for what I had to do to Aubrey.

I don’t think the rich and famous, if they believe their own lies as much as he did, have any real friends, but we got to trusting one another. When he broke into my house, I thought he was my then-girlfriend Gina, but I reached for the other side of the bed and there she was, asleep. So I hopped out of bed and turned the light on and I saw a big dark blob in front of me ‘cause I’d forgot to put my glasses on. I said, “What the fuck are you doing?” and he said my name, all soft like I was the in-the-flesh angel my mother named me after, the way he was so good at making his words gentle and pleading in love songs, and I just broke down crying ‘cause I hadn’t heard that voice in months.

Once I threw my glasses on, I saw he looked like shit, which was surreal. Gone was the manicure and face care. He’d lost a lot of weight but his face was bloated. He was wearing all the same designer clothes as before but he smelled like alleyway. He was crying but when I went in for a hug his face hardened and he punched me in the stomach. Speaking of hardened, you don’t want to know the people I’ve seen with James Harden. Anyway, he hit me and I went down and Gina screamed and called the police. That’s when Aubrey really lost it. 

He thrashed everything onto the floor— tables, dressers, cabinets— then he sounded like he was crying for real and asked where I kept the work documents I’d told him about, licensing agreements and actors’ contracts. I wanted to tell him no, but I just walked into my office, found the key to the drawer and held the folder out to him. It wasn’t fear. It felt like opening the door to a restaurant for your friend as the two of you walk in. I mean, I was going to name my firstborn child after this guy for changing my life. Gina never agreed with that, but Gina and I never had a kid, so it doesn’t matter.

I knew he’d been keeping money from me and the team, that he’d been hiding all sorts of secrets, leveraging dirt on us to other industry players, playing mind games to keep control until he disappeared when the merger was first discussed by the Board. Aubrey was a liability to OVO and the Drake brand, so we kept our careers alive even if he couldn’t do the same for himself. He was an unstable megalomaniac who I knew I’d never see again, so I gave him the papers. I watched him burn them in front of me then drop the ball of fire onto my couch. “We’re free, baby, we’re free,” he said as the red-and-blue lights painted his face.

The cops took him away and the firefighters put out the flames but no one came back to ask us any questions. The patrol car was involved in an accident on the freeway. After the merger, which would’ve finalized whether the B&E by Aubrey had happened or not, my new manager called me to the conference room and informed me that my position as Assistant Coordinator would be phased out as the operation moved forward. I didn’t ask any questions— I was so zonked from pills in those days.

Drugs were how me and Aubrey got close. It’s like I was doubling my dosage to make up for his absence. Jesus, this feels good to write out. To just not stop, to say it all— and that’s not even all of it! I could write books about this shit, but they’d kill me first. I thought they were trying to for a while, what with all the Jehovah’s Witnesses that came by my front door around that time. They’d leave pamphlets in my mailbox about repenting from the Devil twice a week. Business insider magazines, pharmaceutical freebies, pink slips for the car note, notices about soon-ending medical insurance, and Devil letters. 

I couldn’t repent from the Devil. I was the Devil my entire twenties. One time I answered the door and— I mean, I was too fucked up— told the missionary at the door or whatever they call themselves that I would shoot them before they shot me, and I did. Well, I thought I shot them but I’d just thrown up a rocket of tequila and tomato juice onto their shirt. They never rang again but they kept leaving their pamphlets— I wonder what codes of silence they’re bound to.

Anyways, I’ll delete this shit in a second. Just feels good to let it out over a couple drinks. Not good, really. Dumb that I haven’t put it into words before. What I should say in this email is don’t fuck with me, Mr. New Probably Boss, because I will have a goon chop your child’s fucking lips off your face with the push of one button if you so much as cut me in line for the Keurig tomorrow. And if I don’t get your stupid little job I swear to God I will sever yo

Sent from my iPhone

Julián Martinez (he/him) is the son of Mexican and Cuban immigrants and is from Waukegan, IL. His work has appeared or is forthcoming in HAD, Hooligan Mag, Little Engines, The Sonora Review and elsewhere. His chapbook, ThisPlace Is Covered Head to Toe In Shit, is out in August 2024 with Ghost City Press. Find him online @martinezfjulian or martinezfjulian.com, or IRL in Chicago.

Categories
Across The Wire Vol. 3

HI I REMEMBER YOU BUT YOU DON’T REMEMBER ME

By Alexandra Naughton

originally published by Cosmonauts Avenue, November 2017

I tell you it’s okay, and you won’t think it again, but I’ve already filed it away to torture myself with whenever I want to bring myself down a notch. Another little trophy to take home from a plot against myself.

