Categories
Crayon Barn Chris

Spitgum

By Dylan Smith

June 22

Dawn comes late in these woods, the sun slow to rise up over the hill behind my shack. From bed I dreamt about one of the opening passages from the Bible. That bit about dividing the darkness from the light. I woke to a word. The word was Water. Then it was one word followed by another, language like a slow constellation of lightning strikes in my head. I felt graced by the presence of something new and wild in the dark outside my shack. A family of deer in the window, maybe. Or maybe a new word. I rose slowly. A calm flow of light fell through my naked body and I laughed without the language for knowing why. I drank a little water. Built a fire to boil water in the purple morning rocks. Even without any rain, the trees swayed gratefully. I must have still been drunk. I pulled on some jeans. Lit a candle at my desk. And then I realized what had really divided the darkness from the light. It was the word Darkness. The word Light. Coffee brewed in a giant glass jar and some white coals hummed brightly in the gentle summer dark outside. Language had divided me from Alma. Shaped this distance between me and Chris. I went to work on a poem. Words would emerge and I would arrange them. Words with significance in and of themselves. Sculptural words. Words with a visual meaning. I tumbled them onto the paper. Creation. Bicycle. Dancing. Myth. I typed them and I retyped them repeatedly into the typewriter, banging on the keys, the keys making music. Alphabet. Wildfire. Apocalypse. Water. A passageway opened between the poem and my hand and an infinite unity unfolded beyond the body. A structure formed. An archway within. Slowly the windows got more blue. 

When I looked up again I saw seven dark deer hiking down the hill toward the barn. I read the poem back to myself. I hadn’t quite captured it yet. I blew out the candle and dug up Alma’s engagement ring from the sawdust and dirt at the bottom of my pocket. I didn’t know why I had the ring. I hadn’t had it for long — I shouldn’t have taken it. I’d been meaning to return it to that red unfired bowl beside Alma’s bed. I held it up to some blue sky between the trees in my window. Something startled one of the deer out there. Its head lurched up from the low swaying ferns, its dark body rearing as it turned — then it leapt out arching into the golden gray blue green. The others followed in slow motion, their thrumping bodies loping up the hill toward the light, and then I heard a deck board groan outside my shack. Somebody was here. My first thought, of course, was Chris. I swung around as the door drifted open and a silhouetted figure darkened the daylight in the doorway. A wordless shadow. An eclipse. I tried to scream as I stood, working Alma’s ring back into my pocket. The figure’s back was turned to me and it was hooded and tall and draped all in black. I couldn’t scream. Nothing came out. My brother, I thought. My killer. And in that moment I thought about the word nightmare in a new way. Like one of the horsemen, I thought. Mare of the night. I closed my eyes. Wasn’t drunk anymore. In fact I felt very hungover. When I opened them again the shadow was still there, only now it was up on its tippy-toes, peering up into the bird’s nest that had been built between the rafters above my deck. Impossibly tall. Weirdly elongate. The figure looked like a thin opening in the air. 

“Take me down into the field,” I whispered hoarsely, weakly. It wasn’t what I’d meant to say. The figure ignored me. Though I thought I heard it whispering something too. Hissing these strange little bird sounds. 

A pale hand emerged from the blackness, and finally I gathered my courage to cry out:

“Come and get me, Chris! I know what you’re here to do. Let’s go down into the field.”

The figure fell back onto its bootheels and, turning toward me, removed its hood to reveal a head of closely shaved hot-pink hair. The unveiled face was horse-like in its length and yet still sort of moonish – like a sickly androgynous vision of Chris – but it wasn’t him. I thought the kid looked profoundly malnourished, not nearly as plump or stately as Chris, and as they passed over the threshold and into my shack I saw for the first time their eyes: they were pale eyes, burning eyes – they were dazzling violet lavender eyes, and like a strange ghostly doppelganger of my brother, they looked about my shack with a smile. 

“What the hell are you?” 

They looked into my eyes without judgment. 

 “Nothing. Huh? I dunno.”

 “Nothing? You’re not some kind of death vision of Chris?”

“Oh, nope. Nothing like that. Name’s Spitgum. Who’s Chis?”

“Wait — Spitgum?”

“In the flesh, hater. First and last. Don’t hate.”

