Categories
Issue 1 Issue 1 Fiction

A Found Thing

By David Williamson

The floor under the trampolines was mud and ooze. All gas and suction and smelling like vomit. Caleb gagged, slid across the slickness on all fours, shook his head, and recovered his sense of balance, orientation.

It was Todd’s birthday and Caleb had been invited to celebrate at the indoor trampoline park. Just moments before he was chasing a rogue dodgeball that went sailing over his head and cleared the trampoline’s parapet. He knew the word parapet because he misspelled it on a vocabulary test just last week. He ran halfway up the slanted wall, which was also a trampoline, leapt, grabbed the top edge, and hoisted himself over. It was something he couldn’t do last year when he was only nine, but pride rushed out of him when he cleared the top edge, and his body fell for entire seconds (seconds!) before hitting the mud floor.

Now, he could only see by what light seeped through the tiny breathable holes of the woven trampoline material several yards above his head. The indentations of feet from jumping bodies stretched down to him like nightmares trying to break through. 

Caleb shook the excess globs of whatever from his hands, his forearms, elbows. Dodgeballs, partially submerged in the mud, looked like swollen eggs, something alien, and – another vocab word – secreting.

In all directions was just mud and balls and horrible feet coming down at him and support beams holding up the trampolines above him. No walls. No ladder back to the top. No way out.

He called up through the trampolines, but his voice was drowned out by the joyous screams and laughter.

Then a horrible gripping fear tightened in his chest

I can’t get out. Are they looking for me? Do they know I’m gone? How long have I been down here? Has Mom given up and gone back home?

He waited for a response. The descending feet answered with a stretchy distressed yawn, coming down impossibly close to his head. He tried to smack them, to get their attention, but they retracted too quickly.

He couldn’t remember if you could see beneath the trampolines, not even when you were down on the concrete floor of the trampoline park. He started not remembering other things too, but he forgot what they were. Something was stealing things from his brain. It was like a vacuum hose pressed against the crown of his head, and every few seconds a clot of some memory would dislodge and fly out of his mind like…like something.

Do they notice my goneness? Am I missing a something? A search party? My search party I’m missing? 

His feet suctioned in the muddy stuff when he walked. 

“Do you know the way?” It was a girl smaller than him. She wasn’t there before. “I can’t find the way.” 

“No,” he said.

“I’ve been here so long. They’ve left. They can’t find me. Gave up.”

“No,” he said. “They’ll come. What’s your name?”

The girl rubbed her face. She looked like she was from a different time. There was fresh muddy stuff on her too, slicked-over layers that had crusted over, dried and cracked. 

He was about to tell her his name to encourage her, but it didn’t come to him right away, so he reached out his hand instead. He felt like a big brother. Someone who had to be brave. “Do you have a name?”

The girl shrugged.

“You don’t know?”

“I think I do, but I forget.”

“Here,” he said, careful not to let his voice quiver. “We’ll find the way together.”

They walked a few steps, and then he stopped. “I don’t think we should go much further. We should stay where we are. When you’re lost, you should stay where you are until someone finds you.”

“I’m too far already, I think.”

The boy lifted one foot out of the muddy suck, then the other. He tried to think of questions to ask, but none came. What good was he?

They waited.

She stopped crying but looked as if she’d start again. 

“Maybe we could sing a song,” Caleb said.

“Do you know one?”

The boy started to sing but lost the tune. It was right there, but he couldn’t grab it.

“Do you know a song?” he asked.

The girl pulled something small out of her pocket, put it back. “What?”

“I don’t know.”

A hole ripped open above them and light poured in. The boy and the girl squinted at the brilliance. When his eyes adjusted, he said, “Look.” 

Men descended on ropes. “Caleb,” they hollered. 

The boy looked at the girl who just shrugged. “You?” he asked.

“I don’t think so?” she said. 

“CALEB. CAAALEB! Where are you? Take my hand!”

“Here?” he said. “Here?” Then, with more confidence. “Here. I’m here. I am here!”

The boy smiled to the girl. “They’re here.”

“Those aren’t mine,” she said. Sadness fixed on her face like the mud that dried in shells around her knees, the slope of her chin.

Maybe she had strayed too far. She had wandered so long, from another trampoline park, maybe from another town, another world. Maybe not a trampoline park at all. The boy could see that something had once lit up her face but was now gone forever. So, what could he do?

The boy reached up and felt a strong grip on his forearm. He was lifted out of the mud. He clung to the man’s arm and ascended into blinding white light above his head. The chill slipped from his skin, and the boy was glad when he could make out the faces of his rescuers in the warm buzzing light.

He couldn’t tell how he knew, but he felt as if he were about to go somewhere he wanted to go. There was something pulling him toward something he wanted to see. Maybe someone. His brain felt heavy and gray as he strained toward an electric, exciting new thing. Some kind of relief. He didn’t know for sure, but it didn’t matter. From here on out, he was a found thing, and he carried this knowledge with him, indelible on his heart. 

David Williamson is a writer living and working in Richmond, VA with with his family and a whole bunch of animals. Williamson’s stories have been published in X-R-A-Y, BULL, Maudlin House, HAD, and others.

Categories
Issue 1 Issue 1 Fiction

5 Stories

By Leila Register

Guest Room 

I hate this chair and this awful room. Nothing is where it should be. I’m having a hard time. People talk all day about pets and jewelry and lunch. Everywhere an ugly crisis. Dead birds under the highway. Gray kitchens. Computer screens. A man chasing ducks in the snow refuses to see me. Life goes on people say. What does that have to do with anything?