I’ve wanted to disappear, just be nothing. It’s so alluring to feel like nothing and then actually be like nothing, but still be present. Like it’s an ideal, a fiction. It’s only something you can try to do. 

I’m writing out only the parts I like to remember.

I can be nothing, like how I feel at parties: you can see me but I’m not there. Colors and sounds wash over me like I’m miniature, standing inside of a pinball machine feeling lost and everything’s banging around and lighting up and making noise and I keep turning my head to try to keep up like a floating dust particle to focus on.

I can be invisible inside the chattering cacophony of a sweaty crowd, covered in so much, too much. I can block me out and lose me.

I can make my expressions invisible, like friends really don’t even get it, so I try to describe it calmly while getting brushed off and eventually overheating but frozen on the outside like a surprised animal about to get hit by a car that other people talk about and it sounds unbelievable until you see it yourself, until you are that animal in the crosswalk.

You, my new you of the moment, the you who finds me waiting for a friend at a coffee shop, the you who finds me online where I post my thoughts, you tend to like me better when I’m bendable, when I don’t voice preferences. You like me better when I open myself up for your inspection. All laid out on the asphalt, straddling me and wetting yourself in my cold sweat. Asking so many questions, wanting to know things that I don’t. You like poking at my soft parts. Pulling meat out and squishing it in your fingers like plastic wrapped factory bread. Examining me, taking me apart out of curiosity and discarding when it gets too messy and you’re just over it. Starting something you don’t want to finish or put back.

You can shrink me, make me feel small. You can empower yourself that way. Lean on me until you’ve sunken me into the mud and I’m stuck there for a while. Make me invisible that way, that ordinary way you do. That subtle way you do. Make me not know myself, make me lose myself so you can find yourself.

Make everything feel invisible like you’re not as nice as you think you are. So accustomed to taking up space, making yourself loudest. Make me invisible like I made a joke and only you heard me, so you said it louder and everyone laughed. Like this happens so often I wonder if I am even speaking out loud sometimes, start gaslighting myself, under some invisible control. Make me invisible for your satisfaction. It’s a secret, not something you would share.

Make all the efforts of others invisible because it isn’t cool to care but you are still the only one who matters and if you’re unhappy then we’re all unhappy. Waysided because even though I am neglecting what matters to me to better suit you it is still not enough. Getting projected onto. And at first I am happy to be whatever you want me to be. I offer myself up freely, willingly. You ask and I oblige. And I’m happy to, at first. Because I’m not sure what to do besides listen and trust you.

Why make invisible always my first choice, my go to? I guess I’ve always wanted to be a ghost. I guess I’ve always tried to make myself smaller. Make it harder for people to find me.

Make it easier, existing on an at-will basis. Silently watching, listening, wandering around aimlessly, and enjoying it unseen. Easier to slip away.

What am I saying here? Something about commodification of the flesh. Something about finding it customary. Something about being just another bitch who is feeling things.

Is there subtext here? Maybe we should workshop it. Let it become someone else’s text. Edit me out, flesh and all.

Invisible like something insidious. Invisible like destitute. Invisible like displacement. Invisible like disassociation and you think I’m just being dramatic. Invisible and there is no one who can help. Invisible and no one can hear you scream, or they hear but no one looks up. Invisible and you know they can see you, they’re just pretending they can’t.

Invisible and they’re laughing about it.

Alexandra Naughton is the author of ten poetry collections. Her first novel, American Mary, won the 2015 Mainline contest by Civil Coping Mechanisms and was published in 2016. Her work has been featured in Dusie, Sporklet, sin cesar, Maudlin House, carte blanche, and elsewhere. She writes Talk About It on Substack, and organizes the Bring A Blanket reading series in Philadelphia. Find her on instagram @alexandranaughton and twitter @alexandranaught

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Across The Wire Vol. 3

The House on Hickory


By Justin Carter

The only time I ever went to Manny’s house, I thought someone was fucking with me. I was out with a couple of the guys and we were trying to find somewhere we could go to smoke some weed, and R.J. suggested Manny’s place. I didn’t really know Manny—he was one of R.J.’s friends out in Newell who he worked with. I’d only met him twice, both times out at this coffee shop that a lot of people frequented. But he had a house and didn’t live with his parents, so that was good enough for us. 

Soon as we pulled into the driveway though, I knew we were making a mistake.

One of the front windows was shattered, part of it covered up with a blue tarp and the rest of it was just hanging open. The garage door was off its hinges. Half the driveway was just trash bags.

“Dude. What the fuck.”

R.J. was unfazed. “A place is a place.” 

