Categories
Across The Wire Vol. 2

Drinking At Home

By Phil Earle

The morning after, I decide it’s over. Making breakfast and doing the dishes at the same time, I say to myself, “Never again.” The baby on the hardwood between my feet pulls a pan from the cabinet and the crash sets my eyes herky jerky. How nice it will be, to be past this eight drink a night prison. How liberating to break the shackles of this routine: drinking and vaping and checking baseball scores, then YouTube NFL highlights, then rearranging my golf clubs. Not Leaving Las Vegas, but Staying in Milwaukee. 

I pick up the baby and hold her. My hand covers her entire back. Middle finger snug between her shoulder blades. A cube of butter collapses in the hot pan. Yesterday I started drinking at 4:37 PM. The headache stabs as feet pomp pomp pomp down the carpeted stairs. One, two, three kids—Where is the juice? Shit. We just ordered groceries but had forgotten the juice. Juice the life blood for breakfast, for lunch, for dinner, for smoothies, for everything. The boys amble to the table like it’s a board meeting.

Out the picture window, Beth kneels in the garden. She planted corn and squash and beans and lettuce and strawberries and a wall of tomatoes outside of the garage. Every day the vegetables seem to multiply. The sunflowers grew fifteen feet tall and bowed so far into the neighbor’s yard, Beth had to tie them to the fence with twine. She likes to talk to me about her garden, usually when I am on my phone, ordering vintage band t-shirts or Super Nintendo games, checking the scores. 

I make eggs like every morning: scrambled for the children, fried for Beth, and Diet Coke for myself. Then I am holding the baby in the crook of my arm and bending over to pick up toys in the long grass of the yard. I am up and down the stairs doing laundry. I am taking all the children to the park while Beth works in her office with the door shut. I am up the steps, down the slide. I count to ten thousand, check baseball scores. Check my high school friends on social media. Some have become fascists. A black butterfly flutters up and away across the playground. I walk around the jungle gym to make sure my kids didn’t get their necks caught in the monkey bars. I count to five hundred and watch them swing sticks at each other. They wear the jeans and sneakers and haircuts of older boys now. A strong slow breeze moves around my face. The baby grabs at it. There are cigarette butts below the bench by the playground, and I imagine hitting that smoker so hard that they shit themselves. There are still two Coors Tall Boys in the fridge, I think.

By 4:50 PM, the van is parked for the night, and I drink White Claws in the shadow of the garage door. A ghoul with a stomach like a Chevy rusting and forgotten in a riverbed. Alone for a moment with the heat and the gardening supplies and ripped inflatable pool toys, I commune with the smell of gasoline and my sweat. Then I vape weed, and then the Juul, and then I reset the sprinkler out in the stiff, blanched grass of our yard.  

The boys are busy in the basement and Beth is inside breast feeding the baby when a rabbit hops under the swings, and stops between the lawn chair and the fire pit. I hit the Juul and record the bunny on my phone. It’s big marble eye records me back to infinity. A black butterfly, like the black butterfly from the park, swoops down and lights on me, walks down my arms until my trembling hand sends the butterfly skyward, tottering upward, along the garage gutter, between the power lines, up and up, racing the airplanes to heaven.

“I have to grab a couple things for dinner,” I tell Beth. She wants me to go, and knows how much I like riding my bike, knows how I need my privacy, though it worries her.

On the hill overlooking the airport, a plane comes in, and a plane goes out. What looks like a death ray rotates on the top of the control tower. The panorama is inspiring, then uninspiring as I watch the traffic move down Layton, the smoke billowing from the power plant in the distance. Notice the small plane tooling, remember the Hardee’s I cannot see. The Great Lake I cannot see. I drink one of the White Claws I’ve just purchased but hold it close to my bag, in case a cop is around. 

I have written down inside myself a disappointed prayer: a summation of desperately low bar hopes. I thank whatever god that I will soon be over this, one day. Then Don from work texts me, asking me to cover for him tomorrow, and I fill my belly with White Claw, crush the can and quick open another. A plane comes in. A plane goes out.

Chicken sizzles in the pan with yellow, red, and green peppers. I chop a handful of mushrooms. Then an onion. All for curry. Beth comes down and kisses me. The baby is sleeping. My gut is rotten but I still eat chips and pretzels and dip and sour gummy watermelons at the sink while the chicken fries. I listen to my football podcast. I have another drink in my hand, twin to the one on the workbench in the garage. I move back and forth between them. 

After dinner, I am tired. Beth and the boys play piano in the living room. I lay on the floor and my legs ache from all the standing. I take the boys up for bed and they fight me. I yell at them, want to cry but don’t. Their pajamas are getting too small. Lightning fills the sky outside their window, illuminating the tin Jurassic Park Raptor Containment Area poster I ordered for them off Amazon. I fall into a short narcotic sleep with my arm around one. Then I stumble down the stairs an hour later, or maybe years. 

