By Jon Doughboy
The Oregon Coast in the year 2000. The dunes of a new millennium. In the backseat a younger he, high-school dropout, hitchhiking in search of adventure, seeking a sense of purpose, a coherent self, a fine young woman to write poems to and ogle with soulful, sensitive anguish. To worship. The northwest coast of conifer-studded sand, an alien land to the eyes of an east coast teen, child of highways and denuded hills, medians hosting deciduous trees in their death throes, blighted chestnuts and scraggly sumacs adorned with assorted trash. Sprawling condo developments sliding into polluted rivers. George Washington crossed here, no, there, well, also, probably here and don’t forget there.
NIN is playing. NIN was playing, then. Is playing, now, again, a twenty-three-year-old memory. The girl behind the wheel is singing along and staring in the rearview mirror, locking eyes with him, with the he of then, and singing “I want to fuck you like an animal.” It’s intoxicating, was intoxicating. He was scared. Horny. Aglow in the eyes of someone’s desire. Here is the hangover, still, residual radiation at age forty. But he didn’t like NIN because his friend’s older brother and schizoid drug dealer used to blast them out of waist-high speakers and they had to creep past his room as kids, tiptoeing cartoon spies hung on tenterhooks by his random acts of terror, until they were old enough to creep into the brother’s room to buy an overpriced eighth or take a hit from the gravity bong in a gray mop bucket in the corner, the plastic jug bobbing in it like a maimed apple.
“I wanna feel you from the inside,” she’s singing, his ride, the owner of the Astrovan, vehicle of choice for rubber tramps and kidnappers alike, trailing rust and coolant and cigarette butts along the Oregon Coast. How did he end up here? Bus from Connecticut to Chicago. Rideshare from Chicago to Billings. Hitching onward from there to Idaho. Three more rides, more drugs, more propositions, to Seattle, then south, some college kids, an old trucker who was obsessed with the lizardmen lying in conspiratorial caves across the southwest on the brink of a mass invasion. Where are these dunes, he’s wondering, was wondering, and the dunes were more than dunes, they were freedom, proof, despite his doubtful parents and even more doubtful teachers, that he could manage himself, handle the world, grab it by the balls and not get shaken loose like stray and feeble lint clinging to its sex-slicked pubic hairs.
“I want to fuck you like an animal” and he wondered and wonders what it would have felt like, fucking her, being fucked by her. She was thick and young but older than him, nearing twenty so to a sixteen-year-old, mature, experienced. Worldwise, sexwise. Where are these dunes? But her friend in the passenger seat is the one he was attracted to, desirous of. Eighteen, maybe. A fellow dropout, beautiful brown filthy hair, that hippie bounce, crown of leaves and grit and glitter.
Beyond the dunes, the sea. The Pacific Ocean. He’s never seen it before. Where do the currents lead? How far Hawaii, Japan? What’s beyond beyond? Is Bobby Darin alive and kicking, crooning there?
He’s looking—was looking, the younger him—out the windows, searching for the dunes, avoiding the confident and penetrating glare of the driver. Too much energy, too many hormones, the rush of uncertainty, youth, hope, angsty wonder. He wants to fuck! He wants to feel! Inside, outside. Like a man, an animal, like the ocean eroding the shore. He’s floating above the van—him, the one he’s become, middle-aged, sluggishly juggling debts and regrets—breathing in its fumes, white coolant and burned oil smog billowing out of a pitted muffler, the smoke of a thousand spit-soaked roaches, patchouli, peanut butter, Old English-soaked upholstery. The other, younger him, is restless in the backseat, nervous, looking for the dunes he cannot see, though from these heights, from the bird’s eye of time, they’re clear as day to the older one, undulating beige waves breaking on pine and spruce reefs. His younger self can’t hear the elder version’s urgent croaking. It’s muffled by the passing years. No matter how loud his older self yells. No matter how important or timely his advice. Time is a vacuum. Time is a room, a cell silent save for the click of the door as it locks behind you. Time is and was and will be.
NIN is blasting. The dunes are coming up. The dunes are here and gone. The lizardmen — who knows? — are thriving in their caves. The sixteen-year-old he is driven on, fueled by lust and pride and fear. The forty-year-old version drifts after him, an irrelevant flutter, weightless as a dream, howling mute warnings from a possible future. Somewhere, somewhen, beyond.
Jon Doughboy is a janitor at the Hrabal School of Embodied Poetics in Prague. Watch him pull some palavers out of the trash @doughboywrites