We walked right through the unlocked front door and found Manny inside watching the Home Shopping Network on mute and listening to Dragonforce on his phone. He looked at us, nodded, turned back to the television. We just kind of stood there for fifteen seconds.

Manny motioned to the screen. “Y’all ever try one of those air fryer things? Shit looks sweet.”

R.J. laughed and we made our way to the couch. The room was real sparse—a couch that looked like it’d been pulled out of a dumpster, a recliner that was in surprisingly good shape, a coffee table that I’m pretty sure Manny built himself, and then this huge television playing infomercials for cooking equipment. I mean, it was the nicest fucking television set and it was so out of place.

We got high, because that’s what we were there for. At some point Craig, the third guy, left. I guess he must have called someone for a ride. I dunno, he got up to go to the bathroom and never came back. I was too blitzed to really pay attention.

When I smoke too much weed, I do this thing where I just like to wander around, so I did that. Walked in and out of all of Manny’s rooms. And then I opened the door to this spare bedroom in the back of the house. 

And Jesus, I immediately regretted that.

The whole room, every wall, window, even the ceiling, were covered in these sigils drawn with a Sharpie. I mean, there were hundreds of them, and then I looked down and saw this huge pentagram carved into the floor. Fuck. We had to get out of there.

I turned around and Manny was standing right behind me. I screamed. Didn’t mean to, but I couldn’t help it.

“Shit man,” he said. “Didn’t mean to scare you.” I just stood there. He pretty quickly realized what was up. “This shit was like this when I moved in.”

“Oh.” I wasn’t sure I believed him. 

“Yeah, I try to not come in here. It gives me the fucking heebies.”

He took a step toward me. At least I think he did.

“It’s…weird man,” I said.

“Bad vibes, for sure.”

I heard R.J. cough in the other room, but it didn’t sound like a weed cough. We’d shared enough joints for me to know what that sounded like. This one was different. Something was wrong with it, something was wrong with all of this. Manny took another step, or maybe I was the one taking the steps. R.J. coughed again. It sounded wet, like he was choking.

“Is he okay?,” I asked. 

“Why wouldn’t he be?” Another step closer. I looked down and I was standing in the middle of the pentagram. Had I always been? There was one more cough. Another step from Manny. I want to say he was smiling but I was too scared to look at his face.


Justin Carter is the author of Brazos (Belle Point Press, 2024). His short stories have appeared or are forthcoming in BULL, HAD, Passages North, Rejection Letters, and other spaces. Originally from the Texas Gulf Coast, Justin currently lives in Iowa and works as a sports writer and editor.

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Across The Wire Vol. 3

MULTIDIMENSIONAL LOVE IN A LOOK

By Alex Rost

My wife – not the mother of my daughters – told me that when I die, the world will thank me for all the women I left behind.

When my daughters’ mother – not my wife – left me she said, “All you’ll ever do in life is try to drink up an ocean.”

A few sober years later she told me that my drinking was the best thing about me.

Despite what she says, I don’t have a warped sense of self.  Just your standard college degree.

From her, I learned to leave my guilt by the side of the road.  That even those born without ambition accomplish a lifetime.

When my daughter was young, she hid around the house – behind doors, under blankets, in closets – and waited for me to come by, then with a scowl of sincerity she jumped out and screamed, “Huuuuuug!” and threw her body at me with everything she had, wrapped her arms around my neck and dangled there like a baby sloth until her arms gave out.  These were called hug attacks.

Sometimes, she lay in wait for ten, fifteen minutes.  Silent and poised and patient.  I wondered how she’d treat men, how men would treat her, how she’d allow herself to be treated.  What the word ‘romance’ would mean to her.

One day, I came walking through the kitchen doorway and heard her blood curling war cry.

“Huuuuuuuuug!”

She caught me by surprise.  I jumped, stutter stepped.  

She leapt off the kitchen counter, hurled her little body at me before I could recover from my shock.  I felt her hands grasp at my neck, miss their hold.  I threw my arms out and caught air.  She bounced off me and crashed into the open dishwasher.

She was fine.  The dishwasher was not.

I could feel a little pop in the hinges when the door closed.  I tried to run it.  A tiny trickle of water came from the bottom.  Nothing crazy.  I stuffed a towel under it, satisfied that it could have been worse, and left the room.

A few minutes later I heard excitement from the kitchen.  Horseplay.  Then a scream.

“Daaaaaad!”

I rushed in.  Two of my daughters were on their stomachs, sliding across the tiled floor through a river of foaming suds.  My oldest, the one who hollered for me, stood above them pointing at the mayhem.  