“Holy shit — I’m so sorry, man. You’re Art’s — wait, I’m sorry — here,” I said, pulling over my fallen chair so they could sit. But as I carried the chair toward Spitgum and the summer light outside my shack they swayed their way straight through me, and toward the poem I’d left lying beside the window. 

 “Don’t be sorry.” They picked up the page and started to read the poem. “What is this? Art told me you’re a poet, but this is just a list of words.”

“It’s a sonnet, man. But look, Spitgum — I’m sorry I yelled at you like that. I thought you were my brother.”

“I understand. You were afraid. It’s okay.”

Spitgum set down the sonnet. My new telescope stood upright on the windowsill beside the poem. They picked it up and looked out the window through it. 

“Woah,” Spitgum said, jerking away from the glass. “Woah — that sun nearly burnt my eye out. Whose telescope was this? A sailor’s?”

I poured myself some coffee and took a seat in the chair. The summer air filled my shack through the open doorway behind me as I took a sip. I set the cup down on a floorboard. The coffee had gone cold. I noticed the imprint of a bent roofing nail in the darkly stained wood. Bird shit on the window screen. I put my face into my hands. Wrangled up a painful breath. 

“Probably a pirate’s,” I said. 

“Woah. You think so? Can you see Art’s barn from up here?”

“Not now. The leaves block pretty much everything. But definitely in winter.”

“You’ll have a hell of a view of it then.”

“A hell of a view of what?”

I opened my eyes. Spitgum had the telescope trained on me now. The lens magnified the lavender color of their eye. Blown up all wonky and brightly wide open. They looked like Chris’s thin sickly twin.

I could barely fucking breathe.

“Spitgum, put that telescope down. You’re freaking me out. Here. You want some coffee?”

I held out the cup.
“Thanks. But this telescope is the only reason why I’m up here.”

“What the fuck does that mean?”

“Art sent me up here to get it.”

“What for?”

“We can’t get the new well pump to work and now it’s stuck down in the hole. Art thinks with your telescope and his flashlight we might be able to see what’s blocking the way, but whenever I look down into it all I see is stars. A whole night sky’s worth of stars. All the constellations look inverted — or reflected — and there’s this slight trembling of the ground. I also see red lights. Red blinking lights.”

I did my best to process this. Spitgum’s fingernails were painted black and they had sky blue earplugs pressed inside their ears. I wasn’t doing very well. 

“Does Art seem alright?”

“Not nearly as bewildered as you. Haven’t seen him since I was a kid though. So how should I know.”

“How did you get up here?”

“Hiked.”

“No — I mean how did you get upstate? I thought you weren’t supposed to be here until the Fourth.”

“Bus. Well, I walked. Walked to the barn from the bus. The fourth of what?”

“What? Of fucking July, man. How did you find the barn?”

“It’s called an iPhone, hater. Google Maps. I saw you holding that wedding ring up to the light.”

“How old are you, man?”

“I don’t have to answer that. Time is fake. Magic is real. I got refried.”

“Refried.” 

“Yeah. I’m out there, Billy Willy. My brain got deep fried twice.”

I could hear the baby phoebes chirping in the hopeless rainless godless heat behind me. 

There was a quivering quality to the air.

I felt like I was going to cry. 

“Please, Spitgum,” I said. “I don’t know what the fuck you’re talking about.”

“One time in a blackout I took a megadose of LSD. Got myself stuck in what they call the infinite time space continuum. Fried the holy crap out of my brain. Then a couple weekends later I did it all again. That time I was only brownedout though, so I suppose it was sort of on purpose. All my life. All my life all at once. Part of me’s stuck in that loop. Beginning, middle, end — it’s all happening at the same time for me. Big time. Forever. All at once. Refried.”

“Jesus,” I said. 

Spitgum took the cup from my hand. I looked up at them. They’d been smiling down at me and my busted eye. My vision was still cloudy and throbbing. They really did look a lot like Chris. 

“Spitgum, why are you dressed like that? All in black robes. It’s summer.”

“I burn too easy. But enough of this talk radio bull shit, Bill. I have to be somewhere by noon. So close your eyes.”

“What?” I said. 

“Just do it. Shut the good one first, then slowly the left one.”

What the hell. Why not? I did what they said. 