I look at myself in the bathroom mirror, older now, hair messy in a ponytail, a scribbled self portrait. Then I try to brush away that sick-sweet White Claw smell for Beth until my gums start to bleed. 

I look at the darkened ceiling above our bed. Beth and the baby are asleep beside me. A twist of blanket keeps my bad right foot elevated. I listen to the noise machine hum, the cars ghosting through our neighborhood. I already feel hungover.

Phil Earle works as a fry cook down by the port. His writing has been published at Fence, Post Road, Beloit Fiction Journal, Juked, Hobart and The Millions.

Categories
Across The Wire Vol. 2

The Blur of Things

By Sophia Popovska

Sophia Popovska is a poet and translator currently living in Germany. She works as an Editor-at-Large for Asymptote Journal, and her work can be found in Circumference Magazine, GROTTO Journal, and Farewell Transmission, among others

Categories
Across The Wire Vol. 2

Two Poems

By Michael Gerard

Spikes on Your Lapel

Spikes on your lapel
Rocks popping 
Trucks stopped
Slugs draped in 
Vinegar finesse 
Limbs trudging
Across outhouse
Doorways 
Snake oils of 
Reputable sources
Heaven sent critical
Acclaim dropped in
Your lap, slit from my
Decrepit gums and rotting
Cortex,
Can you smell the bile?
Till the filth?
Carcass stains on the 
Living room floor
And all over the 
Entrance rug
Look at me and my
Jumpy nouns
What a party 
For you
Edgy types 

****

Indeed

I’m a fucking loser and a bozo
Indeed
Hanging from the dry cleaner
Rack sipping winner’s champagne
Of beers like a broke ass painter
Of houses in the suburban desert
Stuffing dry snuff up his nostril
Puffing through the apple pipe he found
Behind the Texaco station
I’m a fucking charlatan and a fraud
Indeed
No sense in dropping in tonight
I won’t be home and neither will my
Bitterness, as I bring it with me everywhere 
I go

Michael Gerard is the author of Rust on the Water Tower, Rust as a Constant, a poetry booklet published through Gob Pile Press. His poetry has also been featured in publications such as The Journal of Compressed Creative Arts and Literary Yard and he is the author of books of fiction such as Switchboard Rot (Anxiety Press) and After All (Sweat Drenched Press). Michael currently resides in Kansas City.

Categories
Across The Wire

Pothole Eyes

By Jon Berger

Valentine’s Day

Pothole emergence time

Miles Teller drives down to Detroit

Miles Teller refers to Detroit as NPC land

An NPC 

Driving an NPC car 

Ass packs an asphalt truck

You know the type

The road crew who shovels asphalt into the potholes on the highway

The asphalt is hot and steaming and molten and black

They take up a lane of traffic and have a giant blinking arrow sign on the back of the truck 

But the NPC people cannot see the Asphalt truck

Miles Teller keeps driving on I 96

Because this happens all the time in Detroit

Miles Teller Hates Detroit

Miles Teller Hates Traverse City

Miles Teller lived in Traverse City when he was too young to remember

He moved because a bunch of Detroit people bought second homes in Traverse City 

And Miles Teller’s family could not afford to live there anymore

Now

Driving in Traverse City

Is just like driving in Detroit

Miles Teller drives everywhere in Michigan

In every condition

Miles Teller can feel the curvature of the earth when he drives

Miles Teller drives a delivery van with over 300,000 miles on it

With brakes that go to the floor

Miles Teller delivers tools or parts or some bullshit to machine shops

Miles Teller does not know what he is delivering

Ever

Miles Teller’s boss 

Sits in his office and watches

Right wing conspiracy theory videos

On YouTube 

Miles Teller’s boss owns a bunch of tactical guns 

Miles Teller’s boss doesn’t know anything about tactical guns

Miles Teller had to tell his boss which caliber of bullet each gun shoots

Miles Teller only owns two old hunting rifles

That were given to him by family

Miles Teller’s boss is an NPC

Miles Teller’s existence is an unbearable burden on the world

Just ask everyone in the world

Everyone yells at Miles Teller and tells him what to do 

All the time

Miles Teller gets yelled at everyday

When Miles Teller gets back from Detroit, he has to figure out what all this paperwork from Detroit means

Nobody else knows what the paperwork means and the order for the tools is always wrong and Nobody knows why

Miles Teller is standing in the warehouse and all these people start crawling out of their cubicles To yell at Miles Teller as a group crucifixion activity