She learned the devastation of misplaced water the summer before, when a toy clogged running toilet brought a waterfall to the downstairs bedroom.  I made sure to remind her often while I hauled out the soggy mattress, ripped up warped floorboards, replaced moldy drywall.

“This is what water can do,” I said.  

“THIS is what water can do,” I said.

Over and over.

I told my daughters that when they turned eighteen, they should each expect a bill for what they destroyed.

It will go like – 

Acrylic painted TV……………………….… $350

Gas tank filled with hose water………………$820

Tennis racket to sister’s eye/eleven stitches…..$380

Laptop cleaned in tub…………………….….$400

Hidden milk cache spilled under bed………..$650

I’m still working on it.

I learned through my wife – not the mother of my daughters – that time can and will stand still.  That a moment can be multidimensional.  That an emotion can tear down the walls of reality.

Because there are no supposed to bes.  All is chaos.  All is beautiful.

Alex Rost runs a commercial printing press in a small shop outside of Buffalo, NY and writes most of his stories on break behind the dumpster. Twitter is @arost154

Categories
Across The Wire Vol. 3

HENRY MILLER SAVED MY LIFE

By Mather Schneider

When I was 30 years old, my grandfather died and left me 6,000 dollars. Never having had more than 500 dollars at one time, I went a little nuts. I quit my job at the collection agency and broke up with my girlfriend, telling her “I just want to stay home and write, that’s all I want to do.” Which wasn’t true. I also wanted to drink and smoke pot and get call girls to come over.  

In 3 months, the money was almost gone and I was miserable and eating beans and eggs and wondering what I was going to do. I’d written a few crappy stories, got an std, blew the engine out in my car and developed a case of the alcoholic shakes. I needed to drink a 12 pack before I could even leave the house. My right eye was completely red from blood vessels that had ruptured while vomiting. 

I regretted having left my girlfriend, and tried to reconcile with her. I made a fool of myself in email after email and phone call after phone call. One day she told me, If you really wanted me back, you would come to my house and try to convince me. She told me if I really wanted her back I needed to “act like a boy scout”. She was dead serious. I had very little pride, but one thing I did have pride in, without knowing why, was that I’d never be a boy scout.

Before I got the 6,000 dollars, I was already thinking about leaving her. 5 years earlier, we had moved to Tucson together from Bellingham, Washington, where we’d met. Her parents lived in Phoenix and she wanted to be closer to them. As long as we don’t see them too often, I told her. Oh, no, she said. Once-in-a-while maybe. 2 months after we moved to Tucson, as if unplanned, her parents moved to Tucson. They were good people. Irish upper middle class. A comfortable, sober, loving, normal family, the kind of family that I never quite understood and felt I could never be a part of. They gave me the heebie-jeebies. After that, every single weekend was spent with my girlfriend’s parents. Before I broke up with her, her parents were planning a trip to Disneyland. For all of us. The thought of this trip to Disneyland haunted me for weeks. It terrified me, kept me up at night. I could not imagine myself going to Disneyland.  

Then a week before we were to go, I got that 6,000 dollars. I never did find out how their trip to Disneyland went.

After the last email to my ex, I decided I never should have come to Tucson and wanted to go back to Bellingham. I wanted to wander, to run away, to escape. I threw all my belongings into the yard of the tiny apartment I rented and had a yard sale. I didn’t sell much and the next day I left it all laying out there. I put a sign that said FREE and got on a Greyhound bus heading to Bellingham. I still knew some people in Bellingham but I didn’t tell anyone I was coming. I made a sack full of bean burritos. I had a backpack with some clothes and a notebook, a pouch of rolling tobacco and 100 dollars. I cried as the bus left town. Stupid, self-pitying tears.

It had been 5 years since I’d left the rainy northwest for the desert and when I stepped off the bus the greenery, high trees, low skies, humidity and gentrification made me immediately claustrophobic. I thought, this is not right. Another mistake. The place had changed. I walked down to one of my old bars. It had been called The Beaver Inn but they had changed the name to “The Uptown.” The same bartender was there but he didn’t recognize me. He looked the same but I had aged a lot. You couldn’t smoke inside anymore. I ordered their famous fried chicken which had soothed me through many hangovers in the years past. The chicken now cost twice as much as before and was half as big. A side of ranch dressing was now an extra 50 cents. I got wasted sitting there for hours, feeling isolated and alone with my backpack on the floor at my feet. Eventually, the bartender asked me to leave.