Spitgum held the coffee cup and telescope in their right hand and, with their left, they slowly reached out toward my eye. 

“Shut the bad eye now.”

“Seriously, man?”

“Shut up. Slowly. Just do it.”

I did. 

“And now, with your eyes closed, Bill, close your eyes…”

I swatted the little freak’s hand away from my face. 

“Fixed,” Spitgum said.

“Oh come on, man. Fixed?” 

I was blinking a lot. It started to feel like something had happened.

 “Yeah. Fixed. Now I need to get back down to the barn. There’s only one meeting at the church today and legally I’m not allowed to miss it. Are you coming?”

“I don’t know. I’m having a hard time accepting the way things are today,” I said.

Spitgum nodded and took a sip of coffee. Slowly though, turning their shaved pink Chris head toward the light, they spit the coffee back up into the cup. 

“Spitgum, man. Are you serious?”

It all splashed out onto the floor and all over my feet. But I didn’t care — I didn’t even flinch. Suddenly I could see. 

“This coffee tastes like piss dirt.” Spitgum wiped the darkness off their chin. “You shouldn’t be drinking this.”

“Look—” I said. 

“No you look, Billy Willy. Spitgum spits the truth. Be grateful. Don’t hate.”

I put my face back down into my hands. Was this what a nervous breakdown looks like? I must be cracking up, I thought. I looked back up at Spitgum. My eye had stopped throbbing completely. The veil over everything had been lifted. Spitgum was honestly the most beautiful sight I’d ever seen. 

 “I think you should come with me,” Spitgum said softly. “Let’s go down into the field, like you said. It’s better than you just sitting up here alone all day doing nothing.”

I looked around my shack. Spitgum was probably right. I thought about Alma. Alma would be down there. 

The power must have come from the palm of Spitgum’s hand. 

“Alright,” I said. I closed my eyes again. “Alright. Just give me a couple more minutes.”

Spitgum walked over to the book of Word Roots lying open on the floor beside my cot. 

“You really don’t have any electricity in here?” 

I didn’t answer. I heard them pick up the book. 

“Give me a word from the list. I mean, from your sonnet.”

“Not now, man. My eye feels better but I think I’m still having a panic attack.”

“I’m a poet of sorts too, you know. We’ll end up being good friends before the end. Now don’t be a hater. Give me your favorite from the list.”

I peeked over at my unfinished poem. 

 “Apocalypse,” I said. 

“Excellent.”

They flopped the book back over toward the A’s. Ran a long bony finger down the page.

Some time passed. Spitgum seemed to be studying the root. I heard them whispering and clicking their tongue, but they never did read anything aloud. 

I started to feel a fever coming on. 

Spitgum tossed the book back onto my cot. I watched them discover the postcard of Saint Francis I’d pinned to the wooden wall. They took six steps back and looked at the painting through my telescope. Light glistened in the basin of creek water I keep on the ground for washing up. Spitgum giggled. Then they returned to just hanging over me in my chair. 

More time passed. I looked up at them again. They really were just standing there. Leaning on my walking stick. Draped all in black. Smiling down like some silent shining saintly idiot. 

“Sometimes it’s like a big shadow on my brain,” Spitgum said. 

“What? Jesus Christ. What is?”

“The truth.” 

Dylan Smith is looking for a job if anyone knows of any jobs in Brooklyn.

Categories
Across The Wire Vol. 5

THREESOME WITH MY BROKEN SELF

By Cletus Crow

Cletus Crow is mostly a poet from Middle Tennessee. His full-length collection, Phallic Symbols, is out from Pig Roast Publishing. 

Categories
Across The Wire Vol. 5

Webs

By Rob Kaniuk

A hot woman followed me on Twitter, but it seemed suspect. I clicked her profile. She was a barista in LA who wrote screenplays. Attractive. Funny. Definitely not real. 

My friend Jenn texted me to ask why I didn’t follow her bot back. Said she made it with some Mad Libs style template that would shuffle all the words and phrases she uploaded and the bot would fire off a nonsense movie idea every hour.

Does it respond if someone comments?

Yeah, like, she calls me master when I reply, but she calls everyone else babe.

Oh shit––I should make one to resurrect Jeremy.

Oh god, that’s so sad and creepy––Yeah, and I’ll make one for my mother that tweets the lyrics to ‘Hallelujah’ in a never ending loop and says she’s proud of me when I post about my b-hole. 