Miles Teller gets accused of stealing parts for CNC and Mills and Lathe Machines

Miles Teller doesn’t know what CNC, Mills and Lathe Machines are

Miles Teller did not steal the parts 

And even if he did, he would not know what to do with them

Miles Teller imagines that if he did steal the machinist parts, he would try to create a giant mech Robot in his basement and use the robot to gain freedom

When Miles Teller gets yelled at, he doesn’t do anything

He just stands there motionless and without expression

But his eyes change

Miles Teller’s eyes sink in and become pot holes

They don’t see anything in front of them

Instead

They see tentacles reaching up from the dark below

They see a beast sunk so far down it has intertwined with the core of the earth and the earth can’t get rid of this beast and overtime the earth has learned to rely on the beast for survival

The tentacles shoot up from the core of the earth and through Miles Teller’s feet and then out of Miles Teller’s eyes and the end of the two tentacles have mouths and inside the tentacle’s mouths Are serrated teeth. The mouths open and hiss and venom drools down to the floor and one of the tentacles chomps off the head of a sales person and another tentacle chomps off the head of someone who works in the billing department

This makes everyone feel uncomfortable around Miles Teller

Miles Teller’s boss calls him into his office and tells him that he can’t shoot evil tentacles out of his eyes and bite people’s heads off anymore. If he keeps doing it, he will be fired

Miles Teller reminds his boss that he makes the same amount of money as unemployment benefits provide

The eyes of Miles Teller’s boss are not connected to the beast at the center of the earth. Instead, they’re connected to a cotton candy machine at a community center downtown

Hot Pink and Baby Blue cotton candy blooms out of Miles Teller’s bosses’ eyes. His boss screams in terror and tries to keep the cotton candy from spilling out

While this is happening Miles Teller begins to tell his boss how a junkie has recently stolen sentimental belongings from his mother, who is sick

Miles Teller’s boss is sobbing now and the cotton candy is coming out of his eyes and is getting wet and deflating kinda like how cotton candy does when you eat it. But instead of saliva its tears

Miles Teller tells his boss he needs to take a couple days off work to locate the junkie and get the stolen items back or get revenge

Miles Teller is good at locating people like this

Miles Teller still has lawyers call him and ask him to locate people for them but Miles Teller hates lawyers

Miles Teller is owed favors by the most bellicose spirits in the cosmos

Miles Teller’s boss wretches his head back, holds the sides of his head and screams in agony as more cotton candy comes out of his eyes and melts from his tears and runs down his stupid face

Miles Teller’s boss shoos him out of his office and tells him to do whatever he wants

Miles Teller leaves work

It is a blizzard outside

Miles Teller’s Ford Fiesta is stuck in the snow

Miles Teller furiously shovels snow out from around his piece of shit car

Once unstuck, Miles Teller drives down the decrepit and abandoned and snowy streets

The icy shovel is in the back seat of his car. Ice is melting off the shovel and getting the seats
Wet

Miles Teller has thoughts of taking the shovel and digging all the way down to the core of the Earth and untangling the beast and bringing it up to the surface

___

Jon Berger lives in Saginaw, MI. His short story collection GOON DOG is available at Gob Pile Press. His poetry collection SAINT LIZARD is forthcoming at Gob Pile Press. He tweets @bergerbomb44.

Categories
Across The Wire

I Came to a Place of Rough Neglect and Left Myself There  

By Scott Mitchel May

Notes From The Scene

We found a pear.

We found it near the lobby’s desk and it was chewed.

Chewed and also rotten. 

By the time we found it.

She was behind the lobby’s desk.

She had a gunshot wound to the head and the bullet was lodged in the wall behind the desk, behind where she was standing.

Unclear if she was given a chance.

Supine.

Peaceful.

I’m so sick of this shit, this cocked-up shit; the whole world is full of this cocked-up shit.

We found a tooth.

In a drawer.

Of the desk.

Renaud says it’s a baby tooth.

Bagged and logged into evidence; file #46568.

Other than that, nothing of note.

I hate

The Doins’ Within the Room

“He said he was comin’, so he is comin’. Watch cable and chill the fuck out.”

“My momma says don’t trust nothin’ you can hold and I can’t hold HBO and I can’t hold happy-horse-shit.”

“Your mama was an ignorant Gypsy whore.”

“Be that as it may…”

“He’s comin’”

“When?”

“When what?”

“When he gets back from the place.”

“What place?”

“Don’t make me say it.”

“What place?”

“The gettin’…”

A knock at the door snags his attention and eases her mind. There is a green-yellow light outside and the shadow it casts against the cement looks about right for who they are expecting. They hold still. Quiet. The rate is $7.50/hr. They are running low on time.

“Get it, damn you!”