I woke up in a nearby park in the early morning and vomited. I was suddenly ravenous again. One of the things I missed about Bellingham was the food. The fish and chips at The Waterfront Tavern, the French Dip at The Alley Bar, the bagels at the Bagelry, the pizza at Mario’s. I checked my funds. I had 50 dollars left.

A guy on the bus had told me of a bank scam. Some banks will let you overdraw your account, he said. I went down to the bank and opened a bank account with my 50 dollars. I still had my old driver’s license from when I lived there and used that for credentials. I waited a few hours and went to an ATM and tried to withdraw 500. It worked!

Before I’d arrived in Bellingham I had looked forward to seeing some of my old friends. Now, I didn’t want to see anyone I knew. As I walked around I was paranoid I would see an old acquaintance. The park where I had passed out was near an old friend’s place but I didn’t knock on the door. I walked down to the nearest store and bought a bottle of whiskey.

I spent the day wandering around. The town was all cleaned up. The China Delight Bar was now an ice cream shop. All the Indian bars were gone. Some hippies and grunge rockers were still around but they were better dressed than I remembered, certainly better dressed than me. It was all extremely fashionable, like an outdoor mall. Business was booming. People were working, living their lives, hobnobbing. Nothing out of place. Everyone seemed to belong. It felt good to have that money in my pocket but I still felt like a stranger and had a bad feeling about everything.

At 11 a.m., right when they opened, I went into The Alley Bar and ordered French Dip. The place looked the same and smelled the same. They roasted their own meat and the sandwich was just as wonderful as I had remembered, though more expensive. I began to feel some hope.

“Well if it isn’t Matt Glasford!”

I turned in my barstool and it was my old friend Dave Longstreet. He sat down.

“What’s going on Dave?”

“Haven’t seen you in a long time! Shit, you’re getting kind of fat and gray aren’t you? I hardly recognized you.”

Dave was 10 years older than me but he still had that cherub face and rich black hair.

“Yeah, I guess I am.” 

“Where you been?”

“Arizona.”

“Arizona? You don’t look very tan.”

“I had an indoor job.”

He caught me up on a lot of people I hadn’t thought about and didn’t care about.

“Hey, Dave, you wouldn’t be able to loan me a few bucks?”

“I’m kind of strapped right now, man.You gonna be in town long?”

“Not real sure.”

“All right, well take care of yourself.”

“You too.”

Before he left he bought me a beer. I drank that and had a few more but I couldn’t stay in there all day and spend all my money. I walked out into the cloudy, misty afternoon. I walked up the hill through the university to the library. It wasn’t planned that way, I just ended up there. It was summer, did I mention that? Summer vacation, but the library was still open. It was open 24 hours, in fact. There was hardly anybody in there and I thought it was about the nicest place I’d ever been. I fancied myself a writer but I really wasn’t much of a writer. I wasn’t much of anything. Still, I had read a great deal of books. But I had never stepped foot in a University library. 

When I lived in Bellingham I hung out at the public library and a couple of bookstores that let you lounge around. And in Tucson I had done the same. Something always scared me about a college campus.

I went up to the 4th floor where the “literature” was. I was the only one on the whole floor. I guess there weren’t any literature majors going to summer school. They were probably all working on their novels. I was so sick of books and reading by that point. So few books really touched me, really talked to me. It all seemed like a pastime, reading novels and writing novels and talking about novels, being that way. Still, I didn’t know where else to go. The fourth floor was absolutely silent and surreal and peaceful. I found a big soft chair and plopped my backpack on the floor and sat looking out the giant windows. I sipped from my bottle of whiskey. It started to rain against the glass and I watched the drops run down. Below on the brick plaza a few students walked around.

I fell asleep and when I woke up it was early evening, not quite dark. I was still the only one around. I got up and went to the bathroom. I looked terrible in the mirror. I hardly recognized myself. I had dark circles under my eyes and I was bloated and sad looking. I had bug bites all over me. My hair was a rat’s nest and more than half gray. My teeth were yellow. I looked at least 50.

As down as I had been, I never really considered killing myself. Until that moment. I thought of Hemingway and how he’d done it. I thought of Hunter S. Thompson and how he always said that suicide was a comforting thought for him. He said that just knowing he could end his life at any time made it easier. Thompson had a lot of guns, but I didn’t. If I was going to kill myself, how? Jumping from a building didn’t seem very appealing, nor did drowning in the ocean. I didn’t have any pills or know how to find any. I could slit my wrists, but that never seemed to work. Someone would always find you and call an ambulance. It seems silly now, looking back. But not then. I thought about a guy I knew who lay down on the train tracks in Tucson.