For a few days I laughed at the concept, played it off, then found myself digging through the ammo box jammed full of letters Jeremy sent from prison. I called Bekah.

“Yo, if I gave you all those letters, would you do me a favor?”

“From him?”

“Yeah.”

“Whatcha thinkin?”

“I just want to make, like, a digital file.”

“All of em? Dude, there’s gotta be like two hundred letters.”

“Can you do it?”

“Why can’t you? No offense.”

“Can you help or not?”

I dropped off the ammo box full of letters from different addresses within the Florida State Corrections system. I told her how to fill the templates with all his -isms. Bekah was the only one capable. She knew the way he spoke and wouldn’t clean up any of the poor grammar or correct words like set to sit

Weeks went by and I wanted to call and see if she’d made any progress, but I didn’t. It was a lot to wade through. We spoke a few times––their daughter had been enrolled in preschool and started saying goodnight to her daddy’s picture before bed––but I didn’t bring up the ammo box.

The week of Father’s Day, she texted me:

You still got those recordings?

She was talking about the songs we used to sing together. I had piles of recordings from over the years––hundreds of hours of Jeremy and I and whoever was with us at the time.

Yeah. Haven’t figured out how to rip them from the MiniDiscs yet.

I just need one song.

I’ll see what I can do. What song?

Didn’t you and him do Wish You Were Here at Matthew’s?

Yeah, I’ll look for it this weekend.

Think you can get it to me by Sunday morning?

You got it. 

Bekah wanted him there for Father’s Day. It had been little more than a year since they kicked the door off the hinges and found his body.She wanted him there to sing a song to their daughter.

I looked at the handwritten notes on over thirty MiniDiscs. Studio 566. Jimmy Mac sessions. Sanford’s vacation. Brickette lounge...I eliminated a bunch because the dates didn’t line up. Which left me with eight. Eight MiniDiscs, three hours each.

I listened to the first few tracks, just to hear his voice. He never knew how to close a song. He just kept playing. It was annoying as hell. I’d look at him, try to cue him the song was over, but with all the bong rips and Busch pounders, his eyes were always shut. The song would only end if his makeshift matchbook pick finally disintegrated. Or if he was ready to steal another cigarette. Every track ends with him laughing at me for bickering at him for ruining an otherwise solid recording.
I popped in the disk marked Half Spent / Stemmer’s Run and advanced a few tracks. A calloused finger drags along the E string. He inhales sharply through clenched teeth. Shakes a cramp from his hand. A click from a lighter and I smell bong water, stale Marlboros and the rotten brown couch. A car goes up Westdale so I know the windows are open. It’s summer. Hot. He’s got on his tattered beige cargo shorts but probably not a shirt. 

We’d always bitch about never doing anything fun, but my fondest memories have nothing to do with Hershey Park or chartered fishing boats. I miss the moments where we’re bored and talking shit. Shit talking is where the love is. Ninety degrees with a box fan in the window, six-pack of pounders sweating on the coffee table. Working on a song. Telling my best friend he fucked up the end.



I’d forgotten Bekah was on this disc for two songs. “All in This Together” and “How Can I Try.” The three of us harmonizing caught me off guard. They’d known each other less than a week.

****

I met Bekah at an NA meeting and told her about my best friend who was locked up. I told her I was the only one who wrote him and as a kindness to me, she asked for the address. Pretty soon she was asking a lot of questions about him. I told her all the stories about us growing up and getting in trouble. The arrowheads we forged on the riverbank as children to fool his dad. Quitting our jobs because we figured out the bass at Longwood were hitting a white spinner bait. Coming to blows in the hotel room on Fisherman’s Wharf over a handful of missing oxys and a woman whose name neither of us could remember.

She asked if he was reckless. She had fallen in love with reckless before and it landed her in rehab. I laughed because he was in prison. But I saw what was happening––he was courting her and she was falling. I told her the only true thing I knew about my friend. 

Jeremy’s like an old dog. He’s been kicked around and left in the backyard too long by his former owner, but he’s yours now. He’s gonna do dumb shit and cause you grief, but he’s fiercely loyal. Doesn’t matter how far you throw the ball, he’s gonna bring it back. Yeah, he’s reckless. And that’s why I love him.