“Well, now how do we know it’s him back from the place?”

“How do we know? Who the fuck else is it gonna be?”

“Intruders.”

“What do we got so good that intruders would want to intrude upon it?”

“We got the stuff; when he gets back.”

“He ain’t back. Or, he is but we ain’t let him in. Either way, we ain’t got the stuff.”

“They could know we gettin’ the stuff. They could be knocking and anticipatin’ us gettin’ the stuff. We answer, they hit us, we wait with them, then, when he shows, they kill us and him and take the stuff.”

“You are a dumb-fuck.”

“Ok.”

“Yeah, ok.”

He answers the door and when it opens wide enough he is hit on his head with the butt end of a Maglite Flashlight that takes four D Cell batteries and is knocked unconscious and They come through the room’s door with guns drawn which they use to glue her to the bed and they yell “Don’t move a fuckin’ hair or I’ll…” and the rest she misses because she’s watching him bleed and she’s thinking that this is the stupidest time for him to be fucking be right about something he speculated on.

Notes from the Scene

Her dress is hiked up and she’s not wearing underwear.

They never tell you how you’ll feel in the academy about such things.

Roderick finds a shed pubic hair three feet away but it’s brown and hers are yellow.

Fuckin’ hourly rate shit-hole.

A casing is found.

.22.

Varmint round.

Must’ve put it right to her forehead.

No explaining it otherwise.

A chill to the air.

Her face is pocked with a lifetime’s regret.

Her teeth are a shattered ruin.

No witnesses.

No one left around.

The no vacancy light is on.

The rats know when to do their thing and go.

Rm 465 has been swept.

A bowl of pears was found.

More  Doins’ Within The Room

“I keep tellin’ everyone he ain’t back! He took the money and he left.”

“That he did.”

“You got money! You got dope!”

“We ain’t got shit!”

“He’s right.”

“Don’t you motherfuck to me!”

“I ain’t motherfuckin’ to nobody! If I was high, you’d know it.”

“We wait.”

“I told you…”

“Shut the fuck up, Leonard!”

“All I’m sayin’ is I never get credit for when I’m right.”

“I tell you plenty!”

“You never tell me squat!”

“I tell you all the damn time, you just ain’t listen!”

“Never say you’re sorry neither…”

“Well, I’m sorry you got us hogtied, that’s for sure.”

“I hate you so much.”

A knock at the door. He is back from the place from which things are gotten. One of them bites a pear. They answer.

Notes from the Scene

Three bodies upstairs.

All shot in the head.

Three .22 casings

Looks like four coffee mugs.

They were waiting a while.

No clue who did this.

Three males.

Drug-related.

Coke, likely.

Three out of state Drivers Licenses.

God damn it.

Nothing left to do but the paperwork.

See you down the road a piece, Scumbags.

___

Scott is the author of the short story collection DeKalb Illinois is a Paradise What Eats Its Own (Alien Buddha 22), the novels Breakneck: or it happened once in America (Anxiety Press 23) and Awful People (Death of Print Feb 24), and the novelette All Burn Down (Emerge Press Oct 23). His short stories and essays have appeared in many magazines across the internet.

Categories
Across The Wire

Gulls

By Bram Riddlebarger

Mariner Market
Cannon Beach, Oregon

“Why don’t you guys wait outside?”

Less question than directive.

“I’ll get the tide map and be out in a minute.”

I grabbed my son’s hand and left without any beer.

I saw a pair of seagulls in the parking lot in the back of a truck. The truck had a cap, but the rear window was missing. The gulls breached the entry. A mound of household goods filled the bed.

“Get all your stuff and get out!”

“But I don’t want to.”

The gulls rummaged the debris. The larger gull dislodged a package of Tide washing machine tablets. The gull tossed the Tide, but the Tide stayed in.

No one paid any attention to the gulls. Everyone in Cannon Beach was used to the tide coming in and out every day.

Making no headway the bird tried to fly, but the Tide was too heavy. The small gull got in on the action. Crows swooped down. A group of tourists murdered the saltwater taffy across the street.

I shooed the gulls away.

The gulls asked who was going to do their laundry now. I tossed the package through the invisible rear window.

“Get all your stuff and get out!”

She held the tide map in her hand.

“But I don’t want to.”

Buckling up I saw the owner of the truck, a case of beer like a household good, thwart the gulls of their soapy desire.

I wondered out loud what would make those gulls so fixated on that Tide.

My youngest daughter said

“They longed for that Ocean Breeze.”

___

Bram Riddlebarger lives in SE Ohio. He’s written a number of books including Golden Rod and A Settled Ship in an Ocean of Hills. “Gulls” will be in a forthcoming collection titled The Way It All Must End.