I scanned the shelves as I walked back towards my chair by the window. I smirked, looking at all those books. Thousands of them! It seemed like a joke, a maze, a nightmare. I wasn’t looking for anything in particular, except maybe a way out. I had some favorite authors but I’d read them all and didn’t feel like reading them again. And then, I swear to you, I saw a book sticking halfway out from the shelf. This sounds made-up but it’s not. I’ve never been able to make shit up, never had much imagination. I pulled the book out and it was Tropic of Cancer by Henry Miller. I knew of Miller but had never read him. I’m not sure how I missed him all those years.

I took Tropic of Cancer to my chair and read the whole thing well into the night. Nobody came to bother me. The lights stayed on. Almost every word I read seemed written just for me at that moment. The fact that a human being like this had existed, had written these words, was a revelation. His poverty he somehow made hysterical, his travails seemed predestined and purposeful, his energy contagious, his optimism like a balm. In the following days I only left the library to smoke and to buy food and bottles of whiskey. Henry Miller talked about food a lot and it made me hungry. After going days without eating, he would find some rich guy to treat him to a great meal. He was always hungry. And how he would describe those meals! And the wine! Never get bored, never take anything for granted. People say words like this all the time, but somehow Henry Miller made me feel it. He meant it. He knew it and lived it.

I gathered all the Henry Miller books they had. I read one after the other. Was it possible that this man was born in 1891? Was it possible that he had abandoned his family, quit his job and traveled across the ocean to a strange city where he knew no one, where he did not even know the language? Was it possible he arrived with 10 dollars and survived? And not only survived, but wrote these miraculous books? Was it possible he met all these crazy, brilliant people? Was it possible he traveled around the states and wrote The Air Conditioned Nightmare? Was it possible he lived in Big Sur and dragged his mail up the hill to his house wearing nothing but a jock strap?

Why does everyone have to work? he said. Yes, yes, yes! I thought. Why? No hope, no despair, he said. I had known that Miller had the reputation of being a smut writer, but the sex was hardly 10 percent of it. His zest for life, in such ridiculous conditions, blew my mind. And here I was, depressed! Why in the fuck was I depressed? I was sick and Henry Miller was the medicine.

He seemed like a free man. His writing was certainly freer than anyone I had ever read before, his attitude also. He seemed above shame, above pettiness. He seemed wise. But also fun, and no dope. He was a man who had had all his values smashed, and he embraced it, he rejoiced in it. He said, yes. Maybe he was a lunatic. If he was a lunatic he was the sanist lunatic I had ever encountered. 

I read every one of his books in the library. When I got done with those I found the old tape room down in the basement and I listened to old audio recordings and even watched some videotapes. There he was! The grinning swordsman! In one interview he was talking about a book called Siddhartha by Herman Hesse. I immediately found that book in the library and read it. I suddenly understood what Miller meant when he said, “There’s two Buddhas, see? Two Buddhas!” One was the classic Buddha, the archetype, the godhead. And the other was Siddhartha, the one searching. Which was to say, the Buddha that is in everyone. The Buddha that is you. The Buddha that is me.

He claimed to never worry about anything. He was beyond good and evil. And man I wanted to be there too.

I stayed in that library for 3 weeks. It rained every day. I read several books that Miller had mentioned, and some were good, but none measured up to what I had found in him, so I decided it was time to move on. When I left, I knew I had to go back to Tucson. I thought about going to another country, like Miller, but I didn’t have the guts or any boat to hitch a ride on. I was still drinking heavily, but I felt a change in myself. It was a sense of life opening up. The idea of killing myself suddenly seemed absurd. 

I barely had enough money for the bus ticket back to Tucson. I arrived in the middle of the night and slept in a park. The desert air was intoxicating. In the morning the sprinklers were on me. I called my ex-girlfriend on a payphone. I was ecstatic, but I still needed money. I asked her for 100 dollars, and she said no. She made 69 thousand dollars a year at the insurance job her brother had got her, but she wouldn’t give me 100 dollars. I understood. I even laughed. I understood that she was still hurt, that she didn’t owe me anything. But I also understood that she had never missed a wink of sleep or a meal in her life. I went to the economic security office and got a food stamp card which provided me with 50 dollars of food every week. I spent the next few weeks buying cheap food and hanging out in the park. I had no money for beer or whiskey. Those were some of the best days I’ve ever had and I will always look back fondly on them.

One day I was walking down the sidewalk and I saw a HELP WANTED sign on the door of a photo lab. This was before all the cell phone photos, when film had to be developed. I went inside and filled out an application. I wrote “writer” on the job history part. The manager was there, and he read it, and it turned out he was also a “writer.” He asked who my favorite writer was and without hesitation I said, Henry Miller. His eyes lit up. Henry Miller was his favorite writer, too! I am not lying about any of this. His name was Jeremy. He hired me and we remained friends for years.