Florida Corrections gave him fifty bucks on a Visa card and an open bus ticket to anywhere in the lower 48. Bekah came with me to pick him up at 13th and Filbert when the Greyhound came in. They had never met, never touched, but they were in love. I peeked in the rearview. They smiled and glanced at each other but this wasn’t a love letter. He’d always been so confident, but I could see he was afraid of a five foot three curly haired girl wearing a Last Waltz shirt. It was at a stoplight when I turned around in my seat. I asked him what he wanted to eat and I saw it. Did she reach for his hand, or was it he who reached for hers? Their fingers were sewn together and they were smiling. After three years in prison he told me to decide what we’d have for dinner.

****

 On her mother’s porch Jeremy noodled on the Simon and Patrick guitar Bekah and I bought him. I’d mailed handwritten lyrics and tabs of new songs, and on the rare phone call we had together, I’d play a few bars so he could hear the melody. He practiced in the chapel every week before Sunday church service. Bekah wrote to him about the ones she liked, so he focused on those. I listened to the songs we sang on her mom’s porch and there’s a part at the end where the laughter dies down and it’s quiet for a few seconds. He was looking at a spiderweb between the yew bush and the brick of the house. 

Ain’t it funny how that web is home for one thing and certain death for another?”

“Wish You Were Here” was a few tracks after our songs from the porch. I had found the song she wanted and two more. I couldn’t figure out how to digitize the tracks in a way that would preserve the sound quality. So I hooked up an auxiliary cord from the MiniDisc player to a Bose speaker, then I set up the voice recorder on my phone and recorded in real-time. I labeled each one and sent them to her in a text message late Saturday night.

Along with my morning coffee, a text from Bekah:  

Thanks

***

I’d forgotten about the ammo box letters until Bekah emailed me. I copy/pasted the file into the Twitter bot generator.

>@IrishHillblybot: What say me and you find a quiet spot and get as high as a giraffe’s asshole?

>@kaniuk22: @IrishHillblybot haha hell yeah

>@IrishHillblybot: @kaniuk22 what’s up, brother?

>@kaniuk22: @IrishHillblybot i really miss you

>@IrishHillblybot: @kaniuk22 what’s up, brother?

>@kaniuk22: IrishHilblybot i wish you would’ve called 

>@IrishHillblybot: @kaniuk22 what’s up, brother?

Rob Kaniuk is a proud uncle and has the best wife in the world. His mm is pretty cool, too.

Categories
Across The Wire Vol. 5

THE NIGHT I MET RICHARD BRAUTIGAN

By EDBOY

I tap his shoulder in the back room of Bob’s Java Jive, and go, “Bro, you look just like Richard Brautigan.”

He’s missing the broad-brimmed outlaw hat, but he’s got the glasses, the bushy handlebar mustache. 

He leans back, says, “Who THE FUCK is Richard Brautigan?”

I show him the weathered copy of Trout Fishing in America that’s conveniently tucked in my jacket pocket.

“Wow,” he says, bringing the book to his face. “That IS me. What did he do? Bag groceries?”

“You know, I wouldn’t be surprised. He was a poet and did a lot of random shit,” I say. “He was born here.”

“He was born in fuckin’ Bob’s Java Jive?”

“No man…Tacoma,” I say. “He was born in Tacoma. He died in 1984.”

“Bro,” he says, “I was born in 1984.”

“You were?”

“Yeah man,” he says. “I’m obviously him. I’m Richard Brautigan. I’m fuckin’ POET, dude.”

The karaoke DJ summons him.

He sings Elvis Costello’s Pump It Up. When it gets to the Pump It Up part, he kicks the air like he’s kicking over a beer can tower.

When he returns to his booth, I show him another picture of Richard Brautigan.

“That’s my next Halloween costume,” he says.

“You’re welcome,” I say.

“Hell yeah,” Richard Brautigan says. “I’m finally gonna be somebody.”

Edboy is an American writer. He runs Spaghetti Days Press out of Tacoma, Washington.  Follow him here: @spaghettidayspress. 

Categories
Issue 4 Issue 4 Fiction

AFTER PASSAIC

By Bud Smith

Last night I broke a rib kicking a balloon. I went flying like Home Alone, Marv and Harry, landed on my side and damn it hurt.