***

Paint by Numbers 

All these plans and outfits for what. Tedious dramas. Drinks before drinks. Red wine gone bad. Lent my favorite book to a man in love. Bought new shoes from a teenager. Everything disgusts me. I’m at the bar again. Paul Simon plays over an invisible speaker and I agree. I don’t find this stuff amusing anymore. I think wearing blush and waiting for someone are two of life’s greatest indignities. I think I should stop calling everything a crisis of personhood. I’m trying too hard always. I make a list of everything fun. Can barely read my own handwriting: food with too much salt, men I’ve never met. I leave the bar drunk drunk drunk. Go home. Watch Painting with John. His drone crashes into a tree at the opening credits. TV buffers before the show really starts. I hear “Bob Ross was wrong!” then nothing at all. 

***

Birthday

I bought you a book at the bookstore. Inside of it are paintings of wild colors. The man who made the paintings was born in New York City. He fought in World War Two. He paints landscapes. He makes the sea bright purple. He makes mountains neon. He lives in Santa Cruz, California and has learned to surf. He teaches children about his wild colors. He has an easy life. The bookseller was kind enough to wrap the book for me. Even tied a bow around it. On the way to your house I practice telling you about the man. I realize I don’t know his name. Or the name of the book. I only remember the purple sea, the neon mountains, the new easy life. 

***

Postal Service 

In the movie there’s a drug that helps with awe. I am not feeling good or articulate. I’m distracted after three drinks. Am forced to confront my ordinary haircut. There’s nothing exciting on my face. I’m not spectacular in that way or wild enough. When did my life become this. You have to laugh everyone tells me. I’m trying. Glenn says the mail hasn’t come in a month, says he had to drive over to Ralph McGill and talk to the guy in charge. Recommended I do the same which no thank you. I have trouble putting my foot down. Always feel wrong. Have never successfully negotiated the price of furniture. I keep saying yes for some reason. I’m far from home. My dad is worried. I tell him the weather isn’t so bad over here. Big giant red blob coming he says. Ok I say back. I’m drunk. Pass out on the floor again. Wake up next to a postcard from a gas station in Delaware: a man lies dead in the sand, seagulls pecking at his eyes.

***

Tools

Marjorie’s been drunk for three days straight. Falls asleep everyday around 3PM while Frank does the crossword and makes up stories to tell her. It helps his brain, doing two things at once. Today the story was about a man named Peter the Mortician and 42 across what’s a three letter word for mimic. Marjorie’s been sneaking sips of vodka from the freezer in the laundry room. It’s easy to sneak from because it’s in the back of the house. Frank only goes in there to get the drill or wrench every time something breaks which is rarely. Frank’s tools live in the cabinet above the washing machine. Marjorie doesn’t like using the word live about tools but she once heard a home organization expert say it in a video on YouTube and now it’s stuck in her head. The expert was teaching a couple in Tulsa about clutter-free life. Asked the wife where she wanted her crafts to live. Explained how using human verbs for objects would help the wife treat her crafts more respectfully instead of shoving them every which way into a drawer. Marjorie doesn’t remember the end of the video, but she does remember the wife’s shirt was so ugly it made her laugh. Turquoise and white stripes with a bedazzled flower where a chest pocket might go. After the video Marjorie thought it’s sad how helpless some people can be. She practices using the word live for objects. Frank’s tools live in the cabinet. The cabinet lives in the laundry room. The laundry room lives in the house, and the house lives thirty miles away from the closest bus station. To tell the truth Marjorie’s been sneaking more than sips from the laundry room freezer. It started as sips but now it’s more like gulps. Sometimes the gulps last ten seconds, sometimes up to fifteen.

Leila Register is a designer based in New York. On her desk is a framed print of a speech bubble that says “As If I Wasn’t Embarrassed Enough.” Her writing has appeared in Hobart, Rejection Letters, and Maudlin House

Categories
Across The Wire

No Junk

By Leila Register

There’s a lot of pressure on this thing to be no junk. That’s why I called it No Junk. That’s how life works. You name something the ideal name and it just happens that way for you. I feel terrible. I feel in trouble. I keep saying the wrong thing to the wrong person. Keep messing up facts in public. Last night I was at a table with strangers. One man wore a suit. I told him he looked like the movie The Graduate. He said his mom recently died and then I felt bad about what I said about the suit. There we all were. His mom and the suit and The Graduate. I asked him questions about his life. He said he wants to write but can’t. I said what happens when you try. He said I just get stuck. Today was supposed to be scattered storms but I look up and see the tree in front of my window and above it the blue sky and below that some leaves that look more yellow than green because of how the sun works. I read a lot of things everyday. I don’t mean books. I mean the internet where people share their ideas and worldview and images and sounds and terrible events. I also read stories but I have trouble finishing those. Sometimes the stories are on a website that is so ugly and depressing. Sometimes the lines are arranged in a way that makes the whole thing feel cheap and bad. Sometimes the words are broken up by a square advertisement on the right side of the screen. Sometimes the square advertisement is flashing. Sometimes whoever made the website decided to get creative with fonts. Sometimes all of this is happening at once and it makes me sink into an awful sadness. It makes me ask why am I doing this. Sometimes I read a story and I get to sentence three or four or five and I have to stop because things aren’t moving in a way I like. It’s hard to describe what it means for things to move in a way I like. It’s easier to describe what I don’t like. I don’t like when someone in a story does something “exasperatedly.” I don’t like when someone in a story tucks their hair behind their ear or giggles or “smiles sheepishly.” I don’t like the phrase “nothing special, really.” I know these are things people say and do in life and in the world but when someone does them in a story or essay it sounds fake and embarrassing. What does sheepish mean? Why would someone smile that way? I can’t imagine it. I don’t like anything I can’t picture or imagine.

___

Leila Register is a designer based in New York. On her desk is a framed print of a speech bubble that says “As If I Wasn’t Embarrassed Enough.” Her writing has appeared in Hobart, Rejection Letters, and Maudlin House.