With my first 2 paychecks I found the smallest, cheapest apartment studio available. 200 dollars a month. I had no computer, no typewriter. The cheapest typewriter I could find was 100 dollars at Office Depot, but I didn’t have enough.

I hadn’t been to a bar or had a drink in weeks. One day I passed an old dive bar, The Buffet Tavern. I had spent many days and nights in there. There was no buffet in the Buffet Tavern. It was a buffet of people, they said. The only food they had were hot dogs boiled in a crock pot. The most mouth-watering hot dogs you ever tasted! They opened at 6 a.m. and had a small crowd even at that hour. I had a few bucks in my pocket and I stepped up to the door. It was mid-afternoon. Before I could open the door, I saw something on the ground, blown by the wind up against the old concrete block wall. It was a 100-dollar bill. I took that money and held it up to the sun. I looked around for a minute. Then I walked over to OFFICE DEPOT and bought the last typewriter they had in stock, a Smith Corona.

I got back to my apartment and plugged it in. I had no typing paper so I put in some yellow lined notebook paper and sat looking at it. I must have written 12,000 words that night. All bad, all lost, but I didn’t care. It didn’t matter.  

When I got tired sometime in the early morning, I made myself a quesadilla. A quesadilla with yellow cheese, sour cream and tomato salsa. I don’t think I’ve ever eaten such a satisfying meal. I kept thinking about Henry Miller. Every once in a great while an author comes around like that, if you’re lucky. If you don’t believe in it, I’m here to tell you. It seemed there were Buddhas all about me, and they were all laughing with delight.

END

Mather Schneider’s poetry and prose have been published in many places since 1995. He has several books of poetry, one book of stories and his first novel, The Bacanora Notebooks, was recently released by Anxiety Press. He lives in Tucson and works as an exterminator.

Categories
Across The Wire Vol. 3

Evidence I’m Mentally Ill

By Tyler Dempsey

When I was in eighth grade I got so depressed I was delusional, convinced everyone at school knew how terribly unhappy I was but they were all pretending they didn’t. But, every now and then, someone would give me a look or a smile and, in that moment, I knew they knew.

I carry my stress around in my stomach, always have. When I was a teenager, I’d have diarrhea or vomit on a weekly or daily basis. Despite owning no money or health insurance my mom took me to the doctor. The doctor sent us home with a plastic container that I had to scoop diarrhea out of the toilet into so they could send it to a lab somewhere. The results were inconclusive. 

I used to fantasize in bed about my stepdad’s gun cabinet glowing on the other side of the wall. Thinking of the act, or the word “suicide” would start me hyperventilating. I would desperately try to redirect my mind elsewhere before the thing that had power over me reached a point that was irreversible. 

I didn’t know if the depression was a result of my circumstances so much as a byproduct of violence and anger that lived in me but tried so hard to hide. The effort of hiding was causing it to consume me. When I was fifteen, I had a moment during a night like so many other nights where I heard my stepfather yelling at my mom, calling her names. But this time I broke. The anger and other feelings wouldn’t stay back. They oozed and my body convulsed and when it was over it felt like my brain was emptied of electricity. Like everything that used to be the thing or person that was Tyler Dempsey had left. I was a shell that looked like me. I call what happened that night a panic attack but actually have no idea what it was. 

A week later, I experienced my first auditory hallucination. It’s hard to describe, but a voice that was both in my ear and also outside whispered like a scream. What did it whisper? Tyler. It said my name. What’s more, the voice was one I recognized. It was Joe Tiger. A friend in grade school that wasn’t my friend anymore. I’d said something that made him mad and he never got over it. It made me sad that he had been a part of this really scary thing. Like fear wasn’t enough, whatever it was wanted to hurt me, too. 

When I was in college, more things happened that made me wonder if I was, just maybe, insane. The last day of Freshman year my best friend, Brendan, and I drove to Denton, Texas, for a Pinback concert. It was late getting back. Brendan took backroads and it was raining extremely hard, the sky opening and the wipers fighting but you could barely see the road or our weak headlights. A burst of lightning hit and something very small appeared in the center of the windshield, then expanded, then expanded more, then took over the whole frame. It was veiny and a shade of brown I’ve never seen before or since. It didn’t splatter into the glass but simply vanished as quickly as it appeared. Again, just rain and wipers. Brendan said, “Did you see that?” 