Sometime around sunset the following day I was at Miriam’s 80th birthday party, sat mostly alone at an oblong table, lacking the power to laugh. 

The backroom of the restaurant overlooked the turnpike. Half her family stared out an endless window at an endless peel of traffic. The other half took turns briefly holding whoever’s baby.

The sprite-like server asked if I was all right.  

In my own way I signaled, Not at all. 

He brought more table wine. 

I sipped non-dominant, explaining how I’d been wounded in battle the previous midnight, but neglecting to mention my opponent: a rubber bladder full of breath, color of bubble-gum, hovering low along the hardwood floor of the upstairs guest room. 

How the house had shook and woken two sisters, two nieces, all the tetra, even the cherry barb. 

The server left. The baby echoed all around.

Unable to dance or mingle, I watched Giada loom over an elderly man at table five. I saw how she was disguising her hatred, making what appeared to be pleasant small talk, though he was a known-enemy, a pink-faced gentleman-fuck in a baby blue suit and teal tie. She was nodding. Was smiling cool even. 

We’d been married eleven-and-a-quarter years. I’d studied and was fluent in her many gifts. 

I, in fact, was one of her gifts. 

Another of her gifts was ‘forever-patience.’ 

Another was ‘resting angel face.’ 

Then there was her ability to conceal absolute repulsion. 

Who could ever guess, during the car ride over, Giada had instructed me to slowly choke the life from this bloviating man.

His exact relation was unclear. 

Her father’s first cousin? Second cousin? Third cousin? Forth cousin? No cousin at all? Luca. Former dean of colleges, retired fifteen years but the way he bragged about campus, you’d never know.

Maybe she would snap, fetch up the potted tiger lily centerpiece, and brain him. 

A silver mylar balloon struck the ceiling fan but my table mate bopped it away with an unconcerned backhand. 

Gold foil on the balloon read “80?!” 

And Miriam? Perhaps Miriam was a great aunt? 

I had no clue, except I loved Miriam, wanted her cloned two thousand times. A moment before I had seen the bartender letting the baby pull ice cubes from the bucket. But Miriam had objected. Now Miriam was rocking the mystery baby. Giada’s family had conquered this backroom with toasts, and gossip, and four courses of food already. Espresso was brewing. I limped to the remainder cocktail shrimp. 

Not two minutes later, someone tapped my shoulder. I turned, expecting to be offered a pig in a blanket—not so—another server bestowed upon me the baby. 

“I’m hurt,” I said, indicating my side. 

Big Nico saved me, took the young one and spoke in his low baritone, “Who’s your daddy? Who’s your daddy?” Our world was built of questions, posed to those who lacked the ability to speak. “No, really. Who’s your daddy?” He gently shook this baby over his head. “Is there a daddy in the house?” Big Nico asked like someone might say, ‘Is there a doctor in the house,’ just a moment before an emergency tracheotomy.

I studied a poster board full of photos of Miriam as a child in Passaic and Miriam as a teenager in Passaic and then Miriam as an adult after she’d gotten herself waylaid in Salt Lake City.

The photos on the poster board I liked best, twenty or so, captured a gnawed-away time when she was young, in New Jersey, just after WWII, when everything was sepia dew and sepia roses.

One of those sepia photos on that pasteboard was of this building I stood in now, which Giada’s family used to own. For six years they’d owned it, I think. 

First the building contained a hat store that also sold shoes. Then it was a shoe store that had some hats. Then they sold no hats. Briefly after the family lost the building, imitation diamonds were sold here. After that, it became a pawn shop. Then there was white flight and nearly it was demolished. Yet here we all were, knee-deep in bruschetta, faux bouquets, and Dean Martin—the place now called Friar Anthony’s.

Two of the other twenty photos were especially striking, bloomed with life, belonged on a gallery wall.

One of these special photos was labeled “1964 M” She was twenty-four and wearing a white dress, stood in front of a plaster wall painted evergreen. She was wearing a halo. Either it was Halloween or Noel. 

In the other photo, everything had an orange tint and she was getting a haircut from a much older man with a cigarette hanging out of his mouth. The collar on his flannel shirt popped. She had on a tight sweater, navy blue, with gold zigzags.

“That’s me,” Miriam said over my shoulder. I turned and introduced myself. Said ‘Happy Birthday’ again. She reached for my hand. I gave her a shake against my better judgement and nearly cried. She’d come all the way from the other side of America—Utah—to be exact, as if on a farewell tour. 

“These two photos are really good.”  

She didn’t get me. “A swell camera.”

“Who is the man?”

“My father, Little Nico. He used to hide money all over the house. When he died, my brother Nico—Big Nico—got the house. When he finally sold, well you know, they tore down that house.” 

“No I didn’t know.” I was upset to hear this but not surprised. I’d loved that house.

“They tear down everything. They’ve got to keep the bulldozers busy. But with all that junk Nico had put in there, I can understand. We had to clean it out in a hurry just so they could level it.”

“That was some good junk though.” 

“Sure it was. We’d be giving away an old dresser and hoping it didn’t have money hidden in it.”

“I lived in that house for a month.” 

“When was this?”

“Ten years ago.”

“I loved that house. You lived there? I’d say a hundred people lived there. Open door policy. At one point the mailman lived there.” 

“I’m Giada’s husband,” I said. I pointed to one of the photos of the house, trashed to the max. “Is that 2012?” 

“Maybe I met you. You were thinner?”

“For sure.” 

“What a lightning rod for garbage. And we’d have to worry there is money hidden in everything. That’s how our dad was. There were all these pill bottles. The other day I opened a bottle of nickels.” 

“When did he die?”

“1992. No. 1993.”

I glanced down at Miriam’s feet. She had on neon running shoes under, maybe, her fanciest dress.

“1994. June the ninth. Dad played the lottery every day. When he died we filled up the coffin with empty cigarette packs and losing lottery tickets. Everyone saw that and smiled. Buried him with two Marlboros, a red, and a lite, one in each corner of his mouth.” 

I gave Giada a wave she didn’t see. 

The servers in their purple vests and purple shoes, handsome parts in slicked hair, wheeled out dessert. The sun was at the perfect angle to blind us all.

Some hero shut the curtain. The room dimmed into comfortable shadow. There wasn’t a single light on. I leaned in closer to the poster board, looking again at those two, specifically striking photos. I realized all my pain had gone poof.

I pointed to the angel and the haircut. 

“Who snapped these?”

“Oh, that would have had to be our older brother. Luca.” She pointed out the man my wife wanted me to strangle. The man Giada was still talking to, still being civil to.  

“He carried that Nikon everywhere.” 

“I really love those two photos of you,” I said. 

Miriam hugged me and gave my neck a little peck.

I went back to my table and sat down with espresso and tiramisu. Giada had floated over to her mother and father and now, to the baby’s delight, her father sang a novelty folk song urging Christopher Columbus to turn the boat around.

The Marine across from me consumed candy crush. His red-headed daughter poked him in the gut, spoke more about a carnival soon happening on the cliffs. The seat where the mother had been was vacant.

I looked back at Luca sat all alone. I thought again about his photos. He looked so lonely. Where was his camera now? I didn’t want to kill him anymore.  

If his sister was 80 and he was the older brother, that would have made him at least 82. I’d met him fifteen years earlier. At a  different reunion barbecue. 

He was always saying evil things at barbecues. At one legendary bicentennial barbecue, he may have told Giada’s mother she needed plastic surgery.

The barbecue I’d been to, he said something nasty to Giada even, but what?

Oh I couldn’t recall even that. 

Can you be irrationally mad at something not worth remembering? Let’s see. I picked up my plate and cup and sat down at the table across from Luca. 

“Hello,” he said. 

“Luca, you don’t know me.” 

He was barely looking. “I know all about you.”

“I just wanted to tell you—”

“Save your breath. I used to believe in radical honesty at your age. It’s a waste.” 

He ate some of his cake. I ate some of mine.

“What should I apologize for?” he asked.  

I looked across the restaurant, Giada was talking to a woman in a skyblue gown. The missing mother? 

“You’re right, forget it. I heard you took those two photos that I like over there. So I forgive you, as an artist.” 

He smiled. “Good. You’ve seen the light. And so have I. Isn’t that photo of Miriam and my father so funny? Who ever saw a father cut his daughter’s hair? But that’s the kind of man he was. He would take apart the TV set just to see how it worked and he would put it back together. No formal training. No education. But he’d wear a tie, hovering over the open hood of a car, changing spark plugs, pulling on wires. He’d guess and he’d be right. Me, and you, we’d be hopeless.” 