Fast forward to Sophomore year. We’re living in the dorms, Brendan and I, one wing apart from each other. We start having dreams. Cryptic, demonic kinds. I started hearing what sounded like a pool ball dropped on the floor of the dorm above me, rolling into the corner the whole building slanted toward. But no one lived in that room. No one lived in the whole wing actually, except me. Another time it sounds like something very, very large, running full speed, ducked its shoulder and tried to burst down my door. But you know dorms, it’s just one long hall with room after room in a line. There’s only the width of the hallway, no way something could get a running start like that. I eventually worked up the nerve and looked but nothing was there. Brendan watched a black thing with long arms walk across his room into his closet. A week later it visited me. I was in bed with my back against the wall facing a window that faced the streetlight. The light flickered and slowly went out. Then my vision distorted. I felt suddenly, irrationally terrified. I realized I couldn’t move. Then it walked into my peripheral vision. Tall, black arms, everything black. It lifted one arm and pointed out the window. Then, just as unexplainably as it appeared, it was gone. Things like this continued till one day my phone rang. The ID said “Brendan.” I picked up and there was a silence so heavy and somehow, I knew exactly what he was going to say, then he said it. “My brother killed himself.” All of the weird stuff stopped after that. 

Fast forward some more, a year after my brother was arrested, I got really, really into smoking weed. I lived in California and had this bong as tall as I was. On occasion, I’d get super stoned and different parts of my body would spasm. Kind of like what I’ve read about restless leg syndrome, but it was restless everything. Around that time, I had my second, and, up until now, last auditory hallucination. Again, a voice I knew. It was a previous stepbrother I hadn’t thought of in years. This is what he said: Tyler. In a whisper, just like last time. I didn’t tell you this when I mentioned Joe Tiger, but each time, two months after they said my name, in real life, that person died. Joe was in a car with a friend who’d been drinking and they clipped a guardrail on a bridge on some backroad. My stepbrother, Colton, was caught robbing a convenience store. The details get fuzzy, but somehow a cop shot him. Poof. Gone. 

Speaking of spasming, I quit doing it after Colton whispered my name, but one time—this was just a few years ago—I was coming home from a strip club with my friend and he told me something he’d never told anyone but his parents. The jist was: my life could have been irrevocably fucked if we hadn’t had the financial means to fight my way through court. I sat in the passenger seat and he caught himself, and said, “Shit, man, sorry, I didn’t even think about your brother…” but it was too late. Once again it was like a dam in my mind broke. Thoughts and feelings were suddenly flooding out and I started shaking. By the time we got to his apartment it was done but I could barely walk. I sat on his couch like my body and mind were a huge sponge that had gotten wrung out. That feeling continued, accompanied by growing depression and a fear it would happen again. Eventually, it was like the sponge filled back up. Life once again came at me faster than I could process. I never did get that checked out.

Tyler Dempsey is the author of three books and host of Another Fucking Writing Podcast. He lives in Utah with his dog.

Categories
Across The Wire Vol. 3

Two Poems

By Scott Neuffer

Trip: NYC, 2023

I will say on the plane over I saw elevators
descending in passengers’ eyes.
I will say when I saw the Empire State Building
it was pointed in the gray light like a compass needle—
if only I were built stiff enough for that sky.
I will say at the Met, the Monets were less than lustrous?

What’s most real in New York are the lurches
between bricks, the way a corner splits
sense,
sewer steam, snuffed ass,
the ache of the unfeted. 

In dusk I come to 83rd Street, metal bench.
Crouched hand to ear, I assume it’s blood running
through my head that makes a gritty sound,
and I wonder if every person also shudders
at the thunder of their own blood.

I will find my way back to you, I believe.
There is a world where we listen to each other;
it lies at the bottom of the poem. 

Pondering the Art of Poetry during Super Bowl LVII 

We didn’t host the party this year;
a broken patio chair sits against the house.
In a friend’s neighborhood to the north, where the river touches
the desert and grows the Northern Nevada Correctional Center,

I sit in a luxury chair and dream of mass transit 
that took the copywriter from Brooklyn to Manhattan 
for thirty seconds of gloss, their million-dollar slot–
but something is off, human.
Maybe before the game the copywriter had a moment
pulling a snake of hair from their apartment sink
and sink from drain in a miraculous fit bruising the drywall.
Maybe it was enough to remember how ink can bleed on the page.

It’s funny how I am not alone but want to be alone
as the TV commercials glow like radiation, 
and the prison windows gleam like half-decisions.
Inside me is something like ice on fire, primal, without ink, 
conjuring words to stay lined up dancing in the air. 

Scott Neuffer is a writer who lives in Nevada with his family. He’s also the founding editor of the literary journal trampset.