“Your father had innate talent.” 

“When the priest would drop by he would be lying on the couch reading the paper and Miriam would let him in the house but Dad wouldn’t even get up. He didn’t make a big deal of ceremony and he thought a lot of people were terrible kissasses. Anyway, I was a nerd. I had a camera. That priest gave it to me. I took lots of photos.” 

The restaurant was louder now. The drunks had had their rocket fuel. Voices swelled. Faces grew younger. And there was Miriam sat under her throne of balloons, shoulder-to-shoulder with Nico. He was red-faced and blockheaded, and whispering something that doubled Miriam over in laughter. I guessed, at this pace, she’d live another eighty years. 

One thing I remembered about Nico was that he put newspaper down and let his three-year-old-totally-healthy dog, shit in his house. Never once did I see or hear him yell at that dog. Though there was a doggie door, the dog preferred to shit in the house. And in the mornings before work, I’d step out of that dog-shit-reeking house, to my car and see Nico had hundreds of pounds of bulk garbage tied with twine to the roof of his Ford Taurus, which he’d gathered in the dark. So I’d untie it all and put it there amongst all his other nightly winnings. Every year he used to have a yard sale in the summer and sell the town back its trash. 

But as you already know, the house is gone, and so is the dog, not to mention, nearly everything else. 

I heard a balloon pop under the table. 

I bent down in terrible agony.

The baby was crying but nobody else noticed. He’d curled up in a little ball, his mouth full of silver mylar. 

I reached out my good arm but the baby scurried away. Now was sucking his thumb amid all this clatter and chatter. He pulled his thumb out and the string of the popped balloon was wrapped around his thumb. 

The baby drooled loose the rest of the choking hazard and smiled.

“Whose kid is this under the table?”

Up above, Luca was summarizing an important commencement speech he’d heard given every Spring for the entirety of his adult life. 

I called for help again. 

Nobody seemed to hear. 

I held out my plate. The baby crawled over and began to scoop handfuls of cake into his brand new mouth. 

Bud Smith is the author of the novel, Teenager, among others. He lives in Jersey City.

Categories
Issue 4 Issue 4 Poetry

CANTOS FOR PSYCHOSOMATIC GOOGLING

By Lucas Restivo

Lucas Restivo is OPEN for representation and endowments

Categories
Issue 4 Issue 4 Poetry

DRAGON OF THE DARKNESS FLAME

By Tyler Plofker

Tyler Plofker is a writer in NYC.

Categories
Issue 4 Issue 4 Poetry

PIECES OF A MAN

By Uchechukwu Onyedikam

Uchechukwu Onyedikam is a Nigerian Poet/Photographer based in Lagos, Nigeria. BOTN, Pushcart Prize nominee. His poetry has appeared in Amsterdam Quarterly, Brittle Paper, Poetic Africa, Poetry Catalog, Sky Island Journal, Unlikely Stories Mark V, Spillwords, among other publications. He and Christina Chin has co-written and published two poetry chapbooks. He’s a contributor at Mad Swirl.

Categories
Issue 4 Issue 4 Poetry

CONVERSATIONS ARE INESCAPABLE AND PRETTY TRAPS, OR, THIS IS HOW DUOLINGO THINKS REAL PEOPLE TALK TO EACH OTHER

By Rich Boucher

Rich Boucher resides in Albuquerque, New Mexico. Rich’s poems have appeared in The Nervous Breakdown, Eighteen Seventy and The Rye Whiskey Review, among others, and he has work forthcoming in The Literary Underground and Cul-de-sac-Of-Blood. He is the author of All Of This Candy Belongs To Me. Interestingly, he can’t stop looking at the sky.

Categories
Issue 4 Issue 4 Poetry

THAT YEAR

By Sofija Popovska

Sofija Popovska is a poet, translator, and editor-at-large at Asymptote Journal. Her other work can be found in mercuryfirs, Circumference Magazine, Grotto Journal, and Poetry Daily, among others. Her poetry collection, Thaumatropes, which she co-authored with Jonah Howell, was published in 2023 by Newcomer Press.